\nHead of the Intangible Cultural Properties Section, Tokyo National Research Institute for Cultural Properties<\/p>\n
Megumi MAEHARA is a graduate of Tokyo University of the Arts and has a partially completed doctoral degree in Musicology. In parallel with researching traditional performing arts and intangible cultural properties, she is an active shamisen player. She began studying under Tokiwazu Mojibei V in 1991 and was given the name Tokiwazu Shio in 1993. She also received the Sei\u2019ei Kai Encouragement Prize for Research, and is currently the Head of the Intangible Cultural Properties Section at the Tokyo National Research Institute for Cultural Properties. Her main published work includes Tokiwazu Rinch\u016b no ongaku katsud\u014d no kiseki: Morioka-shi senjin kinenkan Rinch\u016bbon o tegakari ni<\/em> [The Trail of Rinch\u016b Tokiwazu’s Musical Activities: Based on Rinch\u016b’s Vocal Scores Owned by the Morioka Memorial Museum of Great Predecessors] (Buky\u016b Shuppan, 2013).<\/p>\n KASAI, Amane<\/strong><\/a> Amane KASAI is Assistant Professor at Waseda Institute for Advanced Study, Waseda University. She specializes in the history of music in modern Japan and received her Ph.D. in Musicology from Tokyo University of the Arts. Her research has focused on the places where people have experienced music and performing arts, and her current project reviews theatrical cultures at tourist sites. She has recently contributed chapters to Shuhei Hosokawa ed., Oto to mimi kara kangaeru: Rekishi, shintai, tekunoroj\u012b<\/i> [Reflecting on an Ear for Sound: History, Embodiment and Technology] (Artes Publishing, 2021); Masao Nishimura and Yukiyo Hoshino eds., Id\u014dsuru media to puropaganda: Nitty\u016b sens\u014dki kara sengo ni kakete no taisy\u016b geizyutu<\/i> [The Media and Propaganda in Motion: The Popular Arts between the Sino-Japanese War and the Postwar Era] (Bensei Publishing, 2020).<\/p>\n October 1, 2022 (Sat.), 10:00~12:00 (JST)<\/p>\n Online meeting via Zoom (prior registration required)<\/p>\n Chair:\u00a0Satomi Yamamoto (Professor, Faculty of Letters, Arts and Sciences, Waseda University)<\/p>\n Faculty members, Researchers, Graduate students<\/p>\n Waseda Institute for Advanced Study (WIAS)<\/p>\n Waseda Global Japanese Studies Supported by:\u00a0The Mitsubishi Foundation, Research Grants in the Humanities<\/p>\n Prior registration is required. Please register from here<\/a>.<\/p>\n
\nAssistant Professor, Waseda institute for advanced studies, Waseda University<\/p>\nDate\/Time<\/h5>\n
Location<\/h5>\n
Program<\/h5>\n
\n\n
\n 10:00~10:05<\/td>\n Opening Remarks<\/td>\n<\/tr>\n \n 10:05~10:25<\/td>\n Exploring the Anthropocene from the Field of Music and Sound Studies: The Material Turn in Ecomusicology (KASAI, Amane)<\/td>\n<\/tr>\n \n 10:25~11:10<\/td>\n Lecturer \u201cConservation Techniques\u201d Linking \u201cMaterials, Tools, and Traditional Performing Arts\u201d (MAEHARA, Megumi)<\/td>\n<\/tr>\n \n 11:15~12:00<\/td>\n Q&A and discussion<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n Prospected Audience<\/h5>\n
Organized by<\/h5>\n
Co-Organizers<\/h5>\n
\nRyusaku Tsunoda Center of Japanese Culture
\nWaseda Society of Art History<\/p>\nRegistration<\/h5>\n
Poster<\/h5>\n
![](\"https:\/\/www.waseda.jp\/inst\/wias\/assets\/uploads\/2022\/08\/af6af70aade7575ae70cd604119c1432.jpg\")
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