{"id":2199,"date":"2016-11-10T12:30:29","date_gmt":"2016-11-10T03:30:29","guid":{"rendered":"https:\/\/www.waseda.jp\/flas\/rilas\/?p=2199"},"modified":"2017-10-13T15:47:02","modified_gmt":"2017-10-13T06:47:02","slug":"waseda-rilas-journal-no-2","status":"publish","type":"post","link":"https:\/\/www.waseda.jp\/flas\/rilas\/news\/2016\/11\/10\/2199\/","title":{"rendered":"WASEDA RILAS JOURNAL No. 2 (October, 2014)"},"content":{"rendered":"<p><a href=\"http:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2014\/10\/ic_02.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1308\" src=\"http:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2014\/10\/ic_02.jpg\" alt=\"ic_02\" width=\"191\" height=\"270\" \/><\/a><\/p>\n<p>ISSN\uff1a2187-8307<\/p>\n<p><a href=\"http:\/\/flas.waseda.jp\/rilasj\/rilas_journal_actibook_NO2\/\" target=\"_blank\">\u203bOpen By ActiBook<\/a><\/p>\n<h3>Cover<\/h3>\n<ul>\n<li><a href=\"\/flas\/rilas\/assets\/uploads\/2015\/12\/20375ced40379f1e8ea26f8e6c287f042.pdf\" target=\"_blank\">Cover<\/a><\/li>\n<li><a href=\"\/flas\/rilas\/assets\/uploads\/2015\/12\/d8a769dc68827d46e6b88b1b9acdf7c2.pdf\" target=\"_blank\">Contents<\/a><\/li>\n<\/ul>\n<h3>Preface<\/h3>\n<ul>\n<li>Tomoyuki MASUDA<br \/>\n<a href=\"\/flas\/rilas\/assets\/uploads\/2015\/12\/077eec0adf1c3bc11d036998972d341c1.pdf\" target=\"_blank\">Preface<\/a><\/li>\n<\/ul>\n<h3>Articles<\/h3>\n<ul>\n<li>Yumi SUZUKI<br \/>\n<a href=\"\/flas\/rilas\/assets\/uploads\/2015\/12\/ba8323a288d88802d67a76c405410fe1.pdf\" target=\"_blank\">On Compiling Process of\u00a0 San Huang Wen \u00a0(\u4e09\u7687\u6587) in Six Dynasities: Focusing the \u2018San Huang\u2019 in\u00a0 San Huang Wen<\/a><\/li>\n<li>Naoko SHIMAZAKI<br \/>\n<a href=\"\/flas\/rilas\/assets\/uploads\/2015\/12\/73b862a305ae63421fcf6e73abcd58791.pdf\" target=\"_blank\">The Usefulness and Potential Capability of Kushiro Local Archives for Scientific Studies: A Bridge of a Coal Mine as Substance and Memory\u00a0<\/a><\/li>\n<li>Saori KAWAZOE<br \/>\n<a href=\"\/flas\/rilas\/assets\/uploads\/2015\/12\/0a99fdb4481e852417e040c796963bdc.pdf\" target=\"_blank\">Policy-Related Division of Victims and Social Conflicts after a Nuclear Disaster: A Case Study on Iwaki City<\/a><\/li>\n<li>Kei UMEDA<br \/>\n<a href=\"\/flas\/rilas\/assets\/uploads\/2015\/12\/c8025079b77f019141ea227524179154.pdf\" target=\"_blank\">A New Perspective on the Evolution of Policy Criticism Text Manuscripts<\/a><\/li>\n<li>Fumihito ANDO<br \/>\n<a href=\"\/flas\/rilas\/assets\/uploads\/2015\/12\/35995636773fc22f2b669e184cac119b.pdf\" target=\"_blank\">Why did Natsume S\u014dseki rewrite\u00a0 Rondon Shosoku (Letters from London)?<\/a><\/li>\n<li>Tomohiro SAKAI<br \/>\n<a href=\"\/flas\/rilas\/assets\/uploads\/2015\/12\/031-035_Tomohiro-Sakai.pdf\" target=\"_blank\">\u300cLa s\u00e9mantique kaplanienne et la forme\u00a0-tte\u00a0en japonais\u300d<\/a><\/li>\n<li>Miki NAKAJIMA<br \/>\n<a href=\"\/flas\/rilas\/assets\/uploads\/2015\/12\/12e76e3ed083d293cb0db8d8704c688e.pdf\" target=\"_blank\">An Analytical Study of Ren\u00e9 Char and His Influences<\/a><\/li>\n<li>Tomoyuki MASUDA<br \/>\n<a href=\"\/flas\/rilas\/assets\/uploads\/2015\/12\/66e3ab416453fbb5279f790c6f60fae3.pdf\" target=\"_blank\">The Annunciation and Hypapante in Byzantine Church Decorations: the Cappella Palatina at Palermo and Studenica Monastery in Serbia<\/a><\/li>\n<li>Misa SHIMIZU<br \/>\n<a href=\"\/flas\/rilas\/assets\/uploads\/2015\/12\/ef790b1d5a03e61cffc753b2d5bdfed0.pdf\" target=\"_blank\">The Prefiguration and Life Cycle of the Virgin in the Monasteries Gra\u010danica and De\u010dani in Kosovo<\/a><\/li>\n<li>Kazufumi TAKEDA<br \/>\n<a href=\"\/flas\/rilas\/assets\/uploads\/2015\/12\/7bdcf0962e989f04b380c684c1201813.pdf\" target=\"_blank\">On the Representations of the Twelve Apostles in\u00a0the Dormition of the Virgin\u00a0in Byzantine Church Decoration<\/a><\/li>\n<li>Maho TANAKA<br \/>\n<a href=\"\/flas\/rilas\/assets\/uploads\/2015\/12\/554902bd4528f5608bedef624f91b9b6.pdf\" target=\"_blank\">avid Hockney\u2019s \u201cCurtain Series\u201d (1963): A Comparison with Contemporary Artworks<\/a><\/li>\n<li>Eriko TSUJI<br \/>\n<a href=\"\/flas\/rilas\/assets\/uploads\/2015\/12\/849761c3f3fe7f514ef4cfa96c490f71.pdf\" target=\"_blank\">The Illustrations of Psalm 40 and their Modifications in the Byzantine Marginal Psalters<\/a><\/li>\n<li>Yuka HIBIO<br \/>\n<a href=\"\/flas\/rilas\/assets\/uploads\/2015\/12\/f9b45e82bd9535fd6cac1dc56fbe9aa2.pdf\" target=\"_blank\">Fruits and the Earth: The Upper Mosaic Pavement of the Chapel of the Priest John at Mount Nebo<\/a><\/li>\n<li>Yoshiko FUKUDA<br \/>\n<a href=\"\/flas\/rilas\/assets\/uploads\/2015\/12\/dbaf52d0feb6c1ad275db6050bea5791.pdf\" target=\"_blank\">Introduction to the Theological Understanding of Immaculate Conception: A Consideration of Duns Scotus\u2019s Argument<\/a><\/li>\n<li>Takako YOSHIKAWA<br \/>\n<a href=\"\/flas\/rilas\/assets\/uploads\/2015\/12\/732d65aa9ddd25d6658c87c551636c7b.pdf\" target=\"_blank\">Reexamination of Matisse\u2019s \u201cSymphonic Interiors\u201d: The Style of Expression in\u00a0Pink Studio\u00a0and\u00a0Red Studio<\/a><\/li>\n<li>Shinko TANIGUCHI<br \/>\n<a href=\"\/flas\/rilas\/assets\/uploads\/2015\/12\/e1d309b126d58301ae88f243e56bc7a1.pdf\" target=\"_blank\">An Influence of Ancestors\u2019 Rituals\u00a0on Judicial Field: The beginning of the separation between the judicial and and the political or administrative field and in eary modern Kaga domain<\/a><\/li>\n<li>Suguru TAKAHASHI<br \/>\n<a href=\"\/flas\/rilas\/assets\/uploads\/2015\/12\/b0ad1f9a4220992cf377f9fa66ee76ed.pdf\" target=\"_blank\">The Study of Place Name in Niimi Manor in 1325<\/a><\/li>\n<\/ul>\n<h3>Special Feature \u201cEast Asian Cultural Area and Murakami Haruki:<br \/>\nLiterature beyond boundaries, possibilities in the crisis\u201d (December 14, 2013)<\/h3>\n<ul>\n<li><a href=\"\/flas\/rilas\/assets\/uploads\/2014\/10\/5a9acc0b4082f78e398f0394fde96d5f.pdf\" target=\"_blank\">Haruki Murakami and the East Asian Cultural Sphere: What does a cross-border phenomenon mean?<\/a><\/li>\n<li>Takumasa SENNO<br \/>\n<a href=\"http:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2014\/10\/57ab7e05f04bfa4b089ad4225a69aa0e.pdf\">Haruki Murakami and the East Asian Cultural Sphere: What does a cross-border phenomenon mean?<\/a><\/li>\n<li>Lianke YAN<br \/>\n<a href=\"http:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2014\/10\/157-159_YAN-Lianke.pdf\">The Significance of Pushing Down Walls<\/a><\/li>\n<li>Xiaowei SHI<br \/>\n<a href=\"http:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2014\/10\/161-168_Xiao-wei-SHI.pdf\">The Reception of Haruki Murakami\u2019s\u00a0<em>1Q84<\/em>\u00a0on the Internet in China<\/a><\/li>\n<li>Norihiro KATO<br \/>\n<a href=\"http:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2014\/10\/de4888ac049154dc7cb36dfda4e35bdc.pdf\">68 Years After: Novelist Murakami Haruki and the New East Asia<\/a><\/li>\n<li>Sangin YOON<br \/>\n<a href=\"http:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2014\/10\/47ab903d35afd2b1ce2f7332f50e7d8f.pdf\">Discrepancies Between Haruki Murakami and East Asian Readers<\/a><\/li>\n<li>Michael EMMERICH<br \/>\n<a href=\"http:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2014\/10\/6ef8710242c78f40f49ff733e3ac74ee.pdf\">Haruki Murakami, East Asia, World Literature<\/a><\/li>\n<li><a href=\"http:\/\/www.waseda.jp\/flas\/rilas\/assets\/uploads\/2014\/10\/eac27acdda54ff23141ada52f3cc073e.pdf\">Panel Discussion: Reading of Murakami Haruki in the New Context<\/a><br \/>\nPanel Discussion: Reading of Murakami Haruki in the New Context<br \/>\nModerators: MATSUIE Masashi and MATSUNAGA Miho<br \/>\nPanelists: SENNO Takumasa, YAN Lianke, SHI Xiaowei, KATO Norihiro, YOON Sangin and Michael EMMERICH<\/li>\n<\/ul>\n<h3>Miscellany<\/h3>\n<ul>\n<li><a href=\"\/flas\/rilas\/assets\/uploads\/2014\/10\/86c43f61b7d4fe12c69ac7efbecdcd7d.pdf\" target=\"_blank\">Report on Activities (April 1, 2013\u2014March 31, 2014)<\/a><\/li>\n<\/ul>\n<h3>Others<\/h3>\n<ul>\n<li><a href=\"\/flas\/rilas\/assets\/uploads\/2014\/10\/f2555db4faa1364184e27ae44a2428b4.pdf\" target=\"_blank\">Submission Guidelines<\/a><\/li>\n<li><a href=\"\/flas\/rilas\/assets\/uploads\/2014\/10\/5b76a8bdda2a1e3de6b205f2193ff039.pdf\" target=\"_blank\">Colophon<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>ISSN\uff1a2187-8307 \u203bOpen By ActiBook Cover Cover Contents Preface Tomoyuki MASUDA Preface Articles Yumi SUZUKI On  [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":1308,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[],"tags":[],"class_list":["post-2199","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.waseda.jp\/flas\/rilas\/wp-json\/wp\/v2\/posts\/2199","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.waseda.jp\/flas\/rilas\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.waseda.jp\/flas\/rilas\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/rilas\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/rilas\/wp-json\/wp\/v2\/comments?post=2199"}],"version-history":[{"count":5,"href":"https:\/\/www.waseda.jp\/flas\/rilas\/wp-json\/wp\/v2\/posts\/2199\/revisions"}],"predecessor-version":[{"id":3666,"href":"https:\/\/www.waseda.jp\/flas\/rilas\/wp-json\/wp\/v2\/posts\/2199\/revisions\/3666"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/rilas\/wp-json\/wp\/v2\/media\/1308"}],"wp:attachment":[{"href":"https:\/\/www.waseda.jp\/flas\/rilas\/wp-json\/wp\/v2\/media?parent=2199"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/rilas\/wp-json\/wp\/v2\/categories?post=2199"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/rilas\/wp-json\/wp\/v2\/tags?post=2199"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}