{"id":16612,"date":"2024-05-27T14:30:47","date_gmt":"2024-05-27T05:30:47","guid":{"rendered":"https:\/\/www.waseda.jp\/inst\/cro\/?p=16612"},"modified":"2024-09-27T09:59:48","modified_gmt":"2024-09-27T00:59:48","slug":"information-of-monthly-regular-meeting-january-2023-the-208th-meeting-of-opera-research-group-2-2-2-2-3-2-2-5-2-2-2","status":"publish","type":"post","link":"https:\/\/www.waseda.jp\/inst\/cro\/news-en\/2024\/05\/27\/16612\/","title":{"rendered":"Information of Monthly Regular Meeting  July 2024 (The 221th Meeting of Opera Research Group)"},"content":{"rendered":"<h3>Monthly Regular Meeting July 2024 (The 221th Meeting of Opera Research Group)<\/h3>\n<p>Waseda Institute for Research in Opera and Music Theatre (WIROM), Comprehensive Research Organization,Waseda University<\/p>\n<ul>\n<li>Time and Date: \u00a0July 13th (Sat.) 2024, 16:30-18:00 (JST)<\/li>\n<li>Format: Hiflex (On-Campus and Online meeting (Zoom))<\/li>\n<\/ul>\n<p>1) Participate in person<br \/>\nVenue: Waseda University, Waseda Campus, Room 406 of Building 3<br \/>\nAccess: <a href=\"https:\/\/www.waseda.jp\/top\/en\/access\/waseda-campus\">https:\/\/www.waseda.jp\/top\/en\/access\/waseda-campus<\/a><br \/>\n*No advance registration is required.<\/p>\n<p>2) Participate Online<br \/>\nRegistration is required by June 14th (Fri.). Please register through following URL:<br \/>\n<a href=\"https:\/\/list-waseda-jp.zoom.us\/meeting\/register\/tJEld-ytqD8oGdCnCjgC3OoI2GEaNlQGMdP6\">https:\/\/list-waseda-jp.zoom.us\/meeting\/register\/tJEld-ytqD8oGdCnCjgC3OoI2GEaNlQGMdP6<\/a><br \/>\n*Please show your full name on the display, mute yourself and turn of the video except when talking, refrain from taking screenshots, recordings etc. and follow the moderator\u2019s instructions.<\/p>\n<ul>\n<li>Presenter: KATO, Keisuke<\/li>\n<li>Affiliation: Language Education Center, Tokai University<\/li>\n<li>Title: \u201cThe influence of E.T.A. Hoffmann on Richard Wagner\u2019s <em>Die Bergwerke zu Falun<\/em> and the attempt to introduce \u2018deutsch\u2019 elements into it, comparing it with Wagner\u2019s <em>Tannh\u00e4user und der S\u00e4ngerkrieg auf Wartburg<\/em>\u201d<\/li>\n<li>Language: Japanese<\/li>\n<li>Abstract: <em>Die Bergwerke zu Falun <\/em>(1841-1842) is one of Richard Wagner\u2019s projects for which no music was ever written. This work has many features in common with <em>Tannh\u00e4user und der S\u00e4ngerkrieg auf Wartburg<\/em>, which was drafted around the same time. The setting of <em>Die Bergwerke zu Falun<\/em>, for example, is a mountainous underground world and the human society surrounding it, similar to that of <em>Tannh\u00e4user<\/em>. In addition, both works are partly based on works by Romantic novelists: <em>Die Bergwerke zu Falun<\/em> cannot be discussed without the influence of E.T.A. Hoffmann, nor <em>Tannh\u00e4user<\/em> without the influence of Ludwig Tieck and Hoffmann. This presentation will examine the libretto of <em>Die Bergwerke zu Falun<\/em>, the text of Hoffmann&#8217;s novel of the same name, and the libretto of <em>Tannh\u00e4user<\/em>, in order to find answers to the following questions: What were Wagner&#8217;s intentions when he selected <em>Tannh\u00e4user<\/em> from two works that had common characteristics and completed the libretto in its complete form, and what influence did the attempt to create <em>Die Bergwerke zu Falun<\/em> have on <em>Tannh\u00e4user<\/em> and subsequent works? It will also attempt to consider the research significance of <em>Die Bergwerke zu Falun<\/em>, which has rarely been considered in Wagner studies.<\/li>\n<li>Profile of Presenter: Keisuke Kato is a lecturer in German und German culture at Tokai University. His research field is German Literature, especially the plays and librettos of the 19th century. He focuses on the works of Richard Wagner (1813-1883) and their critical expression of European society. His PhD in literature (Sophia University, Japan, 2021) examined the figure of Wotan in <em>Der Ring des Nibelungen<\/em> as a characterization of numerous defects in the monarchy and Wagner\u2019s disappointment in it. He is the author of \u201cDie Wandlung der Herrscher-Figur von Wagners <em>Die Sage von den Nibelungen<\/em> und <em>Siegfrieds Tod<\/em> zu <em>Der Ring des Nibelungen<\/em>\u201d (2018) and \u201cUnter dem Einfluss von Shakespeare und Laube. Isabella in Richard Wagners <em>Das Liebesverbot<\/em>\u201d (2022).<\/li>\n<\/ul>\n<ul>\n<li>Moderator: KITAGAWA, Chikako<\/li>\n<\/ul>\n<p>Next meeting: October 5th (Sat.) 2024<br \/>\nPresenter: INOUE, Tokiko<br \/>\nModerator: MORIMOTO, Yoriko<\/p>\n<p>Waseda Institute for Research in Opera and Music Theatre (WIROM), Comprehensive Research Organization, Waseda University:<a href=\"https:\/\/prj-opera-mt.w.waseda.jp\/\"> <u>https:\/\/prj-opera-mt.w.waseda.jp\/<\/u><\/a><br \/>\ne-mail address: operaken-uketsuke[at]list.waseda.jp\u3000([at] = @)<br \/>\n(This information will be sent later by\u00a0<a href=\"https:\/\/www.facebook.com\/wasedaopera\">Facebook <\/a>and <a href=\"https:\/\/twitter.com\/wasedaopera\">X\uff08Twitter\uff09<\/a>. You can see it in them, too.)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Monthly Regular Meeting July 2024 (The 221th Meeting of Opera Research Group) Waseda Institute for Research in [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":4807,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[95],"tags":[87,82,73],"class_list":["post-16612","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-en","tag-arts-en","tag-events-en","tag-research-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.waseda.jp\/inst\/cro\/wp-json\/wp\/v2\/posts\/16612","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.waseda.jp\/inst\/cro\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.waseda.jp\/inst\/cro\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/inst\/cro\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/inst\/cro\/wp-json\/wp\/v2\/comments?post=16612"}],"version-history":[{"count":2,"href":"https:\/\/www.waseda.jp\/inst\/cro\/wp-json\/wp\/v2\/posts\/16612\/revisions"}],"predecessor-version":[{"id":17422,"href":"https:\/\/www.waseda.jp\/inst\/cro\/wp-json\/wp\/v2\/posts\/16612\/revisions\/17422"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/inst\/cro\/wp-json\/wp\/v2\/media\/4807"}],"wp:attachment":[{"href":"https:\/\/www.waseda.jp\/inst\/cro\/wp-json\/wp\/v2\/media?parent=16612"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.waseda.jp\/inst\/cro\/wp-json\/wp\/v2\/categories?post=16612"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.waseda.jp\/inst\/cro\/wp-json\/wp\/v2\/tags?post=16612"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}