{"id":4748,"date":"2019-02-18T18:14:29","date_gmt":"2019-02-18T09:14:29","guid":{"rendered":"https:\/\/www.waseda.jp\/inst\/sgu\/?p=4748"},"modified":"2019-02-25T18:28:42","modified_gmt":"2019-02-25T09:28:42","slug":"the-art-of-the-benshi-%e5%bc%81%e5%a3%ab%e3%81%ab%e3%82%88%e3%82%8b%e4%b8%8a%e6%98%a0%e3%82%a4%e3%83%99%e3%83%b3%e3%83%88%e3%81%a8%e5%ad%a6%e8%a1%93%e3%82%b7%e3%83%b3%e3%83%9d%e3%82%b8%e3%82%a6","status":"publish","type":"post","link":"https:\/\/www.waseda.jp\/inst\/sgu\/news-through-2023\/2019\/02\/18\/4748\/","title":{"rendered":"The Art of the Benshi-\u5f01\u58eb\u306b\u3088\u308b\u4e0a\u6620\u30a4\u30d9\u30f3\u30c8\u3068\u5b66\u8853\u30b7\u30f3\u30dd\u30b8\u30a6\u30e0\u3092UCLA\u3068\u5171\u50ac"},"content":{"rendered":"<p>\u3053\u306e\u5ea6\u3001\u56fd\u969b\u65e5\u672c\u5b66\u62e0\u70b9\u3067\u306fUCLA\u3068\u306e\u5171\u540c\u30d7\u30ed\u30b8\u30a7\u30af\u30c8\u3067\u3042\u308b<a href=\"https:\/\/www.waseda.jp\/top\/news\/13434\">\u300c\u67f3\u4e95\u30a4\u30cb\u30b7\u30a2\u30c6\u30a3\u30d6\u300d<\/a>\u306e\u30a4\u30d9\u30f3\u30c8\u3068\u3057\u30663\u67081\u65e5\uff08\u91d1\uff09\uff5e3\u65e5\uff08\u65e5\uff09\u306e3\u65e5\u9593\u306b\u308f\u305f\u308a\u3001\u65e5\u672c\u306e\u5f01\u58eb3\u540d\u306b\u3088\u308b\u540c\u4e00\u4f5c\u54c1\u306e\u805e\u304d\u6bd4\u3079\u3092\u884c\u3046\u3068\u3068\u3082\u306b\u3001\u65e5\u672c\u3067\u3082\u6ec5\u591a\u306b\u5b9f\u73fe\u3067\u304d\u306a\u3044\u58f0\u8272\u8aac\u660e\u3092\u5b9f\u73fe\u3059\u308b\u30a4\u30d9\u30f3\u30c8&#8221;The Art of the Benshi&#8221;\u3092\u958b\u50ac\u3057\u307e\u3059\u3002\u3042\u308f\u305b\u3066\u65e5\u30fb\u7c73\u30fb\u97d3\u306e\u7814\u7a76\u8005\u306b\u3088\u308b&#8221;Talking Silents&#8221;\u3068\u984c\u3057\u305f\u5b66\u8853\u30b7\u30f3\u30dd\u30b8\u30a6\u30e0\u3092\u304a\u3053\u306a\u3044\u307e\u3059\u3002<\/p>\n<h4>The Art of the Benshi<\/h4>\n<p>\u30a4\u30d9\u30f3\u30c8\u30b9\u30b1\u30b8\u30e5\u30fc\u30eb<\/p>\n<p><em>3\u67081\u65e5\uff08\u91d1\uff09 19:30- @Billy Wilder Theater<\/em><br \/>\n1\uff0e\u8840\u7159\u9ad8\u7530\u99ac\u5834\u3000Blood Spattered Takadanobaba (Japan, 1928) &#8211; \u7247\u5ca1\u4e00\u90ce<br \/>\n2\uff0e\u65ac\u4eba\u65ac\u99ac\u5263\u3000\u3000The Sword that Slashes Human and Horse (Japan, 1929) &#8211; \u5927\u68ee\u304f\u307f\u3053<br \/>\n3\uff0e\u5fe0\u6b21\u65c5\u65e5\u8a18\u3000\u3000A Diary of Chuji&#8217;s Travels (1927) &#8211; \u5742\u672c\u983c\u5149<\/p>\n<p><em>3\u67082\u65e5\uff08\u571f\uff09 19:30- @Billy Wilder Theater<\/em><br \/>\n1\uff0e\u8840\u7159\u9ad8\u7530\u99ac\u5834\u3000Blood Spattered Takadanobaba (Japan, 1928) &#8211; \u5927\u68ee\u304f\u307f\u3053<br \/>\n2\uff0e\u8840\u7159\u9ad8\u7530\u99ac\u5834\u3000Blood Spattered Takadanobaba (Japan, 1928) &#8211; \u5742\u672c\u983c\u5149<br \/>\n3\uff0eLiberty (1929) &#8211; \u5927\u68ee\u304f\u307f\u3053<br \/>\n4\uff0e\u975e\u5e38\u7dda\u306e\u5973\u3000\u3000Dragnet Girl (Japan, 1933) &#8211; \u7247\u5ca1\u4e00\u90ce<\/p>\n<p><em>3\u67083\u65e5\uff08\u65e5\uff09 15:00- @Billy Wilder Theater<\/em><br \/>\n1\uff0e\u8336\u76ee\u5b50\u306e\u4e00\u65e5\u3000Chameko&#8217;s Day (Japan, 1931\uff09 &#8211; \u5927\u68ee\u304f\u307f\u3053<br \/>\n2\uff0e\u65ac\u4eba\u65ac\u99ac\u5263\u3000\u3000The Sword that Slashes Human and Horse (Japan, 1929) &#8211; \u5742\u672c\u983c\u5149<br \/>\n3\uff0eSilence (1926\uff09 &#8211; \u7247\u5ca1\u4e00\u90ce<br \/>\n4\uff0e\u751f\u3055\u306c\u4ef2\u3000\u3000\u3000Not Blood Relations (Japan, 1916) &#8211; \u5f01\u58eb\u5168\u54e1<\/p>\n<p><em>3\u67083\u65e5\uff08\u65e5\uff09 19:00- @Billy Wilder Theater<\/em><br \/>\n1\uff0e\u6771\u4eac\u884c\u9032\u66f2\u3000\u3000Tokyo March\uff08Japan, 1929) &#8211; \u5742\u672c\u983c\u5149<br \/>\n2\uff0e\u6210\u91d1\u3000\u3000\u3000\u3000\u3000The Upstart (Japan, 1921) &#8211; \u7247\u5ca1\u4e00\u90ce<br \/>\n3\uff0eThe Cheat (1915) &#8211; \u5927\u68ee\u304f\u307f\u3053<br \/>\n4\uff0e\u8c6a\u5091\u5150\u96f7\u4e5f\u3000\u3000Jiraiya the Hero (Japan, 1921) &#8211; \u5f01\u58eb\u5168\u54e1<\/p>\n<p>\u25a0\u8a73\u7d30\u306f\u4ee5\u4e0bURL\u3092\u3054\u89a7\u304f\u3060\u3055\u3044\u3002<\/p>\n<p><a href=\"https:\/\/www.yanaiinitiative.org\/the-art-of-the-benshi\">https:\/\/www.yanaiinitiative.org\/the-art-of-the-benshi<\/a><\/p>\n<h4>Talking Scilents<\/h4>\n<p>\u30b7\u30f3\u30dd\u30b8\u30a6\u30e0\u30b9\u30b1\u30b8\u30e5\u30fc\u30eb<\/p>\n<p><em>3\u67082\u65e5\uff08\u571f\uff09\u4f1a\u5834\uff1aBilly Wilder Theater<\/em><br \/>\n9:30\u201310:30<br \/>\n\u8349\u539f\u771f\u77e5\u5b50\uff08\u65e9\u7a32\u7530\u5927\u5b66\u540d\u8a89\u6559\u6388\uff09\u201cUtsushi-e: A Narrative Screen Practice in the 19th Century Japan\u201d<br \/>\n\u5150\u7389\u7adc\u4e00\uff08\u65e9\u7a32\u7530\u5927\u5b66\u6559\u6388\uff09\u201c\u7121\u58f0\u6620\u753b\u3068\u6b4c\u821e\u4f0e\u7814\u7a76\u201d<\/p>\n<p>11:00-12:00<br \/>\nDavid Desser (University of Illinois\u540d\u8a89\u6559\u6388) \u201cNarration and Narrativity in Kurosawa&#8217;s Nora inu (Stray Dog)\u201d<br \/>\n\u8fd1\u85e4\u548c\u90fd (\u65e9\u7a32\u7530\u5927\u5b66\u30fb\u65e5\u672c\u5b66\u8853\u632f\u8208\u4f1aPD)\u201c\u6620\u753b\u9928\u306b\u304a\u3051\u308b\u300c\u58f0\u300d\u3068\u300c\u6587\u5b57\u300d\uff1a1910\uff5e20\u5e74\u4ee3\u306e\u90fd\u5e02\u7a7a\u9593\u306b\u304a\u3051\u308b\u8208\u884c\u30e2\u30fc\u30c9\u201d<\/p>\n<p>12:00-12:30<br \/>\nDiscussion<\/p>\n<p>13:30-15:00<br \/>\nKyoko Omori (Hamilton College\u51c6\u6559\u6388) \u201cThe Soundscapes of Benshi\u201d<br \/>\n\u67f4\u7530\u5eb7\u592a\u90ce (\u65e9\u7a32\u7530\u5927\u5b66\u6f14\u5287\u535a\u7269\u9928\u7814\u7a76\u52a9\u624b\uff09\u201cVarious Standardizations of Film Sound\/Music Practice in Japanese Movie Theaters during the 1910-20s\u201d<br \/>\n\u7b39\u5ddd\u6176\u5b50 (\u95a2\u897f\u5927\u5b66\u6559\u6388\uff09\u201c\u6d3b\u5f01LOVE\uff1a\u30cd\u30aa\u30b9\u30fc\u30d1\u30fc\u30fb\u30c8\u30fc\u30ad\u30fc\u30681930\u5e74\u4ee3\u65e5\u672c\u6620\u753b\u7523\u696d\u201d<\/p>\n<p>15:30-16:30<br \/>\n\u767d\u4e95\u53f2\u4eba\u00a0(\u4eac\u90fd\u5927\u5b66\u30fb\u65e5\u672c\u5b66\u8853\u632f\u8208\u4f1aPD\uff09\u201cTranspacific exchange and arrangement of silent film music in Japan: Imported Scores in the Hirano Collection from the 1920s\u201d<br \/>\nDong Hoon Kim\uff08University of Oregon\u51c6\u6559\u6388\uff09\u201cFrom Benshi to Byeonsa: The Transcoloinal Practice of Benshi and the Formation of Film Culture in Colonial Korea\u201d<\/p>\n<p>16:30-17:00<br \/>\nDiscussion<\/p>\n<p>\u25a0\u8a73\u7d30\u306f\u4ee5\u4e0bURL\u3092\u3054\u89a7\u304f\u3060\u3055\u3044\u3002<\/p>\n<p><a href=\"https:\/\/www.yanaiinitiative.org\/talking-silents\">https:\/\/www.yanaiinitiative.org\/talking-silents<\/a><\/p>\n<p>\u25a0\u53c2\u52a0\u5bfe\u8c61\uff1a\u4e00\u822c\u30fb\u7814\u7a76\u8005\u30fb\u5b66\u751f<\/p>\n<p>\u25a0\u554f\u3044\u5408\u308f\u305b\u5148\uff1a\u6587\u5b66\u5b66\u8853\u9662\u4e8b\u52d9\u624003-3203-4381<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-4843\" src=\"https:\/\/www.waseda.jp\/inst\/sgu\/assets\/uploads\/2019\/02\/Academic-Symposium_poster-940x667.png\" alt=\"\" width=\"940\" height=\"667\" srcset=\"https:\/\/www.waseda.jp\/inst\/sgu\/assets\/uploads\/2019\/02\/Academic-Symposium_poster-940x667.png 940w, https:\/\/www.waseda.jp\/inst\/sgu\/assets\/uploads\/2019\/02\/Academic-Symposium_poster-610x433.png 610w, https:\/\/www.waseda.jp\/inst\/sgu\/assets\/uploads\/2019\/02\/Academic-Symposium_poster-768x545.png 768w, https:\/\/www.waseda.jp\/inst\/sgu\/assets\/uploads\/2019\/02\/Academic-Symposium_poster.png 1031w\" sizes=\"auto, (max-width: 940px) 100vw, 940px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u3053\u306e\u5ea6\u3001\u56fd\u969b\u65e5\u672c\u5b66\u62e0\u70b9\u3067\u306fUCLA\u3068\u306e\u5171\u540c\u30d7\u30ed\u30b8\u30a7\u30af\u30c8\u3067\u3042\u308b\u300c\u67f3\u4e95\u30a4\u30cb\u30b7\u30a2\u30c6\u30a3\u30d6\u300d\u306e\u30a4\u30d9\u30f3\u30c8\u3068\u3057\u30663\u67081\u65e5\uff08\u91d1\uff09\uff5e3\u65e5\uff08\u65e5\uff09\u306e3\u65e5\u9593\u306b\u308f\u305f\u308a\u3001\u65e5\u672c\u306e\u5f01\u58eb3\u540d\u306b\u3088\u308b\u540c\u4e00\u4f5c\u54c1\u306e\u805e\u304d\u6bd4\u3079\u3092\u884c\u3046\u3068\u3068\u3082\u306b\u3001\u65e5\u672c\u3067\u3082\u6ec5\u591a\u306b\u5b9f\u73fe\u3067\u304d\u306a [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":4749,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[53,96],"class_list":["post-4748","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-through-2023","tag-events","tag-gj"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.waseda.jp\/inst\/sgu\/wp-json\/wp\/v2\/posts\/4748","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.waseda.jp\/inst\/sgu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.waseda.jp\/inst\/sgu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/inst\/sgu\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/inst\/sgu\/wp-json\/wp\/v2\/comments?post=4748"}],"version-history":[{"count":1,"href":"https:\/\/www.waseda.jp\/inst\/sgu\/wp-json\/wp\/v2\/posts\/4748\/revisions"}],"predecessor-version":[{"id":4842,"href":"https:\/\/www.waseda.jp\/inst\/sgu\/wp-json\/wp\/v2\/posts\/4748\/revisions\/4842"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/inst\/sgu\/wp-json\/wp\/v2\/media\/4749"}],"wp:attachment":[{"href":"https:\/\/www.waseda.jp\/inst\/sgu\/wp-json\/wp\/v2\/media?parent=4748"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.waseda.jp\/inst\/sgu\/wp-json\/wp\/v2\/categories?post=4748"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.waseda.jp\/inst\/sgu\/wp-json\/wp\/v2\/tags?post=4748"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}