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高等研究所セミナーシリーズ
【ポスト・コロナ時代のグローバル・ヒストリー研究】公開講演会:
「Un/bounding the Great Wall: Sino-Japanese Documentary Media connections in the Long 1980s」(1/20)

高等研究所セミナーシリーズ
【ポスト・コロナ時代のグローバル・ヒストリー研究 “Global History” Studies in the post-corona era】公開講演会:Un/bounding the Great Wall: Sino-Japanese Documentary Media connections in the Long 1980s(1/20)

趣旨 / Abstract

Spanning the late 1970s and early 1990s, a series of coproduced documentaries featuring Japanese entities in partnership with China Central Television (CCTV), have emerged. Emblematic of the Sino-Japanese “techno-friendship,” these projects launched spectacular trans-China voyages undertaken by transnational film and television teams along the routes and territories across the Silk Road, the Yangtze River, and the Yellow River. This paper highlights the Great Wall project, encompassing CCTV’s Wang Changcheng (Odyssey of the Great Wall) and Tokyo Broadcasting System Television (TBS)’s Banri no chōjō (the Great Wall); both aired in 1991.

These projects arguably constitute an epistemological-technological nexus wherein the CCTV crews explore what could be documentary(-making) through/out the location shooting. Leveraging the nexus, the Japanese teams gain privileged access to locations and infrastructural networks, enabling them to configure a multilayered Sino-fantasy, underpinned by documentary epistephilia toward Chinese histories, cultural heritages, and post-Cultural Revolution conditions of the PRC.

I contemplate the Great Wall project’s dis/continuation of the techno-friendship mode. CCTV and TBS have used their journeys along the Great Wall territories to work through disparate landscape-affective assemblages while negotiating East Asian (post-)Cold War geopolitics. While the Sino-fantasy of Banri no chōjō is drastically reterritorialized by its studio-staged reportage on the Tiananmen Incident, Wang Changcheng reinvents a self-scrutinizing gaze upon “China” in the aftermath of Tian’anmen, innovatively realigning the political aesthetics of documentary (jilupian).

講演者 / Speaker:

馬然 (名古屋大学 人文学研究科 准教授)/ MA, Ran (Associate professor, Graduate School of Humanities, Nagoya University)

Ma Ran is an Associate Professor in “Japan-in-Asia” Cultural Studies and Screen Studies at Nagoya University, Japan. Her research interests revolve around the intersection of Inter-Asia studies, transnational film and screen cultures, and film festival studies, for which she has published book chapters and journal articles. Her current project focuses on the dynamics of translocality, infrastructure, and affect within the context of transnational media across East Asian locales. Ma is also the author of Independent Filmmaking across Borders in Contemporary Asia (Amsterdam University Press, 2019).

日 時 / Date & Time

2025年1月20日(月)16:00~18:00 / Jan 20, 2025 (Mon.) 16:00 – 18:00

会場 / Venue

会場:早稲田大学 戸山キャンパス33号館16階第10会議室)/

Room 10, 16th Floor, Building 33 Toyama Campus, Waseda University

プログラム

16:00~16:10 開会挨拶(飯山知保)
16:10~17:10 講演:
「Un/bounding the Great Wall: Sino-Japanese Documentary Media connections in the Long 1980s」(馬然)
17:10~17 :55 質疑応答
17:55~18:00 : 閉会挨拶

Program

16:00~16:10 Opening Remarks(IIYAMA, Tomoyasu)
16:10~17:10 Seminar:Un/bounding the Great Wall: Sino-Japanese Documentary Media connections in the Long 1980s(MA, Ran)
17:10~17 :55 Q&A
17:55~18 :00 Closing Remarks

司 会 / Moderator

飯山知保(早稲田大学文学学術院 教授)/ IIYAMA, Tomoyasu (Professor, Faculty of Letters, Arts and Sciences, Waseda University)

対 象 / Prospected Audience

学部生、大学院生、教員、研究者、一般/ Students, Graduate students, Faculty members, Research members, General participants

言 語 / Language

英語 / English

主 催 / Organizer

早稲田大学 高等研究所 / Waseda Institute for Advanced Studies (WIAS)

申込み/ Registration

要事前登録:参加ご希望の方は、下記の事前登録リンクよりお申込みください。

※定員になり次第受付を終了します。

Pre-registration is required:Please register using the pre-registration link below.

※Registration will close once capacity is reached.

https://form.run/@tyama–0xrGVucUssmrLZNLsxRf

 

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Dates
  • 0120

    MON
    2025

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Posted

Tue, 14 Jan 2025

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