{"id":16399,"date":"2024-04-22T12:31:23","date_gmt":"2024-04-22T03:31:23","guid":{"rendered":"https:\/\/www.waseda.jp\/inst\/cro\/?p=16399"},"modified":"2024-04-22T12:31:23","modified_gmt":"2024-04-22T03:31:23","slug":"information-of-monthly-regular-meeting-january-2023-the-208th-meeting-of-opera-research-group-2-2-2-2-3-2-2-3-2-2","status":"publish","type":"post","link":"https:\/\/www.waseda.jp\/inst\/cro\/news-en\/2024\/04\/22\/16399\/","title":{"rendered":"Report of Monthly Regular Meeting April 2024 (The 218th Meeting of Opera Research Group)"},"content":{"rendered":"<h3>Report of Monthly Regular Meeting April 2024\u00a0 (The 218th Meeting of Opera Research Group)<\/h3>\n<p>Waseda Institute for Research in Opera and Music Theatre (WIROM), Comprehensive Research Organization,Waseda University<\/p>\n<ul>\n<li>Time and Date: April 13th (Sat.) 2024, 16:30 &#8211; 18:00 (JST)<\/li>\n<li>Format: Online meeting (Zoom)<\/li>\n<li>Presenter:\u00a0 SEKINO, Satomi<\/li>\n<li>Affiliation: Hitotsubashi University (Graduate School of Social Sciences)<\/li>\n<li>Title: \u201cHow did Marcel Proust experience contemporary opera in France, particularly Debussy\u2019s \u201cPell\u00e9as et Melisande\u201d?\u201d<\/li>\n<li>Language: Japanese<\/li>\n<li>Abstract: In Marcel Proust\u2019s novel \u201cIn Search of Lost Time\u201d (1913-1927), there are numerous references to the music of his time. Among them, Debussy\u2019s opera \u201cPell\u00e9as et M\u00e9lisande\u201d (1893-1902) is cited more frequently than Wagner\u2019s music dramas, which had a privileged position in French art during that time.\u00a0In 1911, Proust heard \u201cPell\u00e9as\u201d for the first time on the th\u00e9\u00e2trophone, and shortly after that he published a pastiche of \u201cPell\u00e9as\u201d that he claimed was close to \u201cDebussy\u2019s script, not Maeterlinck\u2019s.\u201d Proust continued to maintain a high level of interest in \u201cPell\u00e9as\u201d in subsequent years.This presentation will examine the description of \u201cThe Prisoner\u201d in the fifth volume of Proust\u2019s \u201cIn Search of Lost Time,\u201d in which Debussy\u2019s \u201cPell\u00e9as\u201d is the most important reference, as well as the surrounding musical materials, to reveal a part of the image of Debussy\u2019s \u201cPell\u00e9as et Melisande\u201d from the perspective of a contemporary writer. This presentation will provide an example of what the opera \u201cPell\u00e9as et M\u00e9lisande\u201d meant to French artists during the same period.<\/li>\n<li>Profile of Presenter:\u00a0 Satomi Sekino is a graduate student at Hitotsubashi University, specializing in French literature. Her research focuses on the literary works of Marcel Proust and contemporary French music. She holds a Ph.D. in Musicology and was awarded a JSPS Research Fellowship in 2017-2020. Recent articles on this topic are: \u201cComment la musique re\u0301sonne avec la \u00ab vie \u00bb: la <em>Sonate pour piano et violon <\/em>de Vinteuil dans <em>Un amour de Swann<\/em>\u201d (<em>\u00c9tudes de langue et litt\u00e9rature fran\u00e7aises<\/em>, n<sup>o<\/sup> 119, 2021, pp. 207-223); \u201cH\u00e9ritage de r\u00e9flexions sur la <em>Sonate <\/em>de Vinteuil: vers un \u00ab chef-d\u2019\u0153uvre vraiment nouveau \u00bb\u201d (<em>\u00c9tudes de langue et litt\u00e9rature fran\u00e7aises<\/em>, n<sup>o<\/sup> 123, 2023, pp. 71-84).<\/li>\n<li>Moderator: ISHII, Michiko<\/li>\n<\/ul>\n<p><span class=\"fontstyle0\">\uff0a <\/span><span class=\"fontstyle2\">Comment: There were 21 participants<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Report of Monthly Regular Meeting April 2024\u00a0 (The 218th Meeting of Opera Research Group) Waseda Institute for [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":4807,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[95],"tags":[87,82,73],"class_list":["post-16399","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-en","tag-arts-en","tag-events-en","tag-research-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.waseda.jp\/inst\/cro\/wp-json\/wp\/v2\/posts\/16399","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.waseda.jp\/inst\/cro\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.waseda.jp\/inst\/cro\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/inst\/cro\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/inst\/cro\/wp-json\/wp\/v2\/comments?post=16399"}],"version-history":[{"count":1,"href":"https:\/\/www.waseda.jp\/inst\/cro\/wp-json\/wp\/v2\/posts\/16399\/revisions"}],"predecessor-version":[{"id":16404,"href":"https:\/\/www.waseda.jp\/inst\/cro\/wp-json\/wp\/v2\/posts\/16399\/revisions\/16404"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/inst\/cro\/wp-json\/wp\/v2\/media\/4807"}],"wp:attachment":[{"href":"https:\/\/www.waseda.jp\/inst\/cro\/wp-json\/wp\/v2\/media?parent=16399"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.waseda.jp\/inst\/cro\/wp-json\/wp\/v2\/categories?post=16399"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.waseda.jp\/inst\/cro\/wp-json\/wp\/v2\/tags?post=16399"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}