Comprehensive Research Organization早稲田大学 総合研究機構




Information of Monthly Regular Meeting October 2019 (The 183rd Meeting of Opera Research Group)
Waseda Institute for Research in Opera and Music Theatre (WIROM), Comprehensive Research Organisation, Waseda University


  • 日時 / Date:10月5日(土) /  October 5th (Sat.)16:30-18:40
  • 会場 / Venue:早稲田大学早稲田キャンパス / Waseda University, Waseda Campus
    ※会場は9月27日以降に決定次第通知(Room: T.B.D.)
    ※キャンパスマップ/ Campus Map:
  • 会費:無料
  • 参加申込み:どなたでもご参加いただけます。

オペラ/音楽劇のキーワーズ / Keywords for Opera and Music Theatre

  • 報告者1 / Speaker 1: 荻野 静男 / OGINO, Shizuo (16:30 ~ 17:30)
  • 題目 / Title: ラインハルト・カイザーの《高慢な、転落し、再び高位に返り咲いたクロイソス》 / “Der hochmütige, gestürzte, und wieder erhabene Croesus by Reinhard Keiser”
  • 言語 / Language:日本語/ Japanese
  • 概要 / Abstract:
    This project considers the opera Der hochmütige, gestürzte, und wieder erhabene Croesus (The Proud, Overthrown and Again Exalted Croesus) and examines some relevant aspects including the Freie Reichsstadt Hamburg, the Enlightenment , opera and citizens of the city, conflicts with Protestant Church, the figure of Croesus, and finally the opera’s libretto, music, and its dance elements.
  • 報告者プロフィール / Profile of Speaker:
    Professor, Faculty of Political Science and Economics and Director, Waseda Institute for Research in Opera and Music Theatre. Special research fields: Science of Art, German Studies. Ogino is the author of “Ingmar Bergmans Verfilmung der Zauberflöte” (research paper, 2015), translator of “Wagner und die bildende Kunst seiner Zeit” by Andrea Gottdang (Japanese translation, 2019) and coauthor of “Handbook for Opera and Music Theater Studies-Reading Keywords” (2017).
  • 報告者2 / Speaker 2:山本 まり子 / YAMAMOTO, Mariko  (17:40 ~ 18:40)
  • 題目 / Title: メルヒェンオペラ / Märchenoper
  • 言語 / Language:日本語 / Japanese
  • 概要 / Abstract:
    This project examines “Märchenoper” (fairy-tale opera) from the following literary and musical viewpoints. First, the presenter defines the term and explains its position in music history. Then historical background and the development of the genre is provided. The presenter explains features of the texts in the relevant oral and written literatures. Finally, musical features of the genre and representative works are discussed.
  • 報告者プロフィール / Profile of Speaker:
    PhD (musicology) / Professor, Faculty of Music, Seitoku University / Adjunct researcher at the Waseda Institute for Research in Opera and Music Theatre / Trustee of Japan Vocalists Forum. Yamamoto’s research focuses especially on the works of Gustav Mahler and his contemporaries. She has collaborated on books such as Exporing “Ikai (Otherworld)” (2013) and Die Dramatizität in den Bünenwerken Richard Wagners (2014).

早稲田大学総合研究機構オペラ/音楽劇研究所Waseda Institute for Research in Opera and Music Theatre (WIROM), Comprehensive Research Organisation, Waseda University:

e-mail address: [email protected]
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