{"id":2365,"date":"2017-06-26T19:41:51","date_gmt":"2017-06-26T10:41:51","guid":{"rendered":"https:\/\/www.waseda.jp\/inst\/sgu\/?p=2365"},"modified":"2017-08-24T14:58:22","modified_gmt":"2017-08-24T05:58:22","slug":"%e3%80%90sgu%e5%9b%bd%e9%9a%9b%e6%97%a5%e6%9c%ac%e5%ad%a6%e6%8b%a0%e7%82%b9%e3%80%91%e3%82%b3%e3%83%ad%e3%83%b3%e3%83%93%e3%82%a2%e5%a4%a7%e5%ad%a6%e5%9b%bd%e9%9a%9b%e3%83%af%e3%83%bc%e3%82%af-2","status":"publish","type":"post","link":"https:\/\/www.waseda.jp\/inst\/sgu\/news-through-2023\/2017\/06\/26\/2365\/","title":{"rendered":"\u3010SGU\u56fd\u969b\u65e5\u672c\u5b66\u62e0\u70b9\u3011\u30b3\u30ed\u30f3\u30d3\u30a2\u5927\u5b66\u56fd\u969b\u30b7\u30f3\u30dd\u30b8\u30a6\u30e0\u300c\uff1c\u4f5c\u8005\uff1e\u3068\u306f\u4f55\u304b\uff1a\u6771\u30a2\u30b8\u30a2\u3068\u30e8\u30fc\u30ed\u30c3\u30d1\u306b\u304a\u3051\u308b\u6b74\u53f2\u3068\u5b9f\u8df5\u300d\u3092\u5171\u50ac\uff0d\u5831\u544a\uff0d"},"content":{"rendered":"

2017\u5e743\u670810\u65e5\uff08\u91d1\uff09\uff5e11\u65e5\uff08\u571f\uff09\u306e2\u65e5\u9593\u306b\u308f\u305f\u308a\u3001\u30b3\u30ed\u30f3\u30d3\u30a2\u5927\u5b66\u306b\u3066\u300c\uff1c\u4f5c\u8005\uff1e\u3068\u306f\u4f55\u304b\uff1a\u6771\u30a2\u30b8\u30a2\u3068\u30e8\u30fc\u30ed\u30c3\u30d1\u306b\u304a\u3051\u308b\u6b74\u53f2\u3068\u5b9f\u8df5\u300d\u3068\u984c\u3057\u305f\u56fd\u969b\u30b7\u30f3\u30dd\u30b8\u30a6\u30e0\u304c\u958b\u50ac\u3055\u308c\u307e\u3057\u305f\u3002<\/p>\n

\u8a73\u7d30\u306f\u4e0b\u8a18\u3092\u3054\u89a7\u304f\u3060\u3055\u3044\u3002<\/p>\n

 <\/p>\n

\"\u2460\u2605DSC02265(\u30b7\u30e9\u30cd\u767b\u58c7&\u5168\u666f\uff09\"<\/p>\n

 <\/p>\n

Rethinking Authorship in East Asia and Europe
\n\uff1c\u4f5c\u8005\uff1e\u3068\u306f\u4f55\u304b\uff1a\u6771\u30a2\u30b8\u30a2\u3068\u30e8\u30fc\u30ed\u30c3\u30d1\u306b\u304a\u3051\u308b\u6b74\u53f2\u3068\u5b9f\u8df5
\nInternational Symposium<\/h4>\n

March 10 (Friday), 2017, 9:00AM \u2013 5:00PM
\nMarch 11 (Saturday), 2017, 9:30AM \u2013 6:00PM
\n403 Kent Hall, Columbia University, New York City<\/p>\n

The age of new media (with its incessant borrowing, remixing, and transmedial cross-overs) has led to a world in which cultural production often emerges out of groups and multiple meditators, raising the question of authorship and ownership. The word \u201cauthor,\u201d which implies \u201cauthority,\u201d
\nalso raises the larger question of competing players, roles, and spheres of authority. These issues are particularly relevant in East Asia, where master\/disciple relationships and authoritative precedence are highly valued, and where deliberate imitation, extensive borrowing, and collective creation have traditionally been inseparable practices in learning, crafts, and performance, continuing well into the 20th century. The symposium addresses these questions in a larger historical and transnational context, exploring pre-authorial and proto-authorial conditions and rethinking notions and practices of authorship.<\/p>\n

\u591a\u69d8\u306a\u30e1\u30c7\u30a3\u30a2\u306e\u4ea4\u5dee\uff08\u30af\u30ed\u30b9\u30aa\u30fc\u30d0\u30fc\uff09\u3001\u76f8\u4e92\u501f\u7528\u3001\u30ea\u30df\u30c3\u30af\u30b9\u3001\u6539\u7de8\u304c\u7d76\u3048\u9593\u306a\u304f\u884c\u308f\u308c\u308b\u4eca\u65e5\u306e\u65b0\u30e1\u30c7\u30a3\u30a2\u74b0\u5883\u306b\u304a\u3044\u3066\u3001\u96c6\u56e3\u3084\u8907\u6570\u306e\u5a92\u4ecb\u8005\u306b\u3088\u308b\u6587\u5316\u751f\u7523\u6d3b\u52d5\u304c\u983b\u7e41\u306b\u307f\u3089\u308c\u308b\u3002\u305d\u3046\u3057\u305f\u306a\u304b\u3067\u3001\u4f5c\u8005\u3084\u6240\u6709\u6a29\u3068\u306f\u4f55\u3092\u610f\u5473\u3059\u308b\u306e\u3067\u3042\u308d\u3046\u304b\u3002\u4f5c\u54c1\u3068\u306f\u3001\u8ab0\u306b\u4f5c\u3089\u308c\u3001\u8ab0\u306e\u3082\u306e\u3067\u3042\u308b\u3068\u3044\u3048\u308b\u306e\u304b\u3002\u4f5c\u8005\u3001\u6240\u6709\u8005\u3001\u3055\u3089\u306b\u306f\u5236\u4f5c\u7269\u306e\u5185\u5bb9\u306e\u5883\u754c\u7dda\u307e\u3067\u3082\u304c\u66d6\u6627\u306b\u306a\u308b\u306a\u304b\u3001\u69d8\u3005\u306a\u30e1\u30c7\u30a3\u30a2\u306b\u304a\u3051\u308b\u6587\u5316\u306e\u751f\u7523\u3068\u4eab\u53d7\u3092\u3069\u306e\u3088\u3046\u306b\u8003\u3048\u3066\u3044\u3051\u3070\u3088\u3044\u306e\u3067\u3042\u308d\u3046\u304b\u3002Author \u3068\u3044\u3046\u3053\u3068\u3070\u306f\u307e\u305f\u3001authority\uff08\u6a29\u5a01\uff09\u3068\u95a2\u9023\u3059\u308b\u3002\u6587\u5316\u751f\u7523\u306b\u643a\u308f\u308b\u8907\u6570\u306e\u5f53\u4e8b\u8005\u306e\u5f79\u5272\u3084\u6a29\u80fd\u306e\u7af6\u5408\u95a2\u4fc2\u306f\u3069\u306e\u3088\u3046\u306b\u50cd\u3044\u3066\u3044\u308b\u306e\u3060\u308d\u3046\u304b\u3002\u4eca\u65e5\u306e\u3053\u3046\u3057\u305f\u554f\u984c\u306f\u3001\u6771\u30a2\u30b8\u30a2\u306b\u304a\u3044\u3066\u3068\u308a\u308f\u3051\u95a2\u4fc2\u304c\u6df1\u3044\u3002\u3068\u3044\u3046\u306e\u3082\u3001\u4f1d\u7d71\u7684\u306b\u5e2b\u5f1f\u95a2\u4fc2\u3084\u6a29\u5a01\u3042\u308b\u5148\u4f8b\u304c\u5c0a\u91cd\u3055\u308c\u3001\u610f\u56f3\u7684\u306a\u6a21\u5023\u3001\u5e83\u7bc4\u306b\u308f\u305f\u308b\u5f15\u7528\u30fb\u501f\u7528\u30fb\u7ffb\u6848\u3001\u305d\u3057\u3066\u96c6\u56e3\u7684\u5236\u4f5c\u304c\u3001\u6559\u80b2\u7684\u624b\u6bb5\u306a\u3089\u3073\u306b\u6587\u82b8\u30fb\u82b8\u80fd\u30fb\u7f8e\u8853\u5de5\u82b8\u3092\u306f\u3058\u3081\u3068\u3057\u305f\u6587\u5316\u751f\u7523\u306e\u5b9f\u8df5\u65b9\u6cd5\u3068\u3057\u3066\u76db\u3093\u306b\u884c\u308f\u308c\u3066\u304d\u305f\u304b\u3089\u3067\u3042\u308b\u3002\u672c\u30b7\u30f3\u30dd\u30b8\u30a6\u30e0\u306f\u3001\uff1c\u4f5c\u8005\uff1e\u3092\u3081\u3050\u308b\u4ee5\u4e0a\u306e\u3088\u3046\u306a\u554f\u984c\u3092\u3001\u3088\u308a\u5e83\u3044\u6b74\u53f2\u7684\u30fb\u6bd4\u8f03\u7684\u30b3\u30f3\u30c6\u30af\u30b9\u30c8\u304b\u3089\u8003\u5bdf\u3059\u308b\u3002\u8fd1\u4ee3\u306e\u4f5c\u8005\u4e2d\u5fc3\u30e2\u30c7\u30eb\u69cb\u7bc9\u306e\u6b74\u53f2\u6027\u3092\u898b\u6975\u3081\u3001\u3055\u307e\u3056\u307e\u306b\u7570\u306a\u308b\u4f5c\u8005\u306e\u3042\u308a\u65b9\u30fb\u6982\u5ff5\u30fb\u6a5f\u80fd\u3068\u305d\u306e\u5909\u9077\u3092\u63a2\u308b\u3002<\/p>\n

Organizers<\/strong><\/span>
\nHaruo Shirane (Columbia University)
\nTomi Suzuki (Columbia University)
\nHirokazu Toeda (Waseda University)<\/p>\n

Speakers<\/strong><\/span>
\nPaul Anderer (Columbia University)
\nHiroshi Araki (International Research Center for Japanese Studies)
\nDavid Atherton (University of Colorado Boulder)
\nSusan Boynton (Columbia University)
\nTorquil Duthie (University of California, Los Angeles)
\nMichael Emmerich (University of California, Los Angeles)
\nJane Gaines (Columbia University)
\nThomas Gaubatz (Northwestern University)
\nBunky\u014d Kin (Kyoto University Emeritus; Tsurumi University)
\nYuika Kitamura (Kobe University)
\nKazuaki Komine (Rikkyo University Emeritus; Waseda University)
\nSungsi Lee (Waseda University)
\nIndra Levy (Stanford University)
\nDavid Lurie (Columbia University)
\nHiroaki Nagashima (The University of Tokyo)
\nFrank Palmeri (University of Miami)
\nPau Pitarch-Fernandez (Queens College of the City University of New York)
\nYing Qian (Columbia University)
\nWei Shang (Columbia University)
\nAnna M. Shields (Princeton University)
\nSatoko Shimazaki (University of Southern California)
\nHaruo Shirane (Columbia University)
\nMihoko Suzuki (University of Miami)
\nTomi Suzuki (Columbia University)
\nToshiyuki Suzuki (Chuo University)
\nK\u014dji Toba (Waseda University)
\nHirokazu Toeda (Waseda University)
\nDorothea von M\u00fccke (Columbia University)
\nCharles Woolley (Columbia University)
\nHitomi Yoshio (Waseda University)<\/p>\n

Sponsors<\/strong><\/span>
\nWeatherhead East Asian Institute, Columbia University
\nDonald Keene Center of Japanese Culture, Columbia University
\nDepartment of East Asian Languages and Cultures, Columbia University
\nRyusaku Tsunoda Center of Japanese Culture, Waseda University
\nGlobal Japanese Studies Model Unit, Waseda University Top Global University Project,
\nsupported by the Ministry of Education, Culture, Sports, Science, and Technology \u2013 Japan<\/p>\n

Administrative Staff<\/strong><\/span>
\nMichiko Tsuneda (Project Facilitator, Columbia University & Waseda University)
\nYoshiko Niiya (Donald Keene Center of Japanese Culture, Columbia University)
\nAnri Vartanov (Department of East Asian Languages and Cultures, Columbia University)
\nYumi J\u014dk\u014d (Waseda University)<\/p>\n

Columbia University Japanese Literature PhD Students (Symposium Assistants)<\/strong><\/span>
\nMatthieu Felt, Yuki Ishida, Ekaterina Komova, Maho Miyazaki, Joshua Rogers, Yiwen Shen,
\nRachel Staum Mei, Jurriaan van der Meer, Oliver White, Chi Zhang<\/p>\n

Friday, March 10, 2017<\/strong>
\n9:00 AM – 5:00 PM<\/strong>
\nRethinking Authorship in East Asia and Europe<\/strong><\/p>\n

9:00 AM-9:30 AM Opening Remarks
\nTomi Suzuki<\/strong> (Columbia University)
\n\u9234\u6728\u767b\u7f8e\uff08\u30b3\u30ed\u30f3\u30d3\u30a2\u5927\u5b66\uff09\u300c\u4f5c\u8005\u306e\u8907\u6570\u6027\u3001\u8907\u6570\u306e\u4f5c\u8005\u6027\u300d
\nHaruo Shirane<\/strong> (Columbia University)
\n\u30cf\u30eb\u30aa\u30fb\u30b7\u30e9\u30cd\uff08\u30b3\u30ed\u30f3\u30d3\u30a2\u5927\u5b66\uff09\u300c\u4e2d\u4e16\u65e5\u672c\u304b\u3089\u898b\u308b\uff1c\u4f5c\u8005\u6027\uff1e\u306e\u8af8\u554f\u984c\u300d<\/p>\n

\"\u2461\u2605DSC02261(\u9234\u6728\u767b\u58c7\uff09\"<\/p>\n

Session 1. Authority, Creativity, Gender, and Censorship<\/strong><\/em>
\nChair: Tomi Suzuki<\/strong> \u9234\u6728\u767b\u7f8e<\/p>\n

9:30 AM-10:10 AM (25 minute presentation, 15 minute discussion)
\nMihoko Suzuki<\/strong> (University of Miami, English and Comparative Literature)
\n\u201cGender and Authorship in Early Modern England\u201d
\n\u9234\u6728 \u7f8e\u7a42\u5b50\uff08\u30de\u30a4\u30a2\u30df\u5927\u5b66\u3001\u82f1\u6587\u5b66\u30fb\u6bd4\u8f03\u6587\u5b66\uff09
\n\u300c\u8fd1\u4e16\u30a4\u30ae\u30ea\u30b9\u306b\u304a\u3051\u308b\u30b8\u30a7\u30f3\u30c0\u30fc\u3068\uff1c\u4f5c\u8005\uff1e\u300d<\/p>\n

10:10 AM-10:50 AM (25 minute presentation, 15 minute discussion)
\nDorothea von M\u00fccke<\/strong> (Columbia University, Germanic Literature)
\n\u201cChanging Models of Authorship and Creativity in the Arts and Sciences in Eighteenth-CenturyEurope\u201d
\n\u30c9\u30ed\u30c6\u30a2\u30fb\u30d5\u30a9\u30f3\u30fb\u30df\u30e5\u30c3\u30b1\uff08\u30b3\u30ed\u30f3\u30d3\u30a2\u5927\u5b66\u3001\u30c9\u30a4\u30c4\u6587\u5b66\uff09
\n\u300c\uff11\uff18\u4e16\u7d00\u30e8\u30fc\u30ed\u30c3\u30d1\u306e\u82b8\u8853\u30fb\u79d1\u5b66\u306b\u304a\u3051\u308b\u4f5c\u8005\u6027\u30fb\u5275\u9020\u6027\u306e\u3042\u308a\u65b9\u306e\u5909\u5bb9\u300d<\/p>\n

11:10 AM-11:50 AM (25 minute presentation, 15 minute discussion)
\nFrank Palmeri<\/strong> (University of Miami, English and Comparative Literature)
\n\u201cWriting and Censorship in Mid-Victorian England\u201d
\n\u30d5\u30e9\u30f3\u30af\u30fb\u30d1\u30eb\u30e1\u30ea\uff08\u30de\u30a4\u30a2\u30df\u5927\u5b66\u3001\u82f1\u6587\u5b66\u30fb\u6bd4\u8f03\u6587\u5b66\uff09
\n\u300c\u30f4\u30a3\u30af\u30c8\u30ea\u30a2\u671d\u4e2d\u671f\u306b\u304a\u3051\u308b\u8457\u8ff0\u3068\u691c\u95b2\u300d<\/p>\n

Session 2. Music, Poetry, and Authorship<\/strong><\/em>
\nChair: Haruo Shirane<\/strong> \u30cf\u30eb\u30aa\u30fb\u30b7\u30e9\u30cd<\/p>\n

1:00 PM-1:40 PM (25 minute presentation, 15 minute discussion)
\nSusan Boynton<\/strong> (Columbia University, Music)
\n\u201cForms of Musical Authorship in Medieval Western Europe\u201d
\n\u30b9\u30fc\u30b6\u30f3\u30fb\u30dc\u30a4\u30f3\u30c8\u30f3\uff08\u30b3\u30ed\u30f3\u30d3\u30a2\u5927\u5b66\u3001\u97f3\u697d\u53f2\uff09
\n\u300c\u4e2d\u4e16\u897f\u30e8\u30fc\u30ed\u30c3\u30d1\u306b\u304a\u3051\u308b\u97f3\u697d\u4f5c\u8005\u306e\u5f62\u614b\u300d<\/p>\n

1:40 PM-2:20 PM (25 minute presentation, 15 minute discussion)
\nTorquil Duthie<\/strong> (University of California Los Angeles, Japanese Literature)
\n\u201cHitomaro as Author: Literary Protagonists in Eighth-century Japan\u201d
\n\u30c8\u30fc\u30af\u30a3\u30eb\u30fb\u30c0\u30b7\u30fc\uff08\u30ab\u30ea\u30d5\u30a9\u30eb\u30cb\u30a2\u5927\u5b66\u30ed\u30b5\u30f3\u30bc\u30eb\u30b9\u6821\uff09
\n\u300c\uff1c\u4f5c\u8005\uff1e\u3068\u3057\u3066\u306e\u4eba\u9ebb\u5442\u2015\uff18\u4e16\u7d00\u65e5\u672c\u306b\u304a\u3051\u308b\u6587\u5b66\u306e\u4e3b\u4eba\u516c\u300d<\/p>\n

2:20 PM-3:00 PM (25 minute presentation, 15 minute discussion)
\nAnna M. Shields<\/strong> (Princeton University, Chinese Literature)
\n\u201cThe Need for an Author: Creating Tang Dynasty Writers in the Five Dynasties (908-976) and
\nNorthern Song (976-1127) Eras\u201d
\n\u30a2\u30ca\u30fbM\u30fb\u30b7\u30fc\u30eb\u30ba\uff08\u30d7\u30ea\u30f3\u30b9\u30c8\u30f3\u5927\u5b66\u3001\u4e2d\u56fd\u6587\u5b66\uff09
\n\u300c\u4f5c\u8005\u306e\u5fc5\u8981\u6027 \u2015 \u4e94\u4ee3\uff08908\uff0d976\uff09\u30fb\u5317\u5b8b\uff08976\uff0d1127\uff09\u306b\u304a\u3051\u308b\u5510\u4ee3\u4f5c\u5bb6\u306e\u5275\u9020\u300d<\/p>\n

Session 3. Print, Media, and Film<\/strong><\/em>
\nChair: Paul Anderer<\/strong> (Columbia University) \u30dd\u30fc\u30eb\u30fb\u30a2\u30f3\u30c0\u30e9\u30fc\uff08\u30b3\u30ed\u30f3\u30d3\u30a2\u5927\u5b66\uff09<\/p>\n

3:20 PM-4:00 PM (25 minute presentation, 15 minute discussion)
\nWei Shang<\/strong> (Columbia University, Chinese Literature)
\n\u201cThe Story of the Stone and Issues of Authorship\u201d
\n\u5546 \u5049\uff08\u30b7\u30e3\u30f3\u30fb\u30a6\u30a7\u30a4\uff09
\n\uff08\u30b3\u30ed\u30f3\u30d3\u30a2\u5927\u5b66\u3001\u4e2d\u56fd\u6587\u5b66\uff09
\n\u300c\u300e\u77f3\u982d\u8a18\u300f\u3068\uff1c\u4f5c\u8005\uff1e\u300d<\/p>\n

4:00 PM-5:00 PM (25 minute presentation, 35 minute discussion for this panel and wrap up)
\nJane Gaines<\/strong> (Columbia University, Film and Media Studies)
\n\u201cThe Persistence of an Idea of Authorship in the Motion Picture\u201d
\n\u30b8\u30a7\u30fc\u30f3\u30fb\u30b2\u30a4\u30f3\u30ba\uff08\u30b3\u30ed\u30f3\u30d3\u30a2\u5927\u5b66\u3001\u6620\u753b\u30fb\u30e1\u30c7\u30a3\u30a2\u7814\u7a76\uff09
\n\u300c\u6620\u753b\uff1c\u4f5c\u8005\uff1e\u3068\u3044\u3046\u6982\u5ff5\u3078\u306e\u56fa\u57f7\u300d<\/p>\n

Discussant: Ying Qian<\/strong> (Columbia University, Chinese Film and Media Studies)
\n\u92ad \u7a4e\uff08\u30c1\u30a7\u30f3\u30fb\u30a4\u30f3\uff09
\n\uff08\u30b3\u30ed\u30f3\u30d3\u30a2\u5927\u5b66\u3001\u8fd1\u73fe\u4ee3\u4e2d\u56fd\u6620\u50cf\u30fb\u8996\u899a\u6587\u5316\u7814\u7a76\uff09<\/p>\n

Saturday, March 11, 2017<\/strong>
\n9:30 AM – 6:00 PM<\/strong>
\nAuthorship in Japan: History and Practice<\/strong>
\n[in Japanese unless otherwise indicated]<\/strong><\/p>\n

Session 4. Writers, Anthologies, and Apocrypha<\/strong><\/em>
\nChairs: Sungsi Lee<\/strong> (Waseda University) and David Lurie<\/strong> (Columbia University)
\n\u674e\u6210\u5e02\uff08\u65e9\u7a32\u7530\u5927\u5b66\uff09\u3001\u30c7\u30a4\u30f4\u30a3\u30c3\u30c9\u30fb\u30eb\u30fc\u30ea\u30fc\uff08\u30b3\u30ed\u30f3\u30d3\u30a2\u5927\u5b66\uff09<\/p>\n

\"\u2462\u2605DSC02414(\u91d1\u767a\u8868\uff06\u30b7\u30e9\u30cd\u30fb\u674e\u3000\u6210\u5e02\uff09\"<\/p>\n

9:30 AM-10:10 AM (25 minute presentation, 15 minute discussion)
\nBunky\u014d Kin<\/strong> (Kim Moonkyong) (Kyoto University Emeritus; Tsurumi University)
\n\u201cAuthorship of Sinitic Poetry in China, Korea, and Japan: The Case of Prince \u014ctsu\u2019s \u2018My Final Hour\u2019 and Similar Poems in China and Korea\u201d
\n\u91d1 \u6587\u4eac \uff08\u4eac\u90fd\u5927\u5b66\u540d\u8a89\u6559\u6388\u30fb\u9db4\u898b\u5927\u5b66\u6559\u6388\uff09
\n\u300c\u4e2d\u56fd\u30fb\u671d\u9bae\u30fb\u65e5\u672c\u306b\u304a\u3051\u308b\u6f22\u8a69\u306e\u4f5c\u8005: \u5927\u6d25\u7687\u5b50\u300c\u81e8\u7d42\u8a69\u300d\u3068\u305d\u306e\u985e\u4f3c\u4f5c\u54c1\u3092\u4f8b\u3068\u3057\u3066\u300d<\/p>\n

10:10 AM-10:50 AM (25 minute presentation, 15 minute discussion)
\nHiroshi Araki<\/strong> (International Research Center for Japanese Studies)
\n\u201cThe Longing for an Author: A Reconsideration of the History of Tale Collections after The Tale of Genji\u201d
\n\u8352\u6728 \u6d69\uff08\u56fd\u969b\u65e5\u672c\u6587\u5316\u7814\u7a76\u30bb\u30f3\u30bf\u30fc\uff09
\n\u300c\u5e0c\u6c42\u3055\u308c\u308b\u4f5c\u8005\u6027\uff1a\u300e\u6e90\u6c0f\u7269\u8a9e\u300f\u4ee5\u5f8c\u306e\u7269\u8a9e\u96c6\u53f2\u518d\u8003\u300d<\/p>\n

11:10 AM-11:50 AM (25 minute presentation, 15 minute discussion)
\nKazuaki Komine<\/strong> (Rikkyo University Emeritus; Waseda University)
\n\u201cMedieval Japanese Apocrypha and Authorial Legends\u201d
\n\u5c0f\u5cef \u548c\u660e\uff08\u7acb\u6559\u5927\u5b66\u540d\u8a89\u6559\u6388\u30fb\u65e9\u7a32\u7530\u5927\u5b66\u5ba2\u54e1\u4e0a\u7d1a\u7814\u7a76\u54e1\uff09
\n\u300c\u4e2d\u4e16\u65e5\u672c\u306e\u507d\u66f8\u3068\u4f5c\u8005\u4f1d\u627f\u300d<\/p>\n

Session 5. Adaptation and Book Culture in Early Modern Japan, Part I<\/strong><\/em>
\nChairs: Haruo Shirane<\/strong> and Michael Emmerich<\/strong> (University of California, Los Angeles)
\n\u30cf\u30eb\u30aa\u30fb\u30b7\u30e9\u30cd\u3001\u30de\u30a4\u30b1\u30eb\u30fb\u30a8\u30e1\u30ea\u30c3\u30af\uff08\u30ab\u30ea\u30d5\u30a9\u30eb\u30cb\u30a2\u5927\u5b66\u30ed\u30b5\u30f3\u30bc\u30eb\u30b9\u6821\uff09<\/p>\n

1:00 PM-1:40 PM (25 minute presentation, 15 minute discussion)
\nHiroaki Nagashima<\/strong> (The University of Tokyo)
\n\u201cAdaptation, Sources, History, and Pseudonyms: Authors of Akinari\u2019s Fiction\u201d
\n\u9577\u5cf6 \u5f18\u660e\uff08\u6771\u4eac\u5927\u5b66\uff09
\n\u300c\u7ffb\u6848\u30fb\u30e2\u30c7\u30eb\u30fb\u6b74\u53f2\u3001\u305d\u3057\u3066\u4f5c\u8005\u30fb\u622f\u53f7\uff1a\u4e0a\u7530\u79cb\u6210\u306e\u5c0f\u8aac\u3092\u4f8b\u3068\u3057\u3066\u300d<\/p>\n

1:40 PM-2:20 PM (25 minute presentation, 15 minute discussion)
\nToshiyuki Suzuki<\/strong> (Chuo University)
\n\u201cPublication Culture and \u2018The Author\u2019 in the Edo Period\u201d
\n\u9234\u6728 \u4fca\u5e78\uff08\u4e2d\u592e\u5927\u5b66\uff09
\n\u300c\u6c5f\u6238\u6642\u4ee3\u306e\u51fa\u7248\u6587\u5316\u3068\uff1c\u4f5c\u8005\uff1e\u300d<\/p>\n

Session 6. Adaptation and Book Culture in Early Modern Japan, Part II<\/strong><\/em>
\n[in English]
\nChair: Satoko Shimazaki<\/strong> (University of Southern California)
\n\u5d8b\u5d0e\u8061\u5b50\uff08\u5357\u30ab\u30ea\u30d5\u30a9\u30eb\u30cb\u30a2\u5927\u5b66\uff09<\/p>\n

2:40 PM-3:20 PM (25 minute presentation, 15 minute discussion)
\nThomas Gaubatz<\/strong> (Northwestern University)
\n“Ejima Kiseki and 18th-Century Authorship: Intertextuality, Technology, Property\u201d
\n\u30c8\u30fc\u30de\u30b9\u30fb\u30ac\u30a6\u30d0\u30c3\u30c4\uff08\u30ce\u30fc\u30b9\u30a6\u30a7\u30b9\u30bf\u30f3\u5927\u5b66\uff09
\n\u300c\u6c5f\u5cf6\u5176\u78e7\u306e\u30e1\u30c7\u30a3\u30a2\u74b0\u5883\uff1a\u9593\u30c6\u30ad\u30b9\u30c8\u6027\u30fb\u30c6\u30af\u30ce\u30ed\u30b8\u30fc\u30fb\u6240\u6709\u6a29 \u300d<\/p>\n

3:20 PM-4:00 PM (25 minute presentation, 15 minute discussion)
\nDavid Atherton<\/strong> (University of Colorado Boulder)
\n\u201cIn the Belly of Creation: Imagining the Author in Early Modern Japanese Illustrated Fiction\u201d
\n\u30c7\u30a3\u30f4\u30a3\u30c3\u30c9\u30fb\u30a2\u30b5\u30fc\u30c8\u30f3\uff08\u30b3\u30ed\u30e9\u30c9\u5927\u5b66\u30dc\u30fc\u30eb\u30c0\u30fc\u6821\uff09
\n\u300c\u672c\u3068\u66f8\u304d\u624b\u306e\u8179\u306e\u5185\uff1a\u8fd1\u4e16\u8349\u53cc\u7d19\u306b\u307f\u308b\u4f5c\u8005\u50cf\u300d<\/p>\n

Session 7. Roundtable on Authorship and Modern Japanese Literature<\/strong><\/em>
\n[in English and Japanese]
\nChairs: Hirokazu Toeda<\/strong> (Waseda University) and Tomi Suzuki<\/strong>
\n\u5341\u91cd\u7530\u88d5\u4e00\uff08\u65e9\u7a32\u7530\u5927\u5b66\uff09\u3001\u9234\u6728\u767b\u7f8e<\/p>\n

4:20 PM-5:40 PM (10-minute presentations, followed by 40 minute discussion)<\/p>\n

Charles Woolley<\/strong> (Heyman Center Postdoctoral Scholar, Columbia University)
\n\u201cSequel, Adaptation, and the Gesakusha-Author Function in the Early Meiji Period\u201d
\n\u30c1\u30e3\u30fc\u30eb\u30ba\u30fb\u30a6\u30fc\u30ea\u30fc\uff08\u30b3\u30ed\u30f3\u30d3\u30a2\u5927\u5b66\u30dd\u30b9\u30c8\u30c9\u30af\u30c8\u30e9\u30eb\u7814\u7a76\u54e1\uff09
\n\u300c\u660e\u6cbb\u6642\u4ee3\u521d\u671f\u306b\u304a\u3051\u308b\u7d9a\u7de8\u30fb\u7ffb\u6848\u304a\u3088\u3073\u6a5f\u80fd\u3068\u3057\u3066\u306e\u622f-\u4f5c\u8005\u300d<\/p>\n

Pau Pitarch-Fernandez<\/strong> (Queens College of the City University of New York)
\n\u201cThe Author as Mad Genius and the Early 20th-Century Japanese Literary Marketplace\u201d
\n\u30d1\u30a6\u30fb\u30d4\u30bf\u30eb\u30af=\u30d5\u30a7\u30eb\u30ca\u30f3\u30c7\u30b9\uff08\u30cb\u30e5\u30fc\u30e8\u30fc\u30af\u5e02\u7acb\u5927\u5b66\u30af\u30a4\u30fc\u30f3\u30ba\u30ab\u30ec\u30c3\u30b8\uff09
\n\u300c\uff12\uff10\u4e16\u7d00\u521d\u982d\u306e\u65e5\u672c\u6587\u5b66\u5e02\u5834\u306b\u304a\u3051\u308b\u300c\u72c2\u3048\u308b\u5929\u624d\u300d\u3068\u3057\u3066\u306e\u4f5c\u8005\u300d<\/p>\n

Hitomi Yoshio<\/strong> (Waseda University)
\n\u201cThe Birth of \u2018Women Writers\u2019 in Modern Japan\u201d
\n\u7531\u5c3e \u77b3\uff08\u65e9\u7a32\u7530\u5927\u5b66\uff09
\n\u300c\u8fd1\u4ee3\u65e5\u672c\u306b\u304a\u3051\u308b\u300c\u5973\u6d41\u4f5c\u5bb6\u300d\u306e\u8a95\u751f\u300d<\/p>\n

K\u014dji Toba<\/strong> (Waseda University)
\n\u201cCircle Movements and Authors\u201d
\n\u9ce5\u7fbd \u8015\u53f2\uff08\u65e9\u7a32\u7530\u5927\u5b66\uff09
\n\u300c\u30b5\u30fc\u30af\u30eb\u904b\u52d5\u3068\u4f5c\u8005\u300d<\/p>\n

Respondents: Indra Levy<\/strong> (Stanford University) and Yuika Kitamura<\/strong> (Kobe University)
\n\u30a4\u30f3\u30c9\u30e9\u30fb\u30ea\u30fc\u30d3\uff08\u30b9\u30bf\u30f3\u30d5\u30a9\u30fc\u30c9\u5927\u5b66\uff09\u3001\u5317\u6751\u7d50\u82b1\uff08\u795e\u6238\u5927\u5b66\uff09<\/p>\n

\"\u2463\u2605DSC02522(Levy&\u5341\u91cd\u7530\uff09\"<\/p>\n

5:40 PM-6:00 PM Closing Remarks
\nSungsi Lee<\/strong> and Haruo Shirane<\/strong>
\n\u674e\u6210\u5e02\u3001\u30cf\u30eb\u30aa\u30fb\u30b7\u30e9\u30cd<\/p>\n

\u30b7\u30f3\u30dd\u30b8\u30a6\u30e0\u306e\u30dd\u30b9\u30bf\u30fc\u306f\u3053\u3061\u3089\u304b\u3089\u3054\u89a7\u304f\u3060\u3055\u3044<\/a><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

2017\u5e743\u670810\u65e5\uff08\u91d1\uff09\uff5e11\u65e5\uff08\u571f\uff09\u306e2\u65e5\u9593\u306b\u308f\u305f\u308a\u3001\u30b3\u30ed\u30f3\u30d3\u30a2\u5927\u5b66\u306b\u3066\u300c\uff1c\u4f5c\u8005\uff1e\u3068\u306f\u4f55\u304b\uff1a\u6771\u30a2\u30b8\u30a2\u3068\u30e8\u30fc\u30ed\u30c3\u30d1\u306b\u304a\u3051\u308b\u6b74\u53f2\u3068\u5b9f\u8df5\u300d\u3068\u984c\u3057\u305f\u56fd\u969b\u30b7\u30f3\u30dd\u30b8\u30a6\u30e0\u304c\u958b\u50ac\u3055\u308c\u307e\u3057\u305f\u3002 \u8a73\u7d30\u306f\u4e0b\u8a18\u3092\u3054\u89a7\u304f\u3060\u3055\u3044\u3002   […]<\/p>\n","protected":false},"author":3,"featured_media":2117,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[110,96,62],"class_list":["post-2365","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-through-2023","tag-report","tag-gj","tag-research"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.waseda.jp\/inst\/sgu\/wp-json\/wp\/v2\/posts\/2365","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.waseda.jp\/inst\/sgu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.waseda.jp\/inst\/sgu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/inst\/sgu\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/inst\/sgu\/wp-json\/wp\/v2\/comments?post=2365"}],"version-history":[{"count":1,"href":"https:\/\/www.waseda.jp\/inst\/sgu\/wp-json\/wp\/v2\/posts\/2365\/revisions"}],"predecessor-version":[{"id":2391,"href":"https:\/\/www.waseda.jp\/inst\/sgu\/wp-json\/wp\/v2\/posts\/2365\/revisions\/2391"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/inst\/sgu\/wp-json\/wp\/v2\/media\/2117"}],"wp:attachment":[{"href":"https:\/\/www.waseda.jp\/inst\/sgu\/wp-json\/wp\/v2\/media?parent=2365"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.waseda.jp\/inst\/sgu\/wp-json\/wp\/v2\/categories?post=2365"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.waseda.jp\/inst\/sgu\/wp-json\/wp\/v2\/tags?post=2365"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}