{"id":15422,"date":"2024-04-01T08:00:22","date_gmt":"2024-03-31T23:00:22","guid":{"rendered":"https:\/\/www.waseda.jp\/inst\/wias\/?p=15422"},"modified":"2025-08-27T09:34:15","modified_gmt":"2025-08-27T00:34:15","slug":"%e7%a7%8b%e5%b1%b1-%e5%be%b9-2-6-2-5-23","status":"publish","type":"post","link":"https:\/\/www.waseda.jp\/inst\/wias\/other-en\/2024\/04\/01\/15422\/","title":{"rendered":"MATSUO, Risa"},"content":{"rendered":"<h5>Name<\/h5>\n<p>MATSUO, Risa<\/p>\n<h5>Degree<\/h5>\n<p>Ph.D. in Comparative Literature and Culture<\/p>\n<h5>HP (URL)<\/h5>\n<p><a href=\"https:\/\/www.fmsh.fr\/en\/researchers\/risa-matsuo\">https:\/\/www.fmsh.fr\/en\/researchers\/risa-matsuo<\/a><\/p>\n<h5>Status<\/h5>\n<p>Assistant Professor<\/p>\n<h5>Research Topic<\/h5>\n<p>The Intersection of Chopin, Sand, Mickiewicz, and La Mennais: A Comparative Study of Literature,\u00a0Music, and Ideology in Poland and France in the 1830\/40s.<\/p>\n<p>This study examines the <em>Fantaisies<\/em> that Fryderyk Chopin wrote intensively in the 1840s through a comparative analysis with the works of two artists who were close to him \uff0dthe French novelist George Sand and the Lithuanian-Polish poet Adam Mickiewicz. By unraveling the ideas they shared across nationalities, genders, languages, and artistic genres, it will lead to consideration of various issues in the modern world (international conflicts, emigration, religious issues, etc.).<\/p>\n<h5>Monthly Spotlight<\/h5>\n<p>[Monthly Spotlight] is focusing on a researcher to introduce his\/her research.<br \/>\n<a href=\"https:\/\/www.waseda.jp\/inst\/wias\/news-en\/2025\/04\/25\/18966\/\">\u201cFantasy\u201d according to Fryderyk Chopin: A Comparative Study Using Subjects by George Sand and Adam Mickiewicz<\/a><\/p>\n<h5>Education and Academic Employment<\/h5>\n<p><strong>Education<\/strong><\/p>\n<table class=\"table table-striped table-chronology table-colored-tbhd\" style=\"width: 100%; border-collapse: collapse; height: 92px;\" border=\"0\">\n<tbody>\n<tr style=\"height: 23px;\">\n<td style=\"width: 17.1004%; height: 23px;\">2018<\/td>\n<td style=\"width: 82.8996%; height: 23px;\">Ph.D. in Comparative Literature and Culture, University of Tokyo<\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 17.1004%; height: 23px;\">2010-2013<\/td>\n<td style=\"width: 82.8996%; height: 23px;\">Overseas Student in the Institute of Musicology, University of Warsaw<\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 17.1004%; height: 23px;\">2010<\/td>\n<td style=\"width: 82.8996%; height: 23px;\">M.A. in Comparative Literature and Culture, University of Tokyo<\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 17.1004%; height: 23px;\">2008<\/td>\n<td style=\"width: 82.8996%; height: 23px;\">B.A. in Aesthetics, Keio University<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><strong>Academic Employment<\/strong><\/p>\n<table class=\"table table-striped table-chronology table-colored-tbhd\" style=\"width: 100%; border-collapse: collapse; height: 138px;\" border=\"0\">\n<tbody>\n<tr style=\"height: 23px;\">\n<td style=\"width: 17.1004%; height: 23px;\">2022-2024.3<\/td>\n<td style=\"width: 82.8996%; height: 23px;\">JSPS Overseas Research Fellow (Centre d&#8217;\u00c9tudes et de Recherches Comparatistes (CERC), Universit\u00e9 Sorbonne Nouvelle)<\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 17.1004%; height: 23px;\">2022<\/td>\n<td style=\"width: 82.8996%; height: 23px;\">Part-Time Lecturer (Comparative Arts \/ Polish language), Toyo University<\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 17.1004%; height: 23px;\">2020<\/td>\n<td style=\"width: 82.8996%; height: 23px;\">Part-Time Lecturer (Musicology), Hitotsubashi University Graduate School<\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 17.1004%; height: 23px;\">2018-2021<\/td>\n<td style=\"width: 82.8996%; height: 23px;\">JSPS Postdoctoral Fellow (Graduate School of Language and Society, Hitotsubashi University)<\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 17.1004%; height: 23px;\">2018<\/td>\n<td style=\"width: 82.8996%; height: 23px;\">Part-Time Lecturer (Music and Arts), Musashino University<\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 17.1004%; height: 23px;\">2010-2013<\/td>\n<td style=\"width: 82.8996%; height: 23px;\">JSPS DC1 Fellow (Department of Comparative Literature and Culture, University of Tokyo)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h5>Fields of Research Interests<\/h5>\n<p>Chopin, Sand, Mickiewicz, fantaisie, Polish literature, French literature, Great Emigration, literature and music<\/p>\n<h5>Academic Publications<\/h5>\n<p>[Books]<\/p>\n<ul>\n<li>Risa Matsuo, <a href=\"https:\/\/www.u-tokyo.ac.jp\/biblioplaza\/en\/A_00147.html\"><em>Chopin no Shigaku (Chopin&#8217;s Poetics &#8211; From Literary Ballade to Piano Ballade)<\/em><\/a>, Misuzu Shobo, Ltd., 2019.<\/li>\n<\/ul>\n<p>[Selection of Articles]<\/p>\n<ul>\n<li>Risa Matsuo, &#8220;Fantaisie&#8221; by Fryderyk Chopin: A Study on the Relationship with French and Polish Literary Works,\u201d <em>Research Report of Tokyo Section<\/em>, Japan Comparative Literature Association, no. 20, 2023.\u3010To be published in March 2024\u3011<\/li>\n<li>Risa Matsuo, &#8220;<a href=\"https:\/\/apcz.umk.pl\/LC\/article\/view\/40773\/33610\">Aspekty dramatyzacji w balladach Fryderyka Chopina w odniesieniu do form romantycznej ballady literackiej<\/a>,&#8221; <em>Litteraria Copernicana<\/em>, vol. 43, no. 3, 2022, pp. 149-163.<\/li>\n<li>Risa Matsuo, &#8220;<a href=\"https:\/\/hal.science\/hal-03897428\">Paroles et musique pour Lutos\u0142awski : article illustr\u00e9 par des po\u00e8mes de I\u0142\u0142akowicz\u00f3wna<\/a>,&#8221; <em>Slavia Iaponica = Studies in Slavic languages and literatures<\/em>, vol. 24, 2021, pp. 77-103.<\/li>\n<li>Risa Matsuo, \u201c<a href=\"https:\/\/www.jstage.jst.go.jp\/article\/ongakugaku\/61\/1\/61_KJ00010256922\/_article\/-char\/en\">Z g\u00f3r, gdzie d\u017awigali: Chopin&#8217;s Song Interpreted by the Poem of Krasi\u0144ski<\/a>,&#8221; <em>Journal of the Musicological Society of Japan<\/em>, vol. 61, no. 1, 2015, pp. 16-34.<\/li>\n<\/ul>\n<h5>Other Interests<\/h5>\n<p>Steelband from Trinidad and Tobago<\/p>\n<h5>Affiliated Academic Organizations<\/h5>\n<p>Musicological Society of Japan (MSJ)<br \/>\nJapan Comparative Literature Association (JCLA)<br \/>\nInternational Comparative Literature Association (ICLA &#8211; AILC)<br \/>\nJapan Society for the Study of Slavic Languages and Literatures (JSSSLL)<\/p>\n<h5>Awards<\/h5>\n<p><strong>November 2020<\/strong>: The 25th Japan Comparative Literature Association Award<br \/>\n<strong>June 2020: <\/strong>2018-19 Encouragement award of the Japan Society for the Study of Slavic Languages and Literatures<br \/>\n<strong>October 1999: <\/strong>2nd Prize of the 53th Student Music Concours of Japan (Piano Category in Fukuoka)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Name MATSUO, Risa Degree Ph.D. in Comparative Literature and Culture HP (URL) https:\/\/www.fmsh.fr\/en\/researche [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":15213,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[97],"tags":[],"class_list":["post-15422","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-other-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/posts\/15422","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/comments?post=15422"}],"version-history":[{"count":2,"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/posts\/15422\/revisions"}],"predecessor-version":[{"id":19986,"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/posts\/15422\/revisions\/19986"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/media\/15213"}],"wp:attachment":[{"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/media?parent=15422"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/categories?post=15422"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/tags?post=15422"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}