{"id":11619,"date":"2022-11-09T15:47:32","date_gmt":"2022-11-09T06:47:32","guid":{"rendered":"https:\/\/www.waseda.jp\/inst\/wias\/?p=11619"},"modified":"2022-11-16T15:30:10","modified_gmt":"2022-11-16T06:30:10","slug":"wias-15th-anniversary-symposiumday-2%e3%83%bbroundtable-1","status":"publish","type":"post","link":"https:\/\/www.waseda.jp\/inst\/wias\/news\/2022\/11\/09\/11619\/","title":{"rendered":"WIAS 15th Anniversary Symposium<\/br>DAY 2\u30fbRoundtable 3"},"content":{"rendered":"
December\u00a0 13 (Tue.) 14:00-15:00\u3000Culture\/Arts<\/h5>\n
Chair<\/h6>\n

YAMAMOTO Satomi<\/strong>
\nAssociate Director, WIAS\/Professor, School of Letters, Arts and Sciences, Waseda University<\/h4>\n

\"\"<\/p>\n

Research Field\uff1aArt history<\/strong>
\nSatomi Yamamoto is Professor of the School of Letters, Arts and Sciences, Waseda University, and Director of Research Institute for Letters, Arts and Sciences, Waseda University, and Associate Director of WIAS.\u00a0 Her research filed is art history and specializes in the history of Japanese Medieval Buddhist paintings. Received the 66th Art Encouragement Prize and the 14th Kadokawa Foundation Prize for Arts and Letters for her book Kuso\u0304zu <\/em>\uff57o yomu: kuchiteyuku shitai no bijutsushi <\/em>( \u201cReading the Kuso\u0304<\/em>zu<\/em>: Art History of a Decaying Corpse”; KADOKAWA, 2015).\u00a0 She is the author of Yami no Nihon bijutsu <\/em>(“Japanese Art of the Dark”; Chikuma Shinsho, 2018) and Chu\u0304sei bukkyo\u0304 kaiga no zuzo\u0304shi: kyo\u0304setsu emaki, rokudo\u0304-e, kuso\u0304<\/em>zu <\/em>(“A Genealogy of Imagery in Medieval Buddhist Paintings: From Six Realms of Rebirth to Nine Stages of Decay”; Yoshikawa Kobunkan, 2020).<\/p>\n

Speakers<\/h6>\n

XU Alison
\nAssistant Professor, Waseda Institute for Advanced Study, Waseda University<\/h4>\n

\"\"<\/p>\n

Research Field\uff1aInternational Jurisprudence<\/strong>
\nAlison Xu is Assistant Professor at the Waseda Institute for Advanced Study (WIAS) at Waseda University.\u00a0 She received her Ph.D. in Law from the University of Leeds.\u00a0 Her research interests lie broadly in the interface between public and private international law and the\u00a0 interdisciplinary study of law.\u00a0 \u00a0The central question of her research is to ask how international law responds to global challenges such as climate change, technological innovations, and human rights violations in the modern era, with a focus on the dynamics among individuals, firms, NGOs, IOs and states against the global context.\u00a0 Her papers have appeared in international law journals, including the International & Comparative Law Quarterlyand Asia Journal of International Law.\u00a0 She received several scholarships and writing awards, including the Hague Academy of International Law, the China Society of Private International Law, and Stanford University.<\/p>\n

KASAI Amane
\nAssistant Professor, Waseda Institute for Advanced Study, Waseda University<\/h4>\n

\"\"<\/p>\n

Research Field\uff1aArtistic practices<\/strong>
\nAmane Kasai is a musicologist who completed her Ph.D. in 2010 at Tokyo University of the Arts.\u00a0 She is currently Assistant Professor at Waseda Institute for Advanced Study, Waseda University.\u00a0 Her research has examined historical, cultural, and social environments where people have practiced music and performing arts from cross-genre viewpoints.\u00a0 Her present project reviews tourist sites, particularly hot spring resorts, as auditory spaces where people with different music preferences and backgrounds have gathered and experienced performances together.\u00a0 She has recently contributed chapters to: Hosokawa, Shuhei (ed.) (2021), Oto to Mimi kara Kangaeru: Rekishi, Shintai, Tekunoroj\u012b<\/em> (Reflecting on an Ear for Sound: History, Embodiment and Technology<\/em>), Tokyo: Artes Publishing; Nishimura, Masao and Hoshino, Yukiyo (eds) (2020), Id\u014dsuru Media to Puropaganda: Nitty\u016b Sens\u014dki kara Sengo ni kakete no Taisy\u016b Geizyutu<\/em> (The Media and Propaganda in Motion: The Popular Arts between the Sino-Japanese War and the Postwar Era<\/em>), Tokyo: Bensei Publishing.<\/p>\n

FUJITA Tomohiro
\nAssistant Professor, Waseda Institute for Advanced Study, Waseda University<\/h4>\n

\"\"<\/p>\n

Research Field\uff1aSpace Physics<\/strong>
\nTomohiro Fujita is an Assistant Professor in Waseda Institute for Advanced Study (WIAS).\u00a0 His research examines the beginning of our Universe and what composes our Universe.\u00a0 His articles have appeared in Physical Review Letters, Physical Review D, Journal of Cosmology and Astroparticle Physics.\u00a0 He also actively contributes to an art project at WIAS which is creating a new type of contemporary art through a fusion of natural science and arts.\u00a0 He obtained his Ph.D. at the university of Tokyo.\u00a0 Before joining WIAS in 2021, he worked for Stanford Institute for Theoretical Physics, Kyoto University and Geneva University as a postdoctoral scholar.<\/p>\n

BLOOMFIELD Jacob
\nWIAS Visiting Scholar\/Postdoctoral Fellow, Zukunftskolleg, University of Konstanz<\/h4>\n

\"\"<\/p>\n

Research Field\uff1aCultural history<\/strong>
\nJacob Bloomfield is a Zukunftskolleg Postdoctoral Fellow at the University of Konstanz and an Honorary Research Fellow at the University of Kent.\u00a0 His research is situated primarily in the fields of Cultural History, the History of Sexuality, and Gender History.\u00a0 Bloomfield is the author of Drag: A British History (University of California Press, 2023); his first monograph.\u00a0 He is currently working on a second monograph about the historical reception to and cultural legacy of musician Little Richard.<\/p>\n

OSAWA Maho
\nGraduate School of Letters, Arts, and Sciences, Waseda University<\/h4>\n

\"\"<\/p>\n

Research Field\uff1aArt history<\/strong>
\nMaho Osawa is a Master\u2019s Student at the Graduate School of Letters, Arts and Sciences, Waseda University.\u00a0 Her major is Japanese medieval art history.\u00a0 Her recent work is Bukki-gun emaki owned by Waseda University Library : Reprint and <\/em>bibliographical notes<\/em> (WASEDA RILAS JOURNAL.10).<\/span><\/p>\n

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<<Back<\/a><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

December\u00a0 13 (Tue.) 14:00-15:00\u3000Culture\/Arts Chair YAMAMOTO Satomi Associate Director, WIAS\/Professor, School […]<\/p>\n","protected":false},"author":6,"featured_media":11736,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[],"tags":[],"class_list":["post-11619","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/posts\/11619","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/comments?post=11619"}],"version-history":[{"count":2,"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/posts\/11619\/revisions"}],"predecessor-version":[{"id":12065,"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/posts\/11619\/revisions\/12065"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/media\/11736"}],"wp:attachment":[{"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/media?parent=11619"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/categories?post=11619"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/tags?post=11619"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}