{"id":22830,"date":"2026-07-07T15:03:33","date_gmt":"2026-07-07T06:03:33","guid":{"rendered":"https:\/\/www.waseda.jp\/inst\/wias\/?p=22830"},"modified":"2026-07-07T15:03:33","modified_gmt":"2026-07-07T06:03:33","slug":"%e9%ab%98%e7%ad%89%e7%a0%94%e7%a9%b6%e6%89%80%e3%82%bb%e3%83%9f%e3%83%8a%e3%83%bc%e3%82%b7%e3%83%aa%e3%83%bc%e3%82%ba-%e3%80%90%e6%96%b0%e3%81%97%e3%81%84%e4%b8%96%e7%95%8c%e5%8f%b2%e5%83%8f-8-5-1-5-5","status":"publish","type":"post","link":"https:\/\/www.waseda.jp\/inst\/wias\/news\/2026\/07\/07\/22830\/","title":{"rendered":"WAJDA AFTER IMAGES Intermedial Art, Political Aesthetics, and the Afterlives of Cinema (11\/21-22)"},"content":{"rendered":"

WAJDA AFTER IMAGES Intermedial Art, Political Aesthetics, and the Afterlives of Cinema
\nAn International Symposium on the Centenary of Andrzej Wajda\u2019s Birth (11\/21-22)<\/h2>\n

\u6982\u8981 \/ Overview<\/h5>\n

Marking the centenary of Andrzej Wajda\u2019s birth, this international symposium invites participants to reconsider Wajda not only as one of the defining figures of Polish and European cinema, but also as an intermedial artist whose work unfolds across film, literature, theatre, visual art, political history, and archival practice.<\/p>\n

Wajda\u2019s films are deeply rooted in literary adaptation, painterly composition, scenographic imagination, and the transformation of historical experience into visual and performative forms. His artistic language negotiates the relationships between word and image, stage and screen, documentary and fiction, as well as individual memory and collective history. Rather than approaching Wajda solely within the boundaries of film history, the symposium situates his work within broader discussions of artistic form, political aesthetics, cultural memory, and the circulation of images across media.<\/p>\n

The title Wajda After Images<\/em><\/strong> refers both to the enduring power of Wajda\u2019s images beyond their original historical moment and to the afterlives of cinema itself\u2014its transformations across theatre, visual art, exhibition practice, television, digital media, video games, and contemporary forms of memory culture.
\nThe symposium welcomes papers that address Wajda\u2019s work directly, as well as proposals that use his cinema as a point of departure for broader reflections on Polish, European, Japanese, and global visual culture. We are particularly interested in interdisciplinary approaches that examine cinema in relation to other media, institutions, archives, and political histories.<\/p>\n

\u767a\u8868\u8ad6\u6587\u52df\u96c6 \/ Call for Papers<\/h5>\n

\u52df\u96c6\u8981\u9805<\/a><\/p>\n

\u63d0\u51fa\u7de0\u5207<\/strong>: 2026\/08\/23
\n\u63a1\u629e\u901a\u77e5<\/strong>: 8\u6708\u4e0b\u65ec \/ 9\u6708\u4e0a\u65ec<\/p>\n

\u5fdc\u52df\u306e\u969b\u306f\u3001\u4e0b\u8a18\u306e\u30a2\u30c9\u30ec\u30b9\u307e\u3067\u63d0\u51fa\u7269\u3092\u9001\u4ed8\u3057\u3066\u304f\u3060\u3055\u3044\u3002<\/strong>
\npachciarek [at] aoni.waseda.jp\u3000\u203b [at] \u306f@\u306b\u7f6e\u304d\u63db\u3048\u3066\u304f\u3060\u3055\u3044\u3002<\/p>\n

\u30bf\u30a4\u30c8\u30eb\u5f62\u5f0f: Wajda After Images CFP \u2013 [Surname]<\/em><\/p>\n

Please submit the following materials:<\/p>\n