{"id":5214,"date":"2018-10-09T18:23:59","date_gmt":"2018-10-09T09:23:59","guid":{"rendered":"https:\/\/www.waseda.jp\/flas\/rilas\/?p=5214"},"modified":"2022-11-25T13:39:09","modified_gmt":"2022-11-25T04:39:09","slug":"waseda-rilas-journal-no-6-october-2018","status":"publish","type":"post","link":"https:\/\/www.waseda.jp\/flas\/rilas\/news-en\/2018\/10\/09\/5214\/","title":{"rendered":"WASEDA RILAS JOURNAL No.6 (October, 2018)"},"content":{"rendered":"<p><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/cover-06eye-catch.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5294 alignnone\" src=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/cover-06eye-catch.jpg\" alt=\"\" width=\"191\" height=\"270\" \/><\/a><\/p>\n<p>ISSN\uff1a2187-8307<\/p>\n<h3>Cover<\/h3>\n<ul>\n<li><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/Cover.pdf\" target=\"_blank\" rel=\"noopener\">Cover<\/a><\/li>\n<li><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/000_Contents.pdf\" target=\"_blank\" rel=\"noopener\">Contents<\/a><\/li>\n<\/ul>\n<h3>Article (Special Contribution 1)<\/h3>\n<ul>\n<li>Sungsi LEE<br \/>\n<a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/001-013_Sungsi-LEE.pdf\" target=\"_blank\" rel=\"noopener\">Perceptions of Asia \u2014 with a Focus on Sokichi Tsuda<\/a><\/li>\n<li>Masaki HORIUCHI<br \/>\n<a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/015-025_Masaki-HORIUCHI.pdf\" target=\"_blank\" rel=\"noopener\">Baptized by American Water \u2014 Gozo Yoshimasu and Christianity<\/a><\/li>\n<li>Kimiko K\u014cNO<br \/>\n<a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/027-037_Kimiko-KONO.pdf\" target=\"_blank\" rel=\"noopener\">\u201cLiterature\u201d (<em>bungaku<\/em>) and \u201cThe Novel\u201d (<em>sh\u014dsetsu<\/em>) as Book Classifications in Modern Japan and China<\/a><\/li>\n<\/ul>\n<h3>Article (Special Contribution 2)\u3000Special Symposium for the Global Studies in Japanese Cultures Program (JCulP) \u201cGlobalizing Japanese Culture\u201d<\/h3>\n<ul>\n<li><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/039-040_Foreword.pdf\" target=\"_blank\" rel=\"noopener\">Foreword<\/a><\/li>\n<li>Hitomi YOSHIO<br \/>\n<a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/041-047_Hitomi-YOSHIO-1.pdf\" target=\"_blank\" rel=\"noopener\">Japanese Literature in English Translation<\/a><\/li>\n<li>Pau PITARCH-FERNANDEZ\n<div><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/049-054_Pau-PITARCH-FERNANDEZ.pdf\" target=\"_blank\" rel=\"noopener\">The Translation of Japanese Literature in Spain<\/a><\/div>\n<\/li>\n<li>\n<div>Shiho TAKAI<\/div>\n<div><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/055-062_Shiho-TAKAI.pdf\" target=\"_blank\" rel=\"noopener\">Reception of Classical Japanese Literature and Theatre Abroad<\/a><\/div>\n<\/li>\n<li>\n<div>Fumihito AND\u014c<\/div>\n<div><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/063-065_Fumihito-ANDO.pdf\" target=\"_blank\" rel=\"noopener\">Panel Discussion Overview<\/a><\/div>\n<\/li>\n<\/ul>\n<h3>Articles<\/h3>\n<ul>\n<li>Hiroshi AOKI<br \/>\nA study of technology for constructing horizontal stone chamber using 3D measurement<br \/>\n<a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/067-098_Hiroshi-AOKI-0.pdf\" target=\"_blank\" rel=\"noopener\">-1<\/a> <a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/067-098_Hiroshi-AOKI-1.pdf\" target=\"_blank\" rel=\"noopener\">-2<\/a><\/li>\n<li>\n<div>Natsumi AKO<\/div>\n<div><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/099-112_Natsumi-AKO.pdf\" target=\"_blank\" rel=\"noopener\">Decorative Reliefs in Amaghu-Noravank\u2018 in Armenia<\/a><\/div>\n<\/li>\n<li>\n<div>Yohei UMAKOSHI<\/div>\n<div><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/113-125_Yohei-UMAKOSHI.pdf\" target=\"_blank\" rel=\"noopener\">Reading <em>A Tomb of Anatole<\/em> as a family drama<\/a><\/div>\n<\/li>\n<li>\n<div>Ryota KASAHARA<\/div>\n<div><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/127-139_Ryota-KASAHARA.pdf\" target=\"_blank\" rel=\"noopener\">How Did Miner\u2019s Children Experience Mine Closures and Crises in Transition?: Analyzing Ninth Grader\u2019s Essays in 1970s and 1980s<\/a><\/div>\n<\/li>\n<li>\n<div>Mizuki KISHI<\/div>\n<div><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/141-156_Mizuki-KISHI.pdf\" target=\"_blank\" rel=\"noopener\">The Layered Paintings: The Working Process of Roberto Matta and Robert Motherwell in Their Philosophical Context<\/a><\/div>\n<\/li>\n<li>\n<div>Takumi SASAKI<\/div>\n<div><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/157-163_Takumi-SASAKI.pdf\" target=\"_blank\" rel=\"noopener\">The Red and the Green in Albert Camus\u2019 <em>L\u2019\u00c9tranger<\/em>:\u00a0on Unity of the Intention concerning Colors<\/a><\/div>\n<\/li>\n<li>\n<div>Wei SI<\/div>\n<div><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/165-173_Wei-SI.pdf\" target=\"_blank\" rel=\"noopener\">Historical Examination and Re-evaluation on Chinese Closet Drama Style in Ming Dynasty<\/a><\/div>\n<\/li>\n<li>\n<div>Ayumu SHIGETA<\/div>\n<div><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/175-187_Ayumu-SHIGETA.pdf\" target=\"_blank\" rel=\"noopener\">The Significance of the \u201cTranscendental Affirmation\u201d in Kant\u2019s Epistemology:\u00a0On the Givenness as an Origin of Myth.<\/a><\/div>\n<\/li>\n<li>\n<div>Taku SHIMIZU<\/div>\n<div><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/189-204_Taku-SHIMIZU.pdf\" target=\"_blank\" rel=\"noopener\">Declining Process of the Japanese Coal Industry in the Latter Half of the 20th Century:\u00a0Analysis of Taiheiyo Union\u2019s Newspaper<\/a><\/div>\n<\/li>\n<li>\n<div>Masayoshi JOKURA, Masatoshi YAMAFUJI, Yama NAWABI, Ikuo DENDA,<\/div>\n<div>Kazuya YAMAUCHI, Bakyt AMANBAEVA<\/div>\n<div>Archaeological Researches on Artifacts from the Excavation at Ak-Beshim Site, the 2015 Autumn Season:Pottery and Roof tiles <a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/205-257_Masayoshi-JOKURA_Part1.pdf\" target=\"_blank\" rel=\"noopener\">-1<\/a> <a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/205-257_Masayoshi-JOKURA_Part2.pdf\" target=\"_blank\" rel=\"noopener\">-2<\/a> <a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/205-257_Masayoshi-JOKURA_Part3.pdf\" target=\"_blank\" rel=\"noopener\">-3<\/a><\/div>\n<\/li>\n<li>\n<div>Shiho TAKAI<\/div>\n<div><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/259-269_Shiho-TAKAI.pdf\" target=\"_blank\" rel=\"noopener\">Un\/Making of a Hero in \u201cYoj\u014d\u201d<\/a><\/div>\n<\/li>\n<li>\n<div>Yasuhiro TAKAHASHI<\/div>\n<div><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/643-652Yasuhiro-TAKAHASHI.pdf\" target=\"_blank\" rel=\"noopener\">The development of \u201cCai Xing Siben lun\u201d in Cao Wei period<\/a><\/div>\n<\/li>\n<li>\n<div>Ayako TANAKA<\/div>\n<div><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/271-284_Ayako-TANAKA.pdf\" target=\"_blank\" rel=\"noopener\">Marcel Duchamp\u2019s <em>An\u00e9mic Cin\u00e9ma<\/em> Revisited \u2014 Optical Experiments, Spirals, and Pataphysics \u2014<\/a><\/div>\n<\/li>\n<li>\n<div>Shinko TANIGUCHI<\/div>\n<div><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/285-299_Shinko-TANIGUCHI.pdf\" target=\"_blank\" rel=\"noopener\">The popularization of <em>Hagakure<\/em> in 1930\u2019s Japan<\/a><\/div>\n<\/li>\n<li>\n<div>Shenglan ZHANG<\/div>\n<div><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/301-316_Shenglan-ZHANG.pdf\" target=\"_blank\" rel=\"noopener\">The \u201cAncestral Ritual with Water Buffalo\u201d \uff08\u6572\u725b\u796d\u7956\uff09 of \u201cGaopo Miao\u201d in Guizhou Province:\u00a0Focusing on The Gaopo Village<\/a><\/div>\n<\/li>\n<li>\n<div>Xue DU<\/div>\n<div><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/317-326_Xue-DU.pdf\" target=\"_blank\" rel=\"noopener\">I Have Here Admirable Guests; The Lutes Are Struck, and the Organ Is Blown:\u00a0the Subsidiary and Entertainment Factors of Music in \u201cBinLi\u201d and \u201cJiaLi\u201d in <em>YiLi<\/em><\/a><\/div>\n<\/li>\n<li>\n<div>Suzu NAKAMURA<\/div>\n<div><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/327-337_Suzu-NAKAMURA.pdf\" target=\"_blank\" rel=\"noopener\">The Concept of Interest in Kant\u2019s Critical Philosophy<\/a><\/div>\n<\/li>\n<li>\n<div>Takashi NAGAO<\/div>\n<div><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/339-352_Takashi-NAGAO.pdf\" target=\"_blank\" rel=\"noopener\">Down-Going Human: Derivative Works of <em>The Child\u2019s Brain<\/em> by Giorgio de Chirico<\/a><\/div>\n<\/li>\n<li>\n<div>Sakura FUJISAWA<\/div>\n<div>L<a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/630-642_Sakura-FUJISAWA.pdf\" target=\"_blank\" rel=\"noopener\">isting Expressions in \u201c<em>Utsuho monogatari<\/em>\u201d<\/a><\/div>\n<\/li>\n<li>\n<div>Tomoyuki MASUDA<\/div>\n<div><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/353-363_Tomoyuki-MASUDA.pdf\" target=\"_blank\" rel=\"noopener\">Notes on the \u201cPen of a Swift Scribe\u201d (Ps. 44 (45)):\u00a0Study of the Decoration Program of the Church of Panagia Peribleptos in Ohrid<\/a><\/div>\n<\/li>\n<li>\n<div>Aesun MIN<\/div>\n<div><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/365-376_Aesun-MIN-1.pdf\" target=\"_blank\" rel=\"noopener\">Trends in screening of Japanese cinema in South Korea\u00a0\u2014 The role and significance of Korean Cinematheques and Cinephiles \u2014<\/a><\/div>\n<\/li>\n<li>\n<div>Shin\u2019nosuke MORI<\/div>\n<div><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/619-628_Shinnosuke-MORI.pdf\" target=\"_blank\" rel=\"noopener\">The Imitated Last Two Volumes of the Eight-Volume Version of <em>Hosshinsh\u016b<\/em>:\u00a0Focusing on the Thoughts at the End of Volume 4<\/a><\/div>\n<\/li>\n<li>\n<div>Kaoru YAMASAKI<\/div>\n<div><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/609-618_Kaoru-YAMASAKI.pdf\" target=\"_blank\" rel=\"noopener\">The Fuzoku Song <em>Natorigawa<\/em> in the Three \u201cKurabiraki\u201d Chapters of <em>Utsuho Monogatari<\/em> :\u00a0On the Scenes between Nakatada and Korekoso<\/a><\/div>\n<\/li>\n<li>\n<div>Mai YAMADA<\/div>\n<div><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/377-389_Mai-YAMADA.pdf\" target=\"_blank\" rel=\"noopener\">Marie Laurencin\u2019s Reception of Cubism in Two Versions of <em>Apollinaire et ses amis<\/em><\/a><\/div>\n<\/li>\n<li>\n<div>Yoshihiro WATANABE<\/div>\n<div><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/595-608_Yoshihiro-WATANABE.pdf\" target=\"_blank\" rel=\"noopener\">Yearnings for Unification in Chang Qu\u2019s <em>Huayang Guo Zhi<\/em><\/a><\/div>\n<\/li>\n<\/ul>\n<h3>Research Notes<\/h3>\n<ul>\n<li>Elena OTA\n<div><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/391-402_Elena-OTA-1.pdf\" target=\"_blank\" rel=\"noopener\">Two Byzantine Aristocratic Psalters from the Year 1104\/05\u3000(Houghton Library, MS. Gr. 3 and Bodleian Library, MS. Barocci 15)<\/a><\/div>\n<\/li>\n<li>\n<div>Takashi JINNO<\/div>\n<div><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/403-421_Takashi-JINNO.pdf\" target=\"_blank\" rel=\"noopener\">The Correspondence between Kan\u2019ichi Asakawa and Gretchen Warren\u00a0\u2014 About the \u201cGretchen Warren Letters from Kan\u2019ichi Asakawa and Related Papers\u201d owned\u00a0by Beinecke Rare Book and Manuscript Library, Yale University \u2014<\/a><\/div>\n<\/li>\n<li>\n<div>Takayuki YAMADA<\/div>\n<div><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/423-435_Takayuki-YAMADA.pdf\" target=\"_blank\" rel=\"noopener\">John Sloan\u2019s Encounter with Beisen Kubota<\/a><\/div>\n<\/li>\n<\/ul>\n<div>\n<h3>Special Feature 1\u3000The 9th East Asian Humanities Forum \u201cReconstruction of the Humanities in East Asia\u201d<\/h3>\n<\/div>\n<div>\n<ul>\n<li>Sungsi LEE<br \/>\n<a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/437-438_Special-Feature1-0.pdf\" target=\"_blank\" rel=\"noopener\">The 9th East Asian Humanities Forum \u201cReconstruction of the Humanities in East Asia\u201d<\/a><\/li>\n<li>\n<div>Chin-jung CHIU<\/div>\n<div><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/439-448_Special-Feature1-1.pdf\" target=\"_blank\" rel=\"noopener\">In Search of New Directions for Humanities Education<\/a><\/div>\n<\/li>\n<li>\n<div>Guangxin LI<\/div>\n<div><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/449-459_Special-Feature1-2.pdf\" target=\"_blank\" rel=\"noopener\">The Thought of \u201cSpeculating Faith\u201d Raised by <em>Chunqiu<\/em> School and Humanistic Philosophy\u00a0in the Mid-Tang Dynasty<\/a><\/div>\n<\/li>\n<li>\n<div>Takahi JINNO<\/div>\n<div><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/461-468_Special-Feature1-3.pdf\" target=\"_blank\" rel=\"noopener\">The Modern Science of History in Japan and the Problem of Conceptualization\u00a0\u2014 Regarding the Concept of \u201c\u5c01\u5efa\u5236\uff08Feudalism\uff09\u201d \u2014<\/a><\/div>\n<\/li>\n<li>\n<div>Chu-ching TSAI<\/div>\n<div><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/469-477_Special-Feature1-4-1.pdf\" target=\"_blank\" rel=\"noopener\">Grand Tour under Empire\u2019s Eye: Natural and Human Landscapes and (anti) Colonial Consciousness\u00a0in Shionoya On\u2019s <em>Taiwan Travelogue<\/em><\/a><\/div>\n<\/li>\n<li>\n<div>Jinghui WANG<\/div>\n<div><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/479-484_Special-Feature1-5.pdf\" target=\"_blank\" rel=\"noopener\">A Comparative Study of \u201cHumanity\u201d outside the Tower of Babel<\/a><\/div>\n<\/li>\n<\/ul>\n<div>\n<h3>Special Feature 2\u3000Symposium organized by RILAS Research Area \u201cImage Culture History\u201d<\/h3>\n<ul>\n<li><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/485-489_Special-Feature2-0.pdf\" target=\"_blank\" rel=\"noopener\">Fetishism and Photography<\/a><\/li>\n<li>Kazumichi HASHIMOTO<br \/>\n<a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/485-489_Special-Feature2-1.pdf\" target=\"_blank\" rel=\"noopener\">Double Fetishism in Photography<\/a><\/li>\n<\/ul>\n<h3>Special Feature 3\u3000Report of a Symposium organized by RILAS Research Area \u201cImage Culture History\u201d<\/h3>\n<ul>\n<li><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/491-501_Special-Feature3.pdf\" target=\"_blank\" rel=\"noopener\">What if Surrealism was an Art?<\/a><\/li>\n<\/ul>\n<h3>Special Feature 4\u3000RILAS Research Area \u201cRyusaku Tsunoda Center of Japanese Culture\u201d<\/h3>\n<ul>\n<li>Sarah OLIVE<br \/>\n<a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/503-509_Special-Feature4.pdf\" target=\"_blank\" rel=\"noopener\">Shakespeare and citizenship education in Japan 503<\/a><\/li>\n<\/ul>\n<h3>Special Feature 5\u3000RILAS Research Area \u201cResearch for Creating Symbiotic Society by Clarifying Social Risks in High Modernity\u201d<\/h3>\n<ul>\n<li>Osamu MATSUMURA, Koichi OSADA, Saori KAWAZOE, Masaki URANO<br \/>\n<a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/511-532_Special-Feature5.pdf\" target=\"_blank\" rel=\"noopener\">Seven Years Later -We Will Not Forget Fukushima:\u00a0Concerns and Issues of Long-term Evacuees to the Metropolitan Area<\/a><\/li>\n<\/ul>\n<h3>Special Feature 6\u3000RILAS Research Area \u201cTransdisciplinary Research for Creative Writing and Translation\u201d<br \/>\nReport of Inaugural Event \u201cWriting Beyond the Mother Tongue\u201d<\/h3>\n<ul>\n<li>Steven KARL<br \/>\n<a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/533-538_Special-Feature6.pdf\" target=\"_blank\" rel=\"noopener\">The Intersection of Creative Writing and Active Learning for Non-Native Writers\uff5e<em>Writing Beyond the Mother Tongue<\/em>: A Workshop by Dr. Dan Vyleta\uff5e<\/a><\/li>\n<\/ul>\n<h3>Special Feature 7\u3000RILAS Research Area \u201cMethodological Research for Archiving Scientific Data and Records\u201d<\/h3>\n<ul>\n<li><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/539-544_Special-Feature7-0-0.pdf\" target=\"_blank\" rel=\"noopener\">Mining Grass-Roots Archives: The Japanese Experience<\/a><\/li>\n<li><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/539-544_Special-Feature7-0-1.pdf\" target=\"_blank\" rel=\"noopener\">Introduction<\/a><\/li>\n<li>Chelsea Szendi SCHIEDER<br \/>\n<a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/545-552_Special-Feature7-1.pdf\" target=\"_blank\" rel=\"noopener\">From coal miner\u2019s wife to historical actor: The personal archive of Matsuo Keiko<\/a><\/li>\n<li>MIYAMOTO Takashi<br \/>\n<a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/553-559_Special-Feature7-2.pdf\" target=\"_blank\" rel=\"noopener\">Excavating Memories Through HTML:The Internet and the Personal Archive of Maekawa Toshiyuki<\/a><\/li>\n<li>\n<div>Naoko SHIMAZAKI<\/div>\n<div><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/561-567_Special-Feature7-3.pdf\" target=\"_blank\" rel=\"noopener\">Making Available Local Industrial History and Memories:\u00a0The Process of Archiving the Coal Mining Closure in Kushiro<\/a><\/div>\n<\/li>\n<li>\n<div>Bernard THOMANN<\/div>\n<div><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/569-573_Special-Feature7-4.pdf\" target=\"_blank\" rel=\"noopener\">Occupational Disease Recognition Process\u00a0in Modern and Contemporary Japan and Mining Archives<\/a><\/div>\n<\/li>\n<li>\n<div>Dhiraj Kumar NITE<\/div>\n<div><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/575-577_Special-Feature7-5.pdf\" target=\"_blank\" rel=\"noopener\">Archives, Being and Representation:\u00a0Studies into the formation and usage of grassroots archives<\/a><\/div>\n<\/li>\n<\/ul>\n<div>\n<h3>Bulletin<\/h3>\n<ul>\n<li>\u00a0<a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/579-594_Bulletin-1.pdf\" target=\"_blank\" rel=\"noopener\">Report on Activities (April 1, 2016-March 31, 2017)<\/a><\/li>\n<\/ul>\n<h3>\u00a0Postscript<\/h3>\n<ul>\n<li><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/653_Postscript.pdf\" target=\"_blank\" rel=\"noopener\">Postscript<\/a><\/li>\n<\/ul>\n<h3>Colophon<\/h3>\n<ul>\n<li><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2018\/10\/655-657_Colophon-1.pdf\" target=\"_blank\" rel=\"noopener\">Colophon<\/a><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>ISSN\uff1a2187-8307 Cover Cover Contents Article (Special Contribution 1) Sungsi LEE Perceptions of Asia \u2014 with a F [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":5294,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[95],"tags":[75,64],"class_list":["post-5214","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-en","tag-publications-en","tag-publications"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.waseda.jp\/flas\/rilas\/wp-json\/wp\/v2\/posts\/5214","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.waseda.jp\/flas\/rilas\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.waseda.jp\/flas\/rilas\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/rilas\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/rilas\/wp-json\/wp\/v2\/comments?post=5214"}],"version-history":[{"count":5,"href":"https:\/\/www.waseda.jp\/flas\/rilas\/wp-json\/wp\/v2\/posts\/5214\/revisions"}],"predecessor-version":[{"id":5421,"href":"https:\/\/www.waseda.jp\/flas\/rilas\/wp-json\/wp\/v2\/posts\/5214\/revisions\/5421"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/rilas\/wp-json\/wp\/v2\/media\/5294"}],"wp:attachment":[{"href":"https:\/\/www.waseda.jp\/flas\/rilas\/wp-json\/wp\/v2\/media?parent=5214"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/rilas\/wp-json\/wp\/v2\/categories?post=5214"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/rilas\/wp-json\/wp\/v2\/tags?post=5214"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}