{"id":18409,"date":"2025-02-28T09:16:18","date_gmt":"2025-02-28T00:16:18","guid":{"rendered":"https:\/\/www.waseda.jp\/inst\/wias\/?p=18409"},"modified":"2025-02-28T09:16:18","modified_gmt":"2025-02-28T00:16:18","slug":"park-yuha-3-3-2-3-6-3-4-3-2-2-6-2-3-2-2","status":"publish","type":"post","link":"https:\/\/www.waseda.jp\/inst\/wias\/other\/2025\/02\/28\/18409\/","title":{"rendered":"VELONAKI, Mari"},"content":{"rendered":"<h5>\u540d\u524d<\/h5>\n<p>VELONAKI, Mari<\/p>\n<h5>\u6240\u5c5e\u6a5f\u95a2\u30fb\u8077<\/h5>\n<p>Professor, Director of Creative Robotics Lab &amp; Director of the National Facility for Human Robot Interaction Research, The University of New South Wales, Sydney, Australia<\/p>\n<h5>\u53d6\u5f97\u5b66\u4f4d<\/h5>\n<p>PhD; BFA Honors 1<sup>st<\/sup> class<\/p>\n<h5>\u7565\u6b74<\/h5>\n<table class=\"table table-bordered table-colored-tbhd\" style=\"height: 189px; width: 99.1416%; border-collapse: collapse;\" border=\"0\">\n<tbody>\n<tr style=\"height: 24px;\">\n<td style=\"width: 17.0005%; height: 26px;\"><strong>Education:<\/strong><\/td>\n<td style=\"width: 82.9996%; height: 26px;\"><\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"width: 17.0005%; height: 22px;\">2003<\/td>\n<td style=\"width: 82.9996%; height: 22px;\">PhD and BFA Honors Class 1, The University of New South Wales, Sydney, Australia<\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"width: 17.0005%; height: 24px;\"><strong>Academic Employment:<\/strong><\/td>\n<td style=\"width: 82.9996%; height: 24px;\"><\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"width: 17.0005%; height: 17px;\">2010-Present<\/td>\n<td style=\"width: 82.9996%; height: 17px;\">Creative Robotics Lab, AD, The University of New South Wales, Sydney, Australia<\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"width: 17.0005%; height: 24px;\">2003-2010<\/td>\n<td style=\"width: 82.9996%; height: 24px;\">Australian Centre for Field Robotics, The University of New South Wales, Sydney, Australia<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h5>\u7814\u7a76\u30c6\u30fc\u30de<\/h5>\n<p>Human robot interaction; creative robotics; new interfaces.<\/p>\n<h5>\u7814\u7a76\u9805\u76ee<\/h5>\n<p>Human Robot Interaction; novel interfaces, autonomous advisory systems.<\/p>\n<h5>\u4e3b\u306a\u7814\u7a76\u696d\u7e3e<\/h5>\n<p><strong><u>Chapters in Books<\/u><\/strong><\/p>\n<ul>\n<li><strong>M. Velonaki<\/strong>, Robotics, in Paul Thomas, ed. <em>Encyclopaedia of New Media Art<\/em>, vol. 2: Artists &amp; Practice, Bloomsbury, in press 2024.<\/li>\n<li><strong>M. Velonaki<\/strong>. Diamandini revisited &#8211; design principles for a cultural robot. In Lupetti ML,\u00a0Zaga C,\u00a0Cila N,\u00a0\u0160abanovi\u0107 S,\u00a0Jung MF, <em>Designing Interactions with Robots: Methods and Perspectives<\/em>, CRC Press\u00a028 Nov 2024<\/li>\n<li>F.A. Robinson, O. Bown &amp; <strong>M. Velonaki<\/strong>. The robot soundscape. In B.J. Dunstan, J.T.K.V. Koh, D. Turnbull Tillman, and S.A. Brown (eds.), <em>Cultural Robotics: Social Robots and Their Emergent Cultural Ecologies<\/em>, 35\u201365, Springer Nature, 2023<\/li>\n<\/ul>\n<p><strong><u>Journal Articles<\/u><\/strong><\/p>\n<ul>\n<li>F. Robinson, H. Pelikan, K. Watanabe, L. Damiano, O. Bown &amp; <strong>M. Velonaki<\/strong>. Introduction to the special issue on sound in human-robot interaction, <em>ACM Transactions on Human-Robot Interaction<\/em>, 12 (4),1-5, 2023<\/li>\n<li>F.A. Robinson, O. Bown &amp; <strong>M. Velonaki<\/strong>. Designing sound for social robots: Candidate design principles. <em>International Journal of Social Robotics<\/em> 14(6), 1507\u20131525<\/li>\n<\/ul>\n<h5>\u8da3\u5473\u3000\u95a2\u5fc3<\/h5>\n<p>Martial arts; mountain biking; collector of niche perfumes.<\/p>\n<h5>\u6240\u5c5e\u5b66\u4f1a<\/h5>\n<p>Adjunct professor at: the University of Sydney, and at Waseda University<\/p>\n<h5>\u53d7\u8cde\u6b74<\/h5>\n<p>Professor Velonaki has received numerous research awards including Australia Research Council Fellowships; Australia Council of the Arts: Visual Arts Fellowship Award; Anne Landa Award for Video and New Media Arts (finalist); Future Everything Award, Manchester UK, (finalist). Premier of Queensland\u2019s National New Media Art Award Exhibition, finalist, Queensland Art Gallery &#8211; Gallery of Modern Art, Brisbane, for the interactive work <em>Fragile Balances<\/em>.; National Digital Art Award 1999, awarded by the Institute of Modern Art, Brisbane, for the interactive work.<\/p>\n<h5>HP<\/h5>\n<p><a href=\"https:\/\/hri.edu.au\/\">https:\/\/hri.edu.au\/<\/a><\/p>\n<p><a href=\"https:\/\/www.unsw.edu.au\/arts-design-architecture\/our-schools\/art-design\/research\/centres-labs\/creative-robotics-lab\">https:\/\/www.unsw.edu.au\/arts-design-architecture\/our-schools\/art-design\/research\/centres-labs\/creative-robotics-lab<\/a><\/p>\n<p><a href=\"http:\/\/marivelonaki.com\">http:\/\/marivelonaki.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u540d\u524d VELONAKI, Mari \u6240\u5c5e\u6a5f\u95a2\u30fb\u8077 Professor, Director of Creative Robotics Lab &amp; Director of the National Facility  [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":18435,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[96],"tags":[],"class_list":["post-18409","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-other"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/posts\/18409","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/comments?post=18409"}],"version-history":[{"count":1,"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/posts\/18409\/revisions"}],"predecessor-version":[{"id":18417,"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/posts\/18409\/revisions\/18417"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/media\/18435"}],"wp:attachment":[{"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/media?parent=18409"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/categories?post=18409"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/tags?post=18409"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}