{"id":4891,"date":"2020-07-05T22:33:12","date_gmt":"2020-07-05T13:33:12","guid":{"rendered":"https:\/\/www.waseda.jp\/inst\/cro\/?p=4891"},"modified":"2024-08-23T11:02:36","modified_gmt":"2024-08-23T02:02:36","slug":"%e3%82%aa%e3%83%9a%e3%83%a9%ef%bc%8f%e9%9f%b3%e6%a5%bd%e5%8a%87%e7%a0%94%e7%a9%b6%e6%89%80%ef%bc%9b2%e6%9c%88%e7%a0%94%e7%a9%b6%e4%be%8b%e4%bc%9a%e3%81%ae%e3%81%94%e6%a1%88%e5%86%85%ef%bc%88-2-3-2-14","status":"publish","type":"post","link":"https:\/\/www.waseda.jp\/inst\/cro\/news-en\/2020\/07\/05\/4891\/","title":{"rendered":"Institute for Research in Opera and Music Theatre\u3000Information of Monthly Regular Meeting June 2020"},"content":{"rendered":"<h4>Information of Monthly Regular Meeting June 2020\u3000(The 188th Meeting of Opera Research Group)<\/h4>\n<p>Waseda Institute for Research in Opera and Music Theatre (WIROM), Comprehensive Research Organisation, Waseda University<\/p>\n<p>Keywords for Opera and Music Theatre<\/p>\n<h5>abstract for the Meeting<\/h5>\n<ul>\n<li>Time and Date: June 20th (Sat.) 16:30-18:30<\/li>\n<li>Venue: online meeting<\/li>\n<li>Presenter1: YAGISIHTA, Emi<\/li>\n<li>Title: Isadora Duncan and Richard Wagner<\/li>\n<li>Chair: NAKAMURA, Ryo<\/li>\n<li>Abstract:<\/li>\n<\/ul>\n<p>This presentation examines Isadora Duncan\u2019s activities in Germany and Richard Wagner\u2019s influence on her dance and ideas.<\/p>\n<p>These are the keywords for the presentation: Isadora Duncan \/ Germany \/ The Dance of Future \/ Richard Wagner \/ The Artwork of the Future \/ Arts \/ Nature \/ The Death of Isolde.<\/p>\n<hr \/>\n<div>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-4888\" src=\"https:\/\/www.waseda.jp\/inst\/cro\/assets\/uploads\/2020\/07\/daaca4239462c50d84f73ab51af43ea51.jpg\" alt=\"\" width=\"130\" height=\"182\" \/><\/p>\n<ul>\n<li>Profile of Presenter:<\/li>\n<\/ul>\n<p>YAGISHITA, Emi<br \/>\nAssociate Professor (2019-present) at Waseda University. Earned Ph.D. in Literature, Waseda University. Research Fellow of the Japan Society for the Promotion of Science (2013-2015). Research Associate (2015-2016), Assistant Professor (2016-2019) at Waseda University.<\/p>\n<\/div>\n<hr \/>\n<ul style=\"list-style-type: square;\">\n<li>Presenter 2\uff1aSATO, Suguru<\/li>\n<li>Title\uff1aThe Broadcast Programs of the Bayreuth Festivals in the Era of National Socialism.<\/li>\n<li>Language\uff1aJapanese<\/li>\n<li>Abstract\uff1a<br \/>\nThis project examines the broadcast programs of the Bayreuth Festivals in the era of National Socialism mainly from their planning and their impact to listeners. These are the keywords for the presentation: the NSDAP \/ Bayreuth Festival \/ Richard Wagner \/ radio programs \/ propaganda.<\/li>\n<li>Profile of Presenter:<br \/>\nAssociate Professor at Nihon University. Ph.D. (Literature). Adjunct researcher at the Waseda Institute for Research in Opera and Music Theatre. Special research fields: German Studies (Music and Literature). Sato is the author of \u201cDer Beginn des Zweiten Weltkriegs und sein Einfluss auf die Musikprogramme im deutschen Rundfunk\u201d (2019), translator of \u201cDas Reichsorchester. Die Berliner Philharmoniker und der Nationalsozialismus\u201d by Misha Aster (Joint translation, Japanese translation, 2009) and coauthor of Handbook for Opera and Music Theatre Studies-Reading Keywords (2017)<\/li>\n<li>Chair:OGINO, Shizuo<\/li>\n<\/ul>\n<p>e-mail address: operaken-uketsuke[at]list.waseda.jp\u3000( [at] = @)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Information of Monthly Regular Meeting June 2020\u3000(The 188th Meeting of Opera Research Group) Waseda Institute  [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":4807,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[95],"tags":[84,82,138,73],"class_list":["post-4891","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-en","tag-culture-en","tag-events-en","tag-news","tag-research-en","lang-ja"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.waseda.jp\/inst\/cro\/wp-json\/wp\/v2\/posts\/4891","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.waseda.jp\/inst\/cro\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.waseda.jp\/inst\/cro\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/inst\/cro\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/inst\/cro\/wp-json\/wp\/v2\/comments?post=4891"}],"version-history":[{"count":2,"href":"https:\/\/www.waseda.jp\/inst\/cro\/wp-json\/wp\/v2\/posts\/4891\/revisions"}],"predecessor-version":[{"id":17243,"href":"https:\/\/www.waseda.jp\/inst\/cro\/wp-json\/wp\/v2\/posts\/4891\/revisions\/17243"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/inst\/cro\/wp-json\/wp\/v2\/media\/4807"}],"wp:attachment":[{"href":"https:\/\/www.waseda.jp\/inst\/cro\/wp-json\/wp\/v2\/media?parent=4891"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.waseda.jp\/inst\/cro\/wp-json\/wp\/v2\/categories?post=4891"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.waseda.jp\/inst\/cro\/wp-json\/wp\/v2\/tags?post=4891"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}