The Bulletin is published only in online version since Vol. 62 (2016).<\/p>\n
[Philosophy<\/a>] [Asian Philosophy<\/a>] [Psychology<\/a>] [Sociology<\/a>] [Education<\/a>] [Japanese Studies<\/a>] [English Studies<\/a>] [French Studies<\/a>][German Studies<\/a>] [Russian Studies<\/a>] [Chinese Studies<\/a>] [Theatre and Film Arts<\/a>] [Art History<\/a>] [Japanese History<\/a>][Asian History<\/a>] [Western History<\/a>] [Archaeology<\/a>] [Cultural Anthropology<\/a>] [Studies of Media, Body and Image<\/a>] [Creative Writing and Criticism<\/a>]<\/p>\n \u25a0 Keiichi IWATA<\/p>\n The\u00a0Energeia<\/em>\u00a0of Intellect: Aristotle\u2019s Theory of Intellect and the Concept of Separate Form<\/a><\/p>\n \u25a0 Teruhisa TAJIMA<\/p>\n \u201eMeine Bl\u00fcten sind Fr\u00fcchte\u201c: Die Mariologie bei dem Gedanken Eckharts<\/a><\/p>\n \u25a0 Akira MURAMATSU<\/p>\n Virtue Ethics and its Present<\/a><\/p>\n \u25a0 Koichiro WAKAMATSU<\/p>\n Das Verst\u00e4ndnis des Intellekts bei Meister Eckhart<\/a><\/p>\n \u25a0 Masahiko TERASHIMA<\/p>\n How Does the Actual World Change in Perfection?\u2500\u2500 From a Biological Point of View in Leibniz \u2500\u2500<\/a><\/p>\n \u25a1\u00a0Summary of Master\u2019s Theses<\/a><\/p>\n \u25a0 Yoshihiro WATANABE<\/p>\n Wang Dao\u2019s Expression in \u201cShi shou xin yu\u201d<\/a><\/p>\n \u25a0 Yumie TAMURA<\/p>\n Thought of Yang Xiong\u2019s\u00a0Mystery<\/em><\/a><\/p>\n \u25a0 Jianwei JIANG<\/p>\n Seishisai Aizawa\u2019s View of \u201cKokugaku\u201d\u3000 \u0336 Concentrating on the Thought Structure when He Criticized Norinaga<\/a><\/p>\n \u25a0 Yui SAKURAI<\/p>\n A Foreign Monk in the Early Tang Dynasty:Changer Sancang and His Thought<\/a><\/p>\n \u25a1\u00a0Summary of Master\u2019s Theses<\/a><\/p>\n \u25a1\u00a0Summary of Master\u2019s Theses<\/a><\/p>\n \u25a0 Longlong ZHANG<\/p>\n The Return Relief Policy and the Process of Japanese War Orphans in China Returning to Japan\u3000- A Focus on the Motivations for Return \u2013<\/a><\/p>\n \u25a1\u00a0Summary of Master\u2019s Theses<\/a><\/p>\n \u25a0 Hiroshi UMEMOTO<\/p>\n Verbal Communication and Education<\/a><\/p>\n \u25a0 Kiyotake OKI<\/p>\n 2015 A-level Examination Reform in the UK<\/a><\/p>\n \u25a0 Akito TAKAISHI<\/p>\n The Function of Social Welfare in the Education System:The Focus on School Social Worker\u2019s Role<\/a><\/p>\n \u25a0 Yousuke UEHATA<\/p>\n Research on Private Nursing School in Japanese University -Findings and Limitations of Private Nursing School Increase Factor Analysis Focused on MEXT Policy<\/a><\/p>\n \u25a0 Takeshi ENDO<\/p>\n The Time Series Analysis of Student Migration -Focusing on Geographic Factor-<\/a><\/p>\n \u25a0 Eita YAMADA<\/p>\n What is the Nature of ESD?:A Focus on \u201cPandemic Model of the Development\u201d<\/a><\/p>\n \u25a0 Ichiro IKEZAWA<\/p>\n Masaoka Shiki\u2019s Critics of Literature and Painting in Chinese Poems<\/a><\/p>\n \u25a0 Kanako TABARU<\/p>\n Uta-awase and the Inner Palace of the Murakami Court<\/a><\/p>\n \u25a0 Tomoki TABE<\/p>\n Masaoka Shiki\u2019s New Style Poetry: Between Haiku and Prose<\/a><\/p>\n \u25a1\u00a0Summary of Master\u2019s Theses<\/a><\/p>\n \u25a0 Kazuha SAITO<\/p>\n Minor and Major Narratives: Building a Living Monument to the Vietnam War<\/a><\/p>\n \u25a1\u00a0Summary of Master\u2019s Theses<\/a><\/p>\n \u25a0 Takeo KAWASE<\/p>\n Qu\u2019est-ce qu\u2019\u00ab un cygne d\u2019autrefois \u00bb ? -ex\u00e9g\u00e8se des po\u00e9sies de jeunesse de St\u00e9phane Mallarm\u00e9 (6)<\/a><\/p>\n \u25a0 Naohiko SETO<\/p>\n Reticentia<\/em>\u00a0de Giraut de Borneil, \u201cmaestre dels trobadors\u201d (PC 242, 45)<\/a><\/p>\n \u25a0 Ryo MORII<\/p>\n Mutilation corporelle et monnaie :le th\u00e8me du corps-fortune chez Gide (1)<\/a><\/p>\n \u25a0 Yumi MURAKAMI<\/p>\n Les impressionnistes et Mallarm\u00e9:l\u2019art de regarder la danse dans les ann\u00e9es 1870<\/a><\/p>\n \u25a0 Youhei UMAKOSHI<\/p>\n L\u2019enfant du soleil Anatole \u00ab Un Tombeau d\u2019 Anatole \u00bb comme mythe solaire<\/a><\/p>\n \u25a0 Akane MIYAZAKI<\/p>\n The Acceptance of\u00a0Gaspard de la Nuit<\/em>\u00a0in Japan – The Translation by Bin Ueda\u0336<\/a><\/p>\n \u25a1\u00a0Summary of Master\u2019s Theses<\/a><\/p>\n \u25a0 Arne KLAWITTER<\/p>\n Kaspar Hauser als Diskurstopos und K\u00f6rperfiguration<\/a><\/p>\n \u25a1\u00a0Summary of Master\u2019s Theses<\/a><\/p>\n \u25a0 Ichiro ITO<\/p>\n \u0417\u043c\u0435\u0435\u0431\u043e\u0440\u0441\u0442\u0432\u043e \u0421\u0432. \u0413\u0435\u043e\u0440\u0433\u0438\u044f \u0432 \u0431\u043e\u043b\u0433\u0430\u0440\u0441\u043a\u043e\u043c \u0444\u043e\u043b\u044c\u043a\u043b\u043e\u0440\u0435 (II)<\/a><\/p>\n \u25a0 Rieko KAMIOKA<\/p>\n \u041d\u0430\u0441\u043b\u0435\u0434\u043d\u0438\u043a \u0440\u0443\u0441\u0441\u043a\u043e\u0433\u043e \u0430\u0432\u0430\u043d\u0433\u0430\u0440\u0434\u0430 \u0432 \u0441\u043e\u0432\u0435\u0442\u0441\u043a\u043e\u043c \u043d\u0435\u043e\u0444\u0438\u0446\u0438\u0430\u043b\u044c\u043d\u043e\u043c \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0435: \u041b\u0435\u043e\u043d\u0438\u0434 \u041b\u0430\u043c\u043c \u0438 \u0435\u0433\u043e \u0440\u0430\u043d\u043d\u0435\u0435 \u0442\u0432\u043e\u0440\u0447\u0435\u0441\u0442\u0432\u043e<\/a><\/p>\n Saki TANAKA<\/p>\n \u0412\u044b\u0440\u0430\u0436\u0435\u043d\u0438\u0435 \u0442\u0435\u043b\u0430: \u0420\u043e\u043b\u044c \u041f\u043e\u0440\u0444\u0438\u0440\u0438\u044f \u041f\u0435\u0442\u0440\u043e\u0432\u0438\u0447\u0430 \u0432 \u0440\u043e\u043c\u0430\u043d\u0435 \u00ab \u041f\u0440\u0435\u0441\u0442\u0443\u043f\u043b\u0435\u043d\u0438\u0435 \u0438 \u043d\u0430\u043a\u0430\u0437\u0430\u043d\u0438\u0435 \u00bb<\/a><\/p>\n \u25a1\u00a0Summary of Master\u2019s Theses<\/a><\/p>\n \u25a0 Koichiro INAHATA<\/p>\n Fu Zengxiang\u2019s Ancient Jade Study: On Foreword to Zunguzhai\u2019s Ancient Jade Catalog<\/a><\/p>\n \u25a0 Akiko FUJINO<\/p>\n The Unit of Chinese Language and the Significance of Setting the Four Hanzi Scales<\/a><\/p>\n \u25a0 Chu Hui CHEN<\/p>\n Nomura Koen\u2019s \u2018Ya Ci\u2019 and the Literary World of the Qing Dynasty: With the Clue of Eibutsu Poems<\/a><\/p>\n \u25a1\u00a0Summary of Master\u2019s Theses<\/a><\/p>\n \u25a1\u00a0Summary of Master\u2019s Theses<\/a><\/p>\n \u25a0 Katsushi NARUSAWA<\/p>\n Some Unknown Facts of Kakutei, Obaku-zen Painter<\/a><\/p>\n \u25a0 Tomoyuki MASUDA<\/p>\n Iconographical Program of the Diakonikon in the Church of Panagia Peribleptos, Ohrid<\/a><\/p>\n \u25a0 Kazufumi TAKEDA<\/p>\n On the Dormition of the Virgin in the Byzantine Churches of Crete<\/a><\/p>\n \u25a0 Bo-Kyung HAN<\/p>\n A Making Process of Copperplate Prints \u300aPingding Zhunhui liangbu desheng tu<\/em>\u300b in the Qing Dynasty<\/a><\/p>\n \u25a0 Xia HUANG<\/p>\n The Painting Career of the \u201cNorthern Ch\u2018i Painter\u201d Ts\u2018ao Chung-ta<\/a><\/p>\n \u25a0 Ling LUO<\/p>\n A Study on the Image of Thunder God (Lei Gong) in Chinese Shadowplay<\/a><\/p>\n \u25a0 Dan Yun YI<\/p>\n On the Cosmological Buddha in the Asian Art Museum of San Francisco:A Study of the Reliefs Carved on the Petals of the Lotus Throne<\/a><\/p>\n \u25a0 Masayuki MANABE<\/p>\n Cenotaphs Erected for the Repose of Animals\u2019 Soul during Japanese Colonial Era<\/a><\/p>\n \u25a0 Kosuke SATAKE<\/p>\n Personnel Structures and Action Policies of Engineering Societies in Japan before World War II: Focusing on \u201cKosei-Kai\u201d<\/a><\/p>\n \u25a1\u00a0Summary of Master\u2019s Theses<\/a><\/p>\n \u25a0 Kazunari KONDO<\/p>\n The DAITOKUJI 500 LUOHANS and SHI-HAO\u2019s Policy Toward Jin Dynasty<\/a><\/p>\n \u25a1\u00a0Summary of Master\u2019s Theses<\/a><\/p>\n \u25a0 Tohru MAEDA<\/p>\n Notes on Sumerian Expression of \u201cHumility\u201d in Royal Inscriptions,and on the Calculations of Days in Administrative Texts<\/a><\/p>\n \u25a0 Natsumi KISHIDA<\/p>\n The Perceptions to \u201cWestern Church\u201d of Byzantine Churchman in the Ninth Century<\/a><\/p>\n \u25a1\u00a0Summary of Master\u2019s Theses<\/a><\/p>\n \u25a0 Masayoshi JOKURA, Junko FURIHATA, Yama NAWABI, Yuto FUKUOKA<\/p>\n The Report of Senbutsu Excavated from Shimofusa Ryukakuji Temple<\/a><\/p>\n \u25a0 Junichi NAGASAKI, Keita TAKENOUCHI, Rei WATANABE, Yuto SATO<\/p>\n Archaeological Investigation at the YAMAGATA Site<\/a><\/p>\n \u25a0 Yama NAWABI<\/p>\n The Archaeological Study about the Location of the Buddhist Temples in the Gandhara Using GIS: Focusing on Hadda and Taxila<\/a><\/p>\n \u25a1\u00a0Summary of Master\u2019s Theses<\/a><\/p>\n \u25a0 Keiko MIURA<\/p>\n Ancient Pyu City, Sri Ksetra, in Myanmar: Memory, Oral Tradition, Heritage,and Village Communities<\/a><\/p>\n \u25a0 Takahiro SAKAI<\/p>\n A Study on the Invention of Tradition from the Festival that Relies on the Close Interaction between Community Residents and the Media \u0336 From the Case of\u00a0Goranshiki<\/em>\u00a0at Ienaka Area in Tochigi City \u0336<\/a><\/p>\n \u25a0 Noriko KARUBE<\/p>\n The Position of the State of California, USA, in the Studies on Hula that is an Indigenous Native Hawaiian Traditional Dance<\/a><\/p>\n \u25a1\u00a0Summary of Master\u2019s Theses<\/a><\/p>\n \u25a0 Futoshi SAKAUCHI<\/p>\n A Study on the Representations of Women in Plight in Contemporary Irish Theatre<\/a><\/p>\n \u25a0 Kazuisa FUJIMOTO<\/p>\n The Problem of \u201cVision\u201d in the Philosophy of Nishida Kitar\u014d<\/a><\/p>\n \u25a0 Kasumi KUGO<\/p>\n Image of Orient by Francis Frith\u2019s Travel Photography<\/a><\/p>\n \u25a1\u00a0Summary of Master\u2019s Theses<\/a><\/p>\n \u25a1\u00a0Summary of Master\u2019s Theses<\/a><\/p>\n <\/p>\n Bulletin of the Graduate Division of letters, Arts and Sciences of Waseda University, Vol. 62 Published: March […]<\/p>\n","protected":false},"author":1,"featured_media":4743,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[95],"tags":[119,75],"class_list":["post-4714","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-en","tag-bulletin-en","tag-publications-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/posts\/4714","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/comments?post=4714"}],"version-history":[{"count":4,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/posts\/4714\/revisions"}],"predecessor-version":[{"id":5217,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/posts\/4714\/revisions\/5217"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/media\/4743"}],"wp:attachment":[{"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/media?parent=4714"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/categories?post=4714"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/tags?post=4714"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}\n
Philosophy<\/h4>\n
Asian Philosophy<\/h4>\n
Psychology<\/h4>\n
Sociology<\/h4>\n
Education<\/h4>\n
Japanese Studies<\/h4>\n
English Studies<\/h4>\n
French Studies<\/h4>\n
German Studies<\/h4>\n
Russian Studies<\/h4>\n
Chinese Studies<\/h4>\n
Theatre and Film Arts<\/h4>\n
Art History<\/h4>\n
Japanese History<\/h4>\n
Asian History<\/h4>\n
Western History<\/h4>\n
Archaeology<\/h4>\n
Cultural Anthropology<\/h4>\n
Studies of Media, Body and Image<\/h4>\n
Creative Writing and Criticism<\/h4>\n
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