WASEDA RILAS JOURNAL No.4 (October, 2016)
- Posted
- 2016年11月10日(木)
ISSN：2187-8307
Cover
Article (Special Contribution)
Articles
- Fumihito ANDO
Natsume Sōseki and the Windsor Magazine as a source for his writings - Kei UMEDA
A Study of the Ruihyo Compendium in the Imperial Household archives: The appearance of indexes in the late early modern period and it intellcial background - Jiro KONDO
The Relief Fragment of Queen Tiye at the Royal Museums of Art and History, Brussels (E 2157) - Ryuta SAKAMOTO
Ornamentation of the Monastic Sacristy in Spain during the Seventeenth Century: Through the Examination of Series of Zurbarán’s Paintings - Lang XIAO
The Effects of Palace Tastes and Evolution to Folk: Researching the Tuan Guan Mural Images in Northern Song Dynasty Tombs
- Toshiko SHOJI
“Onna-e” in the Third Volume of Kagerō no nikki: Significance of the “Adopted Daughter’s Courtship” Entry
- Masayoshi JOKURA, Masatoshi YAMAFUJI, Yama NAWABI, Kazuya YAMAUCHI, Bakyt AMANBAEVA
Excavation at Ak-Beshim Site: A Preliminary Report of the 2015 Autumn Season - Shinko TANIGUCHI
The Concept of Loyalty in the Mid-Early-Modern Times in Japan: The Yamazaki Ansai School - Shenglan ZHANG
The Qing Dynasty’s Policy for “The Miao” and Their Traditional Social Leader - ChuHui CHEN
About the activities of making Ci 詞 around Nomura Koen 野村篁園 ̶̶ Poets in the Tempo Era̶ - Eriko TSUJI
Identification of the Patron of Agios Nikolaos Orphanos, Thessaloniki - Makiko TSUNEDA
Gender and Education in Translation: A Case Study of Arvède Barine’s Partial Translation of The Tale of Genji - Takashi NAGAO
Roberto Matta and P. D. Ouspensky: Spatialization of Time in the Fourth Dimension - Yama Ahmad NAWABI
A Non-Destructive Method for Archaeological Research using Ground Penetrating Radar: A Case Study in Chiba Prefecture, Japan - Mio NAMBA
Evolution of the Policy of Buddhism (仏教政策) during the Enryaku Period ( 延暦年間 ) ～ relations between Emperor Kanmu (桓武天皇) and Segyo (施暁) ～ - Yoshiko FUKUDA
The meaning of cell frescoes in the Convent of San Marco - Tomoyuki MASUDA
Celebration of the Number Three in the Church of Panagia Peribleptos, Ohrid - Tokuya MIYAGI
The First Choral Ode in Seneca’s Medea and the Tradition of Epithalamia - Maiko MIYASAKA
Fides in Plautus: Relationships defined by Fides - Akane MIYAZAKI
Harmony between Poem and Pictorial Image in Gaspard de la Nuit ̶̶ On “Premier Livre: École Flammande”- - Shin’nosuke MORI
The Mis-inserted Note in Hosshinshū: Focusing on the Thought at the End of Volume 6 - Yuki MORITA
Reconsideration of Picabia’s “Machinist Paintings”: Focusing on Voilà Haviland - Emi YAGISHITA
Michio Ito’s Dance Activities in the United States: His Career in Los Angeles - Takayuki YAMADA
An Analysis on Berenice Abbott’s “Changing New York”: People and Lives of the Heterogeneous City - Rappo GAETAN
Writing about the “heresy” of the Tachikawa Sect in prewar Japan – The origins of Inoue Kichijirō’s book “Monkan shōnin” and the influences of Mizuhara Gyōei
Special Feature “Proceeding of Invited Lecture at The 67th Japan Art History Society General Assembly” (Large Lecture Halls of the Okuma Memorial Lecture Hall, Waseda University, May 17, 2014)
Special Feature “Visible God, Invisible God -Rhetoric over the invisibility of God” (The 66th General Assembly The Japanese Society for Aesthetics in Toyama Campus of Waseda University, October 10, 2015)
- Tomoyuki MASUDA
Visual Rhetoric on the Invisible God - Toshihiro OSADA
Prayer and Reply. Representation of Invisible God in Ancient Greek Art - Yoko YAMAMOTO
On The Expressions and the Worships of Japanese Invisible Gods - Tadashi TANABE
From the Invisible to the Visible Buddha ̶̶ The Visualization and Origin of the Buddha Image ̶̶
Special Feature “Byzantine Cappadocia” (Sahoko Tsuji Memorial Lecture Series ̶Third Lecture, in Toyama Campus, Waseda University, March 27, 2016)
- Catherine Jolivet-Lévy (Translated by Tomoyuki MASUDA)
Paintings and Inscriptions in Cappadocia as a Source on the Audience