- \n
- Time and Date: December 5th (Sat.) 16:30-17:30 (JST)<\/li>\n
- Format: Online meeting <\/strong>(Zoom)<\/li>\n
- Presenter:\u00a0KITAGAWA, Chikako (Associate Professor, Keio University)<\/li>\n
- Title:\u00a0 Salvatore Sciarrino\u2019s Lohengrin<\/em> (1982) \u2013 The Concept of the \u201cAudible Body\u201d<\/li>\n
- Language: Japanese<\/li>\n
- Chair:\u00a0 \u00a0SATO, Suguru<\/li>\n
- Abstract:
\nSalvatore Sciarrino (b. 1947) is one of the most important contemporary composers. He has created a unique acoustic world that is reduced and stylized to the limits of silence and noise through specific instrumental and singing techniques. His opera Lohengrin<\/em>, for example,is characterized by radical reduction: Elsa is the only, seemingly abysmal figure in this monodrama. Her singing is embodied in elementary physical vocalizations, such as breaths or gurgles. This was clarified by the staging of this opera during the Salzburg Easter Festival 2017 (director: Michael Sturminger). The musical and scenic design achieved a new dimension not hitherto found in the figure of Elsa in Wagner\u2019s Lohengrin<\/em>.
\nKeywords: \u00a0Salvatore Sciarrino \/ Richard Wagner \/ voice \/ silence \/ physicality \/ staging \/ monodrama<\/li>\n<\/ul>\nAttention<\/h5>\n
– Registration is required by December 2 (Wed.). Please write an e-mail with name, affiliation and e-mail address (subject: December Meeting) to:
\nreikaiuketsuke[at]gmail.com\u3000( [at] = @)<\/p>\n-The invitation e-mail via zoom will be sent to the registrants at 14:00 on December 5.<\/p>\n
Profile of Presenter<\/h5>\n
![\"\"](\"https:\/\/www.waseda.jp\/inst\/cro\/assets\/uploads\/2020\/11\/659b6378949f9336f0766c70e704ae76-610x733.jpg\")
KITAGAWA, Chikako<\/p>\nAssociate Professor at Keio University. As a DAAD scholarship holder, she graduated in 2013 from the Freie Universit\u00e4t Berlin (Institute of Theater Studies), with the dissertation Versuch \u00fcber Kundry \u2013 Facetten einer Figur (Experiment on Kundry \u2013 Facets of a Character, published by Peter Lang, 2015). PhD. Her main areas of research include Wagner\u2019s dramatic oeuvre, as well as the staging aesthetics of opera and musical theater. Her current research projects are focused on the analysis of the phenomena of silence and stillness in musical theater, from Wagner to the present<\/p>\n
Next meeting<\/h5>\n
Next meeting will be held on February 6 (Sat.) 2021\u3000\uff08TBD\uff09<\/p>\n
\u30fbPresenter: Inoue, Tokiko<\/p>\n
\u30fbChair: Ogino, Shizuo<\/p>\n
Waseda Institute for Research in Opera and Music Theatre (WIROM), Comprehensive Research Organization, Waseda University:<\/p>\n
https:\/\/opera-and-music-theatre.jimdofree.com\/english\/<\/a><\/p>\n
e-mail address: operaken-uketsuke[at]list.waseda.jp\u3000( [at] = @)<\/p>\n
(This information will be sent later by Facebook<\/a> and Twitter.<\/a> You can see it in them, too.)<\/p>\n","protected":false},"excerpt":{"rendered":"
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