The Bulletin is published only in online version<\/p>\n
[Philosophy<\/a>] [Asian Philosophy<\/a>] [Psychology<\/a>] [Sociology<\/a>] [Education<\/a>] [Japanese Studies<\/a>] [English Studies<\/a>] [French Studies<\/a>][German Studies<\/a>] [Russian Studies<\/a>] [Chinese Studies<\/a>] [Theatre and Film Arts<\/a>] [Art History<\/a>] [Japanese History<\/a>][Asian History<\/a>] [Western History<\/a>] [Archaeology<\/a>] [Cultural Anthropology<\/a>] [Sutudies of Media, Body and Image<\/a>] [Creative Writing and Criticism]<\/a> [Global Japanese Literary and Cultural Studies]<\/a><\/p>\n \u25a0 Yoshiyuki MIKOSHIBA<\/p>\n Kants Deontologie und das Problem der moralischen Selbsterkenntnis<\/a><\/p>\n \u25a1 Sumary of Excellent Master’s Theses<\/a><\/p>\n \u25a0 Yoshihiro WATANABE<\/p>\n \u201c Record of remark \u201d in a history book: The confict of Pei Songzhi \uff08\u88f4\u677e\u4e4b\uff09 \u2019 s commentary on Sanguo zhi \uff08\u4e09\u56fd\u5fd7\uff09<\/a><\/p>\n \u25a0 Nobuhito HIBI<\/p>\n An Critical Analysis of Zhan-an Guan-ding \u2019 s understanding of Bing-xing \u2019 s Concept<\/a><\/p>\n \u25a0 Jianming HU<\/p>\n On the Debate between the Dharma Officers of Tiantong miyunyuanwu Zen Master in the Late Ming and Early Qing Dynasties<\/a><\/p>\n \u25a0 Norihiro SAEKI<\/p>\n The style of the welcoming of an aspirant into the Pure Land in SHOSO \u2019 s \u201c TAIMA-MANNDARA-SHO \u201d<\/a><\/p>\n \u25a0 Pengwei CUI<\/p>\n On the faith in Sonsho Dh\u0101ra\u1e47\u012b with hyakkiyagy\u014d: \u201c Konjaku Monogatarishu \uff08\u4eca\u6614\u7269\u8a9e\u96c6\uff09 \u201d 14-42 and legends of the Fujiwara clan<\/a><\/p>\n \u25a0 Toshifumi SEKI<\/p>\n Arrange \u201c wen zi zhi bu \u201d and collection of calligraphy \u2014 Yu he \u201c lun shu biao \u201d<\/a><\/p>\n \u25a1 Sumary of Excellent Master’s Theses<\/a><\/p>\n \u25a0 Takaji OHKUBO<\/p>\n Changes in the Style of Shimizu Ikutaro<\/a><\/p>\n \u25a0 Tomochika OKAMOTO<\/p>\n Analysis of Social Awareness of Human Coexistence and Positionalities in Relation to Education: Examination of Survey Data from 2018 with a Focus on Intentionality to \u201c Liberty \u201d and \u201c Control \u201d<\/a><\/p>\n \u25a1 Sumary of Excellent Master’s Theses<\/a><\/p>\n \u25a0 Hiroshi UMEMOTO<\/p>\n Gene-Environment Interaction and Environmental Sensitivity<\/a><\/p>\n \u25a0 Jiazhi TIAN<\/p>\n Functional Differentiation of Chinese Regional Priority University \u2019 s Three Institutions from the Viewpoint of Students \u2019 Motivation \u2014 As an Example of A University of S Province \u2014<\/a><\/p>\n \u25a1 Sumary of Excellent Master’s Theses<\/a><\/p>\n \u25a0 Ichiro IKEZAWA<\/p>\n A feeling some frustration of straight aural reading of Chinese books in the Premodern Japan, in the case of a letter by Amenomori Hoshu<\/a><\/p>\n \u25a0 Sayaka OHSHIMA<\/p>\n The colloquial expression of \u201c Tsuki-ni-hoeru<\/em> \u201d \u2014 The influence of Nietzsche on Sakutaro \u2019 s poetics of life<\/a><\/p>\n \u25a0 Kai MATSUMOTO<\/p>\n \u2018 Foods \u2019 that appear in Murakami Haruki \u2019 s Hear the Wind Sing<\/em> \u2014 Prevalent \u201c Beer \u201d and \u201c Refrigerators \u201d as a measure \u2014<\/a><\/p>\n \u25a0 Yan LYU<\/p>\n A Semantic Interpretation of Negative Degree Modifier<\/a><\/p>\n \u25a0 Atsuko KAI<\/p>\n A Study of Characteristics of Azumauta<\/em> Focusing on a Socialized Makurakotoba<\/em>.<\/a><\/p>\n \u25a0 Mutsuko USHIYAMA<\/p>\n Reconsideration of \u201c Shijonomiya Tonomo shu \u201d<\/a><\/p>\n \u25a0Qu YUE<\/p>\n The Conception Of \u201c Utopia \u201d : The Acceptance Of The Notions Of Seclusion In Kaifuso<\/em><\/a><\/p>\n \u25a0Qingxia WU<\/p>\n A Study of the adverb \u201c mushiro \u201d used for expressing comparision and preference<\/a><\/p>\n \u25a0 Yui KOMAKI<\/p>\n The Hidden tragedy of Naomi: J\u014dji \u2019 s \u201c Ideal Woman \u201d and the History of Women \u2019 s Education in Taish\u014d era<\/a><\/p>\n \u25a0 Yuka YAMAMOTO<\/p>\n An analysis on Yanagi-Kengyo<\/em> \u2019 s rest by Uchida Hyakken: A Voice of the Visually Impaired Reflects on the Great Kanto Earthquake<\/a><\/p>\n \u25a1 Sumary of Excellent Master’s Theses<\/a><\/p>\n \u25a0 Takaomi EDA<\/p>\n How to Write an American Epic: An Essay on Paterson<\/em>, Book II, Section 1<\/a><\/p>\n \u25a0 Kaoru IWAYA<\/p>\n The Influence of Symbiosis in Elizabeth Bishop \u2019 s Poetry<\/a><\/p>\n \u25a1 Sumary of Excellent Master’s Theses<\/a><\/p>\n \u25a0 Masao SUZUKI<\/p>\n Les personnages d\u00e9bordent le cadre \u2014 essai sur Rodolphe T\u00f6pffer \u2014<\/a><\/p>\n \u25a0 Takumi SASAKI<\/p>\n La Solidarit\u00e9 par l \u2019 art chez Albert Camus<\/a><\/p>\n \u25a0 Akane MIYAZAKI<\/p>\n Un romantisme \u00ab fr\u00e9n\u00e9tique \u00bb ? \u2014 Aloysius Bertrand et Charles Nodier \u2014<\/a><\/p>\n \u25a0 Noriyuki NAGASAWA<\/p>\n Mundus botanicus<\/em> dans les \u0153uvres po\u00e9tiques de Ren\u00e9e Vivien<\/a><\/p>\n \u25a0 Riho TAKAYASU<\/p>\n Tragique et cr\u00e9ation des personnages dans le Bell\u00e9rophon<\/em> de Philippe Quinault<\/a><\/p>\n \u25a0 Kei MORIWAKI<\/p>\n H\u00e9r\u00e9makhonon<\/em> et La Vie sc\u00e9l\u00e9rate<\/em> de Maryse Cond\u00e9 : de la d\u00e9construction du mythe identitaire \u00e0 l \u2019 \u00e9laboration g\u00e9n\u00e9alogique<\/a><\/p>\n \u25a0 Yoshio YAMAMOTO<\/p>\n \u201c Speculum \u201d qui animum refert : De l \u2019 influence \u00e9rasmienne sur les Essais de Montaigne<\/a><\/p>\n \u25a1 Sumary of Excellent Master’s Theses<\/a><\/p>\n \u25a0 Naoko SHIMADA<\/p>\n NS-Presseanweisungen und \u00f6sterreichische Zeitungen \u00fcber \u201e Reichskristallnacht \u201c im November 1938<\/a><\/p>\n \u25a0 Kiyoharu MIURA<\/p>\n The Life of Metropolitan Philipp \uff08I\uff09 \u2014 Translation and Commentary<\/a><\/p>\n \u25a0 Saki TANAKA<\/p>\n \u0420\u0430\u043d\u043d\u0438\u0435 \u0441\u0442\u0438\u0445\u043e\u0442\u0432\u043e\u0440\u0435\u043d\u0438\u044f \u0410 . \u0412 . \u041a\u043e\u043b\u044c\u0446\u043e\u0432\u0430 : \u0434\u0443\u043c\u0430 \u0438 \u043c\u043e\u043b\u0438\u0442\u0432\u0430<\/a><\/p>\n \u25a0 Ryoichi TOMARINO<\/p>\n \u0421\u0440\u0430\u0432\u043d\u0438\u0442\u0435\u043b\u044c\u043d\u044b\u0435 \u0438\u0441\u0441\u043b\u0435\u0434\u043e\u0432\u0430\u043d\u0438\u044f \u00ab \u0412\u0435\u043b\u0438\u043a\u043e\u0433\u043e \u0438\u043d\u043a\u0432\u0438\u0437\u0438\u0442\u043e\u0440\u0430 \u00bb \u0424 . \u041c . \u0414\u043e\u0441\u0442\u043e\u0435\u0432\u0441\u043a\u0438\u043c \u0441 \u00ab \u041c\u043e\u043b\u0447\u0430\u043d\u0438\u0435\u043c \u00bb \u041b . \u041d . \u0410\u043d\u0434\u0440\u0435\u0435\u0432\u044b\u043c \u043e \u0432\u044b\u0440\u0430\u0436\u0435\u043d\u0438\u0438 \u0432 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u043d\u043e\u043c \u0434\u0438\u0430\u043b\u043e\u0433\u0435 .<\/a><\/p>\n \u25a1 Sumary of Excellent Master’s Theses<\/a><\/p>\n \u25a0 Masako NAITO<\/p>\n The Principles of Topic Chain in Chinese Discourse<\/a><\/p>\n \u25a0 Kumiko SHIBASAKI<\/p>\n \u201c Creation \u201d of the heroic story seen in \u201c Luo Tong sao bei \u300e\u7f85\u901a\u6383\u5317\u300f \u201d<\/a><\/p>\n \u25a0 Shuxiao DUAN<\/p>\n The Birth of the Modern Hero \u2014 Chinese Science Fiction and the Transformed Imagination in Late Qing Dynasty<\/a><\/p>\n \u25a0 Qian LIU<\/p>\n the Exploration of Character Creation Practices in China \u2014 Taking Example for Character Making in \u2018 Qihua \u2019<\/a><\/p>\n \u25a0 Jifei GUO<\/p>\n Illusion as a Way of Living: A Comparative Study of the \u2018 Reality-Illusion \u2019 Structure in Yiyun Li and William Trevor \u2019 s Four Novellas<\/a><\/p>\n \u25a1 Sumary of Excellent Master’s Theses<\/a><\/p>\n \u25a0 Mariko KITAHARA<\/p>\n Why does a choreographer write his autobiography?: Investigating the Fokine-Beaumont and the Fokine-Sayler correspondence.<\/a><\/p>\n \u25a0 Takako OBAYASHI<\/p>\n Divertissement as an independent performance in the 19th century Russian Ballet.<\/a><\/p>\n \u25a1 Sumary of Excellent Master’s Theses<\/a><\/p>\n \u25a0 Tomoyuki MASUDA<\/p>\n Baptism with Fire: Study of the Decoration Program of the Church of Panagia Peribleptos in Ohrid<\/a><\/p>\n \u25a0 Satomi YAMAMOTO<\/p>\n The subject of the first scene of The Miraculous Interventions of Jizo Bosatsu of the Freer Gallery of Art: Jealousy and Quarreling as sins of women<\/a><\/p>\n \u25a0 Aiqi SUN<\/p>\n Some Thoughts concerning the Term \u2018Aristocratic Psalter\u2019<\/a><\/p>\n \u25a1 Sumary of Excellent Master’s Theses<\/a><\/p>\n \u25a0 Shinko TANIGUCHI<\/p>\n A Bridge between the Intellectual History and the Military History on Nishi Amane \u2019 s Heika Tokk\u014d<\/em><\/a><\/p>\n \u25a0 Takumi YAMAGUCHI<\/p>\n The faith of arhat in medieval Japan: that \u2019 s acceptance and propagation<\/a><\/p>\n \u25a1 Sumary of Excellent Master’s Theses<\/a><\/p>\n \u25a1 Sumary of Excellent Master’s Theses<\/a><\/p>\n \u25a0 Ryuta ITO<\/p>\n The Livestock Production in the Italian Peninsula during the Roman Empire and its Supply to the City of Rome<\/a><\/p>\n \u25a0 Taro SHIRAKAWA<\/p>\n Il carattere generale della storiografia religiosa italiana: sul paradigma dei movimenti religiosi<\/em>.<\/a><\/p>\n \u25a1 Sumary of Excellent Master’s Theses<\/a><\/p>\n \u25a0Shigeki SUGISAKI<\/p>\n The Length of the Tsukamotoyama Kofun Group, Misato-machi, Saitama Prefecture and its Background<\/a><\/p>\n \u25a1 Sumary of Excellent Master’s Theses<\/a><\/p>\n \u25a0 Masao NISHIMURA<\/p>\n ASEAN Tourism Policy and Tourism Development in the Southern Part of the Lao PDR<\/a><\/p>\n \u25a0 Akiko KUNIHIRO<\/p>\n After Forgiveness: Making Kin-like-Relationships with Hijras of Gujarat in India<\/a><\/p>\n \u25a0 Rie ODAJIMA<\/p>\n A Study of the Lao Agrarian Economy: A Society Living in-between Economic Development and Heritage Conservation<\/a><\/p>\n \u25a0 Kei EBISAWA<\/p>\n Discussion on food culture in Lao P.D.R: a Case Study of foods in \u201c comprehensive gastropub \u201d<\/a><\/p>\n \u25a1 Sumary of Excellent Master’s Theses<\/a><\/p>\n \u25a0 Futoshi SAKAUCHI<\/p>\n Conjuring Complexities: a study on Enda Walsh \u2019 s Misterman and bedbound<\/em><\/a><\/p>\n \u25a0 Yuki MURAYAMA<\/p>\n Farder les images: Roger de Piles et sa th\u00e9orie sur la peinture.<\/a><\/p>\n \u25a0 Ichitake KATAOKA<\/p>\n Die Sexualtheorie beim fr\u00fchen Freud (1893-1900)<\/a><\/p>\n \u25a1 Sumary of Excellent Master’s Theses<\/a><\/p>\n \u25a1 Sumary of Excellent Master’s Theses<\/a><\/p>\n \u25a0 Kristopher REEVES<\/p>\n THERE AND BACK AGAIN : Abductions into Purgatory in Premodern Japan and China<\/a><\/p>\n <\/p>\n Bulletin of the Graduate Division of letters, Arts and Sciences of Waseda University, Vol. 65 Published: March […]<\/p>\n","protected":false},"author":4,"featured_media":8870,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[95],"tags":[119,75],"class_list":["post-8840","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-en","tag-bulletin-en","tag-publications-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/posts\/8840","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/comments?post=8840"}],"version-history":[{"count":6,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/posts\/8840\/revisions"}],"predecessor-version":[{"id":8997,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/posts\/8840\/revisions\/8997"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/media\/8870"}],"wp:attachment":[{"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/media?parent=8840"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/categories?post=8840"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/tags?post=8840"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}\n
Philosophy<\/h4>\n
Asian Philosophy<\/h4>\n
Sociology<\/h4>\n
Education<\/h4>\n
\u00a0Japanese Studies<\/h4>\n
English Studies<\/h4>\n
French Studies<\/h4>\n
German Studies<\/h4>\n
\u00a0Russian Studies<\/h4>\n
Chinese Studies<\/h4>\n
Theatre and Film Arts<\/h4>\n
Art History<\/h4>\n
Japanese History<\/h4>\n
Asian History<\/h4>\n
Western History<\/h4>\n
Archaeology<\/h4>\n
Cultural Anthropology<\/h4>\n
Studies of Media, Body and Image<\/h4>\n
Creative Writing and Criticism<\/h4>\n
Global Japanese Literary and Cultural Studies<\/h4>\n
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