{"id":7388,"date":"2020-10-12T17:31:33","date_gmt":"2020-10-12T08:31:33","guid":{"rendered":"https:\/\/www.waseda.jp\/flas\/rilas\/?p=7388"},"modified":"2021-10-13T14:13:13","modified_gmt":"2021-10-13T05:13:13","slug":"waseda-rilas-journal-no-7-october-2019-2","status":"publish","type":"post","link":"https:\/\/www.waseda.jp\/flas\/rilas\/news-en\/2020\/10\/12\/7388\/","title":{"rendered":"WASEDA RILAS JOURNAL No.8 (October, 2020)"},"content":{"rendered":"<p><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/4fff6ab90e39acfddedd820555657278.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-7446\" src=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/4fff6ab90e39acfddedd820555657278-610x862.jpg\" alt=\"\" width=\"228\" height=\"323\" srcset=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/4fff6ab90e39acfddedd820555657278-610x862.jpg 610w, https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/4fff6ab90e39acfddedd820555657278-768x1086.jpg 768w, https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/4fff6ab90e39acfddedd820555657278-940x1329.jpg 940w, https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/4fff6ab90e39acfddedd820555657278.jpg 1240w\" sizes=\"auto, (max-width: 228px) 100vw, 228px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>ISSN\uff1a2187-8307<\/strong><\/p>\n<h3><strong>Cover<\/strong><\/h3>\n<ul>\n<li><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/RILAS-JORNAL-NO.8-COVER.pdf\">Cover<\/a><\/li>\n<li><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/00-Contents-En.pdf\" target=\"_blank\" rel=\"noopener\">Contents<\/a><\/li>\n<\/ul>\n<h3><strong>Articles<\/strong><\/h3>\n<div class=\"layoutArea\">\n<div class=\"column\">\n<ul>\n<li>Satomi ARAKAWA \u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000<a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/547-558-ARAKAWA.pdf\" target=\"_blank\" rel=\"noopener\">Tang and the Korean Peninsula of <em>Nihon Ryoiki<\/em>: as a Trigger of Awareness of \u201cOur Own Country\u201d<\/a><\/li>\n<li>Takuma ITO \u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000<a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/001-009_Takuma-ITO.pdf\">An Exploration of Poetry in a Time of Crisis \u2013 Tristan Tzara in the Mid-1930s<\/a><\/li>\n<li>Yuki IRIKURA \u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000<a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/011-024_Yuki-IRIKURA.pdf\">Enchanting the Hearts of Taisho Japan:\u00a0Why did Japanese Audiences Fall for the Films of Bluebird Photoplays?<\/a><\/li>\n<li>Yohei UMAKOSHI\u00a0\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000<a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/025-032_Yohei-UMAKOSHI.pdf\">Light and Shadow in the fan poems \u0336 Reading Mallarm\u00e9\u2019s fan poems from <em>The Tomb of Anatole<\/em><\/a><\/li>\n<li><span style=\"color: #333333;\">Rui YUAN<\/span>\u00a0\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000<a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/033-040_Rui-YUAN.pdf\">A Research on the Manuscript of <em>Heaven-repairing Stone Legend<\/em> by the Dramatist Zhou Leqing in the Qing Dynasty<\/a><\/li>\n<li><span style=\"color: #333333;\">Mariko OTSUBO<\/span>\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000 \u3000<a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/041-051_Mariko-OTSUBO.pdf\">Reconsideration on Discourses of \u201cInvisibility\u201d Giving Meaning to Sexual Minority\u2019s Coming Out<\/a><\/li>\n<li><span style=\"color: #333333;\">Jun OBARA<\/span>\u00a0\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000<a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/053-064_Jun-OBARA.pdf\">Comprehensive Research about German-related Historical Sites in Hokkaido: Toward a Rethinking of the History of German-Japanese Relations<\/a><\/li>\n<li><span style=\"color: #333333;\">Keiko KUSANO<\/span>\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000 \u3000<a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/065-077_Keiko-KUSANO.pdf\">The Writing\/loving Self and Self-image: Zinaida Gippius\u2019 <em>Pain<\/em> (1907)<\/a><\/li>\n<li><span style=\"color: #333333;\">Yutaka KURIHARA<\/span>\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000 \u3000<a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/536-546_Yutaka-KURIHARA.pdf\">A Discourse on T\u014dson Shimazaki\u2019s <em>Sannin<\/em>&#8211; Matsumoto, the College Town, and the Education of Women-<\/a><\/li>\n<li><span style=\"color: #333333;\">Ayumu SHIGETA<\/span>\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000 \u3000<a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/079-091_Ayumu-SHIGETA.pdf\">On the Positive Status of Thought-Entity in Kant: A Critique<\/a><\/li>\n<li><span style=\"color: #333333;\">Edoardo GERLINI<\/span>\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000 \u3000<a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/093-105_Edoardo-GERLINI.pdf\">The Legitimation and Heritagization of Vernacular through Kanbun and Latin -A Comparison of <em>Kokinsh\u016b<\/em>\u2019s Sinitic Preface and Dante\u2019s <em>De Vulgari Eloquentia<\/em><\/a><\/li>\n<li><span style=\"color: #333333;\">Kazufumi TAKEDA<\/span>\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000 \u3000<a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/107-119_Kazufumi-TAKEDA.pdf\">A Reconsideration of the Images of the Dormition of the Virgin in Cappadocia: On its Placement and Connection with the Images of the Life of the Virgin<\/a><\/li>\n<li><span style=\"color: #333333;\">Matias CHIAPPE IPPOLITO<\/span>\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000 \u3000<a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/121-133_Matias-CHIAPPE-IPPOLITO.pdf\">The Image of Latin America in \u014ce Kenzabur\u014d\u2019s Post-Mexico Fiction<\/a><\/li>\n<li><span style=\"color: #333333;\">Shinko TANIGUCHI<\/span>\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000 \u3000<a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/135-146_Shinko-TANIGUCHI.pdf\">Nishi Amane\u2019s New Idea of the Modern Japanese Military Conscription System: An Analysis of <em>Heifuron<\/em><\/a><\/li>\n<li><span style=\"color: #333333;\">Takashi NAGAO<\/span>\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000 \u3000<a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/147-162_Takashi-NAGAO.pdf\">Organizing Premonitions: Concerning the Exhibition\u201cYves Tanguy et objets d\u2019Am\u00e9rique\u201d(1927)<\/a><\/li>\n<li><span style=\"color: #333333;\">Miyuki NAGAFUJI<\/span>\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000 \u3000<a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/163-177-NAGAFUJI.pdf\" target=\"_blank\" rel=\"noopener\">Frankfurt a. M. Government\u2019s Poor Relief Reformation in the Sixteenth Century<\/a><\/li>\n<li><span style=\"color: #333333;\">Tomoyuki MASUDA<\/span>\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000 \u3000<a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/179-194_Tomoyuki-MASUDA.pdf\">Patriarchal Lectionaries of Constantinople: A New Criterion for the <em>Encaenia<\/em><\/a><\/li>\n<li>Tomoko MIYAGAWA\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000<a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/195-206_Tomoko-MIYAGAWA.pdf\">The State of the Gaze in the Novels of Charles Barbara: <em>Le Rideau, H\u00e9lo\u00efse<\/em> and the works of Baudelaire<\/a><\/li>\n<li>Hiromitsu MIYATA\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000<a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/207-218_Hiromitsu-MIYATA.pdf\">Impacts of Reading Habits on Mindfulness and Psychological Status: A Further Analysis<\/a><\/li>\n<li>Minami MURAYAMA\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000<a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/219-234_Minami-MURAYAMA.pdf\">Antoni T\u00e0pies\u2019s Acceptance of Catalonian Romanesque Art in\u300aZoom\u300b<\/a><\/li>\n<li>Yuki MURAYAMA\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000<a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/235-248-MURAYAMA.pdf\" target=\"_blank\" rel=\"noopener\">The Gaze of the Beholder: The Concept of \u201cMoment\u201d in Denis Diderot\u2019s Art Criticism<\/a><\/li>\n<li>Xin MENG\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000<a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/249-259_Xin-MENG.pdf\">Review of Han Bu-an\u2019s Thoughts on \u201cStudy of Chinese Opera\u201d<\/a><\/li>\n<li><span style=\"color: #333333;\">Yoshihiro WATANABE\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000<\/span><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/522-534_Yoshihiro-WATANABE.pdf\">Developments in Written Histories Concerning the Northern Wei<\/a><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<h3><strong>Research Notes, Research Reports and Translations<\/strong><\/h3>\n<div class=\"layoutArea\">\n<div class=\"column\">\n<ul>\n<li>Ahmed ABDELAAL \u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000<a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/261-267_Ahmed-ABDEAAL.pdf\">The Western Thebes in the Sixth Dynasty of the Old Kingdom<\/a><\/li>\n<li><span style=\"color: #333333;\"><span style=\"color: #333333;\">Masayoshi JOKURA, Yukitsugu TABATA, Masatoshi YAMAFUJI, Wataru TAKAHASHI, Kazuya YAMAUCHI, Bakyt AMANBAEVA\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/span><\/span>Archaeological Explorations on the Rabat of the Ak-Beshim Site, the Kyrgyz Republic, the Autumn 2018 Season: High-Accuracy Geographic Measurements and Ground Penetrating Rader (GPR) Surveys<a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/269-281_Masayuki-JOKURA1.pdf\">PART1<\/a><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/282-291_Masayuki-JOKURA2.pdf\">PART2<\/a><\/li>\n<li>Tiexin ZHAO \u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000<a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/293-299_Tiexin-ZHAO.pdf\">Zeng Yandong and His Creation of Figure Painting in Chinese Drama<\/a><\/li>\n<li>Kiyoharu MIURA \u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000<a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/301-312_Kiyoharu-MIURA.pdf\">The Life of Andrei-Salos \u2013 Translation and Commentary (The Latter Half): A story and a preach of Pokrov from Great Calendar Hagiography <em>(Velikii Chet\u2019i Minei)<\/em><\/a><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<h3><strong>Special Feature 1\u3000RILAS Research Area \u201cTransnational Society and Japanese Culture\u201d<\/strong><\/h3>\n<div class=\"layoutArea\">\n<div class=\"column\">\n<ul>\n<li><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/313-International-Symposium.pdf\">International Symposium: Newer Stage for Namban Historical Source Studies<\/a><\/li>\n<li><span style=\"color: #333333;\"><span style=\"color: #333333;\">Paula HOYOS HATTORI \u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000<\/span><\/span><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/314-319-Paula-HOYOS-HATTORI.pdf\">Frugality, Wonder or Paganism. Representations of Nature in Jesuit Letters Written from Japan (Milan, 1599; Evora, 1598)<\/a><\/li>\n<li><span style=\"color: #333333;\"><span style=\"color: #333333;\">Makoto OKAMOTO \u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000<a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/320-324-OKAMOTO.pdf\">A tentative assumption on the Konishi family before being baptized<\/a><\/span><\/span><\/li>\n<li><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\">Jos\u00e9 Miguel PINTO DOS SANTOS \u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000<a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/325-331-Jose-Miguel-PINTO-DOS-SANTOS.pdf\">Spreading the Faith: Catechesis, Doctrine, and Debates in Jesuit Missionary Work in Japan (1549-1614)<\/a><\/span><\/span><\/span><\/span><\/li>\n<li><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\">Charles J. BORGES \u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000<a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/332-335-Charles-J.-BORGES.pdf\">A close look at Japan in the writings of Jesuits in the 16th and 17th centuries<\/a><\/span><\/span><\/span><\/span><\/span><\/span><\/li>\n<li><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\">Timon SCREECH \u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000<a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/336-340-Timon-SCREECH.pdf\">Thoughts on Some Little-Known Paintings Relating to the Christian Missions in Japan<\/a><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/li>\n<li><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\">Reiko KAWATA \u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000<a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/341-345-KAWATA.pdf\">Felipe de Jes\u00fas, A Mexican martyred in Japan, 1597: His iconographs as historical sources<\/a><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/li>\n<li><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\">Yoshie KOJIMA \u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000<a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/346-349-Yoshie-KOJIMA.pdf\">Jesuit <em>semin\u00e1rio dos pintores<\/em> of Japan and Missionary Art in East Asia: Macau, Manila and Nagasaki<\/a><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/li>\n<li><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\">Katsushi NARUSAWA \u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000<a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/350-352-NARUSAWA.pdf\">Various Stages of The Namban Screens<\/a><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/li>\n<li><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\">Tomoko TANIGUCHI \u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000<a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/353-356-TANIGUCHI.pdf\">Gregorio de Cespedes and Hideyoshi\u2019s Korean Attack<\/a><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/li>\n<li><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\">Kenji IGAWA \u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000<a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/357-363-IGAWA.pdf\">Classification of Historical Sources about the First Japanese Mission to Rome<\/a><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/li>\n<li><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\">Osami TAKIZAWA \u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000<a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/364-368-TAKIZAWA.pdf\">The First Japanese Mission to Rome: Reconsidering from perspective of Spanish Sources<\/a><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/li>\n<li><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\"><span style=\"color: #333333;\">Kenichi NEJIME \u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/369-373-NEJIME.pdf\">Self- and Other-Consciousness in the Age of Christian Century: From the Cultural and Intellectual Renaissance Sources<\/a><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<h3><strong>Special Feature 2\u3000<\/strong><strong>RILAS Research Area \u201cResearch for Creating Symbiotic Society by Clarifying Social Risks in High Modernity\u201d<\/strong><\/h3>\n<div class=\"page\" title=\"Page 3\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<ul>\n<li>Saori KAWAZOE, Osamu MATSUMURA, Masaki URANO, Koichi OSADA \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/375-383-KAWAZOE-1.pdf\" target=\"_blank\" rel=\"noopener\">Various Aspects of Bonding with Unreturnable Homelands<\/a><\/li>\n<\/ul>\n<div class=\"page\" title=\"Page 4\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<h3>Special Feature 3\u3000Annual Forum 2019 in Waseda Research Institute of Letters, Arts and Sciences, organized by RILAS Research Area \u201cMethodological Research for Archiving Scientific Data and Records\u201d<\/h3>\n<ul>\n<li><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/385-417-Spacial-Feture-3.pdf\">How Should We Record and Pass Down the Stories of Industrial Labour and Experiences?: The Case of Coal Mining<\/a><\/li>\n<li>Naoko SHIMAZAKI<span style=\"color: #333333;\"> \u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000<\/span><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/385-387-SHIMAZAKI.pdf\">[Introduction] How Should We Record and Pass Down the Stories of Industrial Labour and Experiences?: The Case of Coal Mining<\/a><\/li>\n<li>Hiroshi FUKUMOTO<span style=\"color: #333333;\"> \u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000<\/span><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/388-391-FUKUMOTO.pdf\">Inheriting Memories of Coalmining in Chikuho<\/a><\/li>\n<li>Bernard THOMANN<span style=\"color: #333333;\"> \u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000<\/span><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/392-394-Bernard-THOMANN.pdf\">[Comments as a Discussant 1] \u201cExploring Archives and Researching Industrial Heritage of Mining industry\u201d<\/a><\/li>\n<li>Mark PENDLETON<span style=\"color: #333333;\"> \u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000<\/span><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/395-399-Mark-PENDLETON.pdf\">Some New Directions for the Study of Coal Mining History and Heritage<\/a><\/li>\n<li>Taku SHIMIZU<span style=\"color: #333333;\"> \u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000<\/span><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/400-403-SHIMIZU.pdf\">Documenting Technology and Labour in Both Former and Current Coal Mines: Insights from Fieldworks in Japan, Vietnam and Taiwan<\/a><\/li>\n<li>Chelsea Szendi SCHIEDER<span style=\"color: #333333;\"> \u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000<\/span><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/404-406-Chelsea-Szendi-SCHIEDER.pdf\">[Comments as a Discussant 2] Localizing the Global History of Coal: Looking Backwards and Thinking Forwards<\/a><\/li>\n<li>Keith GILDART, Andrew PERCHARD, Ben CURTIS, Grace MILLAR<span style=\"color: #333333;\"> \u3000\u3000\u3000\u3000\u3000\u3000\u3000<\/span><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/407-411-Keith-GILDART-Andrew-PERCHARD-Ben-CURTIS-Grace-MILLAR.pdf\">Revisiting the history of the British coal industry: the politics of legacy, memory and heritage<\/a><\/li>\n<li>Hiroko KUMAGAI<span style=\"color: #333333;\"> \u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000<\/span><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/412-415-KUMAGAI-1.pdf\" target=\"_blank\" rel=\"noopener\">Passing on Memories and Records of Coal Mines to Future Generations<\/a><\/li>\n<li>Hiroaki YOSHII<span style=\"color: #333333;\"> \u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000<\/span><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/416-417-YOSHII.pdf\">[Comments as a Discussant 3] The Meanings and Possibilities of Qualitative Research in a mining Town<\/a><\/li>\n<\/ul>\n<div class=\"page\" title=\"Page 4\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<h3>Special Feature 4\u3000Symposium \u201cHaruki Murakami and International Literature\u201d<\/h3>\n<div class=\"page\" title=\"Page 4\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<ul>\n<li>Mioko SATO\u00a0\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000<a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/419-421-SATO-1.pdf\" target=\"_blank\" rel=\"noopener\">Translated and adapted \u201cHaruki Murakami\u201d: Record of the Symposium \u201cHaruki Murakami and International Literature\u201d<\/a><\/li>\n<\/ul>\n<h3>Special Feature 5\u3000RILAS Research Area \u201cTransdisciplinary Research for Creative Writing and Translation\u201d<\/h3>\n<div class=\"page\" title=\"Page 4\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<ul>\n<li>Machiko MIDORIKAWA<span style=\"color: #333333;\"> \u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000<\/span><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/423-426-MIDORIKAWA.pdf\">The Power of Translation<\/a><\/li>\n<li>T. E. McAULEY<span style=\"color: #333333;\"> \u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000<\/span><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/427-446-T.-E.-McAuley.pdf\">The Power of Translation: issues in the translation of premodern Japanese waka<\/a><\/li>\n<li>Janine BEICHMAN<span style=\"color: #333333;\"> \u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000<\/span><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/447-468-Janine-BEICHMAN.pdf\">Yosano Akiko\u2019s <em>Princess Saho<\/em> and its Multiple Speakers<\/a><\/li>\n<li>Loren WALLER<span style=\"color: #333333;\"> \u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000<\/span><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/469-478-Loren-Waller.pdf\">Echoes of Sight and Sound: Reflections on translation from a <em>Hon\u2019yaku awase<\/em><\/a><\/li>\n<li>Andrew HOUWEN<span style=\"color: #333333;\"> \u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000<\/span><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/479-487-Andrew-HOUWEN.pdf\"><em>Shasei<\/em> and Modern Tanka: A Comparison of Masaoka Shiki and Tsukamoto Kunio<\/a><\/li>\n<li>Shiho TAKAI<span style=\"color: #333333;\"> \u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000<\/span><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/488-489-TAKAI.pdf\">Students Translate Poetry: Preparing for the Workshop \u201cTranslation Contest\u201d<\/a><\/li>\n<\/ul>\n<h3>Special Feature 6\u3000RILAS Research Area \u201cInterdisciplinary Studies on Border Transformation\u201d<\/h3>\n<ul>\n<li>\n<div class=\"page\" title=\"Page 5\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>Grace En-Yi TING<span style=\"color: #333333;\"> \u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000<\/span><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/491-502-Grace.pdf\">Building a Queer Feminist Life: Research and Community across Borders<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 5\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<h3>Special Feature 7\u3000RILAS Research Area \u201cInterconnecting with Muslim Communities; Historical Background and Globalization\u201d<\/h3>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 5\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<ul>\n<li>Daisuke IGARASHI \u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000<a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/503-507-IGARASHI.pdf\">Sixth Conference of the School of Maml\u016bk Studies Program<\/a><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<h3><strong>Bulletin<\/strong><\/h3>\n<ul>\n<li>\n<div class=\"page\" title=\"Page 5\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/509-521_Report.pdf\">Report on Activities (April 1, 2019 &#8211; March 31 2020)<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/li>\n<\/ul>\n<h3>Postscript<\/h3>\n<ul>\n<li><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/559_Postscript20201020.pdf\" target=\"_blank\" rel=\"noopener\">Postscript<\/a><\/li>\n<\/ul>\n<h3>Colophon<\/h3>\n<ul>\n<li><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/561-563-Writer.pdf\">List<\/a><\/li>\n<li><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2020\/10\/565-Colophon.pdf\">Colophon<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; ISSN\uff1a2187-8307 Cover Cover Contents Articles Satomi AR [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":7437,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[95],"tags":[94,75,73],"class_list":["post-7388","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-en","tag-general-en","tag-publications-en","tag-research-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.waseda.jp\/flas\/rilas\/wp-json\/wp\/v2\/posts\/7388","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.waseda.jp\/flas\/rilas\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.waseda.jp\/flas\/rilas\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/rilas\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/rilas\/wp-json\/wp\/v2\/comments?post=7388"}],"version-history":[{"count":6,"href":"https:\/\/www.waseda.jp\/flas\/rilas\/wp-json\/wp\/v2\/posts\/7388\/revisions"}],"predecessor-version":[{"id":7514,"href":"https:\/\/www.waseda.jp\/flas\/rilas\/wp-json\/wp\/v2\/posts\/7388\/revisions\/7514"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/rilas\/wp-json\/wp\/v2\/media\/7437"}],"wp:attachment":[{"href":"https:\/\/www.waseda.jp\/flas\/rilas\/wp-json\/wp\/v2\/media?parent=7388"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/rilas\/wp-json\/wp\/v2\/categories?post=7388"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/rilas\/wp-json\/wp\/v2\/tags?post=7388"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}