PILUTTI NAMER, Myriam<\/p>\n
Post-Doc Researcher and Adjunct Professor, Ca\u2019 Foscari University of Venice, Italy<\/p>\n
PhD in Archaeology and Art History<\/p>\n
Education:<\/strong><\/td>\n| <\/td>\n<\/tr>\n | 2013<\/td>\n | PhD in Archaeology and Art History<\/strong>, Scuola Normale Superiore, Pisa, Italy<\/td>\n<\/tr>\n | 2009<\/td>\n | MA in Classical Archaeology<\/strong>, Ca\u2019 Foscari University of Venice, Italy<\/td>\n<\/tr>\n | 2006<\/td>\n | BA in Cultural Heritage Conservation<\/strong>, Ca\u2019 Foscari University of Venice, Italy<\/td>\n<\/tr>\n | Academic Employment:<\/strong><\/td>\n | <\/td>\n<\/tr>\n | present position<\/td>\n | Post-Doc Researcher<\/strong>, Ca\u2019 Foscari University of Venice, Department of Humanities<\/td>\n<\/tr>\n | 2021-2023<\/td>\n | Visiting Professor<\/strong>, UIBE, Beijing, PRC<\/td>\n<\/tr>\n | 2020-2021<\/td>\n | Adjunct Professor<\/strong>, Sydney University, Australia (Winter Summer School in Venice)<\/td>\n<\/tr>\n | 2018-2020 (2022)<\/td>\n | Getty-Project Scholar<\/strong>, Mediterranean Palimpsests: Connecting the Art and Architectural Histories of Medieval & Early Modern Cities (in collaboration with The Cyprus Institute and University of Illinois at Urbana-Champaign, USA)<\/td>\n<\/tr>\n | 2018-2019; 2023<\/td>\n | Adjunct Professor<\/strong>, Harvard University, USA (Ca\u2019 Foscari-Harvard Summer School)<\/td>\n<\/tr>\n | 2016-2018<\/td>\n | Post-Doc Researcher<\/strong>, Scuola Normale Superiore, Pisa, Italy<\/td>\n<\/tr>\n | 2014-2016<\/td>\n | Post-Doc Fellow<\/strong>, Italian Historical Institute, Naples, Italy<\/td>\n<\/tr>\n | 2014<\/td>\n | MBA<\/strong> in International Business and Cultural Economics, MIB School of Management, Trieste, Italy and Lingnan College, Sun Yat-sen University, Guangzhou, PRC<\/td>\n<\/tr>\n | 2013<\/td>\n | Post-Doc Fellow<\/strong>, Vittore Branca Centre, Giorgio Cini Foundation, Venice, Italy<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n | Research Topic<\/h5>\nThe remains of the past in the eyes of Japanese travelers to Italy (19th <\/sup>\u2013 20th<\/sup> century)<\/p>\n Classical Art and Archaeology, Venetian Art and Archeology, Italian Arts and Culture, European Cultural Heritage<\/p>\n Conservation and Restoration Science: at the Venetian Institute for Cultural Heritage, Venice, Italy, I am responsible for coordinating cultural project concerning the conservation and restoration of diverse archaeological materials and artworks<\/p>\n |