{"id":3647,"date":"2017-03-15T07:00:39","date_gmt":"2017-03-14T22:00:39","guid":{"rendered":"https:\/\/www.waseda.jp\/flas\/glas\/?p=3647"},"modified":"2017-03-21T17:09:42","modified_gmt":"2017-03-21T08:09:42","slug":"bulletin-of-the-graduate-division-of-lettersarts-and-scences-of-waseda-university-no-62","status":"publish","type":"post","link":"https:\/\/www.waseda.jp\/flas\/glas\/news\/2017\/03\/15\/3647\/","title":{"rendered":"Bulletin of the Graduate Division of letters,Arts and Scences of Waseda University No.62"},"content":{"rendered":"
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Bulletin of the Graduate Division of Letters,Arts and Sciences of Waseda University\u00a0 \uff08ISSN2432-7344\uff09<\/h3>\n

No.62 \uff0815th March 2017\uff09<\/h5>\n<\/td>\n
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<\/h6>\n<\/td>\n
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\"2017_cover1\"<\/h6>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n
COVER<\/a><\/h6>\n
CONTENTS<\/a><\/h6>\n

\u3008Philosophy\u3009<\/a> \u3008Asian Philosophy\u3009<\/a> \u3008Psychology\u3009<\/a> \u3008Sociology\u3009<\/a> \u3008Education\u3009<\/a> \u3008Japanese Studies\u3009<\/a> \u3008English Studies\u3009<\/a> \u3008French Studies\u3009<\/a> \u3008German Studies\u3009<\/a> \u3008Russian Studies\u3009<\/a> \u3008Chinese Studies\u3009<\/a> \u3008Theatre and Film Arts\u3009<\/a> \u3008Art History\u3009<\/a> \u3008Japanese History\u3009<\/a> \u3008Asian History\u3009<\/a> \u3008Western History\u3009<\/a> \u3008Archaeology\u3009<\/a> \u3008Cultural Anthropology\u3009<\/a> \u3008Studies of Media, Body and Image\u3009<\/a> \u3008Creative Writing and Criticism\u3009<\/a><\/h4>\n
\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n

\u3008Philosophy\u3009<\/strong><\/h2>\n<\/td>\n<\/tr>\n

\u25a0 Keiichi IWATA<\/td>\n<\/tr>\n
<\/td>\nThe Energeia<\/em> of Intellect: Aristotle\u2019s Theory of Intellect and the Concept of Separate Form<\/a><\/td>\n<\/tr>\n
\u25a0 Teruhisa TAJIMA<\/td>\n<\/tr>\n
<\/td>\n \u201eMeine Bl\u00fcten sind Fr\u00fcchte\u201c: Die Mariologie bei dem Gedanken Eckharts <\/a><\/td>\n<\/tr>\n
\u25a0 Akira MURAMATSU<\/td>\n<\/tr>\n
<\/td>\nVirtue Ethics and its Present<\/a><\/td>\n<\/tr>\n
\u25a0 Koichiro WAKAMATSU<\/td>\n<\/tr>\n
<\/td>\nDas Verst\u00e4ndnis des Intellekts bei Meister Eckhart<\/a><\/td>\n<\/tr>\n
\u25a0 Masahiko TERASHIMA<\/td>\n<\/tr>\n
<\/td>\nHow Does the Actual World Change in Perfection?\u2500\u2500 From a Biological Point of View in Leibniz \u2500\u2500<\/a><\/td>\n<\/tr>\n
\u25a1\u00a0Summary of Masters Theses<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n

 <\/p>\n

\n\n\n\n\n\n\n\n\n\n\n\n
\n

\u3008Asian Philosophy\u3009<\/strong><\/h2>\n<\/td>\n<\/tr>\n

\u25a0 Yoshihiro WATANABE<\/td>\n<\/tr>\n
<\/td>\nWang Dao’s Expression in \u201cShi shou xin yu\u201d<\/a><\/td>\n<\/tr>\n
\u25a0 Yumie TAMURA<\/td>\n<\/tr>\n
<\/td>\nThought of Yang Xiong’s Mystery<\/em><\/a><\/td>\n<\/tr>\n
\u25a0 Jianwei JIANG<\/td>\n<\/tr>\n
<\/td>\nSeishisai Aizawa\u2019s View of \u201cKokugaku\u201d\u3000 \u0336 Concentrating on the Thought Structure when He Criticized Norinaga \u0336<\/a><\/td>\n<\/tr>\n
\u25a0 Yui SAKURAI<\/td>\n<\/tr>\n
<\/td>\nA Foreign Monk in the Early Tang Dynasty:Changer Sancang and His Thought<\/a><\/td>\n<\/tr>\n
\u25a1 Summary of Masters Theses\u00a0 <\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n

 <\/p>\n

\n\n\n\n
\n

\u3008Psychology\u3009<\/strong><\/h2>\n<\/td>\n<\/tr>\n

\u25a1 Summary of Masters Theses<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n

 <\/p>\n

\n\n\n\n\n\n
\n

\u3008Sociology\u3009<\/strong><\/h2>\n<\/td>\n<\/tr>\n

\u25a0 Longlong ZHANG<\/td>\n<\/tr>\n
<\/td>\nThe Return Relief Policy and the Process of Japanese War Orphans in China Returning to Japan\u3000- A Focus on the Motivations for Return –<\/a><\/td>\n<\/tr>\n
\u25a1 Summary of Masters Theses<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n

 <\/p>\n

\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n

\u3008Education\u3009<\/strong><\/h2>\n<\/td>\n<\/tr>\n

\u25a0 Hiroshi UMEMOTO<\/td>\n<\/tr>\n
<\/td>\nVerbal Communication and Education<\/a><\/td>\n<\/tr>\n
\u25a0 Kiyotake OKI<\/td>\n<\/tr>\n
<\/td>\n2015 A-level Examination Reform in the UK<\/a><\/td>\n<\/tr>\n
\u25a0 Akito TAKAISHI<\/td>\n<\/tr>\n
<\/td>\nThe Function of Social Welfare in the Education System:The Focus on School Social Worker’s Role<\/a><\/td>\n<\/tr>\n
\u25a0 Yousuke UEHATA<\/td>\n<\/tr>\n
<\/td>\nResearch on Private Nursing School in Japanese University -Findings and Limitations of Private Nursing School Increase Factor Analysis Focused on MEXT Policy \u0336<\/a><\/td>\n<\/tr>\n
\u25a0 Takeshi ENDO<\/td>\n<\/tr>\n
<\/td>\nThe Time Series Analysis of Student Migration -Focusing on Geographic Factor-<\/a><\/td>\n<\/tr>\n
\u25a0 Eita YAMADA<\/td>\n<\/tr>\n
<\/td>\nWhat is the Nature of ESD?:A Focus on \u201cPandemic Model of the Development\u201d<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n

 <\/p>\n

\n\n\n\n\n\n\n\n\n\n
\n

\u3008Japanese Studies\u3009<\/strong><\/h2>\n<\/td>\n<\/tr>\n

\u25a0 Ichiro IKEZAWA<\/td>\n<\/tr>\n
<\/td>\nMasaoka Shiki\u2019s Critics of Literature and Painting in Chinese Poems<\/a><\/td>\n<\/tr>\n
\u25a0 Kanako TABARU<\/td>\n<\/tr>\n
<\/td>\nUta-awase and the Inner Palace of the Murakami Court<\/a><\/td>\n<\/tr>\n
\u25a0 Tomoki TABE<\/td>\n<\/tr>\n
<\/td>\nMasaoka Shiki\u2019s New Style Poetry: Between Haiku and Prose<\/a><\/td>\n<\/tr>\n
\u25a1 Summary of Masters Theses<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n

 <\/p>\n

\n\n\n\n\n\n
\n

\u3008English Studies\u3009<\/strong><\/h2>\n<\/td>\n<\/tr>\n

\u25a0 Kazuha SAITO<\/td>\n<\/tr>\n
<\/td>\nMinor and Major Narratives: Building a Living Monument to the Vietnam War<\/a><\/td>\n<\/tr>\n
\u25a1 Summary of Masters Theses<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n

 <\/p>\n

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\n

\u3008French Studies\u3009<\/strong><\/h2>\n<\/td>\n<\/tr>\n

\u25a0 Takeo KAWASE<\/td>\n<\/tr>\n
<\/td>\nQu’est-ce qu’\u00ab un cygne d\u2019autrefois \u00bb ? -ex\u00e9g\u00e8se des po\u00e9sies de jeunesse de St\u00e9phane Mallarm\u00e9 (6)<\/a><\/td>\n<\/tr>\n
\u25a0 Naohiko SETO<\/td>\n<\/tr>\n
<\/td>\nReticentia<\/em> de Giraut de Borneil,\u201cmaestre dels trobadors\u201d (PC 242, 45)<\/a><\/td>\n<\/tr>\n
\u25a0 Ryo MORII<\/td>\n<\/tr>\n
<\/td>\nMutilation corporelle et monnaie :le th\u00e8me du corps-fortune chez Gide (1)<\/a><\/td>\n<\/tr>\n
\u25a0 Yumi MURAKAMI<\/td>\n<\/tr>\n
<\/td>\nLes impressionnistes et Mallarm\u00e9:l’art de regarder la danse dans les ann\u00e9es 1870<\/a><\/td>\n<\/tr>\n
\u25a0 Youhei UMAKOSHI<\/td>\n<\/tr>\n
<\/td>\nL’enfant du soleil Anatole \u00ab Un Tombeau d’ Anatole \u00bb comme mythe solaire<\/a><\/td>\n<\/tr>\n
\u25a0 Akane MIYAZAKI<\/td>\n<\/tr>\n
<\/td>\nThe Acceptance of Gaspard de la Nuit<\/em> in Japan \u00a0 \u0336 The Translation by Bin Ueda \u0336<\/a><\/td>\n<\/tr>\n
\u25a1 Summary of Masters Theses<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n

 <\/p>\n

\n\n\n\n\n\n
\n

\u3008German Studies\u3009<\/strong><\/h2>\n<\/td>\n<\/tr>\n

\u25a0 Arne KLAWITTER<\/td>\n<\/tr>\n
<\/td>\nKaspar Hauser als Diskurstopos und K\u00f6rperfiguration<\/a><\/td>\n<\/tr>\n
\u25a1 Summary of Masters Theses<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n

 <\/p>\n

\n\n\n\n\n\n\n\n\n\n
\n

\u3008Russian Studies\u3009<\/strong><\/h2>\n<\/td>\n<\/tr>\n

\u25a0 Ichiro ITO<\/td>\n<\/tr>\n
<\/td>\n\u0417\u043c\u0435\u0435\u0431\u043e\u0440\u0441\u0442\u0432\u043e \u0421\u0432. \u0413\u0435\u043e\u0440\u0433\u0438\u044f \u0432 \u0431\u043e\u043b\u0433\u0430\u0440\u0441\u043a\u043e\u043c \u0444\u043e\u043b\u044c\u043a\u043b\u043e\u0440\u0435 (II)<\/a><\/td>\n<\/tr>\n
\u25a0 Rieko KAMIOKA<\/td>\n<\/tr>\n
<\/td>\n\u041d\u0430\u0441\u043b\u0435\u0434\u043d\u0438\u043a \u0440\u0443\u0441\u0441\u043a\u043e\u0433\u043e \u0430\u0432\u0430\u043d\u0433\u0430\u0440\u0434\u0430 \u0432 \u0441\u043e\u0432\u0435\u0442\u0441\u043a\u043e\u043c \u043d\u0435\u043e\u0444\u0438\u0446\u0438\u0430\u043b\u044c\u043d\u043e\u043c \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0435: \u041b\u0435\u043e\u043d\u0438\u0434 \u041b\u0430\u043c\u043c \u0438 \u0435\u0433\u043e \u0440\u0430\u043d\u043d\u0435\u0435 \u0442\u0432\u043e\u0440\u0447\u0435\u0441\u0442\u0432\u043e<\/a><\/td>\n<\/tr>\n
\u25a0 Saki TANAKA<\/td>\n<\/tr>\n
<\/td>\n\u0412\u044b\u0440\u0430\u0436\u0435\u043d\u0438\u0435 \u0442\u0435\u043b\u0430: \u0420\u043e\u043b\u044c \u041f\u043e\u0440\u0444\u0438\u0440\u0438\u044f \u041f\u0435\u0442\u0440\u043e\u0432\u0438\u0447\u0430 \u0432 \u0440\u043e\u043c\u0430\u043d\u0435 \u00ab \u041f\u0440\u0435\u0441\u0442\u0443\u043f\u043b\u0435\u043d\u0438\u0435 \u0438 \u043d\u0430\u043a\u0430\u0437\u0430\u043d\u0438\u0435 \u00bb<\/a><\/td>\n<\/tr>\n
\u25a1 Summary of Masters Theses<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n

 <\/p>\n

\n\n\n\n\n\n\n\n\n\n
\n

\u3008Chinese Studies\u3009<\/strong><\/h2>\n<\/td>\n<\/tr>\n

\u25a0 Koichiro INAHATA<\/td>\n<\/tr>\n
<\/td>\nFu Zengxiang\u2019s Ancient Jade Study:On Foreword to Zunguzhai’s Ancient Jade Catalog<\/a><\/td>\n<\/tr>\n
\u25a0 Akiko FUJINO<\/td>\n<\/tr>\n
<\/td>\nThe Unit of Chinese Language and the Significance of Setting the Four Hanzi Scales<\/a><\/td>\n<\/tr>\n
\u25a0 Chu Hui CHEN<\/td>\n<\/tr>\n
<\/td>\nNomura Koen’s\u2018Ya Ci\u2019and the Literary World of the Qing Dynasty:With the Clue of Eibutsu Poems<\/a><\/td>\n<\/tr>\n
\u25a1 Summary of Masters Theses<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n

 <\/p>\n

\n\n\n\n
\n

\u3008Theatre and Film Arts\u3009<\/strong><\/h2>\n<\/td>\n<\/tr>\n

\u25a1 Summary of Masters Theses<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n

 <\/p>\n

\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n

\u3008Art History\u3009<\/h2>\n<\/td>\n<\/tr>\n

\u25a0 Katsushi NARUSAWA<\/td>\n<\/tr>\n
<\/td>\nSome Unknown Facts of Kakutei,Obaku-zen Painter<\/a><\/td>\n<\/tr>\n
\u25a0 Tomoyuki MASUDA<\/td>\n<\/tr>\n
<\/td>\nIconographical Program of the Diakonikon in the Church of Panagia Peribleptos,Ohrid<\/a><\/td>\n<\/tr>\n
\u25a0 Kazufumi TAKEDA<\/td>\n<\/tr>\n
<\/td>\nOn the Dormition of the Virgin in the Byzantine Churches of Crete<\/a><\/td>\n<\/tr>\n
\u25a0 Bo-Kyung HAN<\/td>\n<\/tr>\n
<\/td>\nA Making Process of Copperplate Prints\u300a Pingding Zhunhui liangbu desheng tu<\/em>\u300bin the Qing Dynasty<\/a><\/td>\n<\/tr>\n
\u25a0 Xia HUANG<\/td>\n<\/tr>\n
<\/td>\nThe Painting Career of the\u201cNorthern Ch\u2018i Painter\u201dTs\u2018ao Chung-ta<\/a><\/td>\n<\/tr>\n
\u25a0 Ling LUO<\/td>\n<\/tr>\n
<\/td>\nA Study on the Image of Thunder God (Lei Gong) in Chinese Shadowplay<\/a><\/td>\n<\/tr>\n
\u25a0 Dan Yun YI<\/td>\n<\/tr>\n
<\/td>\nOn the Cosmological Buddha in the Asian Art Museum of San Francisco:A Study of the Reliefs Carved on the Petals of the Lotus Throne<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n

 <\/p>\n

\n\n\n\n\n\n\n\n
\n

\u3008Japanese History\u3009<\/strong><\/h2>\n<\/td>\n<\/tr>\n

\u25a0 Masayuki MANABE<\/td>\n<\/tr>\n
<\/td>\nCenotaphs Erected for the Repose of Animals’ Soul during Japanese Colonial Era<\/a><\/td>\n<\/tr>\n
\u25a0 Kosuke SATAKE<\/td>\n<\/tr>\n
<\/td>\nPersonnel Structures and Action Policies of Engineering Societies in Japan before World War II: Focusing on\u201cKosei-Kai\u201d<\/a><\/td>\n<\/tr>\n
\u25a1 Summary of Masters Theses<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n

 <\/p>\n

\n\n\n\n\n\n
\n

\u3008Asian History\u3009<\/strong><\/h2>\n<\/td>\n<\/tr>\n

\u25a0 Kazunari KONDO<\/td>\n<\/tr>\n
<\/td>\nThe DAITOKUJI 500 LUOHANS and SHI-HAO\u2019s Policy Toward Jin Dynasty<\/a><\/td>\n<\/tr>\n
\u25a1 Summary of Masters Theses<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n

 <\/p>\n

\n\n\n\n\n\n\n\n
\n

\u3008Western History\u3009<\/strong><\/h2>\n<\/td>\n<\/tr>\n

\u25a0 Tohru MAEDA<\/td>\n<\/tr>\n
<\/td>\nNotes on Sumerian Expression of \u201cHumility\u201d in Royal Inscriptions,and on the Calculations of Days in\u3000Administrative Texts<\/a><\/td>\n<\/tr>\n
\u25a0 Natsumi KISHIDA<\/td>\n<\/tr>\n
<\/td>\nThe Perceptions to\u201cWestern Church\u201dof Byzantine Churchman in the Ninth Century<\/a><\/td>\n<\/tr>\n
\u25a1 Summary of Masters Theses<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n

 <\/p>\n

\n\n\n\n\n\n\n\n\n\n
\n

\u3008Archaeology\u3009<\/strong><\/h2>\n<\/td>\n<\/tr>\n

\u25a0 Masayoshi JOKURA, Junko FURIHATA, Yama NAWABI, Yuto FUKUOKA<\/td>\n<\/tr>\n
<\/td>\nThe Report of Senbutsu Excavated from Shimofusa Ryukakuji Temple<\/a><\/td>\n<\/tr>\n
\u25a0 Junichi NAGASAKI, Keita TAKENOUCHI, Rei WATANABE, Yuto SATO<\/td>\n<\/tr>\n
<\/td>\nArchaeological Investigation at the YAMAGATA Site<\/a><\/td>\n<\/tr>\n
\u25a0 Yama NAWABI<\/td>\n<\/tr>\n
<\/td>\nThe Archaeological Study about the Location of the Buddhist Temples in the Gandhara Using GIS: Focusing on Hadda and Taxila<\/a><\/td>\n<\/tr>\n
\u25a1 Summary of Masters Theses<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n

 <\/p>\n

\n\n\n\n\n\n\n\n\n\n
\n

\u3008Cultural Anthropology\u3009<\/strong><\/h2>\n<\/td>\n<\/tr>\n

\u25a0 Keiko MIURA<\/td>\n<\/tr>\n
<\/td>\nAncient Pyu City, Sri Ksetra, in Myanmar: Memory, Oral Tradition, Heritage,and Village Communities<\/a><\/td>\n<\/tr>\n
\u25a0 Takahiro SAKAI<\/td>\n<\/tr>\n
<\/td>\nA Study on the Invention of Tradition from the Festival that Relies on the Close Interaction between Community Residents and the Media \u0336 From the Case of Goranshiki<\/em> at Ienaka Area in Tochigi City \u0336<\/a><\/td>\n<\/tr>\n
\u25a0 Noriko KARUBE<\/td>\n<\/tr>\n
<\/td>\nThe Position of the State of California, USA, in the Studies on Hula that is an Indigenous Native Hawaiian Traditional Dance<\/a><\/td>\n<\/tr>\n
\u25a1 Summary of Masters Theses<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n

 <\/p>\n

\n\n\n\n\n\n\n\n\n\n
\n

\u3008Studies of Media, Body and Image\u3009<\/strong><\/h2>\n<\/td>\n<\/tr>\n

\u25a0 Futoshi SAKAUCHI<\/td>\n<\/tr>\n
<\/td>\nA Study on the Representations of Women in Plight in Contemporary Irish Theatre<\/a><\/td>\n<\/tr>\n
\u25a0 Kazuisa FUJIMOTO<\/td>\n<\/tr>\n
<\/td>\nThe Problem of \u201cVision\u201d in the Philosophy of Nishida Kitar\u014d<\/a><\/td>\n<\/tr>\n
\u25a0 Kasumi KUGO<\/td>\n<\/tr>\n
<\/td>\nImage of Orient by Francis Frith\u2019s Travel Photography<\/a><\/td>\n<\/tr>\n
\u25a1 Summary of Masters Theses<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n

 <\/p>\n

\n\n\n\n
\n

\u3008Creative Writing and Criticism\u3009<\/strong><\/h2>\n<\/td>\n<\/tr>\n

\u25a1 Summary of Masters Theses<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n

 <\/p>\n

<\/h2>\n

Submission Rules<\/a><\/h6>\n","protected":false},"excerpt":{"rendered":"

Bulletin of the Graduate Division of Letters,Arts and Sciences of Waseda University\u00a0 \uff08ISSN2432-7344\uff09 No.62 \uff0815 […]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[],"tags":[57],"class_list":["post-3647","post","type-post","status-publish","format-standard","hentry","tag-education"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/posts\/3647","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/comments?post=3647"}],"version-history":[{"count":6,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/posts\/3647\/revisions"}],"predecessor-version":[{"id":3787,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/posts\/3647\/revisions\/3787"}],"wp:attachment":[{"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/media?parent=3647"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/categories?post=3647"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/tags?post=3647"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}