{"id":10480,"date":"2022-06-28T10:04:36","date_gmt":"2022-06-28T01:04:36","guid":{"rendered":"https:\/\/www.waseda.jp\/inst\/wias\/?p=10480"},"modified":"2022-07-01T16:55:35","modified_gmt":"2022-07-01T07:55:35","slug":"%e9%ab%98%e7%ad%89%e7%a0%94%e7%a9%b6%e6%89%80%e3%82%bb%e3%83%9f%e3%83%8a%e3%83%bc%e3%82%b7%e3%83%aa%e3%83%bc%e3%82%ba-%e3%80%90%e6%96%b0%e3%81%97%e3%81%84%e4%b8%96%e7%95%8c%e5%8f%b2%e5%83%8f-8-5-13-45","status":"publish","type":"post","link":"https:\/\/www.waseda.jp\/inst\/wias\/news-en\/2022\/06\/28\/10480\/","title":{"rendered":"Open Lecture \u2013 &#8220;The Portrait of the Anticapitalist as Artist&#8221; (July 2)"},"content":{"rendered":"<h4>Open Lecture \u2013\u00a0&#8220;The Portrait of the Anticapitalist as Artist&#8221; (July 2)<\/h4>\n<h5>Overview<\/h5>\n<p>In the second installment of our public lecture series, Todd McGowan discusses Art and Anticapitalism.\u00a0 Capitalism introduces a useless excess beyond all usefulness into the heart of social production.\u00a0 While it is tempting to try to reign in this excess and eliminate it, we should see instead the useless excess not as a source for profit but as an aesthetic value that can provide an ethical orientation when divorced from the capitalist structure.<\/p>\n<p>Todd McGowan is Professor of Film Studies at the University of Vermont, USA, and author of <em>Universality and Identity Politics<\/em> (2020), <em>Emancipation After Hegel<\/em> (2019), and <em>Capitalism and Desire<\/em> (2016) and co-series editor (with Slavoj \u017di\u017eek and Adrian Johnston) of <em>Diaeresis.<\/em><\/p>\n<h5>Speaker<\/h5>\n<p><a href=\"https:\/\/www.uvm.edu\/cas\/english\/profiles\/todd-mcgowan\">MCGOWAN, Todd<\/a><br \/>\nProfessor, University of Vermont<\/p>\n<h5>Chair<\/h5>\n<p><a href=\"https:\/\/www.waseda.jp\/inst\/wias\/other-en\/2020\/09\/01\/7167\/\">DEMATAGODA,\u00a0<\/a><a href=\"https:\/\/www.waseda.jp\/inst\/wias\/other-en\/2020\/09\/01\/7167\/\">Udith <\/a><br \/>\nAssistant Professor, WIAS<\/p>\n<h5>Date\/Time<\/h5>\n<p>July 2, 2022 (Sat.), 21:00~23:00 (JST)<\/p>\n<h5>Location<\/h5>\n<p>Online via Zoom (prior registration required)<\/p>\n<h5>Organizer<\/h5>\n<p>Ideology and Aesthetics Research Network (IARN)<\/p>\n<h5>Co-Organizer<\/h5>\n<p>Waseda Institute for Advanced Study (WIAS)<\/p>\n<h5>Registration<\/h5>\n<p>Prior registration is required. Please register from below.<\/p>\n<p><a href=\"https:\/\/us02web.zoom.us\/meeting\/register\/tZIofuGsqjktEtZ7rbQRjldu_Rf77PeWB8Se\">Registration &#8211; Zoom<\/a><\/p>\n<h5>Flyer<\/h5>\n<p>Flyer file can be downloaded by clicking the link below.<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/inst\/wias\/assets\/uploads\/2022\/06\/IARN-02-Lecture0702.pdf\">Flyer<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Open Lecture \u2013\u00a0&#8220;The Portrait of the Anticapitalist as Artist&#8221; (July 2) Overview In the second inst [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":2764,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[95],"tags":[82,94,73],"class_list":["post-10480","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-en","tag-events-en","tag-general-en","tag-research-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/posts\/10480","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/comments?post=10480"}],"version-history":[{"count":1,"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/posts\/10480\/revisions"}],"predecessor-version":[{"id":10560,"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/posts\/10480\/revisions\/10560"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/media\/2764"}],"wp:attachment":[{"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/media?parent=10480"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/categories?post=10480"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.waseda.jp\/inst\/wias\/wp-json\/wp\/v2\/tags?post=10480"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}