{"id":17185,"date":"2025-01-14T09:08:37","date_gmt":"2025-01-14T00:08:37","guid":{"rendered":"https:\/\/www.waseda.jp\/inst\/wias\/?p=17185"},"modified":"2025-01-14T09:22:36","modified_gmt":"2025-01-14T00:22:36","slug":"%e9%ab%98%e7%ad%89%e7%a0%94%e7%a9%b6%e6%89%80%e3%82%bb%e3%83%9f%e3%83%8a%e3%83%bc%e3%82%b7%e3%83%aa%e3%83%bc%e3%82%ba-%e3%80%90%e6%96%b0%e3%81%97%e3%81%84%e4%b8%96%e7%95%8c%e5%8f%b2%e5%83%8f-8-5-1-15","status":"publish","type":"post","link":"https:\/\/www.waseda.jp\/inst\/wias\/news\/2025\/01\/14\/17185\/","title":{"rendered":"\u9ad8\u7b49\u7814\u7a76\u6240\u30bb\u30df\u30ca\u30fc\u30b7\u30ea\u30fc\u30ba <br>\u3010\u30dd\u30b9\u30c8\u30fb\u30b3\u30ed\u30ca\u6642\u4ee3\u306e\u30b0\u30ed\u30fc\u30d0\u30eb\u30fb\u30d2\u30b9\u30c8\u30ea\u30fc\u7814\u7a76\u3011\u516c\u958b\u8b1b\u6f14\u4f1a\uff1a<br>\u300cUn\/bounding the Great Wall: Sino-Japanese Documentary Media connections in the Long 1980s\u300d\uff081\/20\uff09<br\/>"},"content":{"rendered":"<h2>\u9ad8\u7b49\u7814\u7a76\u6240\u30bb\u30df\u30ca\u30fc\u30b7\u30ea\u30fc\u30ba<br \/>\n\u3010\u30dd\u30b9\u30c8\u30fb\u30b3\u30ed\u30ca\u6642\u4ee3\u306e\u30b0\u30ed\u30fc\u30d0\u30eb\u30fb\u30d2\u30b9\u30c8\u30ea\u30fc\u7814\u7a76\u3000\u201cGlobal History\u201d Studies in the post-corona era\u3011\u516c\u958b\u8b1b\u6f14\u4f1a\uff1aUn\/bounding the Great Wall: Sino-Japanese Documentary Media connections in the Long 1980s\uff081\/20\uff09<\/h2>\n<h5>\u8da3\u65e8 \/ Abstract<\/h5>\n<p>Spanning the late 1970s and early 1990s, a series of coproduced documentaries featuring Japanese entities in partnership with China Central Television (CCTV), have emerged. Emblematic of the Sino-Japanese \u201ctechno-friendship,\u201d these projects launched spectacular trans-China voyages undertaken by transnational film and television teams along the routes and territories across the Silk Road, the Yangtze River, and the Yellow River. This paper highlights the Great Wall project, encompassing CCTV\u2019s <em>Wang Changcheng<\/em> (Odyssey of the Great Wall) and Tokyo Broadcasting System Television (TBS)\u2019s <em>Banri no ch\u014dj\u014d<\/em> (the Great Wall); both aired in 1991.<\/p>\n<p>These projects arguably constitute an epistemological-technological nexus wherein the CCTV crews explore what could be documentary(-making) through\/out the location shooting. Leveraging the nexus, the Japanese teams gain privileged access to locations and infrastructural networks, enabling them to configure a multilayered Sino-fantasy, underpinned by documentary epistephilia toward Chinese histories, cultural heritages, and post-Cultural Revolution conditions of the PRC.<\/p>\n<p>I contemplate the Great Wall project\u2019s dis\/continuation of the techno-friendship mode. CCTV and TBS have used their journeys along the Great Wall territories to work through disparate landscape-affective assemblages while negotiating East Asian (post-)Cold War geopolitics. While the Sino-fantasy of <em>Banri no ch\u014dj\u014d<\/em> is drastically reterritorialized by its studio-staged reportage on the Tiananmen Incident, <em>Wang Changcheng<\/em> reinvents a self-scrutinizing gaze upon \u201cChina\u201d in the aftermath of Tian\u2019anmen, innovatively realigning the political aesthetics of documentary (<em>jilupian<\/em>).<\/p>\n<h5>\u8b1b\u6f14\u8005 \/ Speaker\uff1a<\/h5>\n<p><strong><a href=\"https:\/\/profs.provost.nagoya-u.ac.jp\/html\/100007162_ja.html\">\u99ac\u7136<\/a> <\/strong>\uff08\u540d\u53e4\u5c4b\u5927\u5b66 \u4eba\u6587\u5b66\u7814\u7a76\u79d1\u3000\u51c6\u6559\u6388\uff09\/ <a href=\"https:\/\/profs.provost.nagoya-u.ac.jp\/html\/100007162_en.html\">MA, Ran<\/a>\u3000\uff08Associate professor, Graduate School of Humanities, Nagoya University\uff09<\/p>\n<p>Ma Ran is an Associate Professor in \u201cJapan-in-Asia\u201d Cultural Studies and Screen Studies at Nagoya University, Japan. Her research interests revolve around the intersection of Inter-Asia studies, transnational film and screen cultures, and film festival studies, for which she has published book chapters and journal articles. Her current project focuses on the dynamics of translocality, infrastructure, and affect within the context of transnational media across East Asian locales. Ma is also the author of\u00a0<em>Independent Filmmaking across Borders in Contemporary Asia<\/em>\u00a0(Amsterdam University Press, 2019).<\/p>\n<h5>\u65e5\u3000\u6642 \/ Date &amp; Time<\/h5>\n<p>2025\u5e741\u670820\u65e5\uff08\u6708\uff0916:00\uff5e18:00 \/ Jan 20, 2025 (Mon.) 16:00 \u2013 18:00<\/p>\n<h5>\u4f1a\u5834 \/ Venue<\/h5>\n<p><b>\u4f1a\u5834\uff1a\u65e9\u7a32\u7530\u5927\u5b66 \u6238\u5c71\u30ad\u30e3\u30f3\u30d1\u30b9<strong>33\u53f7\u992816\u968e\u7b2c10\u4f1a\u8b70\u5ba4<\/strong>\uff09\/<\/b><\/p>\n<p><b>Room 10, 16<\/b><b>th<\/b><b> Floor, Building 33 Toyama Campus, <\/b><b><\/b><b>Waseda University<\/b><\/p>\n<h5>\u30d7\u30ed\u30b0\u30e9\u30e0<\/h5>\n<p><strong>16:00\uff5e16:10<\/strong>\u3000\u958b\u4f1a\u6328\u62f6\uff08\u98ef\u5c71\u77e5\u4fdd\uff09<br \/>\n<strong>16:10\uff5e17:10<\/strong>\u3000\u8b1b\u6f14\uff1a<br \/>\n\u300cUn\/bounding the Great Wall: Sino-Japanese Documentary Media connections in the Long 1980s\u300d\uff08\u99ac\u7136\uff09<br \/>\n<strong>17:10\uff5e17 <\/strong><strong>:55<\/strong>\u3000\u8cea\u7591\u5fdc\u7b54<br \/>\n<strong>17:55\uff5e18:00 <\/strong><strong>:<\/strong>\u3000\u9589\u4f1a\u6328\u62f6<\/p>\n<h5>Program<\/h5>\n<p><strong>16:00\uff5e16:10<\/strong>\u3000Opening Remarks\uff08IIYAMA, Tomoyasu\uff09<br \/>\n<strong>16:10\uff5e17:10<\/strong>\u3000Seminar\uff1aUn\/bounding the Great Wall: Sino-Japanese Documentary Media connections in the Long 1980s\uff08MA, Ran\uff09<br \/>\n<strong>17:10\uff5e17 <\/strong><strong>:55<\/strong>\u3000Q\uff06A<br \/>\n<strong>17:55\uff5e18 <\/strong><strong>:00<\/strong>\u3000Closing Remarks<\/p>\n<h5>\u53f8\u3000\u4f1a \/ Moderator<\/h5>\n<p><a href=\"https:\/\/w-rdb.waseda.jp\/html\/100000900_ja.html\">\u98ef\u5c71\u77e5\u4fdd<\/a>\uff08\u65e9\u7a32\u7530\u5927\u5b66\u6587\u5b66\u5b66\u8853\u9662\u3000\u6559\u6388\uff09\/ <a href=\"https:\/\/w-rdb.waseda.jp\/html\/100000900_en.html\">IIYAMA, Tomoyasu<\/a> (Professor, Faculty of Letters, Arts and Sciences, Waseda University)<\/p>\n<h5>\u5bfe\u3000\u8c61 \/ Prospected Audience<\/h5>\n<p>\u5b66\u90e8\u751f\u3001\u5927\u5b66\u9662\u751f\u3001\u6559\u54e1\u3001\u7814\u7a76\u8005\u3001\u4e00\u822c\/ Students, Graduate students, Faculty members, Research members, General participants<\/p>\n<h5>\u8a00\u3000\u8a9e \/ Language<\/h5>\n<p>\u82f1\u8a9e \/ English<\/p>\n<h5>\u4e3b\u3000\u50ac \/ Organizer<\/h5>\n<p>\u65e9\u7a32\u7530\u5927\u5b66 \u9ad8\u7b49\u7814\u7a76\u6240 \/ Waseda Institute for Advanced Studies (WIAS)<\/p>\n<h5>\u7533\u8fbc\u307f\/ Registration<\/h5>\n<p>\u8981\u4e8b\u524d\u767b\u9332\uff1a\u53c2\u52a0\u3054\u5e0c\u671b\u306e\u65b9\u306f\u3001\u4e0b\u8a18\u306e\u4e8b\u524d\u767b\u9332\u30ea\u30f3\u30af\u3088\u308a\u304a\u7533\u8fbc\u307f\u304f\u3060\u3055\u3044\u3002<\/p>\n<p>\u203b\u5b9a\u54e1\u306b\u306a\u308a\u6b21\u7b2c\u53d7\u4ed8\u3092\u7d42\u4e86\u3057\u307e\u3059\u3002<\/p>\n<p>Pre-registration is required\uff1aPlease register using the pre-registration link below.<\/p>\n<p>\u203bRegistration will close once capacity is reached.<\/p>\n<p><a href=\"https:\/\/form.run\/@tyama--0xrGVucUssmrLZNLsxRf\"><strong>https:\/\/form.run\/@tyama&#8211;0xrGVucUssmrLZNLsxRf<\/strong><\/a><\/p>\n<p>&nbsp;<\/p>\n<h5>\u30dd\u30b9\u30bf\u30fc<\/h5>\n<p><a href=\"https:\/\/www.waseda.jp\/inst\/wias\/assets\/uploads\/2024\/12\/eaba8105709d8158a5f48a5a0a420a86-1.pdf\">PDF<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.waseda.jp\/inst\/wias\/assets\/uploads\/2024\/12\/eaba8105709d8158a5f48a5a0a420a86-1.jpg\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u9ad8\u7b49\u7814\u7a76\u6240\u30bb\u30df\u30ca\u30fc\u30b7\u30ea\u30fc\u30ba \u3010\u30dd\u30b9\u30c8\u30fb\u30b3\u30ed\u30ca\u6642\u4ee3\u306e\u30b0\u30ed\u30fc\u30d0\u30eb\u30fb\u30d2\u30b9\u30c8\u30ea\u30fc\u7814\u7a76\u3000\u201cGlobal History\u201d Studies in the post-corona era\u3011\u516c\u958b\u8b1b\u6f14\u4f1a\uff1aUn\/bounding the G [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":2764,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[24,26,28],"class_list":["post-17185","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-events","tag-general","tag-research"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/posts\/17185","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/comments?post=17185"}],"version-history":[{"count":2,"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/posts\/17185\/revisions"}],"predecessor-version":[{"id":17576,"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/posts\/17185\/revisions\/17576"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/media\/2764"}],"wp:attachment":[{"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/media?parent=17185"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/categories?post=17185"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/tags?post=17185"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}