\u6587\u5b66\u7814\u7a76\u79d1\u7d00\u8981\u306f2016\u5e74\u5ea6\u7248\uff08\u7b2c62\u8f2f\uff09\u3088\u308aWeb\u306e\u307f\u306b\u3088\u308b\u516c\u958b\u3068\u306a\u308a\u307e\u3059\u3002\u305d\u306e\u305f\u3081\u518a\u5b50\u4f53\u3067\u306e\u767a\u884c\u306f\u3054\u3056\u3044\u307e\u305b\u3093\u3002<\/p>\n
[\u54f2\u5b66<\/a>] [\u6771\u6d0b\u54f2\u5b66<\/a>] [\u5fc3\u7406\u5b66<\/a>] [\u793e\u4f1a\u5b66<\/a>] [\u6559\u80b2\u5b66<\/a>] [\u65e5\u672c\u8a9e\u65e5\u672c\u6587\u5b66<\/a>] [\u82f1\u6587\u5b66<\/a>] [\u30d5\u30e9\u30f3\u30b9\u8a9e\u30d5\u30e9\u30f3\u30b9\u6587\u5b66<\/a>][\u30c9\u30a4\u30c4\u8a9e\u30c9\u30a4\u30c4\u6587\u5b66<\/a>] [\u30ed\u30b7\u30a2\u8a9e\u30ed\u30b7\u30a2\u6587\u5316<\/a>] [\u4e2d\u56fd\u8a9e\u4e2d\u56fd\u6587\u5b66<\/a>] [\u6f14\u5287\u6620\u50cf\u5b66<\/a>] [\u7f8e\u8853\u53f2\u5b66<\/a>] [\u65e5\u672c\u53f2\u5b66<\/a>][\u6771\u6d0b\u53f2\u5b66<\/a>] [\u897f\u6d0b\u53f2\u5b66<\/a>] [\u8003\u53e4\u5b66<\/a>] [\u6587\u5316\u4eba\u985e\u5b66<\/a>] [\u8868\u8c61\u30fb\u30e1\u30c7\u30a3\u30a2\u8ad6<\/a>] [\u73fe\u4ee3\u6587\u82b8<\/a>]<\/p>\n \u25a0 \u5ca9\u7530 \u572d\u4e00\u00a0\u00a0 Keiichi IWATA<\/p>\n \u77e5\u6027\u306e\u30a8\u30cd\u30eb\u30b2\u30a4\u30a2 \u2500\u2500\u30a2\u30ea\u30b9\u30c8\u30c6\u30ec\u30b9\u306e\u77e5\u6027\u8ad6\u3068\u300c\u96e2\u5728\u5f62\u76f8\u300d\u306e\u6982\u5ff5\u2500\u2500<\/a><\/p>\n The\u00a0Energeia<\/em>\u00a0of Intellect: Aristotle\u2019s Theory of Intellect and the Concept of Separate Form<\/p>\n \u25a0 \u7530\u5cf6 \u7167\u4e45\u00a0\u00a0 Teruhisa TAJIMA<\/p>\n \u300c\u79c1\u306e\u82b1\u306f\u5b9f\u3067\u3042\u308b\u300d\u2500\u2500\u30a8\u30c3\u30af\u30cf\u30eb\u30c8\u601d\u60f3\u306e\u30de\u30ea\u30a2\u8ad6\u2500\u2500<\/a><\/p>\n \u201eMeine Bl\u00fcten sind Fr\u00fcchte\u201c: Die Mariologie bei dem Gedanken Eckharts<\/p>\n \u25a0 \u6751\u677e\u3000\u8061\u00a0\u00a0 Akira MURAMATSU<\/p>\n \u5fb3\u502b\u7406\u306e\u73fe\u5728\u2500\u2500\u305d\u306e\u4f4d\u7f6e\u3065\u3051\u3068\u73fe\u72b6\u2500\u2500<\/a><\/p>\n Virtue Ethics and its Present<\/p>\n \u25a0 \u82e5\u677e \u529f\u4e00\u90ce\u00a0\u00a0 Koichiro WAKAMATSU<\/p>\n \u30de\u30a4\u30b9\u30bf\u30fc\u30fb\u30a8\u30c3\u30af\u30cf\u30eb\u30c8\u306e\u77e5\u6027\u7406\u89e3<\/a><\/p>\n Das Verst\u00e4ndnis des Intellekts bei Meister Eckhart<\/p>\n \u25a0 Masahiko TERASHIMA<\/p>\n How Does the Actual World Change in Perfection?\u2500\u2500 From a Biological Point of View in Leibniz \u2500\u2500<\/a><\/p>\n \u25a1\u00a0\u4fee\u58eb\u8ad6\u6587\u6982\u8981<\/a><\/p>\n \u25a0 \u6e21\u9089 \u7fa9\u6d69\u00a0\u00a0 Yoshihiro WATANABE<\/p>\n \u300e\u4e16\u8aaa\u65b0\u8a9e\u300f\u306b\u304a\u3051\u308b\u738b\u5c0e\u306e\u8868\u73fe<\/a><\/p>\n Wang Dao\u2019s Expression in \u201cShi shou xin yu\u201d<\/p>\n \u25a0 \u7530\u6751 \u6709\u898b\u6075\u00a0\u00a0 Yumie TAMURA<\/p>\n \u63da\u96c4\u300e\u592a\u7384\u300f\u306e\u300c\u601d\u300d<\/a><\/p>\n Thought of Yang Xiong\u2019s\u00a0Mystery<\/em><\/p>\n \u25a0 \u8523 \u5efa\u5049\u00a0\u00a0 Jianwei JIANG<\/p>\n \u4f1a\u6ca2\u6b63\u5fd7\u658e\u306e\u56fd\u5b66\u89b3\u2500\u2500\u5ba3\u9577\u6279\u5224\u306e\u601d\u60f3\u69cb\u9020\u3092\u4e2d\u5fc3\u306b\u2500\u2500<\/a><\/p>\n Seishisai Aizawa\u2019s View of \u201cKokugaku\u201d\u3000 \u0336 Concentrating on the Thought Structure when He Criticized Norinaga \u0336<\/p>\n \u25a0 \u6afb\u4e95 \u552f\u00a0\u00a0 Yui SAKURAI<\/p>\n \u521d\u5510\u306e\u7570\u56fd\u50e7\u2500\u2500\u9577\u8033\u4e09\u8535\u3068\u305d\u306e\u601d\u60f3<\/a><\/p>\n A Foreign Monk in the Early Tang Dynasty:Changer Sancang and His Thought<\/p>\n \u25a1\u00a0\u4fee\u58eb\u8ad6\u6587\u6982\u8981<\/a><\/p>\n \u25a1\u00a0\u4fee\u58eb\u8ad6\u6587\u6982\u8981<\/a><\/p>\n \u25a0 \u5f35 \u9f8d\u9f8d\u00a0\u00a0 Longlong ZHANG<\/p>\n \u5e30\u56fd\u63f4\u8b77\u653f\u7b56\u3068\u4e2d\u56fd\u6b8b\u7559\u5b64\u5150\u306e\u6c38\u4f4f\u5e30\u56fd\u904e\u7a0b\u2500\u2500\u5e30\u56fd\u52d5\u6a5f\u306b\u6ce8\u76ee\u3057\u3066\u2500\u2500<\/a><\/p>\n The Return Relief Policy and the Process of Japanese War Orphans in China Returning to Japan\u3000- A Focus on the Motivations for Return \u2013<\/p>\n \u25a1\u00a0\u4fee\u58eb\u8ad6\u6587\u6982\u8981<\/a><\/p>\n \u25a0 \u6885\u672c \u6d0b\u00a0\u00a0 Hiroshi UMEMOTO<\/p>\n \u8a00\u8a9e\u30b3\u30df\u30e5\u30cb\u30b1\u30fc\u30b7\u30e7\u30f3\u3068\u6559\u80b2<\/a><\/p>\n Verbal Communication and Education<\/p>\n \u25a0 \u6c96 \u6e05\u8c6a\u00a0\u00a0 Kiyotake OKI<\/p>\n \u82f1\u56fd\u306b\u304a\u3051\u308b2015\u5e74A-Level \u8a66\u9a13\u6539\u9769\u306b\u3064\u3044\u3066<\/a><\/p>\n 2015 A-level Examination Reform in the UK<\/p>\n \u25a0 \u9ad8\u77f3 \u5553\u4eba\u00a0\u00a0 Akito TAKAISHI<\/p>\n \u6559\u80b2\u306b\u304a\u3051\u308b\u798f\u7949\u6a5f\u80fd\u8ad6\u306b\u95a2\u3059\u308b\u7814\u7a76\u2500\u2500\u30b9\u30af\u30fc\u30eb\u30bd\u30fc\u30b7\u30e3\u30eb\u30ef\u30fc\u30af\u306e\u5f79\u5272\u306b\u7126\u70b9\u3092\u3042\u3066\u3066\u2500\u2500<\/a><\/p>\n The Function of Social Welfare in the Education System:The Focus on School Social Worker\u2019s Role<\/p>\n \u25a0 \u4e0a\u7560 \u6d0b\u4f51\u00a0\u00a0 Yousuke UEHATA<\/p>\n \u65e5\u672c\u306e\u79c1\u7acb\u770b\u8b77\u7cfb\u5927\u5b66\u306b\u95a2\u3059\u308b\u7814\u7a76\u2500\u2500\u6587\u90e8\u79d1\u5b66\u7701\u653f\u7b56\u306b\u7740\u76ee\u3057\u305f\u79c1\u7acb\u770b\u8b77\u7cfb\u5927\u5b66\u5897\u52a0\u8981\u56e0\u5206\u6790\u306e\u77e5\u898b\u3068\u9650\u754c\u2500\u2500<\/a><\/p>\n Research on Private Nursing School in Japanese University -Findings and Limitations of Private Nursing School Increase Factor Analysis Focused on MEXT Policy \u0336<\/p>\n \u25a0 \u9060\u85e4\u3000\u5065\u00a0\u00a0 Takeshi ENDO<\/p>\n \u5927\u5b66\u9032\u5b66\u306b\u3068\u3082\u306a\u3046\u5730\u57df\u79fb\u52d5\u306e\u6642\u7cfb\u5217\u5206\u6790\u2500\u2500 \u5730\u7406\u7684\u8981\u56e0\u306b\u6ce8\u76ee\u3057\u3066 \u2500\u2500<\/a><\/p>\n The Time Series Analysis of Student Migration -Focusing on Geographic Factor-<\/p>\n \u25a0 \u5c71\u7530 \u82f1\u592a\u00a0\u00a0 Eita YAMADA<\/p>\n \u300c\u6587\u5316\u306e\u611f\u67d3\u30e2\u30c7\u30eb\u300d\u304b\u3089\u307f\u308bESD \u306e\u72ec\u81ea\u6027<\/a><\/p>\n What is the Nature of ESD?:A Focus on \u201cPandemic Model of the Development\u201d<\/p>\n \u25a0 \u6c60\u6fa4\u3000\u4e00\u90ce\u00a0\u00a0 Ichiro IKEZAWA<\/p>\n \u6b63\u5ca1\u5b50\u898f\u306e\u6f22\u8a69\u306b\u304a\u3051\u308b\u6587\u85dd\u6279\u8a55\u2500\u2500\u300c\u61a4\u6642\u5f35\u81c2\u7b11\u958b\u7709\u3001\u54ed\u6642\u55da\u54bd\u4e0d\u80fd\u8aad\u300d\u2500\u2500<\/a><\/p>\n Masaoka Shiki\u2019s Critics of Literature and Painting in Chinese Poems<\/p>\n \u25a0 \u7530\u539f\u3000\u52a0\u5948\u5b50\u00a0\u00a0 Kanako TABARU<\/p>\n \u6751\u4e0a\u671d\u306e\u5f8c\u5bae\u3068\u6b4c\u5408<\/a><\/p>\n Uta-awase and the Inner Palace of the Murakami Court<\/p>\n \u25a0 \u7530\u90e8\u3000\u77e5\u5b63\u00a0\u00a0 Tomoki TABE<\/p>\n \u6b63\u5ca1\u5b50\u898f\u3068\u65b0\u4f53\u8a69\u2500\u2500\u4ff3\u53e5\u3068\u6563\u6587\u306e\u3042\u3044\u3060\u3067\u2500\u2500<\/a><\/p>\n Masaoka Shiki\u2019s New Style Poetry: Between Haiku and Prose<\/p>\n \u25a1\u00a0\u4fee\u58eb\u8ad6\u6587\u6982\u8981<\/a><\/p>\n \u25a0 Kazuha SAITO<\/p>\n Minor and Major Narratives: Building a Living Monument to the Vietnam War<\/a><\/p>\n \u25a1\u00a0\u4fee\u58eb\u8ad6\u6587\u6982\u8981<\/a><\/p>\n \u25a0 \u5ddd\u702c \u6b66\u592b\u00a0\u00a0 Takeo KAWASE<\/p>\n \u300c\u304b\u3064\u3066\u306e\u767d\u9ce5\u300d\u306e\u6b63\u4f53\u2500\u2500\u30de\u30e9\u30eb\u30e1\u521d\u671f\u8a69\u7bc7\u8a3b\u89e3\uff086\uff09\u2500\u2500<\/a><\/p>\n Qu\u2019est-ce qu\u2019\u00ab un cygne d\u2019autrefois \u00bb ? -ex\u00e9g\u00e8se des po\u00e9sies de jeunesse de St\u00e9phane Mallarm\u00e9 (6)<\/p>\n \u25a0 \u702c\u6238 \u76f4\u5f66\u00a0\u00a0 Naohiko SETO<\/p>\n \u300c\u30c8\u30eb\u30d0\u30c9\u30a5\u30fc\u30eb\u306e\u5e2b\u5320\u300d\u30b8\u30e9\u30a6\u30c8\u30fb\u30c7\u30fb\u30dc\u30eb\u30cd\u30fc\u30e6\u306e\u9ed9\u8aac\u6cd5\uff08\u4f5c\u54c145\uff09<\/a><\/p>\n Reticentia<\/em>\u00a0de Giraut de Borneil,\u201cmaestre dels trobadors\u201d (PC 242, 45)<\/p>\n \u25a0 Ryo MORII<\/p>\n Mutilation corporelle et monnaie :le th\u00e8me du corps-fortune chez Gide (1)<\/a><\/p>\n \u25a0 \u6751\u4e0a \u7531\u7f8e\u00a0\u00a0 Yumi MURAKAMI<\/p>\n \u5370\u8c61\u6d3e\u306e\u753b\u5bb6\u305f\u3061\u3068\u30de\u30e9\u30eb\u30e1\u2500\u25001870\u5e74\u4ee3\u306b\u304a\u3051\u308b\u8e0a\u308a\u5b50\u3078\u306e\u300c\u307e\u306a\u3056\u3057\u300d\u3092\u3081\u3050\u3063\u3066\u2500\u2500<\/a><\/p>\n Les impressionnistes et Mallarm\u00e9:l\u2019art de regarder la danse dans les ann\u00e9es 1870<\/p>\n \u25a0 \u99ac\u8d8a \u6d0b\u5e73\u00a0\u00a0 Youhei UMAKOSHI<\/p>\n \u592a\u967d\u306e\u5b50\u30a2\u30ca\u30c8\u30fc\u30eb\u2500\u2500\u300c\u592a\u967d\u795e\u8a71\u300d\u3068\u3057\u3066\u306e\u300e\u30a2\u30ca\u30c8\u30fc\u30eb\u306e\u5893\u300f\u2500\u2500<\/a><\/p>\n L\u2019enfant du soleil Anatole \u00ab Un Tombeau d\u2019 Anatole \u00bb comme mythe solaire<\/p>\n \u25a0 \u5bae\u5d0e\u3000\u831c\u00a0\u00a0 Akane MIYAZAKI<\/p>\n \u65e5\u672c\u306b\u304a\u3051\u308b\u300e\u591c\u306e\u30ac\u30b9\u30d1\u30fc\u30eb\u300f\u53d7\u5bb9\u2500\u2500\u4e0a\u7530\u654f\u306b\u3088\u308b\u7ffb\u8a33\u2500\u2500<\/a><\/p>\n The Acceptance of\u00a0Gaspard de la Nuit<\/em>\u00a0in Japan \u00a0 \u0336 The Translation by Bin Ueda \u0336<\/p>\n \u25a1\u00a0\u4fee\u58eb\u8ad6\u6587\u6982\u8981<\/a><\/p>\n \u25a0 Arne KLAWITTER<\/p>\n Kaspar Hauser als Diskurstopos und K\u00f6rperfiguration<\/a><\/p>\n \u25a1\u00a0\u4fee\u58eb\u8ad6\u6587\u6982\u8981<\/a><\/p>\n \u25a0 \u4f0a\u6771\u3000\u4e00\u90ce\u00a0\u00a0 Ichiro ITO<\/p>\n \u30d6\u30eb\u30ac\u30ea\u30a2\u30fb\u30d5\u30a9\u30fc\u30af\u30ed\u30a2\u306b\u304a\u3051\u308b\u300c\u8056\u30b2\u30aa\u30eb\u30ae\u30aa\u30b9\u306e\u7adc\u9000\u6cbb\u300d\u306e\u5909\u5bb9\u2500\u2500\u30ad\u30ea\u30b9\u30c8\u6559\u4f1d\u8aac\u3068\u6c11\u9593\u66a6\u2500\u2500\uff08\u2161\uff09<\/a><\/p>\n \u0417\u043c\u0435\u0435\u0431\u043e\u0440\u0441\u0442\u0432\u043e \u0421\u0432. \u0413\u0435\u043e\u0440\u0433\u0438\u044f \u0432 \u0431\u043e\u043b\u0433\u0430\u0440\u0441\u043a\u043e\u043c \u0444\u043e\u043b\u044c\u043a\u043b\u043e\u0440\u0435 (II)<\/p>\n \u25a0 \u795e\u5ca1\u3000\u7406\u6075\u5b50\u00a0\u00a0 Rieko KAMIOKA<\/p>\n \u30bd\u30f4\u30a3\u30a8\u30c8\u975e\u516c\u5f0f\u82b8\u8853\u306b\u304a\u3051\u308b\u30ed\u30b7\u30a2\u30fb\u30a2\u30f4\u30a1\u30f3\u30ae\u30e3\u30eb\u30c9\u306e\u7d99\u627f\u8005\u2500\u2500\u30ec\u30aa\u30cb\u30fc\u30c9\u30fb\u30e9\u30e0\u3068\u521d\u671f\u306e\u5275\u4f5c\u2500\u2500<\/a><\/p>\n \u041d\u0430\u0441\u043b\u0435\u0434\u043d\u0438\u043a \u0440\u0443\u0441\u0441\u043a\u043e\u0433\u043e \u0430\u0432\u0430\u043d\u0433\u0430\u0440\u0434\u0430 \u0432 \u0441\u043e\u0432\u0435\u0442\u0441\u043a\u043e\u043c \u043d\u0435\u043e\u0444\u0438\u0446\u0438\u0430\u043b\u044c\u043d\u043e\u043c \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0435: \u041b\u0435\u043e\u043d\u0438\u0434 \u041b\u0430\u043c\u043c \u0438 \u0435\u0433\u043e \u0440\u0430\u043d\u043d\u0435\u0435 \u0442\u0432\u043e\u0440\u0447\u0435\u0441\u0442\u0432\u043e<\/p>\n \u7530\u4e2d\u3000\u6c99\u5b63\u00a0\u00a0 Saki TANAKA<\/p>\n \u0424. \u041c. \u30c9\u30b9\u30c8\u30a8\u30d5\u30b9\u30ad\u30fc\u300e\u7f6a\u3068\u7f70\u300f\u306b\u304a\u3051\u308b\u8eab\u4f53\u306e\u8868\u73fe\uff1a\u30dd\u30eb\u30d5\u30a3\u30fc\u30ea\u30fc\u306e\u5f79\u5272<\/a><\/p>\n \u0412\u044b\u0440\u0430\u0436\u0435\u043d\u0438\u0435 \u0442\u0435\u043b\u0430: \u0420\u043e\u043b\u044c \u041f\u043e\u0440\u0444\u0438\u0440\u0438\u044f \u041f\u0435\u0442\u0440\u043e\u0432\u0438\u0447\u0430 \u0432 \u0440\u043e\u043c\u0430\u043d\u0435 \u00ab \u041f\u0440\u0435\u0441\u0442\u0443\u043f\u043b\u0435\u043d\u0438\u0435 \u0438 \u043d\u0430\u043a\u0430\u0437\u0430\u043d\u0438\u0435 \u00bb<\/p>\n \u25a1\u00a0\u4fee\u58eb\u8ad6\u6587\u6982\u8981<\/a><\/p>\n \u25a0 \u7a3b\u7551\u3000\u8015\u4e00\u90ce\u00a0\u00a0 Koichiro INAHATA<\/p>\n \u5085\u589e\u6e58\u306e\u53e4\u7389\u7814\u7a76\u2500\u2500\u300c\u5c0a\u53e4\u9f4b\u53e4\u7389\u5716\u9304\u5e8f\u300d\u8003\u2500\u2500<\/a><\/p>\n Fu Zengxiang\u2019s Ancient Jade Study:On Foreword to Zunguzhai\u2019s Ancient Jade Catalog<\/p>\n \u25a0 \u85e4\u91ce\u3000\u5b89\u7d00\u5b50\u00a0\u00a0 Akiko FUJINO<\/p>\n \u4e2d\u56fd\u8a9e\u306e\u5358\u4f4d\u3068\u56db\u5b57\u683c\u5ea6\u6570\u8a8d\u5b9a\u306e\u610f\u7fa9<\/a><\/p>\n The Unit of Chinese Language and the Significance of Setting the Four Hanzi Scales<\/a><\/p>\n \u25a0 \u9673 \u7afa\u6167\u00a0\u00a0 Chu Hui CHEN<\/p>\n \u91ce\u6751\u7bc1\u5712\u306e\u300c\u96c5\u8a5e\u300d\u3068\u6e05\u4ee3\u306e\u8a5e\u58c7\u2500\u2500\u305d\u306e\u8a60\u7269\u8a5e\u3092\u624b\u304c\u304b\u308a\u306b\u2500\u2500<\/a><\/p>\n Nomura Koen\u2019s\u2018Ya Ci\u2019and the Literary World of the Qing Dynasty:With the Clue of Eibutsu Poems<\/p>\n \u25a1\u00a0\u4fee\u58eb\u8ad6\u6587\u6982\u8981<\/a><\/p>\n \u25a1\u00a0\u4fee\u58eb\u8ad6\u6587\u6982\u8981<\/a><\/p>\n \u25a0 \u6210\u6fa4\u3000\u52dd\u55e3\u3000Katsushi NARUSAWA<\/p>\n \u9ec4\u6a97\u753b\u50e7\u30fb\u9db4\u4ead\u306e\u8efc\u4e8b<\/a><\/p>\n Some Unknown Facts of Kakutei,Obaku-zen Painter<\/p>\n \u25a0 \u76ca\u7530\u3000\u670b\u5e78\u3000Tomoyuki MASUDA<\/p>\n \u30d1\u30ca\u30ae\u30a2\u30fb\u30da\u30ea\u30d6\u30ec\u30d7\u30c8\u30b9\u8056\u5802\uff08\u30aa\u30d5\u30ea\u30c9\uff09\u30c7\u30a3\u30a2\u30b3\u30cb\u30b3\u30f3\u306e\u88c5\u98fe\u30d7\u30ed\u30b0\u30e9\u30e0<\/a><\/p>\n Iconographical Program of the Diakonikon in the Church of Panagia Peribleptos,Ohrid<\/p>\n \u25a0 \u6b66\u7530 \u4e00\u6587\u3000Kazufumi TAKEDA<\/p>\n \u30ae\u30ea\u30b7\u30a2\u3001\u30af\u30ec\u30bf\u5cf6\u306e\u30d3\u30b6\u30f3\u30c6\u30a3\u30f3\u8056\u5802\u306b\u304a\u3051\u308b\u88c5\u98fe\u30d7\u30ed\u30b0\u30e9\u30e0\u306e\u7279\u8cea\u306b\u3064\u3044\u3066\u2500\u2500\u897f\u58c1\u88c5\u98fe\u3068\u300c\u8056\u6bcd\u306e\u7720\u308a\u300d\u56f3\u3092\u4e2d\u5fc3\u306b\u2500\u2500<\/a><\/p>\n On the Dormition of the Virgin in the Byzantine Churches of Crete<\/p>\n \u25a0 \u97d3 \u666e\u666f\u3000Bo-Kyung HAN<\/p>\n \u6e05\u4ee3\u306e\u9285\u7248\u753b\u300a\u5e73\u5b9a\u6e96\u56de\u4e21\u90e8\u5f97\u52dd\u56f3\u300b\u306e\u5236\u4f5c\u306b\u3064\u3044\u3066<\/a><\/p>\n A Making Process of Copperplate Prints\u300a\u00a0Pingding Zhunhui liangbu desheng tu<\/em>\u300bin the Qing Dynasty<\/p>\n \u25a0 \u9ec4 \u590f\u3000Xia HUANG<\/p>\n \u300c\u5317\u6589\u753b\u5de5\u300d\u66f9\u4ef2\u9054\u306e\u753b\u696d\u306b\u3064\u3044\u3066<\/a><\/p>\n The Painting Career of the\u201cNorthern Ch\u2018i Painter\u201dTs\u2018ao Chung-ta<\/p>\n \u25a0 \u7f85 \u73b2\u3000Ling LUO<\/p>\n \u4e2d\u56fd\u76ae\u5f71\u306b\u304a\u3051\u308b\u96f7\u516c\u50cf\u306e\u56f3\u50cf\u7684\u8003\u5bdf<\/a><\/p>\n A Study on the Image of Thunder God (Lei Gong) in Chinese Shadowplay<\/p>\n \u25a0 \u6613 \u4e39\u97fb\u3000Dan Yun YI<\/p>\n \u30b5\u30f3\u30d5\u30e9\u30f3\u30b7\u30b9\u30b3\u30fb\u30a2\u30b8\u30a2\u7f8e\u8853\u9928\u6240\u8535\u6cd5\u754c\u4ecf\u50cf\u306b\u3064\u3044\u3066\u2500\u2500\u7279\u306b\u53f0\u5ea7\u84ee\u5f01\u306e\u6d6e\u5f6b\u56f3\u50cf\u306b\u7740\u76ee\u3057\u3066\u2500\u2500<\/a><\/p>\n On the Cosmological Buddha in the Asian Art Museum of San Francisco:A Study of the Reliefs Carved on the Petals of the Lotus Throne<\/p>\n \u25a0 \u771f\u8fba\u3000\u5c06\u4e4b\u00a0\u00a0 Masayuki MANABE<\/p>\n \u65e5\u672c\u7d71\u6cbb\u6642\u4ee3\u53f0\u6e7e\u306e\u52d5\u7269\u6170\u970a\u7891\u2500\u2500\u755c\u9b42\u7891\u30fb\u7363\u9b42\u7891\u3092\u4e2d\u5fc3\u306b\u2500\u2500<\/a><\/p>\n Cenotaphs Erected for the Repose of Animals\u2019 Soul during Japanese Colonial Era<\/p>\n \u25a0 \u4f50\u7af9\u3000\u5eb7\u6276\u00a0\u00a0 Kosuke SATAKE<\/p>\n \u6226\u524d\u671f\u306b\u304a\u3051\u308b\u300c\u6280\u8853\u8005\u300d\u56e3\u4f53\u306e\u4eba\u7684\u69cb\u6210\u3068\u6d3b\u52d5\u65b9\u91dd\u2500\u2500\u5de5\u653f\u4f1a\u3092\u4e2d\u5fc3\u306b\u2500\u2500<\/a><\/p>\n Personnel Structures and Action Policies of Engineering Societies in Japan before World War II: Focusing on\u201cKosei-Kai\u201d<\/p>\n \u25a1\u00a0\u4fee\u58eb\u8ad6\u6587\u6982\u8981<\/a><\/p>\n \u25a0 \u8fd1\u85e4\u3000\u4e00\u6210\u00a0\u00a0 Kazunari KONDO<\/p>\n \u65e5\u672c\u5927\u5fb3\u5bfa\u4f1d\u6765\u300c\u4e94\u767e\u7f85\u6f22\u56f3\u300d\u3068\u53f2\u6d69\u306e\u5bfe\u91d1\u653f\u7b56<\/a><\/p>\n The DAITOKUJI 500 LUOHANS and SHI-HAO\u2019s Policy Toward Jin Dynasty<\/p>\n \u25a1\u00a0\u4fee\u58eb\u8ad6\u6587\u6982\u8981<\/a><\/p>\n \u25a0 Tohru MAEDA<\/p>\n Notes on Sumerian Expression of \u201cHumility\u201d in Royal Inscriptions,and on the Calculations of Days in Administrative Texts<\/a><\/p>\n \u25a0 \u5cb8\u7530\u3000\u83dc\u6458\u00a0\u00a0 Natsumi KISHIDA<\/p>\n \u4e5d\u4e16\u7d00\u30d3\u30b6\u30f3\u30c4\u6559\u4f1a\u4eba\u306e\u897f\u65b9\u6559\u4f1a\u610f\u8b58\u2500\u2500\u30b9\u30c8\u30a5\u30c7\u30a3\u30aa\u30b9\u306e\u30c6\u30aa\u30c9\u30ed\u30b9\u3068\u7dcf\u4e3b\u6559\u30d5\u30a9\u30c6\u30a3\u30aa\u30b9\u306e\u66f8\u7c21\u306b\u898b\u308b\u300c\u897f\u65b9\u300d\u6559\u4f1a\u2500\u2500<\/a><\/p>\n The Perceptions to\u201cWestern Church\u201dof Byzantine Churchman in the Ninth Century<\/p>\n \u25a1\u00a0\u4fee\u58eb\u8ad6\u6587\u6982\u8981<\/a><\/p>\n \u25a0 \u57ce\u5009\u6b63\u7965\u30fb\u964d\u5e61\u9806\u5b50\u30fb\u30ca\u30ef\u30d3\u77e2\u9ebb\u30fb\u798f\u5ca1\u4f51\u6597 Masayoshi JOKURA, Junko FURIHATA, Yama NAWABI, Yuto FUKUOKA<\/p>\n \u4e0b\u7dcf\u9f8d\u89d2\u5bfa\uff08\u2161\u671f\uff13\u6b21\u8abf\u67fb\uff09\u51fa\u571f\u306e\u587c\u4ecf<\/a><\/p>\n The Report of Senbutsu Excavated from Shimofusa Ryukakuji Temple<\/p>\n \u25a0\u9577\ufa11\u6f64\u4e00\u30fb\u7af9\u91ce\u5185\u6075\u592a\u30fb\u6e21\u908a\u73b2\u30fb\u4f50\u85e4\u60a0\u767b Junichi NAGASAKI, Keita TAKENOUCHI, Rei WATANABE, Yuto SATO<\/p>\n \u8328\u57ce\u770c\u5e38\u9678\u5927\u5bae\u5e02\u5c71\u65b9\u907a\u8de1\u7b2c\uff11\u6b21\u767a\u6398\u8abf\u67fb\u6982\u5831<\/a><\/p>\n Archaeological Investigation at the YAMAGATA Site<\/p>\n \u25a0 \u30ca\u30ef\u30d3\u3000\u77e2\u9ebb\u00a0\u00a0 Yama NAWABI<\/p>\n GIS\u30fb\u885b\u661f\u753b\u50cf\u3092\u7528\u3044\u305f\u30ac\u30f3\u30c0\u30fc\u30e9\u4ecf\u6559\u5bfa\u9662\u306e\u7acb\u5730\u306b\u95a2\u3059\u308b\u57fa\u790e\u7684\u7814\u7a76\u2500\u2500\u30af\u30b7\u30e3\u30f3\u671d\u671f\u306e\u30cf\u30c3\u30c0\u30fb\u30bf\u30ad\u30b7\u30e9\u3092\u4e8b\u4f8b\u3068\u3057\u3066\u2500\u2500<\/a><\/p>\n The Archaeological Study about the Location of the Buddhist Temples in the Gandhara Using GIS: Focusing on Hadda and Taxila<\/p>\n \u25a1\u00a0\u4fee\u58eb\u8ad6\u6587\u6982\u8981<\/a><\/p>\n \u25a0 \u4e09\u6d66\u3000\u6075\u5b50\u00a0\u00a0 Keiko MIURA<\/p>\n \u30df\u30e3\u30f3\u30de\u30fc\u3001\u30d4\u30e5\u30fc\u65cf\u306e\u53e4\u4ee3\u90fd\u5e02\u30b7\u30e5\u30ea\u30fc\u30fb\u30af\u30b7\u30a7\u30fc\u30c8\u30e9\uff1a\u8a18\u61b6\u3001\u4f1d\u627f\u3001\u907a\u7523\u3068\u6751\u843d\u5171\u540c\u4f53<\/a><\/p>\n Ancient Pyu City, Sri Ksetra, in Myanmar: Memory, Oral Tradition, Heritage,and Village Communities<\/p>\n \u25a0 \u9152\u4e95\u3000\u8cb4\u5e83\u00a0\u00a0 Takahiro SAKAI<\/p>\n \u5730\u57df\u4f4f\u6c11\u3068\u30e1\u30c7\u30a3\u30a2\u306e\u76f8\u4e92\u4f5c\u7528\u3092\u57fa\u76e4\u3068\u3059\u308b\u796d\u308a\u306e\u5275\u9020\u306b\u95a2\u3059\u308b\u7814\u7a76\u2500\u2500\u6803\u6728\u5e02\u90fd\u8cc0\u753a\u5bb6\u4e2d\u306e\u300c\u5f37\u5375\u5f0f\u300d\u3092\u4e8b\u4f8b\u3068\u3057\u3066\u2500\u2500<\/a><\/p>\n A Study on the Invention of Tradition from the Festival that Relies on the Close Interaction between Community Residents and the Media \u0336 From the Case of\u00a0Goranshiki<\/em>\u00a0at Ienaka Area in Tochigi City \u0336<\/p>\n \u25a0 \u8efd\u90e8\u3000\u7d00\u5b50\u00a0\u00a0 Noriko KARUBE<\/p>\n \u30cf\u30ef\u30a4\u5148\u4f4f\u6c11\u306e\u56fa\u6709\u306e\u4f1d\u7d71\u821e\u8e0a\u3067\u3042\u308b\u30d5\u30e9\u306b\u95a2\u3059\u308b\u7814\u7a76\u306b\u304a\u3051\u308b\u3001\u7c73\u56fd\u30ab\u30ea\u30d5\u30a9\u30eb\u30cb\u30a2\u5dde\u306e\u4f4d\u7f6e\u3065\u3051<\/a><\/p>\n The Position of the State of California, USA, in the Studies on Hula that is an Indigenous Native Hawaiian Traditional Dance<\/p>\n \u25a1\u00a0\u4fee\u58eb\u8ad6\u6587\u6982\u8981<\/a><\/p>\n \u25a0 Futoshi SAKAUCHI<\/p>\n A Study on the Representations of Women in Plight in Contemporary Irish Theatre<\/a><\/p>\n \u25a0 \u85e4\u672c\u3000\u4e00\u52c7\u00a0\u00a0 Kazuisa FUJIMOTO<\/p>\n \u897f\u7530\u54f2\u5b66\u306e\u300c\u8996\u899a\u300d<\/a><\/p>\n The Problem of \u201cVision\u201d in the Philosophy of Nishida Kitar\u014d<\/p>\n \u25a0 \u4e45\u5f8c\u3000\u9999\u7d14\u00a0\u00a0 Kasumi KUGO<\/p>\n \u65c5\u884c\u5199\u771f\u304c\u4eba\u3005\u306b\u4f1d\u3048\u305f\u3082\u306e\u2500\u2500\u6d41\u901a\u30e1\u30c7\u30a3\u30a2\u304b\u3089\u8003\u3048\u308b\u30d5\u30e9\u30f3\u30b7\u30b9\u30fb\u30d5\u30ea\u30b9\u306b\u3088\u308b\u65c5\u884c\u5199\u771f\u306e\u53d7\u5bb9\u306b\u3064\u3044\u3066\u2500\u2500<\/a><\/p>\n Image of Orient by Francis Frith\u2019s Travel Photography<\/p>\n \u25a1\u00a0\u4fee\u58eb\u8ad6\u6587\u6982\u8981<\/a><\/p>\n \u25a1\u00a0\u4fee\u58eb\u8ad6\u6587\u6982\u8981<\/a><\/p>\n <\/p>\n \u65e9\u7a32\u7530\u5927\u5b66\u5927\u5b66\u9662 \u6587\u5b66\u7814\u7a76\u79d1\u7d00\u8981\u00a0\u7b2c62\u8f2f 2017\u5e743\u670815\u65e5\u767a\u884c\u3001ISSN2432-7344 \u6587\u5b66\u7814\u7a76\u79d1\u7d00\u8981\u306f2016\u5e74\u5ea6\u7248\uff08\u7b2c62\u8f2f\uff09\u3088\u308aWeb\u306e\u307f\u306b\u3088\u308b\u516c\u958b\u3068\u306a\u308a\u307e\u3059\u3002\u305d\u306e\u305f\u3081\u518a\u5b50\u4f53\u3067\u306e\u767a\u884c\u306f\u3054\u3056\u3044\u307e\u305b\u3093\u3002 [\u54f2 […]<\/p>\n","protected":false},"author":1,"featured_media":4747,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[64,28,118],"class_list":["post-4626","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-publications","tag-research","tag-bulletin-ja"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/posts\/4626","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/comments?post=4626"}],"version-history":[{"count":5,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/posts\/4626\/revisions"}],"predecessor-version":[{"id":5643,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/posts\/4626\/revisions\/5643"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/media\/4747"}],"wp:attachment":[{"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/media?parent=4626"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/categories?post=4626"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/tags?post=4626"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}\n
\u54f2\u5b66 Philosophy<\/h4>\n
\u6771\u6d0b\u54f2\u5b66 Asian Philosophy<\/h4>\n
\u5fc3\u7406\u5b66 Psychology<\/h4>\n
\u793e\u4f1a\u5b66 Sociology<\/h4>\n
\u6559\u80b2\u5b66 Education<\/h4>\n
\u65e5\u672c\u8a9e\u65e5\u672c\u6587\u5b66 Japanese Studies<\/h4>\n
\u82f1\u6587\u5b66 English Studies<\/h4>\n
\u30d5\u30e9\u30f3\u30b9\u8a9e\u30d5\u30e9\u30f3\u30b9\u6587\u5b66 French Studies<\/h4>\n
\u30c9\u30a4\u30c4\u8a9e\u30c9\u30a4\u30c4\u6587\u5b66 German Studies<\/h4>\n
\u30ed\u30b7\u30a2\u8a9e\u30ed\u30b7\u30a2\u6587\u5316 Russian Studies<\/h4>\n
\u4e2d\u56fd\u8a9e\u4e2d\u56fd\u6587\u5b66 Chinese Studies<\/h4>\n
\u6f14\u5287\u6620\u50cf\u5b66 Theatre and Film Arts<\/h4>\n
\u7f8e\u8853\u53f2\u5b66 Art History<\/h4>\n
\u65e5\u672c\u53f2\u5b66 Japanese History<\/h4>\n
\u6771\u6d0b\u53f2\u5b66 Asian History<\/h4>\n
\u897f\u6d0b\u53f2\u5b66 Western History<\/h4>\n
\u8003\u53e4\u5b66 Archaeology<\/h4>\n
\u6587\u5316\u4eba\u985e\u5b66 Cultural Anthropology<\/h4>\n
\u8868\u8c61\u30fb\u30e1\u30c7\u30a3\u30a2\u8ad6 Studies of Media, Body and Image<\/h4>\n
\u73fe\u4ee3\u6587\u82b8 Creative Writing and Criticism<\/h4>\n
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