{"id":20093,"date":"2025-09-22T11:55:52","date_gmt":"2025-09-22T02:55:52","guid":{"rendered":"https:\/\/www.waseda.jp\/inst\/cro\/?p=20093"},"modified":"2025-11-17T17:07:43","modified_gmt":"2025-11-17T08:07:43","slug":"%e6%ac%a1%e4%b8%96%e4%bb%a3%e3%82%b8%e3%83%a3%e3%83%bc%e3%83%8a%e3%83%aa%e3%82%ba%e3%83%a0%e3%83%bb%e3%83%a1%e3%83%87%e3%82%a3%e3%82%a2%e7%a0%94%e7%a9%b6%e6%89%80%ef%bc%9anhk%e6%94%be%e9%80%81-7-2-25","status":"publish","type":"post","link":"https:\/\/www.waseda.jp\/inst\/cro\/news-en\/2025\/09\/22\/20093\/","title":{"rendered":"Report of Institute for Research in Opera and Music Theatre: Monthly Regular Meeting, November 2025 (232nd Meeting of the Opera Research Group)"},"content":{"rendered":"

Re-performance in dance works at the Asakusa Opera: Considering the possibility of re-performing dance works by Masao Takata(1895-1929): Chizuru SUGIYAMA<\/h3>\n

Abstract<\/strong><\/h5>\n

During the Taisho period, at the Asakusa Opera, members of the opera department of the Tokyo Imperial Theater, including Baku Ishii (1886-1962) and Masao Takata (1895-1929), pioneers of Modern Dance in Japan, and their apprentices, created and performed dance works. Additionally, some of these works were re-performed.
\nEven though Takata had numerous works, they were not often re-performed. However, if the audience received a work well, Takata would have wanted to re-perform it, perhaps not as a work, but as a scene within other works.
\nThis presentation provides an overview of these re-performances and examines the possibility that Takata\u2019s dance works were re-performed as a scene in other works.<\/p>\n

Event Outline<\/h5>\n