{"id":8046,"date":"2021-08-30T10:55:53","date_gmt":"2021-08-30T01:55:53","guid":{"rendered":"https:\/\/www.waseda.jp\/inst\/wias\/?p=8046"},"modified":"2021-09-01T16:49:39","modified_gmt":"2021-09-01T07:49:39","slug":"%e9%ab%98%e7%ad%89%e7%a0%94%e7%a9%b6%e6%89%80%e3%82%bb%e3%83%9f%e3%83%8a%e3%83%bc%e3%82%b7%e3%83%aa%e3%83%bc%e3%82%ba-%e3%80%90%e6%96%b0%e3%81%97%e3%81%84%e4%b8%96%e7%95%8c%e5%8f%b2%e5%83%8f-8-5-13-11","status":"publish","type":"post","link":"https:\/\/www.waseda.jp\/inst\/wias\/news-en\/2021\/08\/30\/8046\/","title":{"rendered":"WIAS Top Runners\u2019 Lecture Collection “Resonating Across Oceanic Currents: A Maritime History of Popular Music in and from Japan, 1920s-1960s I” (10\/2)"},"content":{"rendered":"

WIAS Top Runners\u2019 Lecture Collection “Resonating Across Oceanic Currents: A Maritime History of Popular Music in and from Japan, 1920s-1960s I” (10\/2)<\/h4>\n

Statement of purpose<\/h5>\n

In what ways can we engage with the sea as a method in examining popular music history? How can we approach the global circulations of music through the multilateral modes of understanding a maritime history? What exactly are the ways through which we can decolonise the study of popular music in and beyond the West? The two-day symposia feature scholars working on the historical flows of popular music between Japan and multiple international locations. Deriving from the project \u2018Resonating Across Oceanic Currents (RAOC)\u2019, the symposia will explore the international music exchange involving Japan during the \u2018transwar\u2019 period. Above all, in conversation with current thinking about decoloniality, the symposia will engage with methodological and ethical means to investigate the maritime history of popular music in and from Japan during some of the most turbulent years of the twentieth century.<\/p>\n

Date<\/h5>\n

21:00-24:00, October 2, 2021 (JST)<\/p>\n

Location<\/h5>\n

Online (Zoom Webinar)<\/p>\n

Registration<\/h5>\n

https:\/\/us06web.zoom.us\/webinar\/register\/WN_Gt9pUJFsQ3ap3p6NMW251g<\/a><\/p>\n

Speakers<\/h5>\n

Chair:<\/strong> Hiromu Nagahara\u00a0(Associate Professor, MIT)
\nPresenters:<\/strong> Yuiko Asaba\u00a0(EU Marie Sk\u0142odowska-Curie Global Research Fellow & Senior Research Fellow,\u00a0University of Huddersfield), Hugh de Ferranti\u00a0(Professor, Tokyo Institute of Technology), Amane Kasai (Assistant Professor, WIAS), Karl Neuenfeldt\u00a0(Post Graduate Program, Murdoch University), Masao Nishimura\u00a0(Professor, Kwansei Gakuin University)
\nDiscussant:<\/strong> David R. M. Irving\u00a0(Research Professor, ICREA)<\/p>\n

Program<\/h5>\n

Opening remarks:<\/strong> Yuiko Asaba and Amane Kasai
\nIntroduction:<\/strong> Hiromu Nagahara
\n1.<\/strong> Karl Neuenfeldt \u2018The Maritime Labour-Music Interface in Australia\u2019s Historic Pearling Industry: Songs of Longing and Belonging\u2019
\n2.<\/strong> Hugh de Ferranti \u2018Music and the Japanese of \u2018Monsoon Australia\u2019, 1920s-1960s\u2019
\n3.<\/strong> Yuiko Asaba \u2018On \u2018Latin America\u2019 and Japanese Tango Musicians in Manchuria: A Transcultural History, 1935-1945\u2019
\n4.<\/strong> Amane Kasai \u2018Dubbed in Patois: Musical Mimicry Involving the Chinese in Wartime Japanese Popular Songs\u2019
\n5.<\/strong> Masao Nishimura \u2018When Will You Return: The Trans-border Tangos of \u2018Herijun Zailai\u2019\u2019
\nDiscussion:<\/strong> David R. M. Irving
\nClosing remarks:<\/strong> Yuiko Asaba and Amane Kasai
\n*The order is subject to change.<\/p>\n

Flyer<\/h5>\n

Click here.<\/a><\/p>\n

Organizers<\/h5>\n

Yuiko Asaba (University of Huddersfield) and Amane Kasai (WIAS)<\/p>\n

\"\"
\nThis project has received funding from the European Union\u2019s Horizon 2020 Research and Innovation Programme under the Marie Sk\u0142odowska-Curie grant agreement No 846143. The symposia are held as WIAS Top Runners\u2019 Lecture Collection, supported by Waseda Institute for Advanced Study.<\/p>\n

https:\/\/raocmus.com\/<\/a><\/p>\n

Reference<\/h5>\n

WIAS Top Runners\u2019 Lecture Collection “Resonating Across Oceanic Currents: A Maritime History of Popular Music in and from Japan, 1920s-1960s II” (10\/23)<\/a><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

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