{"id":16624,"date":"2024-10-10T11:46:50","date_gmt":"2024-10-10T02:46:50","guid":{"rendered":"https:\/\/www.waseda.jp\/inst\/wias\/?p=16624"},"modified":"2024-10-11T09:50:55","modified_gmt":"2024-10-11T00:50:55","slug":"park-yuha-3-3-2-3-6-3-4-3-2-2-2","status":"publish","type":"post","link":"https:\/\/www.waseda.jp\/inst\/wias\/other-en\/2024\/10\/10\/16624\/","title":{"rendered":"KAFFEN, Philip"},"content":{"rendered":"<h5>Name<\/h5>\n<p>KAFFEN, Philip<\/p>\n<h5>Position and Affiliated Institution<\/h5>\n<p>Associate Professor, University of North Carolina, Charlotte<\/p>\n<h5>Degree<\/h5>\n<p>Ph.D.<\/p>\n<h5>Education<\/h5>\n<table class=\"table table-bordered table-colored-tbhd\" style=\"height: 108px; width: 99.1416%; border-collapse: collapse;\" border=\"0\">\n<tbody>\n<tr style=\"height: 24px;\">\n<td style=\"width: 12.366%; height: 28px;\">2011<\/td>\n<td style=\"width: 87.6341%; height: 28px;\">Ph.D.\u00a0 \u00a0<strong>New York University<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"width: 12.366%; height: 28px;\">2004<\/td>\n<td style=\"width: 87.6341%; height: 28px;\">MA\u3000<strong>University of\u00a0 Washington<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"width: 12.366%; height: 26px;\">1994<\/td>\n<td style=\"width: 87.6341%; height: 26px;\">BA\u3000 <strong>San Jose State University<\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h5>Research Topic<\/h5>\n<p>Film &amp; media theory, war and technology, aesthetics, phenomenology, philosophy of life\/ecology, animation, new\u30fbdigital media<\/p>\n<h5>Fields of Research Interests<\/h5>\n<p>Film &amp; Media Studies, Intellectual History\/Philosophy, Cultural Studies, Area Studies<\/p>\n<h5>Academic Publication<\/h5>\n<p><strong>Books (Authored\/Edited)<\/strong><\/p>\n<ul>\n<li>\u201cTranslating Grace, Magnifying Glass: Reframing Spectatorship in <em>Like Someone in Love<\/em>,\u201d in <em>Screen<\/em>, vol. 63, no. 2 (Summer 2022), 206-229.<\/li>\n<li>\u201cImage Romanticism and Japanese Cinema\u201d in <em>The Journal of Japanese and Korean Cinema.<\/em> 2022, 1-19.<\/li>\n<li>\u201cThe Topos of Jidaigeki,\u201d <em>The Japanese Cinema Book, <\/em>Alastair Phillips and Fujiki Hideaki. (London: Palgrave\/BFI ) February 2020, 285-297.<\/li>\n<li>\u201cThe Cinematic Imperative: Nakai Masakazu and the Responsibility of Cinema,\u201d <em>positions<\/em>: <em>asia critique<\/em>. Vol. 26, No. 3. August 2018, pp 483-515.<\/li>\n<li>&#8220;In Time for the War:3\/11 After Cinema,&#8221; in<em> Planetary Atmospheres and Urban Society After Fukushima, Japan<\/em>, Christphe Thouny and Mitsuhiro Yoshimoto, ed.(London:Palgrave McMillan,2016), 169-194<\/li>\n<\/ul>\n<h5>Affiliated Academic Organizations<\/h5>\n<p>SCMS &#8211; Society for Cinema &amp; Media Studies<\/p>\n<h5>Other Interests<\/h5>\n<p>Music Hiking (urban\/rural), photography, fashion<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Name KAFFEN, Philip Position and Affiliated Institution Associate Professor, University of North Carolina, Cha [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":16627,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[97],"tags":[],"class_list":["post-16624","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-other-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/posts\/16624","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/comments?post=16624"}],"version-history":[{"count":2,"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/posts\/16624\/revisions"}],"predecessor-version":[{"id":16670,"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/posts\/16624\/revisions\/16670"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/media\/16627"}],"wp:attachment":[{"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/media?parent=16624"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/categories?post=16624"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/tags?post=16624"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}