{"id":2305,"date":"2016-11-10T12:38:01","date_gmt":"2016-11-10T03:38:01","guid":{"rendered":"https:\/\/www.waseda.jp\/flas\/rilas\/?p=2305"},"modified":"2017-10-13T15:43:37","modified_gmt":"2017-10-13T06:43:37","slug":"waseda-rilas-journal-no-4","status":"publish","type":"post","link":"https:\/\/www.waseda.jp\/flas\/rilas\/news\/2016\/11\/10\/2305\/","title":{"rendered":"WASEDA RILAS JOURNAL No.4 (October, 2016)"},"content":{"rendered":"<p><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2016\/10\/03d5459699f56cdecca42e77c48d0cce-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-2003\" src=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2016\/10\/03d5459699f56cdecca42e77c48d0cce-1.jpg\" alt=\"RILAS04_\u8868\u7d19\" width=\"192\" height=\"271\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>ISSN\uff1a2187-8307<\/p>\n<h3>Cover<\/h3>\n<ul>\n<li><a href=\"http:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2016\/10\/Rilas04_Cover.pdf\">Cover<\/a><\/li>\n<li><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2016\/11\/Rilas04_000_Contents.pdf\" target=\"_blank\">Contents<\/a><\/li>\n<\/ul>\n<h3>\u00a0Article (Special Contribution)<\/h3>\n<ul>\n<li>Richard PE\u00d1A<br \/>\n<a href=\"http:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2016\/10\/Rilas04_001-006_Richard-PENA.pdf\">Waves on Different Shores: Comparing the New Cinemas of France, Japan and Brazil<\/a><\/li>\n<\/ul>\n<h3>Articles<\/h3>\n<ul>\n<li>Fumihito ANDO<br \/>\n<a href=\"http:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2016\/10\/Rilas04_440-452_Fumihito-ANDO.pdf\">Natsume S\u014dseki and the <em>Windsor Magazine<\/em> as a source for his writings<\/a><\/li>\n<li>Kei UMEDA<br \/>\n<a href=\"http:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2016\/10\/Rilas04_417-438_Kei-UMEDA.pdf\">A Study of the <em>Ruihyo<\/em> Compendium in the Imperial Household archives:\u00a0The appearance of indexes in the late early modern period and it intellcial background<\/a><\/li>\n<li>Jiro KONDO<br \/>\n<a href=\"http:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2016\/10\/Rilas04_007-015_Jiro-KONDO.pdf\">The Relief Fragment of Queen Tiye at the Royal Museums of Art and History, Brussels (E 2157)<\/a><\/li>\n<li>Ryuta SAKAMOTO<br \/>\n<a href=\"http:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2016\/10\/Rilas04_017-027_Ryuta-SAKAMOTO.pdf\">Ornamentation of the Monastic Sacristy in Spain during the Seventeenth Century:\u00a0Through the Examination of Series of Zurbar\u00e1n\u2019s Paintings<\/a><\/li>\n<li>Lang XIAO<br \/>\n<a href=\"http:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2016\/10\/Rilas04_029-042_Lang-XIAO.pdf\">The Effects of Palace Tastes and Evolution to Folk:\u00a0Researching the Tuan Guan Mural Images in\u00a0Northern Song Dynasty Tombs<\/a><span style=\"line-height: 1.5em;\"><br \/>\n<\/span><\/li>\n<li><span style=\"line-height: 1.5em;\">Toshiko SHOJI<br \/>\n<\/span><a href=\"http:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2016\/10\/Rilas04_407-416_Toshiko-SHOJI.pdf\">\u201cOnna-e\u201d in the Third Volume of <em>Kager\u014d no nikki<\/em>:\u00a0Significance of the \u201cAdopted Daughter\u2019s Courtship\u201d Entry<\/a><span style=\"line-height: 1.5em;\"><br \/>\n<\/span><\/li>\n<li><span style=\"line-height: 1.5em;\">Masayoshi JOKURA, Masatoshi YAMAFUJI, Yama NAWABI, Kazuya YAMAUCHI, Bakyt AMANBAEVA<br \/>\n<\/span><a href=\"http:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2016\/10\/Rilas04_043-071_Masayoshi-JOKURA-et-al.pdf\">Excavation at Ak-Beshim Site: A Preliminary Report of the 2015 Autumn Season<\/a><\/li>\n<li>Shinko TANIGUCHI<br \/>\n<a href=\"http:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2016\/10\/Rilas04_394-406_Shinko-TANIGUCHI.pdf\">The Concept of Loyalty in the Mid-Early-Modern Times in Japan: The Yamazaki Ansai School<\/a><\/li>\n<li><span style=\"line-height: 1.5em;\">Shenglan ZHANG<br \/>\n<\/span><a href=\"http:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2016\/10\/Rilas04_073-083_Shenglan-ZHANG.pdf\">The Qing Dynasty\u2019s Policy for \u201cThe Miao\u201d and Their Traditional Social Leader<\/a><\/li>\n<li>ChuHui CHEN<br \/>\n<a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2016\/10\/Rilas04_381-392_ChuHui-CHEN.pdf\">About the activities of making Ci \u8a5e around Nomura Koen \u91ce\u6751\u7bc1\u5712 \u00a0\u0336\u0336 Poets in the Tempo Era\u0336\u00a0<\/a><\/li>\n<li>Eriko TSUJI<br \/>\n<a href=\"http:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2016\/10\/Rilas04_085-097_Eriko-TSUJI.pdf\">Identification of the Patron of Agios Nikolaos Orphanos, Thessaloniki<\/a><\/li>\n<li>Makiko TSUNEDA<br \/>\n<a href=\"http:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2016\/10\/Rilas04_099-107_Makiko-TSUNEDA.pdf\">Gender and Education in Translation: A Case Study of Arv\u00e8de Barine\u2019s Partial Translation of <em>The Tale of Genji<\/em><\/a><\/li>\n<li>Takashi NAGAO<br \/>\n<a href=\"http:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2016\/10\/Rilas04_109-121_Takashi-NAGAO.pdf\">Roberto Matta and P. D. Ouspensky: Spatialization of Time in the Fourth Dimension<\/a><\/li>\n<li>Yama Ahmad NAWABI<br \/>\n<a href=\"http:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2016\/10\/Rilas04_123-139_Yama-Ahmad-NAWABI.pdf\">A Non-Destructive Method for Archaeological Research using Ground Penetrating Radar: A Case Study in Chiba Prefecture, Japan<\/a><\/li>\n<li>Mio NAMBA<br \/>\n<a href=\"http:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2016\/10\/Rilas04_355-380_Mio-NAMBA.pdf\">Evolution of the Policy of Buddhism (\u4ecf\u6559\u653f\u7b56) during the Enryaku Period ( \u5ef6\u66a6\u5e74\u9593 ) \uff5e relations between Emperor Kanmu (\u6853\u6b66\u5929\u7687) and Segyo (\u65bd\u6681) \uff5e<\/a><\/li>\n<li>Yoshiko FUKUDA<br \/>\n<a href=\"http:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2016\/10\/Rilas04_141-151_Yoshiko-FUKUDA.pdf\">The meaning of cell frescoes in the Convent of San Marco<\/a><\/li>\n<li>Tomoyuki MASUDA<br \/>\n<a href=\"http:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2016\/10\/Rilas04_153-168_Tomoyuki-MASUDA.pdf\">Celebration of the Number Three in the Church of Panagia Peribleptos, Ohrid<\/a><\/li>\n<li>Tokuya MIYAGI<br \/>\n<a href=\"http:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2016\/10\/Rilas04_169-181_Tokuya-MIYAGI.pdf\">The First Choral Ode in Seneca\u2019s Medea and the Tradition of Epithalamia<\/a><\/li>\n<li>Maiko MIYASAKA<br \/>\n<a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2016\/10\/Rilas04_183-192_Maiko-MIYASAKA-1.pdf\"><em>Fides<\/em> in Plautus: Relationships defined by <em>Fides<\/em><\/a><\/li>\n<li>Akane MIYAZAKI<br \/>\n<a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2016\/10\/Rilas04_193-202_Akane-MIYAZAKI.pdf\">Harmony between Poem and Pictorial Image in <em>Gaspard de la Nuit<\/em> \u0336\u0336 On \u201cPremier Livre: \u00c9cole Flammande\u201d-<\/a><\/li>\n<li>Shin\u2019nosuke MORI<br \/>\n<a href=\"http:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2016\/10\/Rilas04_344-354_Shinnosuke-MORI.pdf\">The Mis-inserted Note in <em>Hosshinsh\u016b<\/em>: Focusing on the Thought at the End of Volume 6<\/a><\/li>\n<li>Yuki MORITA<br \/>\n<a href=\"http:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2016\/10\/Rilas04_203-212_Yuki-MORITA.pdf\">Reconsideration of Picabia\u2019s \u201cMachinist Paintings\u201d: Focusing on <em>Voil\u00e0 Haviland<\/em><\/a><\/li>\n<li>Emi YAGISHITA<br \/>\n<a href=\"http:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2016\/10\/Rilas04_213-224_Emi-YAGISHITA.pdf\">Michio Ito\u2019s Dance Activities in the United States: His Career in Los Angeles<\/a><\/li>\n<li>Takayuki YAMADA<br \/>\n<a href=\"http:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2016\/10\/Rilas04_225-241_Takayuki-YAMADA.pdf\">An Analysis on Berenice Abbott\u2019s \u201cChanging New York\u201d: People and Lives of the Heterogeneous City<\/a><\/li>\n<li>Rappo GAETAN<br \/>\n<a href=\"http:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2016\/10\/Rilas04_325-342_Rappo-GAETAN.pdf\">Writing about the \u201cheresy\u201d of the Tachikawa Sect in prewar Japan &#8211; The origins\u00a0of Inoue Kichijir\u014d\u2019s book \u201cMonkan sh\u014dnin\u201d and the influences of Mizuhara Gy\u014dei<\/a><\/li>\n<\/ul>\n<h3>Special Feature \u201cProceeding of Invited Lecture at The 67th Japan Art History Society General Assembly\u201d (Large Lecture Halls of the Okuma Memorial Lecture Hall, Waseda University, May 17, 2014)<\/h3>\n<ul>\n<li>Koichi KOSHI<br \/>\n<a href=\"http:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2016\/10\/Rilas04_243-262_Koichi-KOSHI.pdf\">The Imperial Mosaic of San Vitale in Ravenna:\u00a0A Study with Special Reference to its Formative Principles and its History of Development<\/a><\/li>\n<\/ul>\n<h3>Special Feature \u201cVisible God, Invisible God -Rhetoric over the invisibility of God\u201d (The 66th General Assembly The Japanese Society for Aesthetics in Toyama Campus of Waseda University, October 10, 2015)<\/h3>\n<ul>\n<li>Tomoyuki MASUDA<br \/>\n<a href=\"http:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2016\/10\/Rilas04_263-269_Tomoyuki-MASUDA.pdf\">Visual Rhetoric on the Invisible God<\/a><\/li>\n<li>Toshihiro OSADA<br \/>\n<a href=\"http:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2016\/10\/Rilas04_271-281_Toshihiro-OSADA.pdf\">Prayer and Reply. Representation of Invisible God in Ancient Greek Art<\/a><\/li>\n<li>Yoko YAMAMOTO<br \/>\n<a href=\"http:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2016\/10\/Rilas04_283-289_Yoko-YAMAMOTO.pdf\">On The Expressions and the Worships of Japanese Invisible Gods<\/a><\/li>\n<li>Tadashi TANABE<br \/>\n<a href=\"http:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2016\/10\/Rilas04_291-301_Tadashi-TANABE.pdf\">From the Invisible to the Visible Buddha \u00a0\u0336\u0336 The Visualization and Origin of the Buddha Image\u00a0\u0336\u0336<\/a><\/li>\n<\/ul>\n<h3>Special Feature \u201cByzantine Cappadocia\u201d (Sahoko Tsuji Memorial Lecture Series \u0336Third Lecture, in Toyama Campus, Waseda University, March 27, 2016)<\/h3>\n<ul>\n<li>Catherine Jolivet-L\u00e9vy (Translated by Tomoyuki MASUDA)<br \/>\n<a href=\"http:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2016\/10\/Rilas04_303-313_Catherine-Jolivet-Levy.pdf\">Paintings and Inscriptions in Cappadocia as a Source on the Audience<\/a><\/li>\n<\/ul>\n<h3>Bulletin<\/h3>\n<ul>\n<li><a href=\"http:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2016\/10\/Rilas04_315-324_Report-on-Activities.pdf\">Report on Activities (April 1, 2015\u2014March 31, 2016)<\/a><\/li>\n<\/ul>\n<h3>\u00a0Postscript<\/h3>\n<ul>\n<li><a href=\"http:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2016\/10\/Rilas04_453_Postscript.pdf\">Postscript<\/a><\/li>\n<\/ul>\n<h3>\u00a0Colophon<\/h3>\n<ul>\n<li><a href=\"https:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2016\/11\/Rilas04_454-455_Colophon.pdf\" target=\"_blank\">Colophon<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; ISSN\uff1a2187-8307 Cover Cover Contents \u00a0Article (Special  [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":2003,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[],"tags":[],"class_list":["post-2305","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.waseda.jp\/flas\/rilas\/wp-json\/wp\/v2\/posts\/2305","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.waseda.jp\/flas\/rilas\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.waseda.jp\/flas\/rilas\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/rilas\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/rilas\/wp-json\/wp\/v2\/comments?post=2305"}],"version-history":[{"count":6,"href":"https:\/\/www.waseda.jp\/flas\/rilas\/wp-json\/wp\/v2\/posts\/2305\/revisions"}],"predecessor-version":[{"id":3664,"href":"https:\/\/www.waseda.jp\/flas\/rilas\/wp-json\/wp\/v2\/posts\/2305\/revisions\/3664"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/rilas\/wp-json\/wp\/v2\/media\/2003"}],"wp:attachment":[{"href":"https:\/\/www.waseda.jp\/flas\/rilas\/wp-json\/wp\/v2\/media?parent=2305"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/rilas\/wp-json\/wp\/v2\/categories?post=2305"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/rilas\/wp-json\/wp\/v2\/tags?post=2305"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}