The Bulletin is published only in online version<\/p>\n
[Philosophy<\/a>] [Asian Philosophy<\/a>] [Psychology<\/a>] [Sociology<\/a>] [Education<\/a>] [Japanese Studies<\/a>] [English Studies<\/a>] [French Studies<\/a>][German Studies<\/a>] [Russian Studies<\/a>] [Chinese Studies<\/a>] [Theatre and Film Arts<\/a>] [Art History<\/a>] [Japanese History<\/a>][Asian History<\/a>] [Western History<\/a>] [Archaeology<\/a>] [Cultural Anthropology<\/a>] [Sutudies of Media, Body and Image<\/a>]<\/p>\n \u25a0 Toru KASHIMA<\/p>\n On the Law of Historical Cycles of Yang Hsing-ting\uff08\u694a\u674f\u5ead\uff09<\/a><\/p>\n \u25a0 Yuta KOMURA<\/p>\n God and Anniyyah\u2013 the Relationship between Thing and Being in Avicenna<\/a><\/p>\n \u25a0 Yuka TAKIMOTO<\/p>\n \u00dcber die Vergangenheit der Kunst bei Hegel<\/a><\/p>\n \u25a0 Konosuke MINEO<\/p>\n Der Gegensatz von Ich und Welt: Zur realistischen Ph\u00e4nomenologie M. Geigers<\/a><\/p>\n \u25a1 Sumary of Excellent Master’s Theses<\/a><\/p>\n \u25a0 Yoshihiro WATANABE<\/p>\n Images of “jia” and Chinese aristocracy in\u00a0Yanshi jiaxun <\/em>\u9854\u6c0f\u5bb6\u8a13.<\/em><\/a><\/p>\n \u25a0 Yuichi HAKAMADA<\/p>\n Criticism of historical materials in Pei Songzhi\u2019s\uff08\u88f4\u677e\u4e4b\uff09”Sanguozhi zhu\uff08\u4e09\u56fd\u5fd7\u6ce8\uff09” and Aristocratic Society<\/a><\/p>\n \u25a1 Sumary of Excellent Master’s Theses<\/a><\/p>\n \u25a0 Hiromitsu MIYATA<\/p>\n Short-term contemplative practices with vocalization alter psychological states in an unexperienced student sample<\/a><\/p>\n \u25a1 Sumary of Excellent Master’s Theses<\/a><\/p>\n \u25a0 Longlong ZHANG<\/p>\n The Early Adaptation of Japanese War Orphans\u2019 Children\u2015A Case Study of Children Migrants to Japan Before Mid-1980\u2019s<\/a><\/p>\n \u25a1 Sumary of Excellent Master’s Theses<\/a><\/p>\n \u25a0 Hiroshi UMEMOTO<\/p>\n Intergenerational Transmission of Child Abuse and Gene-Environment Interaction<\/a><\/p>\n \u25a0 Takeshi ENDO<\/p>\n Verification of Decision Making Model in The Migration of High School Graduates to University in Japan- Focusing on Multilevel Analysis on Accumulation Effects<\/a><\/p>\n \u25a0 Jiazhi TIAN<\/p>\n Functional Differentiation and Hierarchical Educational Opportunities in Chinese Regional Priority University viewed from the attributes of students\u2015As an example of A University of S Province \u2015<\/a><\/p>\n \u25a0 Tomoo NAKAGAWA<\/p>\n The idea formation and problem of \u201c The right to secure upbringing of children \u201d<\/a><\/p>\n \u25a1 Sumary of Excellent Master’s Theses<\/a><\/p>\n \u25a0 Ichiro IKEZAWA<\/p>\n Some comments about popular exhibitions of Chinese paintings and calligraphers of Chinese poems made by Tanabe Hekido \u2500 Introduction of eighteen letters by Tanbe Hekido \u2500<\/a><\/p>\n \u25a0 Kanako TABARU<\/p>\n The Position of Kyogoku Miyasudokoro Uta-awase<\/a><\/p>\n \u25a0 Hiroki ARAI<\/p>\n A study of Fujiwara Sadakuni 40th birthday celebration folding screen<\/a><\/p>\n \u25a0 Takayuki ASHIKAWA<\/p>\n The book as a moving body\uff0d\u201dUnmei(Destinies)\u201d by Kunikida Doppo, about its frontispieces\u2019 changes\uff0d<\/a><\/p>\n \u25a0 Atsuko KAI<\/p>\n A Study of Characteristics of Azumauta<\/em> Focusing on a Form of Jokotoba<\/em><\/a><\/p>\n \u25a0 Takuya KAWAMURA<\/p>\n To make the best use of secondary source on a study of Heian<\/em> period\u2019s Chinese poetryand sentence \u2500 Hold the Imperial answer made by Oe no Asatsuna<\/em> up as an example \u2500<\/a><\/p>\n \u25a0 Gen KINOSHITA<\/p>\n Formation Process of\u201cAyashi-Raikyakubo\u201d: the Origin of the\u201cSaigo No Buraiha\u201dover Irokawa Takehiro<\/a><\/p>\n \u25a0 Satoshi SHIMIZU<\/p>\n Illustrations as experience \u2500\u201dTade ku mushi\u201d by Tanizaki Jun\u2019ichiro and illustrations by Koide Narashige\u2500<\/a><\/p>\n \u25a0 Byeongmin JUNG<\/p>\n Adverbs which express counterfactual and irrealis\u2500 Focusing on [mousukoside] form and [ayauku] form \u2500<\/a><\/p>\n \u25a0 Soushi YAMADA<\/p>\n Refraction and Reflection in Nihon Sanmon Opera<\/em> by Kaiko Takeshi<\/a><\/p>\n \u25a0 Ayaka FUJITOMI<\/p>\n The influence of Kikuchi Gozan and Kashiwagi Jotei on Miyazawa Unzan\u2019s Chinese Character poetry<\/a><\/p>\n \u25a1 Sumary of Excellent Master’s Theses<\/a><\/p>\n \u25a1 Sumary of Excellent Master’s Theses<\/a><\/p>\n \u25a0 Naohiko SETO<\/p>\n \u00ab quan le soleills Quais vergoinos \u00bb : m\u00e9taphore surprenante du Roman de Flamenca <\/em>(vv. 7688-7689)<\/a><\/p>\n \u25a0 Odile DUSSUD<\/p>\n \u00ab\u00a0\u00c9chapper \u00e0 l\u2019envieuse morsure du Temps\u00a0\u00bb\u2015F\u00e9nelon, Fran\u00e7ois Perrier et Pline le Jeune\u2015<\/a><\/p>\n \u25a0 Ryo MORII<\/p>\n Andr\u00e9 Gide et l\u2019homoparentalit\u00e9<\/a><\/p>\n \u25a0 Wataru GOTO<\/p>\n Projection de la m\u00e9moire, silence, \u00ab l\u2019\u00e9ternel et l\u2019\u00e9ph\u00e9m\u00e8re \u00bb dans La Vie film\u00e9e<\/em> de Georges Perec<\/a><\/p>\n \u25a0 Yohei UMAKOSHI<\/p>\n Du Tombeau d\u2019Anatole aux Noces d\u2019H\u00e9rodiade<\/em>\u2015chercher la source de cr\u00e9ation de Mallarm\u00e9\u2015<\/a><\/p>\n \u25a0 Kanako IMASEKI<\/p>\n \u00ab Mais pas de m\u00e9morial pour qui d\u00e9savoue son parcours ! \u00bb \u2500Enfant pub\u00e8re dans Les M\u00e9g\u00e8res de la mer<\/em> de Louis-Ren\u00e9 des For\u00eats<\/a><\/p>\n \u25a0 Takumi SASAKI<\/p>\n De l\u2019absurde \u00e0 la r\u00e9volte\u2014 Apparition de \u00ab nous \u00bb dans l\u2019\u0153uvre d\u2019Albert Camus \u2014<\/a><\/p>\n \u25a0 Shuhei SEO<\/p>\n Corps et plaies\u2013\u2013Henri Michaux et Meidosems<\/a><\/p>\n \u25a0 Noriyuki NAGASAWA<\/p>\n Ren\u00e9e Vivien qui lit Sapho : l\u2019analyse de son Ode \u00e0 l\u2019Aphrodita<\/em><\/a><\/p>\n \u25a1 Sumary of Excellent Master’s Theses<\/a><\/p>\n \u25a0 Jun TANAKA<\/p>\n Bruno Taut \u2013 Rezeption in Japan \u2013 ein verstelltes Bild ?<\/a><\/p>\n \u25a1 Sumary of Excellent Master’s Theses<\/a><\/p>\n \u25a0 Naoto YAGI<\/p>\n \u0421\u043f\u043e\u0440 \u0432\u043e\u043a\u0440\u0443\u0433 \u0441\u0442\u0430\u0442\u044c\u0438 \u00ab\u041e \u0425\u043b\u0435\u0431\u043d\u0438\u043a\u043e\u0432\u0435\u00bb \u043c\u0435\u0436\u0434\u0443 \u0428\u043a\u043b\u043e\u0432\u0441\u043a\u0438\u043c \u0438 \u0422\u044b\u043d\u044f\u043d\u043e\u0432\u044b\u043c.<\/a><\/p>\n \u25a0 Reiya MIURA<\/p>\n \u041c\u044b\u0441\u043b\u044c \u043e \u043c\u0443\u0437\u044b\u043a\u0435 \u041a\u043d\u044f\u0437\u044f \u0412. \u0424. \u041e\u0434\u043e\u0435\u0432\u0441\u043a\u043e\u0433\u043e \u0432 \u00ab\u0420\u0443\u0441\u0441\u043a\u0438\u0445 \u043d\u043e\u0447\u0430\u0445\u00bb\u2015 \u041c\u0435\u0436\u0434\u0443 \u043d\u0430\u0442\u0443\u0440\u0444\u0438\u043b\u043e\u0441\u043e\u0444\u0438\u0435\u0439 \u0438 \u0435\u0441\u0442\u0435\u0441\u0442\u0432\u043e\u0432\u0435\u0434\u0435\u043d\u0438\u0435\u043c, \u043d\u0435\u043e\u043f\u043b\u0430\u0442\u043e\u043d\u0438\u0437\u043c\u043e\u043c \u0438 \u043d\u0435\u043c\u0435\u0446\u043a\u0438\u043c \u0438\u0434\u0435\u0430\u043b\u0438\u0437\u043c\u043e\u043c<\/a><\/p>\n \u25a0 Aya SUGAHARA<\/p>\n \u041f\u043e\u044d\u043c\u0430 \u0432 \u044d\u043f\u043e\u0445\u0443 \u0440\u043e\u043c\u0430\u043d\u0430: \u0434\u0432\u0435 \u00ab\u043f\u0440\u0430\u0432\u0434\u044b\u00bb \u0432 \u00ab\u041c\u0446\u044b\u0440\u0438\u00bb \u041b\u0435\u0440\u043c\u043e\u043d\u0442\u043e\u0432\u0430<\/a><\/p>\n \u25a1 Sumary of Excellent Master’s Theses<\/a><\/p>\n \u25a0 Yubo ZHANG<\/p>\n Hong Kong People\u2019s Ethnic Identity : Wong Kar-wai\u2019s 1960s Hong Kong Trilogy<\/a><\/p>\n \u25a1 Sumary of Excellent Master’s Theses<\/a><\/p>\n \u25a0 Mariko KITAHARA<\/p>\n \u25a0 Tsugumi KONDO<\/p>\n Self-Reference in Ballet: Focusing on \u201cThe Nutcracker\u201d and \u201cIllusions – like Swan Lake\u201d by John Neumeier<\/a><\/p>\n \u25a0 Keiko SAKAGAMI<\/p>\n Maximilien Luce and Representaion of Paris<\/a><\/p>\n \u25a0 Tomoyuki MASUDA<\/p>\n Church as a Place of the Last Judgement: Iconographic Program of the Church of St. George at Achi (Georgia)<\/a><\/p>\n \u25a0 Xia HUANG<\/p>\n The Lay Figures in Amituo Statues Dequeathed to Bashu District in the Tang Dynasty<\/a><\/p>\n \u25a0 Elena OTA<\/p>\n Some Thoughts concerning the Term \u2018Aristocratic Psalter\u2019<\/a><\/p>\n \u25a0 Ayaka KURAHASHI<\/p>\n Iconography of hungry ghosts in modern Thailand- Images of deformed hungry ghosts –<\/a><\/p>\n \u25a0 Mayumi KUWABARA<\/p>\n The significance of the reuse of ancient marbles in the facade reliefs of Modena Cathedral<\/a><\/p>\n \u25a1 Sumary of Excellent Master’s Theses<\/a><\/p>\n \u25a0 Kennichiro KUBO<\/p>\n The Usage of “Daito” in the Shoin Shigo<\/em>, the Shoin\u2019s Memoir Completed in 1509<\/a><\/p>\n \u25a0 Shinko TANIGUCHI<\/p>\n A re-examination of \u201cGunjin Chokuyu\u201d compared with Nishi Amane\u2019s \u201cChokuyu Ko\u201d<\/a><\/p>\n \u25a0 Masayuki MANABE<\/p>\n Cenotaphs Erected for the Repose of Animals’ Soul after World War II<\/a><\/p>\n \u25a0 Hiroya KAYATA<\/p>\n Circulation of medical information in mid-19th-century Kaga domain<\/a><\/p>\n \u25a0 Chie SASAKI<\/p>\n The Beginning of Magazines and the Enlightenment in the Last Days of the Tokugawa Shogunate- Shunsan Yanagawa\u2019s \u201cSeiyo Zasshi\u201d and other related magazines –<\/a><\/p>\n \u25a1 Sumary of Excellent Master’s Theses<\/a><\/p>\n \u25a1 Sumary of Excellent Master’s Theses<\/a><\/p>\n \u25a0 Takashi JINNO<\/p>\n Jesuit Political Thought and the Condemnation of Tyranny\u2015The Thesis of Tyrannicide of Juan de Mariana and its Medieval Origins\u2015<\/a><\/p>\n \u25a0 Shoma YUASA<\/p>\n Empire et R\u00e9publique : Les id\u00e9es et le mouvement des j\u00e9r\u00f4mistes dans les ann\u00e9es 1880 en France<\/a><\/p>\n \u25a1 Sumary of Excellent Master’s Theses<\/a><\/p>\n \u25a0 Ryuzaburo TAKAHASHI\u30fbKeita TAKENOUCHI\u30fbSaki INOUE\u30fbRyota SATO\u30fbAyaka HIRUMA\u30fbYuuna ISHII<\/p>\n Digital 3D Measurement Survey and GPR Research at Kosori Shell Midden: Report of the First and Second Research<\/a><\/p>\n \u25a0 Junichi NAGASAKI\u30fbKeita TAKENOUCHI\u30fbTsutomu SOUDA\u30fbYorinao SHITAOKA\u30fbRei WATANABE\u30fbRyota SATO\u30fbHironobu KIRIHARA\u30fbMichiatsu KUMAMOTO\u30fbHirokazu SUZUKI<\/p>\n AN ADDITIONAL REPORT OF THE INVESTIGATION at the YAMAGATA SITE<\/a><\/p>\n \u25a0 Yuuna ISHII<\/p>\n A study on production of bracelet shape stone products in terms of material and fabrication techniques\uff1aFrom the Analysis case of Osaka-hu Kashiwara-shi Chausuduka tomb<\/a><\/p>\n \u25a0 Nonoka ISHIZAKI<\/p>\n The Wood Trade between Egypt and Phoenicia in the Third Intermediate Period<\/a><\/p>\n \u25a1 Sumary of Excellent Master’s Theses<\/a><\/p>\n \u25a0 Rie ODAJIMA<\/p>\n On Intangible and Tangible Heritage: Human Beings, Objects, Agency, and the Integration of Cultural Perception<\/a><\/p>\n \u25a0 Masao NISHIMURA<\/p>\n Heritage in Cebu City, the Philippines: A Study of \u201cCompetitive\u201d Heritage \u2013 A Preliminary Field Report \u2013<\/a><\/p>\n \u25a0 Emi MASUMI<\/p>\n Field Notes on the Filipino Values\u2015in a Women\u2019s Organization in an Income Generating Enterprise\u2015<\/a><\/p>\n \u25a1 Sumary of Excellent Master’s Theses<\/a><\/p>\n \u25a0 Masato HASE<\/p>\n The Work of Academics in the Age of its Technological Reproducibility: Reconsidering Benjamin\u2019s Art Work Essay<\/a><\/p>\n \u25a0 Kenta KUDO<\/p>\n \u00c9thique du d\u00e9sir et de la jouissance : Kant, Freud, et Lacan<\/a><\/p>\n \u25a0 Minako OTA<\/p>\n Mixing \u201cCommunication\u201d and \u201cBroadcast\u201d:Early Television Reception in Hachinohe, Aomori Prefecture in the 1950\u2019s<\/a><\/p>\n \u25a0 Takako KANENAGA<\/p>\n Ozawa Tsuyoshi\u300aJIZOING\u300bin \u201cShirokuro\u201d.<\/a><\/p>\n \u25a0 Shuhei ASANO<\/p>\n Cercle et pratique : un essai sur l\u2019interpr\u00e9tation deleuzienne de Spinoza<\/a><\/p>\n \u25a1 Sumary of Excellent Master’s Theses<\/a><\/p>\n <\/p>\n Bulletin of the Graduate Division of letters, Arts and Sciences of Waseda University, Vol. 64 Published: March […]<\/p>\n","protected":false},"author":4,"featured_media":7214,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[95],"tags":[119,75],"class_list":["post-7207","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-en","tag-bulletin-en","tag-publications-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/posts\/7207","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/comments?post=7207"}],"version-history":[{"count":6,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/posts\/7207\/revisions"}],"predecessor-version":[{"id":7389,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/posts\/7207\/revisions\/7389"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/media\/7214"}],"wp:attachment":[{"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/media?parent=7207"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/categories?post=7207"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/tags?post=7207"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}\n
\u00a0Philosophy<\/h4>\n
\u00a0Asian Philosophy<\/h4>\n
\u00a0Psychology<\/h4>\n
\u00a0Sociology<\/h4>\n
Education<\/h4>\n
\u00a0Japanese Studies<\/h4>\n
\u00a0English Studies<\/h4>\n
\u00a0French Studies<\/h4>\n
\u00a0German Studies<\/h4>\n
Russian Studies<\/h4>\n
Chinese Studies<\/h4>\n
Theatre and Film Arts<\/h4>\n
Art History<\/h4>\n
Japanese History<\/h4>\n
\u00a0Asian History<\/h4>\n
Western History<\/h4>\n
\u00a0Archaeology<\/h4>\n
Cultural Anthropology<\/h4>\n
\u00a0Studies of Media, Body and Image<\/h4>\n
\n