{"id":24421,"date":"2026-03-15T08:00:05","date_gmt":"2026-03-14T23:00:05","guid":{"rendered":"https:\/\/www.waseda.jp\/flas\/glas\/?p=24421"},"modified":"2026-03-11T13:18:33","modified_gmt":"2026-03-11T04:18:33","slug":"%e3%80%8e%e6%96%87%e5%ad%a6%e7%a0%94%e7%a9%b6%e7%a7%91%e7%b4%80%e8%a6%81-%e7%ac%ac63%e8%bc%af%e3%80%8f%ef%bc%882017%e5%b9%b4%e5%ba%a6%ef%bc%89wp%e3%81%abup%e7%89%88-2-3-2-2-2-2-2-3","status":"publish","type":"post","link":"https:\/\/www.waseda.jp\/flas\/glas\/news\/2026\/03\/15\/24421\/","title":{"rendered":"\u300e\u6587\u5b66\u7814\u7a76\u79d1\u7d00\u8981 \u7b2c71\u8f2f\u300f\uff082026\u5e743\u6708\uff09"},"content":{"rendered":"<h2>\u65e9\u7a32\u7530\u5927\u5b66\u5927\u5b66\u9662 \u6587\u5b66\u7814\u7a76\u79d1\u7d00\u8981 \u7b2c71\u8f2f<\/h2>\n<h3>2026\u5e743\u670815\u65e5\u767a\u884c\u3001ISSN2432\u20157344<\/h3>\n<p>\u6587\u5b66\u7814\u7a76\u79d1\u7d00\u8981\u306fWeb\u306e\u307f\u306b\u3088\u308b\u516c\u958b\u3068\u306a\u308a\u307e\u3059\u3002\u518a\u5b50\u4f53\u3067\u306e\u767a\u884c\u306f\u3054\u3056\u3044\u307e\u305b\u3093\u3002<\/p>\n<p>[<a class=\"addicn\" href=\"#phil\">\u54f2\u5b66<\/a>] [<a class=\"addicn\" href=\"#totetsu\">\u6771\u6d0b\u54f2\u5b66<\/a>] [<a class=\"addicn\" href=\"#psy\">\u5fc3\u7406\u5b66<\/a>] [<a class=\"addicn\" href=\"#soc\">\u793e\u4f1a\u5b66<\/a>] [<a class=\"addicn\" href=\"#edu\">\u6559\u80b2\u5b66<\/a>] [<a class=\"addicn\" href=\"#js\">\u65e5\u672c\u8a9e\u65e5\u672c\u6587\u5b66<\/a>] [<a class=\"addicn\" href=\"#el\">\u82f1\u6587\u5b66<\/a>] [<a class=\"addicn\" href=\"#fl\">\u30d5\u30e9\u30f3\u30b9\u8a9e\u30d5\u30e9\u30f3\u30b9\u6587\u5b66<\/a>][<a class=\"addicn\" href=\"#dl\">\u30c9\u30a4\u30c4\u8a9e\u30c9\u30a4\u30c4\u6587\u5b66<\/a>] [<a class=\"addicn\" href=\"#rl\">\u30ed\u30b7\u30a2\u8a9e\u30ed\u30b7\u30a2\u6587\u5316<\/a>] [<a class=\"addicn\" href=\"#cl\">\u4e2d\u56fd\u8a9e\u4e2d\u56fd\u6587\u5b66<\/a>] [<a class=\"addicn\" href=\"#v\">\u6f14\u5287\u6620\u50cf\u5b66<\/a>] [<a class=\"addicn\" href=\"#art\">\u7f8e\u8853\u53f2\u5b66<\/a>] [<a class=\"addicn\" href=\"#jh\">\u65e5\u672c\u53f2\u5b66<\/a>][<a class=\"addicn\" href=\"#ah\">\u6771\u6d0b\u53f2\u5b66<\/a>] [<a class=\"addicn\" href=\"#wh\">\u897f\u6d0b\u53f2\u5b66<\/a>] [<a class=\"addicn\" href=\"#arch\">\u8003\u53e4\u5b66<\/a>] [<a class=\"addicn\" href=\"#anth\">\u6587\u5316\u4eba\u985e\u5b66<\/a>] [<a class=\"addicn\" href=\"#media\">\u8868\u8c61\u30fb\u30e1\u30c7\u30a3\u30a2\u8ad6]<\/a>\u00a0<a class=\"addicn\" href=\"#Creative\">[\u73fe\u4ee3\u6587\u82b8]\u00a0<\/a><a class=\"addicn\" href=\"#Middle\">[\u4e2d\u6771\u30fb\u30a4\u30b9\u30e9\u30fc\u30e0\u7814\u7a76]<\/a>\u00a0<a class=\"addicn\" href=\"#Global\">[\u56fd\u969b\u65e5\u672c\u5b66]<\/a><\/p>\n<ul>\n<li><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/hyoushi1.pdf\" target=\"_blank\" rel=\"noopener\">\u8868\u7d19<\/a>\u00a0 (<a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/02\/hyoushi4.pdf\" target=\"_blank\" rel=\"noopener\">COVER<\/a>)<\/li>\n<li><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/02\/tobira.pdf\" target=\"_blank\" rel=\"noopener\">\u6249<\/a><\/li>\n<li><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/02\/wabunmokuji_0001-0007.pdf\" target=\"_blank\" rel=\"noopener\">\u76ee\u6b21<\/a>\u00a0 (<a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/oubunmokuji_0009-0014.pdf\" target=\"_blank\" rel=\"noopener\">CONTENTS<\/a>)<\/li>\n<\/ul>\n<h4 id=\"phil\">\u54f2\u5b66 Philosophy<\/h4>\n<p>\u25a0 \u897f\u5c71\u3000\u9054\u4e5f\u3000Tatsuya NISHIYAMA<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/02\/NISHIYAMA-Tatsuya_0015-0031.pdf\"><span class=\"fontstyle0\">\u30a8\u30de\u30cb\u30e5\u30a8\u30eb<span class=\"fontstyle1\">\u30fb <\/span>\u30ec\u30f4\u30a3\u30ca\u30b9 <span class=\"fontstyle1\">\u300e<\/span>\u5168\u4f53\u6027\u3068\u7121\u9650<span class=\"fontstyle1\">\u300f <\/span>\u306b\u304a\u3051\u308b<span class=\"fontstyle1\">\u300e<\/span>\u30d1\u30a4\u30c9\u30ed\u30b9 <span class=\"fontstyle1\">\u300f <\/span>\u8aad\u89e3\u306b\u3064\u3044\u3066\u306e\u30ce\u30fc\u30c8<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">\u00a0Notes sur la lecture l\u00e9vinasienne du Ph\u00e8dre dans Totalit\u00e9 et Infini<\/span><\/p>\n<p>\u25a0 \u8fbb\u5185\u3000\u5ba3\u535a\u3000 <span class=\"fontstyle0\">Nobuhiro TSUJIUCHI<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/02\/TSUJIUCHI-Nobuhiro_0033-0049.pdf\"><span class=\"fontstyle0\">\u4eba\u9593\u306e\u5e78\u798f\u306e\u5728\u308a\u51e6<\/span><span class=\"fontstyle0\">\u2500\u2500\u30c8\u30de\u30b9<\/span><span class=\"fontstyle1\">\u30fb <\/span><span class=\"fontstyle0\">\u30a2\u30af\u30a3\u30ca\u30b9\u3068\u30b8\u30e3\u30f3<\/span><span class=\"fontstyle1\">\u30fb <\/span><span class=\"fontstyle0\">\u30d3\u30e5\u30ea\u30c0\u30f3\u2500\u2500<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">Where the human happiness consists in: <\/span>Thomas Aquinas and Jean Buridan<\/p>\n<p>\u25a0 \u5bfa\u5cf6\u3000\u5948\u90a3\u3000 <span class=\"fontstyle0\">Nana TERASHIMA<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/02\/TERASHIMA-Nana_0051-0065.pdf\"> <span class=\"fontstyle0\">\u5f8c\u671f\u65b0\u30d7\u30e9\u30c8\u30f3\u4e3b\u7fa9\u306b\u304a\u3051\u308b\u54f2\u5b66\u3068\u795e\u50cd\u8853\u306e\u95a2\u4fc2<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">Philosophy and Theurgy in Late Neoplatonism<\/span><\/p>\n<p>\u25a1<a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/02\/Summary-of-Excellent-Masters-Theses_Philosophy.pdf\" target=\"_blank\" rel=\"noopener\">\u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses<\/a>)<\/p>\n<h4 id=\"totetsu\">\u6771\u6d0b\u54f2\u5b66 Asian Psychology<\/h4>\n<p>\u25a0 <span class=\"fontstyle0\">\u6e21\u9089 \u7fa9\u6d69<\/span>\u3000<span class=\"fontstyle0\">Yoshihiro WATANABE <\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/02\/WATANABE-Yoshihiro_1290-1277.pdf\"><span class=\"fontstyle0\">\u300e<span class=\"fontstyle1\">\u5c19\u66f8\u5927\u50b3<\/span>\u300f <span class=\"fontstyle1\">\u306b\u307f\u308b\u7269\u8a9e\u306b\u3088\u308b\u7d93\u306e\u89e3\u91c8<\/span><\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">\u00a0Interpretation of the Classics through Narrative in the Shang Shu Ta Chuan<br \/>\n<\/span><\/p>\n<p>\u25a0 \u674e\u3000\u857e\u3000 <span class=\"fontstyle0\">Lei LI<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/02\/LI-Lei_1276-1263.pdf\"><span class=\"fontstyle1\">\u00a0<span class=\"fontstyle0\">\u5289\u57fa<\/span>\u300e<span class=\"fontstyle0\">\u90c1\u96e2\u5b50<\/span>\u300f <span class=\"fontstyle0\">\u8a33\u8a3b<\/span>\uff08<span class=\"fontstyle0\">\u4e00\uff09<\/span><\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">Japanese annotation and translation of LIU Chi<\/span><span class=\"fontstyle2\">\u2019<\/span><span class=\"fontstyle0\">s Ikurishi (part 1)<\/span><\/p>\n<p>\u25a0 <span class=\"fontstyle0\">\u6f58\u3000\u5448<\/span>\u3000 <span class=\"fontstyle0\">Cheng PAN<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/02\/PAN-Cheng1262-1248.pdf\"> <span class=\"fontstyle0\">\u6226\u5f8c\u65e5\u672c\u306e\u8ab2\u5916\u4f1d\u64ad\u306b\u304a\u3051\u308b\u5b54\u5b50\u50cf\u306e\u518d\u69cb\u7bc9\u3000<\/span><span class=\"fontstyle0\">\u2500\u2500<\/span><span class=\"fontstyle1\">\u300e<\/span><span class=\"fontstyle0\">\u8ad6\u8a9e\u7269\u8a9e<\/span><span class=\"fontstyle1\">\u300f <\/span><span class=\"fontstyle0\">\u3068 <\/span><span class=\"fontstyle1\">\u300e<\/span><span class=\"fontstyle0\">\u5b54\u5b50<\/span><span class=\"fontstyle1\">\u300f <\/span><span class=\"fontstyle0\">\u3092\u4e2d\u5fc3\u3068\u3057\u3066\u2500\u2500<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">The Reconstruction of Confucius<\/span><span class=\"fontstyle2\">\u2019 <\/span><span class=\"fontstyle0\">Image in Postwar Japan<\/span><span class=\"fontstyle2\">\u2019<\/span><span class=\"fontstyle0\">s Extracurricular Transmission: <\/span><span class=\"fontstyle0\">A Case Study of Analects Monogatari and Confucius<\/span><\/p>\n<p>\u25a1<a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/02\/Summary-of-Excellent-Masters-Theses_Asian-Philosophy.pdf\" target=\"_blank\" rel=\"noopener\">\u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses<\/a>)<\/p>\n<h4 id=\"psy\">\u5fc3\u7406\u5b66 Psychology<\/h4>\n<p>\u25a0 <span class=\"fontstyle0\">Hiromitsu MIYATA, Yoshiko TAKADA\u00a0<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/MIYATA-Hiromitsu_0079-0096.pdf\">\u00a0<span class=\"fontstyle0\">Psychological States and Personality Traits Associated with In-Person Practice<br \/>\nof Laughter Yoga: A Replication Study with Follow-up Assessment<\/span>\u00a0<\/a><\/p>\n<p>\u25a0 <span class=\"fontstyle0\">\u8c37\u8fba \u54f2\u53f2<\/span>\u3000<span class=\"fontstyle0\">Tetsushi TANIBE<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/TANIBE-Tetsushi_0097-0112.pdf\"><span class=\"fontstyle0\">\u4eba\u5de5\u77e5\u80fd\u306e\u958b\u767a<\/span><span class=\"fontstyle1\">\u30fb <\/span><span class=\"fontstyle0\">\u5229\u7528\u306b\u95a2\u3059\u308b\u30ea\u30b9\u30af\u8a8d\u77e5\u8abf\u67fb<\/span><br \/>\n<\/a><\/p>\n<p><span class=\"fontstyle0\">Survey of the risk perception on the development and use of artificial intelligence<\/span><\/p>\n<p>\u25a0 <span class=\"fontstyle0\">\u6fa4\u7530 \u5948\u3005\u5b9f\u00a0<\/span>\u3000<span class=\"fontstyle0\">Nanami SAWADA<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/SAWADA-Nanami_0113-0133.pdf\"><span class=\"fontstyle0\">\u90fd\u9053\u5e9c\u770c\u30ad\u30e3\u30c3\u30c1\u30b3\u30d4\u30fc\u306b\u3088\u308b\u5730\u57df\u30a2\u30a4\u30c7\u30f3\u30c6\u30a3\u30c6\u30a3\u6bd4\u8f03<\/span><span class=\"fontstyle0\">\u2500\u2500\u30c6\u30ad\u30b9\u30c8\u30de\u30a4\u30cb\u30f3\u30b0\u6cd5\u3092\u7528\u3044\u3066\u2500\u2500<\/span>\u00a0<\/a><\/p>\n<p><span class=\"fontstyle0\">Comparing Regional Identities through Prefectural Catchphrases: <\/span><span class=\"fontstyle0\">A Text Mining Analysis<\/span><\/p>\n<p>\u25a1<a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/Summary-of-Excellent-Masters-Theses_Psychology.pdf\" target=\"_blank\" rel=\"noopener\">\u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses<\/a>)<\/p>\n<h4 id=\"soc\">\u793e\u4f1a\u5b66 Sociology<\/h4>\n<p>\u25a0 <span class=\"fontstyle0\">\u8349\u67f3 \u5343\u65e9<\/span>\u3000<span class=\"fontstyle0\">Chihaya KUSAYANAGI<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/KUSAYANAGI-Chihaya_0143-0157.pdf\"><span class=\"fontstyle0\">\u65e5\u5e38\u7684\u5b9f\u8df5\u3092\u7269\u8a9e\u308b<br \/>\n\u2500\u2500\u30bb\u30eb\u30c8\u30fc\u306e<span class=\"fontstyle1\">\u300c<\/span>\u306a\u3093\u3068\u304b\u3084\u3063\u3066\u3044\u304f <span class=\"fontstyle1\">\u300d <\/span>\u8ad6\u306e\u7d4c\u9a13\u7684\u7814\u7a76\u306b\u5411\u3051\u3066\u2500\u2500<br \/>\n<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">Telling Stories on the Practice of Everyday Life: <\/span>Toward Empirical Studies of <span class=\"fontstyle2\">\u201c<\/span>faire avec<span class=\"fontstyle2\">\u201d <\/span>Theory of M. de Certeau<\/p>\n<p>\u25a0 <span class=\"fontstyle0\">\u7af9\u4e2d \u5747<\/span>\u3000<span class=\"fontstyle0\">Hitoshi TAKENAKA\u00a0<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/TAKENAKA-Hitoshi_0159-0172.pdf\"><span class=\"fontstyle0\">\u81ea\u7531\u30a8\u30cd\u30eb\u30ae\u30fc\u539f\u7406\u304b\u3089\u9053\u5fb3\u6559\u80b2\u3078<\/span><span class=\"fontstyle0\">\u2500\u2500\u81ea\u9589\u75c7\u3092\u3081\u3050\u3063\u3066\u2500\u2500<\/span><\/a><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/TAKENAKA-Hitoshi_0159-0172.pdf\"><br \/>\n<\/a><\/p>\n<p><span class=\"fontstyle0\">From Free Energy Principle to Moral Education \u2014 Focusing on Autism \u2014\u00a0<\/span><\/p>\n<p>\u25a0 <span class=\"fontstyle0\">\u79cb\u8449 \u4eae<\/span>\u3000<span class=\"fontstyle0\">Ryo AKIBA<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/AKIBA-Ryo_1238-1221.pdf\"><span class=\"fontstyle0\">\u30c7\u30e5\u30eb\u30b1\u30e0\u5b66\u6d3e\u4f9b\u72a0\u8ad6\u306b\u304a\u3051\u308b <\/span><span class=\"fontstyle2\">\u300e<\/span><span class=\"fontstyle0\">\u793e\u4f1a\u5b66\u7684\u65b9\u6cd5\u306e\u898f\u6e96<\/span><span class=\"fontstyle2\">\u300f <\/span><span class=\"fontstyle0\">\u89e3\u91c8\u306e\u8907\u6570\u6027<br \/>\n<\/span><span class=\"fontstyle0\">\u2500\u2500\u793e\u4f1a\u7684\u306a\u7269\u3068\u6a5f\u80fd\u306e\u610f\u5473\u5206\u6790\u3092\u901a\u3058\u3066\u2500\u2500<\/span><br \/>\n<\/a><\/p>\n<p><span class=\"fontstyle0\">The Multiplicity of the Interpretation of The Rules of Sociological Method within Durkheimian Theories of Sacrifice:<br \/>\nThrough a Semantic Analysis of the Social Things and Functions<\/span><\/p>\n<p>\u25a1<a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/Summary-of-Excellent-Masters-Theses_Sociology.pdf\" target=\"_blank\" rel=\"noopener\">\u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses<\/a>)<\/p>\n<h4 id=\"edu\">\u6559\u80b2\u5b66 Education<\/h4>\n<p>\u25a0 \u6c96 \u6e05\u8c6a\u3000Kiyotake<span class=\"fontstyle0\"> OKI<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/OKI-Kiyotake_0185-0199.pdf\"><span class=\"fontstyle0\">\u30a4\u30ae\u30ea\u30b9\u306b\u304a\u3051\u308b\u5b66\u529b\u4ee5\u5916\u306e\u7279\u6027\u306b\u3088\u308b\u5165\u5b66\u8005\u9078\u629c\u306e\u516c\u6b63\u6027<br \/>\n<\/span><span class=\"fontstyle0\">\u2500\u2500 Contextual Admissions \u306e\u5c0e\u5165\u80cc\u666f\u3068\u73fe\u72b6\u2500\u2500<\/span><br \/>\n<\/a><\/p>\n<p><span class=\"fontstyle0\">Fairness in University Admissions Based on Non-Academic Factors in the United Kingdom:<br \/>\nThe Background and Current Status of the Contextual Admissions\u00a0<\/span><\/p>\n<p>\u25a0 \u4e45\u4fdd\u7530 \u6cbb\u52a9\u3000Harusuke KUBOTA<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/KUBOTA-Harusuke_0201-0212.pdf\"><span class=\"fontstyle0\">\u6226\u5f8c\u5fa9\u8208\u4f53\u9a13\u306e\u8a9e\u308a\u306b\u3088\u308b\u9ad8\u9f62\u8005\u6559\u80b2\u306e\u610f\u7fa9\u306b\u95a2\u3059\u308b\u7814\u7a76<br \/>\n\u2500\u2500\u5357\u7a2e\u5b50\u753a\u9577\u8c37\u5730\u533a\u958b\u62d3\u4e8b\u696d\u306b\u304a\u3051\u308b\u5357\u65b9\u5f15\u63da\u8005\u306e\u751f\u6daf\u5b66\u7fd2\u5b9f\u8df5\u3092\u901a\u3057\u3066\u2500\u2500<br \/>\n<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">The Educational Significance of Elderly Narratives on Post-War Reconstruction: <\/span><span class=\"fontstyle0\">Lifelong Learning Practices of South Pacific Repatriates in Japan<\/span><span class=\"fontstyle2\">\u2019<\/span><span class=\"fontstyle0\">s Rural Settlement Movement<\/span><\/p>\n<p>\u25a1 <a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/Summary-of-Excellent-Masters-Theses_Education.pdf\" target=\"_blank\" rel=\"noopener\">\u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n<h4 id=\"js\">\u65e5\u672c\u8a9e\u65e5\u672c\u6587\u5b66 Japanese Studies<\/h4>\n<p>\u25a0 <span class=\"fontstyle0\">\u6c60\u6fa4 \u4e00\u90ce<\/span>\u3000<span class=\"fontstyle0\">Ichiro IKEZAWA<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/IKEZAWA-Ichiro_1220-1198.pdf\" target=\"_blank\" rel=\"noopener\"><span class=\"fontstyle0\">\u65e5\u672c\u8fd1\u4e16\u6587\u4eba\u753b\u306b\u304a\u3051\u308b\u984c\u753b\u6587\u5b66\u306e\u885d\u6483<\/span><span class=\"fontstyle0\">\u2500\u2500\u30d5\u30a7\u30ce\u30ed\u30b5\u306e\u6587\u4eba\u753b\u8ad6\u6279\u5224\u3068\u5c0f\u897f\u677e\u969d\u5c71\u6c34\u753b\u540d\u5bb6\u984c\u753b\u8a69\u66f8\u753b\u5e16\u306b\u304a\u3051\u308b\u8a69\u753b\u4ea4\u97ff\u2500\u2500<\/span><br \/>\n<\/a><\/p>\n<p><span class=\"fontstyle0\">Some impacts of the prose and poems in Chinese character on the paintings made by Japanese<br \/>\nof letters: E\uff65F\uff65Fennollsa`s critism towards the painting made by Japanese of letters<br \/>\nand Some reverberations between literary paintings made by Konishi Yoriyuki<br \/>\nand Chinese poems written by Japanese Confucian in a volume of the collection<br \/>\nof the paintings and calligraphy<\/span><\/p>\n<p>\u25a0 <span class=\"fontstyle0\">\u6728\u4e0b \u5f26<\/span>\u3000<span class=\"fontstyle0\">Gen KINOSHITA<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/KINOSHITA-Gen_1196-1183.pdf\"><span class=\"fontstyle0\">\u963f\u4f50\u7530\u54f2\u4e5f<\/span><span class=\"fontstyle1\">\u300c<\/span><span class=\"fontstyle0\">\u9ebb\u96c0\u653e\u6d6a\u8a18<\/span><span class=\"fontstyle1\">\u300d <\/span><span class=\"fontstyle0\">\u8ad6<\/span><span class=\"fontstyle0\">\u2500\u2500<\/span><span class=\"fontstyle1\">\u3008<\/span><span class=\"fontstyle0\">\u713c\u8de1\u95c7\u5e02\u6d3e<\/span><span class=\"fontstyle1\">\u3009 <\/span><span class=\"fontstyle0\">\u306e\u5c0f\u8aac\u3068\u3057\u3066\u2500\u2500<\/span> <\/a><\/p>\n<p><span class=\"fontstyle0\">Discussion of Tetsuya Asada<\/span><span class=\"fontstyle2\">\u2019<\/span><span class=\"fontstyle0\">s <\/span><span class=\"fontstyle2\">\u201c<\/span><span class=\"fontstyle0\">Mahjong Wandering<\/span><span class=\"fontstyle2\">\u201d<\/span><span class=\"fontstyle0\">:<br \/>\nAs a novel of \u3008burning black market faction\u3009<\/span><\/p>\n<p>\u25a0 <span class=\"fontstyle0\">\u694a \u5353\u5a67<\/span>\u3000<span class=\"fontstyle0\">Zhuojing YANG<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/YANG-Zhuojing_1182-1165.pdf\"><span class=\"fontstyle0\">\u8466\u624b\u306b\u304a\u3051\u308b <\/span><span class=\"fontstyle2\">\u300c<\/span><span class=\"fontstyle0\">\u96c1<\/span><span class=\"fontstyle2\">\u300d<\/span><span class=\"fontstyle0\">\u2500\u2500\u8466\u624b\u7d75\u3082\u542b\u3081\u3066\u2500\u2500<\/span><br \/>\n<\/a><\/p>\n<p><span class=\"fontstyle0\">The Wild Goose in Ashide: Including Ashide Paintings<\/span><\/p>\n<p>\u25a0 <span class=\"fontstyle0\">\u5ca1\u7530 \u4fca\u4ecb<\/span>\u3000<span class=\"fontstyle0\">Shunsuke OKADA<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/OKADA-Shunsuke_1164-1148.pdf\"><span class=\"fontstyle0\">\u5929\u4e95\u685f\u6577<\/span><span class=\"fontstyle1\">\u30fb <\/span><span class=\"fontstyle0\">\u5bfa\u5c71\u4fee\u53f8\u306e\u521d\u671f<\/span><span class=\"fontstyle1\">\u300c<\/span><span class=\"fontstyle0\">\u898b\u4e16\u7269<\/span><span class=\"fontstyle1\">\u300d <\/span><span class=\"fontstyle0\">\u6f14\u5287\u306b\u304a\u3051\u308b\u6226\u7565<\/span><span class=\"fontstyle0\">\u2500\u2500<\/span><span class=\"fontstyle1\">\u300c<\/span><span class=\"fontstyle0\">\u30b0\u30ed\u30c6\u30b9\u30af <\/span><span class=\"fontstyle1\">\u300d <\/span><span class=\"fontstyle0\">\u304b\u3089 <\/span><span class=\"fontstyle1\">\u300c<\/span><span class=\"fontstyle0\">\u30ad\u30e3\u30f3\u30d7<\/span><span class=\"fontstyle1\">\u300d <\/span><span class=\"fontstyle0\">\u3078\u2500\u2500<\/span><br \/>\n<\/a><\/p>\n<p><span class=\"fontstyle0\">Tenjo Sajiki: Shuji Terayama<\/span><span class=\"fontstyle2\">\u2019<\/span><span class=\"fontstyle0\">s Strategy in Early <\/span><span class=\"fontstyle2\">\u201c<\/span><span class=\"fontstyle0\">Freak Show<\/span><span class=\"fontstyle2\">\u201d <\/span><span class=\"fontstyle0\">Theatre:<br \/>\nFrom <\/span><span class=\"fontstyle2\">\u201c<\/span><span class=\"fontstyle0\">Grotesque<\/span><span class=\"fontstyle2\">\u201d <\/span><span class=\"fontstyle0\">to <\/span><span class=\"fontstyle2\">\u201c<\/span><span class=\"fontstyle0\">Camp<\/span><span class=\"fontstyle2\">\u201d<\/span><\/p>\n<p>\u25a0 <span class=\"fontstyle0\">LI ZHEXI<\/span>\u3000<span class=\"fontstyle0\">Zhexi LI<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/LI-Zhexi_1146-1131.pdf\"><span class=\"fontstyle0\">\u5fd7\u8cc0\u76f4\u54c9<\/span><span class=\"fontstyle1\">\u300c<\/span><span class=\"fontstyle0\">\u8303\u306e\u72af\u7f6a<\/span><span class=\"fontstyle1\">\u300d <\/span><span class=\"fontstyle0\">\u8ad6\u2500\u2500<span class=\"fontstyle1\">\u300c<\/span>\u672c\u7d71\u306e\u751f\u6d3b<span class=\"fontstyle1\">\u300d <\/span>\u306e\u5b9f\u614b\u3068 <span class=\"fontstyle1\">\u300c<\/span>\u7121\u7f6a<span class=\"fontstyle1\">\u300d <\/span>\u306e\u610f\u7fa9\u2500\u2500<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">Shiga Naoya<\/span><span class=\"fontstyle2\">\u2019<\/span><span class=\"fontstyle0\">s The Crime of Han:<br \/>\nThe Reality of the <\/span><span class=\"fontstyle2\">\u201c<\/span><span class=\"fontstyle0\">Authentic Life<\/span><span class=\"fontstyle2\">\u201d <\/span><span class=\"fontstyle0\">and the Significance of <\/span><span class=\"fontstyle2\">\u201c<\/span><span class=\"fontstyle0\">Innocence<\/span><span class=\"fontstyle2\">\u201d<\/span><\/p>\n<p>\u25a0 <span class=\"fontstyle0\">\u5b89\u966a \u5cb3<\/span>\u3000<span class=\"fontstyle0\">Gaku ABE<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2025\/03\/YAMAYOSHI-Shohei_0964-0949.pdf\"><span class=\"fontstyle0\">\u82a5\u5ddd\u9f8d\u4e4b\u4ecb\u3068 <\/span><span class=\"fontstyle2\">\u300e<\/span><span class=\"fontstyle0\">\u30bf\u30a4\u30b9<\/span><span class=\"fontstyle2\">\u300f<\/span><\/a><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/ABE-Gaku_1130-1115.pdf\"><span class=\"fontstyle0\">\u2500\u2500\u624b\u6ca2\u672c\u306b\u898b\u308b\u30a2\u30ca\u30c8\u30fc\u30eb<\/span>\u30fb <span class=\"fontstyle0\">\u30d5\u30e9\u30f3\u30b9\u53d7\u5bb9\u306e\u8af8\u76f8\u2500\u2500<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">Tha\u00efs in Akutagawa Ryunosuke<\/span><span class=\"fontstyle2\">\u2019<\/span><span class=\"fontstyle0\">s Library:Skepticism, Humanity, and Christianity<\/span><\/p>\n<p>\u25a0 <span class=\"fontstyle0\">\u65b0\u4e95 \u9686<\/span>\u3000<span class=\"fontstyle0\">Ryu ARAI<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/ARAI-Ryu_1114-1100.pdf\"><span class=\"fontstyle0\">\u300e<span class=\"fontstyle1\">\u6e90\u6c0f\u7269\u8a9e\u300f\u306b\u304a\u3051\u308b\u8001\u3044\u306e\u8c61\u308a\u65b9\uff0d\u300c\u3057\u306f\u3076\u304f\u300d\u300c\u3057\u306f\u3076\u304d\u300d\u3092\u624b\u304c\u304b\u308a\u306b\u3057\u3066\u2500<\/span><\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">The Representation of Aging in The Tale of Genji:<br \/>\nThrough the Motif of Coughing (Shihabuku\/Shihabuki)<\/span><\/p>\n<p>\u25a0 <span class=\"fontstyle0\">\u6c6a \u6cbb\u6771<\/span>\u3000<span class=\"fontstyle0\">Zhidong WANG<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/WANG-Zhidong_1098-1086.pdf\"><span class=\"fontstyle0\">\u5c71\u90e8\u8d64\u4eba<\/span><span class=\"fontstyle1\">\u300c<\/span><span class=\"fontstyle0\">\u767b\u795e\u5cb3\u4f5c\u6b4c<\/span><span class=\"fontstyle1\">\u300d <\/span><span class=\"fontstyle0\">\u306b\u304a\u3051\u308b <\/span><span class=\"fontstyle1\">\u300c<\/span><span class=\"fontstyle0\">\u604b<\/span><span class=\"fontstyle1\">\u300d <\/span><span class=\"fontstyle0\">\u8868\u73fe\u306e\u610f\u7fa9<\/span> <\/a><\/p>\n<p><span class=\"fontstyle0\">The Significance of <\/span><span class=\"fontstyle2\">\u201c<\/span><span class=\"fontstyle0\">Koi<\/span><span class=\"fontstyle2\">\u201d <\/span><span class=\"fontstyle0\">Expression in Yamabe no Akahito<\/span><span class=\"fontstyle2\">\u2019<\/span><span class=\"fontstyle0\">s Poem Composed upon Climbing Kamuoka<\/span><\/p>\n<p>\u25a0 <span class=\"fontstyle0\">\u5927\u5cf6 \u8309\u8389<\/span>\u3000<span class=\"fontstyle0\">Mari OSHIMA<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/OSHIMA-Mari_1084-1071.pdf\"><span class=\"fontstyle0\">\u590f\u76ee\u6f31\u77f3\u306b\u304a\u3051\u308b <\/span><span class=\"fontstyle2\">\u300c<\/span><span class=\"fontstyle0\">\u611f\u3058<\/span><span class=\"fontstyle2\">\u300d <\/span><span class=\"fontstyle0\">\u3068\u305d\u306e\u5909\u9077<\/span><span class=\"fontstyle0\">\u2500\u2500\u4ff3\u4f53\u8a69\u304b\u3089 <\/span><span class=\"fontstyle2\">\u300c<\/span><span class=\"fontstyle0\">\u4e00\u591c<\/span><span class=\"fontstyle2\">\u300d\u300c<\/span><span class=\"fontstyle0\">\u8349\u6795<\/span><span class=\"fontstyle2\">\u300d <\/span><span class=\"fontstyle0\">\u3078\u2500\u2500<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">Natsume Soseki<\/span><span class=\"fontstyle2\">\u2019<\/span><span class=\"fontstyle0\">s <\/span><span class=\"fontstyle2\">\u201c<\/span><span class=\"fontstyle0\">Kanji<\/span><span class=\"fontstyle2\">\u201d <\/span><span class=\"fontstyle0\">and its transition: <\/span><span class=\"fontstyle0\">From Haitaishi to <\/span><span class=\"fontstyle2\">\u201c<\/span><span class=\"fontstyle0\">Ichiya<\/span><span class=\"fontstyle2\">\u201d <\/span><span class=\"fontstyle0\">and <\/span><span class=\"fontstyle2\">\u201c<\/span><span class=\"fontstyle0\">Kusamakura<\/span><span class=\"fontstyle2\">\u201d<\/span><\/p>\n<p>\u25a0 <span class=\"fontstyle0\">\u55ac \u923a\u4e39<\/span>\u3000<span class=\"fontstyle0\">Yudan QIAO<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/QIAO-Yudan_1070-1059.pdf\"><span class=\"fontstyle0\">\u9d72\u306e\u6b4c\u306e\u6210\u7acb\u306b\u3064\u3044\u3066\u2500\u2500<span class=\"fontstyle1\">\u300c<\/span>\u9d72\u3068\u971c<span class=\"fontstyle1\">\u300d <\/span>\u306e\u6b4c\u3092\u4e2d\u5fc3\u306b\u2500\u2500<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">On the Formation of Magpie-themed Waka: <\/span><span class=\"fontstyle0\">With a Focus on <\/span><span class=\"fontstyle2\">\u201c<\/span><span class=\"fontstyle0\">Magpie and Frost<\/span><span class=\"fontstyle2\">\u201d <\/span><span class=\"fontstyle0\">Poems<\/span><\/p>\n<p>\u25a0 <span class=\"fontstyle0\">\u590f \u5091\u502b<\/span>\u00a0<span class=\"fontstyle0\">\u3000Jielun XIA\u00a0<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/XIA-Jielun_1058-1040.pdf\"><span class=\"fontstyle0\">\u300c<\/span><span class=\"fontstyle1\">\u54c0\u5f1f\u6b7b\u53bb\u4f5c\u6b4c\u4e00\u9996\u5e76\u77ed\u6b4c<\/span><span class=\"fontstyle0\">\u300d <\/span><span class=\"fontstyle1\">\u306e\u6f22\u8a9e\u8868\u8a18\u306b\u3064\u3044\u3066<\/span><span class=\"fontstyle1\">\u2500\u2500\u5893\u8a8c\u9298\u53d7\u5bb9\u306e\u53ef\u80fd\u6027\u3092\u3081\u3050\u3063\u3066\u2500<\/span><br \/>\n<\/a><\/p>\n<p><span class=\"fontstyle0\">On the Chinese Character Representation of <\/span><span class=\"fontstyle2\">\u2018<\/span><span class=\"fontstyle0\">Composing a Poem and Tankas for My Younger Brother<\/span><span class=\"fontstyle2\">\u2019<\/span><span class=\"fontstyle0\">s Death<\/span><span class=\"fontstyle2\">\u2019<\/span><span class=\"fontstyle0\">: <\/span>Possible Influence from Epitaphs<\/p>\n<p>\u25a0 <span class=\"fontstyle0\">\u5e38 \u8212\u5a77<\/span>\u3000<span class=\"fontstyle0\">Shuting CHANG<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/CHANG-Shuting_0221-0233.pdf\"><span class=\"fontstyle0\">\u65e5\u672c\u8a9e\u306b\u304a\u3051\u308b <span class=\"fontstyle2\">\u300c\uff5e<\/span>\u304f\u3082 <span class=\"fontstyle2\">\u30fb <\/span>\u306b\u3082 <span class=\"fontstyle2\">\u300d <\/span>\u578b\u8a55\u4fa1\u526f\u8a5e\u7684\u8868\u73fe\u2500\u2500<span class=\"fontstyle2\">\u300c\uff5e<\/span>\u3053\u3068\u306b<span class=\"fontstyle2\">\u300d <\/span>\u578b\u3068\u306e\u6bd4\u8f03\u3082\u542b\u3081\u3066\u2500\u2500<br \/>\n<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">Evaluative Adverbial Expressions of the <\/span><span class=\"fontstyle2\">\u201c<\/span><span class=\"fontstyle0\">-kumo \/ -nimo<\/span><span class=\"fontstyle2\">\u201d <\/span><span class=\"fontstyle0\">Type in Japanese:<br \/>\nIn Comparison with the <\/span><span class=\"fontstyle2\">\u201c<\/span><span class=\"fontstyle0\">-kotoni<\/span><span class=\"fontstyle2\">\u201d <\/span><span class=\"fontstyle0\">Type<\/span><\/p>\n<p>\u25a0 <span class=\"fontstyle0\">\u5409\u7530 \u6566\u7f8e<\/span>\u3000<span class=\"fontstyle0\">Atsumi YOSHIDA<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/YOSHIDA-Atsumi_1038-1022.pdf\">\u00a0<span class=\"fontstyle0\">\u5287\u56e3\u3076\u3069\u3046\u306e\u4f1a\u306e\u5f62\u6210\u3068\u5c55\u958b<\/span><span class=\"fontstyle0\">\u2500\u2500\u6728\u4e0b\u9806\u4e8c\u306e\u6c11\u8a71\u5287\u3092\u5b9f\u8df5\u3059\u308b\u5834\u3068\u3057\u3066\u2500\u2500<\/span><br \/>\n<\/a><\/p>\n<p><span class=\"fontstyle0\">The Formation and Evolution of the Budo-no-Kai Theater Company:<br \/>\nPracticing Junji Kinoshita<\/span><span class=\"fontstyle2\">\u2019<\/span><span class=\"fontstyle0\">s Folktale Plays<\/span><\/p>\n<p>\u25a0 <span class=\"fontstyle0\">\u9673 \u6109\u6b23<\/span>\u3000<span class=\"fontstyle0\">Yuxin CHEN<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/CHEN-Yuxin_0235-0247.pdf\"><span class=\"fontstyle0\">\u3008<\/span><span class=\"fontstyle1\">\u7247\u4ed8\u3051<\/span><span class=\"fontstyle0\">\u3009 <\/span><span class=\"fontstyle1\">\u306b\u304a\u3051\u308b\u7d61\u307f\u5408\u3044\u304b\u3089\u898b\u308b\u6545\u90f7\u55aa\u5931<\/span><span class=\"fontstyle1\">\u2500\u2500\u6751\u7530\u559c\u4ee3\u5b50<\/span><span class=\"fontstyle0\">\u300e<\/span><span class=\"fontstyle1\">\u6545\u90f7\u306e\u308f\u304c\u5bb6<\/span><span class=\"fontstyle0\">\u300f <\/span><span class=\"fontstyle1\">\u8ad6\u2500\u2500<\/span><br \/>\n<\/a><\/p>\n<p><span class=\"fontstyle0\">Searching for Home:<br \/>\n<\/span><span class=\"fontstyle2\">\u201c<\/span><span class=\"fontstyle0\">Things<\/span><span class=\"fontstyle2\">\u201d <\/span><span class=\"fontstyle0\">and <\/span><span class=\"fontstyle2\">\u201c<\/span><span class=\"fontstyle0\">Entanglements<\/span><span class=\"fontstyle2\">\u201d <\/span><span class=\"fontstyle0\">in Murata Kiyoko<\/span><span class=\"fontstyle2\">\u2019<\/span><span class=\"fontstyle0\">s My Old Home<\/span><\/p>\n<p>\u25a1 <a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/Summary-of-Excellent-Masters-Theses_Japanese-Studies.pdf\" target=\"_blank\" rel=\"noopener\">\u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n<h4 id=\"el\">\u82f1\u6587\u5b66 English Studies<\/h4>\n<p>\u25a0 \u52a0\u85e4 \u4f50\u548c\u5b50\u3000Sawako KATO<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/KATO-Sawako_0249-0260.pdf\"><span class=\"fontstyle0\">\u300c<\/span><span class=\"fontstyle1\">\u3069\u3063\u3061\u3064\u304b\u305a<\/span><span class=\"fontstyle0\">\u300d <\/span><span class=\"fontstyle1\">\u306e\u4e16\u754c\u3068\u3057\u3066\u306e\u30ca\u30eb\u30cb\u30a2<\/span><span class=\"fontstyle1\">\u2500\u2500<\/span><span class=\"fontstyle0\">\u300e<\/span><span class=\"fontstyle1\">\u30e9\u30a4\u30aa\u30f3\u3068\u9b54\u5973\u3068\u8863\u88c5\u7baa\u7b25<\/span><span class=\"fontstyle0\">\u300f <\/span><span class=\"fontstyle1\">\u3092\u4e2d\u5fc3\u306b\u2500\u2500<\/span><br \/>\n<\/a><\/p>\n<p><span class=\"fontstyle0\">Narnia as a Betwixt and Between World:<br \/>\nFocusing on The Lion, the Witch and the Wardrobe<\/span><\/p>\n<p>\u25a0 <span class=\"fontstyle0\">Shiyu GUI<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/GUI-Shiyu_0261-0281.pdf\"><span class=\"fontstyle1\"><span class=\"fontstyle0\">Foreignness and Femininity:French Queens in Shakespeare<\/span><span class=\"fontstyle2\">\u2019<\/span><span class=\"fontstyle0\">s History Plays<\/span>\u00a0<\/span><br \/>\n<\/a><\/p>\n<p>\u25a1 <a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/Summary-of-Excellent-Masters-Theses_English-Studies.pdf\" target=\"_blank\" rel=\"noopener\">\u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n<h4 id=\"fl\">\u30d5\u30e9\u30f3\u30b9\u8a9e\u30d5\u30e9\u30f3\u30b9\u6587\u5b66 French Studies<\/h4>\n<p>\u25a0 <span class=\"fontstyle0\">\u4e95\u4e0a \u6afb\u5b50<\/span>\u3000<span class=\"fontstyle0\">Sakurako INOUE<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/INOUE-Sakurako_0297-0310.pdf\"><span class=\"fontstyle0\">\u300e<\/span><span class=\"fontstyle1\">\u767e\u79d1\u5168\u66f8<\/span><span class=\"fontstyle0\">\u300f <\/span><span class=\"fontstyle1\">\u306e\u7121\u8a18\u540d\u9805\u76ee\u3068\u30b5\u30f3\uff1d\u30e9\u30f3\u30d9\u30fc\u30eb\u306e\u7d4c\u6e08\u601d\u60f3<span class=\"fontstyle0\">\u2500\u2500<\/span>\u300e<span class=\"fontstyle0\">\u56db\u5b63<\/span>\u300f\u300c<span class=\"fontstyle0\">\u51ac<\/span>\u300d <span class=\"fontstyle0\">\u306e\u6ce8\u8a18\u3092\u51fa\u767a\u70b9\u3068\u3057\u3066\u2500\u2500<\/span><\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">Un article anonyme dans l<\/span><span class=\"fontstyle2\">\u2019<\/span><span class=\"fontstyle0\">Encyclop\u00e9die \u00e0 la lumi\u00e8re de la pens\u00e9e \u00e9conomique de Saint-Lambert \u2014 \u00e0 partir d<span class=\"fontstyle2\">\u2019<\/span>une note sur \u00ab l<span class=\"fontstyle2\">\u2019<\/span>Hiver \u00bb dans Les Saisons \u2014<\/span><\/p>\n<p>\u25a0 <span class=\"fontstyle0\">Riho TAKAYASU<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/TAKAYASU-Riho_0311-0334.pdf\"><span class=\"fontstyle0\">Variations des dispositifs m\u00e9ta-th\u00e9\u00e2traux dans les pi\u00e8ces et livrets de Philippe Quinault<\/span><\/a><\/p>\n<p>\u25a0 \u5bae\u5ddd \u77e5\u5b50\u3000Tomoko MIYAGAWA<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/MIYAGAWA-Tomoko_0335-0352.pdf\"><span class=\"fontstyle0\">\u30d6\u30ea\u30e4\uff1d\u30b5\u30f4\u30a1\u30e9\u30f3\u306b\u304a\u3051\u308b<\/span><span class=\"fontstyle1\">\u300c<\/span><span class=\"fontstyle0\">\u30b8\u30a7\u30cd\u30b8\u30c3\u30af g\u00e9n\u00e9sique \u306e\u751f\u7406\u5b66<\/span><span class=\"fontstyle1\">\u300d <\/span><span class=\"fontstyle0\">\u306e\u840c\u82bd<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">L<\/span><span class=\"fontstyle1\">\u2019<\/span><span class=\"fontstyle0\">embryon d&#8217;une physiologie du g\u00e9n\u00e9sique chez Brillat-Savarin<\/span><\/p>\n<p>\u25a0 <span class=\"fontstyle0\">\u8c37\u6fa4 \u771f\u512a<\/span>\u3000<span class=\"fontstyle0\">Mayu TANIZAWA<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/TANIZAWA-Mayu_0353-0369.pdf\"><span class=\"fontstyle1\"><span class=\"fontstyle0\">\u66f8\u7c21\u306b\u304a\u3051\u308b\u7d50\u5a5a\u306e\u8a9e\u308a\u3068\u4ea4\u63db\u69cb\u9020\u2500\u2500\u300e\u4e8c\u4eba\u306e\u82e5\u59bb\u306e\u624b\u8a18\u300f \u3092\u901a\u3057\u3066\u2500\u2500<\/span><\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">M\u00e9moires de deux jeunes mari\u00e9es :<br \/>\nla structure d<span class=\"fontstyle2\">\u2019<\/span>\u00e9change du mariage dans la narration \u00e9pistolaire<\/span><\/p>\n<p>\u25a0 <span class=\"fontstyle0\">\u592a\u7530 \u672a\u3005<\/span>\u3000<span class=\"fontstyle0\">Mimi OTA<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/OTA-Mimi_0371-0387.pdf\"><span class=\"fontstyle1\"><span class=\"fontstyle0\">\u30d0\u30f3\u30c9\u30fb \u30c7\u30b7\u30cd\u6700\u521d\u671f\u306b\u304a\u3051\u308b\u30e2\u30d6\u30b7\u30fc\u30f3\u306e\u59ff\u2500\u2500\u30c6\u30d7\u30d5\u30a7\u30fc\u30eb\u304b\u3089\u30ab\u30e0 \u3001 \u30c9\u30ec\u3001 \u30af\u30ea\u30b9\u30c8\u30d5\u307e\u3067\u2500\u2500<\/span><\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">The appearance of mob scenes in early bandes dessin\u00e9es<br \/>\n\u2014 From T\u00f6pffer to Cham, Dor\u00e9, and Christophe \u2014<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/Summary-of-Excellent-Masters-Theses_French-Studies.pdf\" target=\"_blank\" rel=\"noopener\">\u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n<h4 id=\"dl\">\u30c9\u30a4\u30c4\u8a9e\u30c9\u30a4\u30c4\u6587\u5b66 German Studies<\/h4>\n<p>\u25a0 \u6238\u5d8b\u3000\u5320\u3000Takumi TOSHIMA<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/TOSHIMA-Takumi_0401-0416.pdf\"><span class=\"fontstyle0\">\u30db\u30fc\u30d5\u30de\u30f3\u30b9\u30bf\u30fc\u30eb\u6587\u5b66\u306b\u304a\u3051\u308b\u52d5\u7269\u306e\u72a0\u7272<\/span><span class=\"fontstyle0\">\u2500\u2500\u8a69\u7684\u4e3b\u89b3\u6027\u6210\u7acb\u306e\u77ac\u9593\u2500\u2500<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">Das Tieropfer in Hofmannsthals Dichtung<br \/>\n\u2014 Augenblicke der Entstehung der poetischen Subjektivit\u00e4t \u2014<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/Summary-of-Excellent-Masters-Theses_German-Studies.pdf\" target=\"_blank\" rel=\"noopener\">\u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n<h4 id=\"rl\">\u30ed\u30b7\u30a2\u8a9e\u30ed\u30b7\u30a2\u6587\u5316 Russian Studies<\/h4>\n<p>\u25a0 \u4e09\u6d66 \u6e05\u7f8e\u3000Kiyoharu MIURA<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/MIURA-Kiyoharu_0421-0438.pdf\"><span class=\"fontstyle0\">\u3044\u304b\u306b\u30ae\u30ea\u30b7\u30a2\u306e<\/span><span class=\"fontstyle1\">\u300e<\/span><span class=\"fontstyle0\">\u30c7\u30a3\u30b2\u30cb\u30b9 <\/span><span class=\"fontstyle1\">\u30fb <\/span><span class=\"fontstyle0\">\u30a2\u30af\u30ea\u30bf\u30b9 <\/span><span class=\"fontstyle1\">\u300f <\/span><span class=\"fontstyle0\">\u306f\u30ed\u30b7\u30a2\u306e<\/span><span class=\"fontstyle1\">\u300e<\/span><span class=\"fontstyle0\">\u30c7\u30f4\u30b2\u30fc\u30cb\u30a4\u306e\u4e8b\u7e3e<\/span><span class=\"fontstyle1\">\u300f <\/span><span class=\"fontstyle0\">\u306b\u306a\u3063\u305f\u304b\u2500\u2500\u82f1\u96c4\u7269\u8a9e\u306b\u73fe\u308c\u305f\u52c7\u6c17<span class=\"fontstyle1\">\u3001 <\/span>\u8a98\u60d1<span class=\"fontstyle1\">\u3001 <\/span>\u4eba\u751f\u306e\u865a\u3057\u3055\u2500\u2500<br \/>\n<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">How Greek <\/span><span class=\"fontstyle2\">\u201c<\/span><span class=\"fontstyle0\">Digenis Akrites<\/span><span class=\"fontstyle2\">\u201d <\/span><span class=\"fontstyle0\">has become Russian <\/span><span class=\"fontstyle2\">\u201c<\/span><span class=\"fontstyle0\">The Achievements of Devgenii<\/span><span class=\"fontstyle2\">\u201d<br \/>\n<\/span><span class=\"fontstyle0\">\u2014 Courage, Temptations and the Futility of Life as expressed in the Heroic Epic \u2014<\/span><\/p>\n<p>\u25a0 <span class=\"fontstyle0\">\u753a\u7530 \u822a\u5927<\/span>\u3000<span class=\"fontstyle0\">Kodai MACHIDA<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/MACHIDA-Kodai_0439-0455.pdf\"><span class=\"fontstyle0\">\u30c9\u30b9\u30c8\u30a8\u30d5\u30b9\u30ad\u30fc<span class=\"fontstyle1\">\u300c<\/span>\u30d7\u30fc\u30b7\u30ad\u30f3\u6f14\u8aac<span class=\"fontstyle1\">\u300d <\/span>\u3068\u8a00\u8ad6\u306e\u81ea\u7531<span class=\"fontstyle1\">\uff1a<\/span>\u65b9\u6cd5\u3068\u3057\u3066\u306e\u71b1\u72c2\u3068\u8ad6\u4e89<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">\u00a0\u00ab\u041f\u0443\u0448\u043a\u0438\u043d\u0441\u043a\u0430\u044f \u0440\u0435\u0447\u044c\u00bb \u0414\u043e\u0441\u0442\u043e\u0435\u0432\u0441\u043a\u043e\u0433\u043e \u0438 \u0441\u0432\u043e\u0431\u043e\u0434\u0430 \u0441\u043b\u043e\u0432\u0430:<br \/>\n\u0432\u043e\u0441\u0442\u043e\u0440\u0433 \u0438 \u043f\u043e\u043b\u0435\u043c\u0438\u043a\u0430 \u043a\u0430\u043a \u0441\u043f\u043e\u0441\u043e\u0431<\/span><\/p>\n<p>\u25a0 \u6817\u539f \u304b\u304a\u308a\u3000Kaori KURIHARA<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/KURIHARA-Kaori_0457-0471.pdf\"><span class=\"fontstyle0\">\u30de\u30ea\u30fc\u30ca<span class=\"fontstyle1\">\u30fb <\/span>\u30c4\u30f4\u30a7\u30bf\u30fc\u30a8\u30ef <span class=\"fontstyle1\">\u300e<\/span>\u5225\u308c<span class=\"fontstyle1\">\u300f <\/span>\u306b\u304a\u3051\u308b\u8a69\u4f5c\u89b3<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">\u041f\u043e\u044d\u0442\u0438\u043a\u0430 \u041c\u0430\u0440\u0438\u043d\u044b \u0426\u0432\u0435\u0442\u0430\u0435\u0432\u043e\u0439 \u0432 \u0441\u0431\u043e\u0440\u043d\u0438\u043a\u0435 \u00ab\u0420\u0430\u0437\u043b\u0443\u043a\u0430\u00bb<\/span><\/p>\n<p>\u25a0 <span class=\"fontstyle0\">\u885b\u85e4 \u840c\u5b50<\/span>\u3000<span class=\"fontstyle0\">Moeko ETO<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/KURIHARA-Kaori_0457-0471.pdf\"><span class=\"fontstyle0\">\u75c5<span class=\"fontstyle1\">\u30fb <\/span>\u9732\u51fa<span class=\"fontstyle1\">\u30fb <\/span>\u30e2\u30f3\u30bf\u30fc\u30b8\u30e5<\/span><\/a><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/ETO-Moeko_0473-0491.pdf\"><span class=\"fontstyle0\">\u2500\u2500\u30ad\u30fc\u30e9 <span class=\"fontstyle1\">\u30fb <\/span>\u30e0\u30e9\u30fc\u30c8\u30ef <span class=\"fontstyle1\">\u300e<\/span>\u7121\u6c17\u529b\u30b7\u30f3\u30c9\u30ed\u30fc\u30e0 <span class=\"fontstyle1\">\u300f <\/span>\u306e\u7de8\u96c6\u7f8e\u5b66\u306b\u3064\u3044\u3066\u2500\u2500<br \/>\n<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">\u0411\u043e\u043b\u0435\u0437\u043d\u044c. \u041e\u0431\u043d\u0430\u0436\u0435\u043d\u0438\u0435. \u041c\u043e\u043d\u0442\u0430\u0436: \u043e\u0431 \u044d\u0441\u0442\u0435\u0442\u0438\u043a\u0435 \u043c\u043e\u043d\u0442\u0430\u0436\u0430 \u00ab\u0410\u0441\u0442\u0435\u043d\u0438\u0447\u0435\u0441\u043a\u043e\u0433\u043e \u0441\u0438\u043d\u0434\u0440\u043e\u043c\u0430\u00bb<br \/>\n\u041a\u0438\u0440\u044b \u041c\u0443\u0440\u0430\u0442\u043e\u0432\u043e\u0439<\/span><\/p>\n<p>\u25a0 <span class=\"fontstyle0\">\u6cb3\u57ce \u745e\u5b63<\/span>\u3000<span class=\"fontstyle0\">Mizuki GOJO<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/GOJO-Mizuki_0493-0511.pdf\"><span class=\"fontstyle0\">\u00a0\u30a2\u30f3\u30c9\u30ec\u30a4 <span class=\"fontstyle2\">\u30fb <\/span>\u30bf\u30eb\u30b3\u30d5\u30b9\u30ad\u30fc<span class=\"fontstyle2\">\u300e<\/span>\u30b9\u30c8\u30fc\u30ab\u30fc<span class=\"fontstyle2\">\u300f <\/span>\u306b\u304a\u3051\u308b\u7570\u8cea\u306a<span class=\"fontstyle2\">\u3008<\/span>\u4ed6\u8005<span class=\"fontstyle2\">\u3009 <\/span>\u306e\u30e2\u30c1\u30fc\u30d5<br \/>\n<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">\u041c\u043e\u0442\u0438\u0432\u044b <\/span><span class=\"fontstyle2\">\u201c<\/span><span class=\"fontstyle0\">\u0447\u0443\u0436\u043e\u0433\u043e<\/span><span class=\"fontstyle2\">\u201d <\/span><span class=\"fontstyle0\">\u0432 \u0444\u0438\u043b\u044c\u043c\u0435 \u0410\u043d\u0434\u0440\u0435\u044f \u0422\u0430\u0440\u043a\u043e\u0432\u0441\u043a\u043e\u0433\u043e \u00ab\u0421\u0442\u0430\u043b\u043a\u0435\u0440\u00bb<\/span><\/p>\n<p>\u25a0 <span class=\"fontstyle0\">\u6797 \u3086\u304b\u308a<\/span>\u3000<span class=\"fontstyle0\">Yukari HAYASHI<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/HAYASHI-Yukari_0513-0529.pdf\"><span class=\"fontstyle0\">\u30f4\u30a3\u30af\u30c8\u30eb<span class=\"fontstyle1\">\u30fb <\/span>\u30b7\u30af\u30ed\u30d5\u30b9\u30ad\u30fc<span class=\"fontstyle1\">\u300e<\/span>\u7b2c\u4e09\u5de5\u5834<span class=\"fontstyle1\">\u300f <\/span>\u306b\u304a\u3051\u308b<span class=\"fontstyle1\">\u300c<\/span>\u52a0\u5de5<span class=\"fontstyle1\">\u300d <\/span>\u3068 <span class=\"fontstyle1\">\u300c<\/span>\u82b8\u8853\u306e\u81ea\u7531<span class=\"fontstyle1\">\u300d <\/span>\u306e\u610f\u7fa9<br \/>\n<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">\u0417\u043d\u0430\u0447\u0435\u043d\u0438\u0435 \u00ab\u043e\u0431\u0440\u0430\u0431\u043e\u0442\u043a\u0438\u00bb \u0438 \u00ab\u0441\u0432\u043e\u0431\u043e\u0434\u044b \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430\u00bb \u0432 \u00ab\u0422\u0440\u0435\u0442\u044c\u0435\u0439 \u0444\u0430\u0431\u0440\u0438\u043a\u0435\u00bb \u0412. \u0428\u043a\u043b\u043e\u0432\u0441\u043a\u043e\u0433\u043e<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/Summary-of-Excellent-Masters-Theses_Russian-Studies.pdf\" target=\"_blank\" rel=\"noopener\">\u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n<h4 id=\"cl\">\u4e2d\u56fd\u8a9e\u4e2d\u56fd\u6587\u5b66 Chinese Studies<\/h4>\n<p>\u25a0 <span class=\"fontstyle0\">\u90ed \u6e08\u98db<\/span>\u3000<span class=\"fontstyle0\">Jifei GUO<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/GUO-Jifei_0539-0555.pdf\"><span class=\"fontstyle0\">\u8d8a\u5883\u3057\u305f\u4e2d\u56fd\u9752\u6625\u7269\u8a9e\u2500\u2500\u90ed\u5c0f\u6ad3\u306e<span class=\"fontstyle1\">\u300e<\/span>\u30d5\u30f3\u30d5\u30a1\u30f3\u306e37\u00b02<span class=\"fontstyle1\">\u300f <\/span>\u3068 <span class=\"fontstyle1\">\u300e<\/span>\u604b\u4eba\u306e\u305f\u3081\u306e\u7c21\u660e\u4e2d\u82f1\u8f9e\u66f8<span class=\"fontstyle1\">\u300f <\/span>\u3092\u3081\u3050\u3063\u3066\u2500\u2500<br \/>\n<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">Trans-border Narrative of Chinese Youth:<br \/>\nA Comparative Study of Xiaolu Guo<\/span><span class=\"fontstyle2\">\u2019<\/span><span class=\"fontstyle0\">s Two Novels<\/span><\/p>\n<p>\u25a0 <span class=\"fontstyle0\">\u674e \u5bb6\u6a4b\u00a0<\/span>\u3000<span class=\"fontstyle0\">Jiqiao LI<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/LI-Jiqiao_0557-0572.pdf\"><span class=\"fontstyle0\">\u5143\u96d1\u5287\u306e\u6954\u5b50\u306b\u95a2\u3059\u308b\u518d\u691c\u8a0e<br \/>\n<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">A Re-examination of the Xiezi in Yuan Zaju<\/span><\/p>\n<p>\u25a0 <span class=\"fontstyle0\">\u65bd \u51b0\u5a9b<\/span>\u3000<span class=\"fontstyle0\">Bingyuan SHI<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/SHI-Bingyuan_0573-0586.pdf\"><span class=\"fontstyle0\">\u5449\u5855\u4eba\u3068\u4fdd\u7687\u4f1a\u306e\u95a2\u4fc2\u306b\u3064\u3044\u3066\u306e\u8003\u5bdf\u2500\u2500<span class=\"fontstyle1\">\u300e<\/span>\u91c7\u98a8\u5831<span class=\"fontstyle1\">\u300f <\/span>\u3092\u3081\u3050\u3063\u3066\u2500\u2500<br \/>\n<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">A Study of the Relationship Between Wu Jianren and the Chinese Empire Reform Association \u2015Focusing on Caifeng Bao<\/span><\/p>\n<h4 id=\"v\">\u6f14\u5287\u6620\u50cf\u5b66 Theatre and Film Arts<\/h4>\n<p>\u25a0\u00a0<span class=\"fontstyle0\">\u95a2\u6839\u00a0 \u907c<\/span>\u3000<span class=\"fontstyle0\">Ryo SEKINE\u00a0<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/SEKINE-Ryo_0587-0603.pdf\"><span class=\"fontstyle0\">\u30dd\u30b9\u30c8 <span class=\"fontstyle2\">\u30fb <\/span>\u30c9\u30ad\u30e5\u30e1\u30f3\u30bf\u30ea\u30fc\u6f14\u5287\u8a66\u8ad6\u2500\u2500\u30a2\u30fc\u30ab\u30a4\u30f4\u8ad6\u7684\u8ee2\u56de\u306f\u821e\u53f0\u82b8\u8853\u306b\u3044\u304b\u306a\u308b\u5909\u5316\u3092\u751f\u3058\u3055\u305b\u305f\u304b\u2500\u2500<br \/>\n<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">Towards Post-Documentary Theatre:<br \/>\nThe Archival Turn and Its Impact on Performing Arts<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/Summary-of-Excellent-Masters-Theses_Theatre-and-Film-Arts.pdf\" target=\"_blank\" rel=\"noopener\">\u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n<h4 id=\"art\">\u7f8e\u8853\u53f2\u5b66 Art History<\/h4>\n<p>\u25a0 <span class=\"fontstyle0\">Tomoyuki MASUDA<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/MASUDA-Tomoyuki_0625-0644.pdf\"><span class=\"fontstyle0\">Bread of Betrayal, Bread of Sorrow: Decorative Program in the Bema of the Church<br \/>\nof Panagia Phorbiotissa, Asinou (Cyprus) <\/span><\/a><\/p>\n<p>\u25a0 <span class=\"fontstyle0\">\u6c60\u7530 \u6cc9<\/span>\u3000<span class=\"fontstyle0\">Izumi IKEDA<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/IKEDA-Izumi_1004-0988.pdf\"><span class=\"fontstyle0\">\u571f\u4f50\u5149\u5247\u7b46<\/span><span class=\"fontstyle1\">\u300c<\/span><span class=\"fontstyle0\">\u96d1\u753b\u5e16<\/span><span class=\"fontstyle1\">\u300d <\/span><span class=\"fontstyle0\">\u821e\u697d\u56f3\u306e\u7cfb\u7d71\u3068\u66f2\u76ee\u518d\u691c\u8a0e<\/span><span class=\"fontstyle0\">\u2500\u2500\u672a\u7d39\u4ecb\u6a21\u672c\u3068\u306e\u6bd4\u8f03\u306b\u3088\u308b\u7b2c\u4e94\u56f3<\/span><span class=\"fontstyle1\">\u300c<\/span><span class=\"fontstyle0\">\u8607\u5229\u53e4<\/span><span class=\"fontstyle1\">\u300d <\/span><span class=\"fontstyle0\">\u306e\u7279\u5b9a\u2500\u2500<\/span><br \/>\n<\/a><\/p>\n<p><span class=\"fontstyle0\">Reexamining Bugaku Imagery in Tosa Mitsunori<\/span><span class=\"fontstyle2\">\u2019<\/span><span class=\"fontstyle0\">s Zatsuga-j\u014d: Identifying the Fifth Dance Soriko through Comparison with an Unintroduced Work<\/span><\/p>\n<p>\u25a0 <span class=\"fontstyle0\">\u592a\u7530 \u5c0f\u96ea<\/span>\u3000<span class=\"fontstyle0\">Koyuki OTA<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/OTA-Koyuki_0645-0665.pdf\"><span class=\"fontstyle0\">\u5c71\u4e2d\u5546\u4f1a\u304c\u898b\u305f\u6771\u5357\u30a2\u30b8\u30a2<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">Southeast Asia as Seen by Yamanaka &amp; Co.: <\/span>Exhibition, Sale, and Reception of Southeast Asian Art in Japan, 1925\u20131930<\/p>\n<p>\u25a0 <span class=\"fontstyle0\">\u674e \u82d1\u5f64<\/span>\u3000<span class=\"fontstyle0\">Yuantong LI <\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2025\/03\/LI-Tian_0792-0777.pdf\"><span class=\"fontstyle0\">\u4e2d\u9670\u4e16\u754c\u306e\u69cb\u7bc9\u53ca\u3073\u305d\u306e\u5c55\u958b<\/span><\/a><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/LI-Yuantong_0986-0966.pdf\">\u2500\u2500\u6771\u5bfa\u6240\u8535<span class=\"fontstyle1\">\u300c<\/span>\u4ecf\u8aac\u9810\u4fee\u5341\u738b\u751f\u4e03\u7d4c\u56f3\u5dfb<span class=\"fontstyle1\">\u300d <\/span>\u3092\u4e2d\u5fc3\u3068\u3057\u3066\u2500\u2500<\/a><\/p>\n<p><span class=\"fontstyle0\">The Construction and Subsequent Developments of the Realm of Intermediate Existence:<br \/>\nWith a Focus on an Illustrated Scroll of the Scripture on the Ten Kings Held by T\u014dji<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/Summary-of-Excellent-Masters-Theses_Art-History.pdf\" target=\"_blank\" rel=\"noopener\">\u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n<h4 id=\"jh\">\u65e5\u672c\u53f2\u5b66 Japanese History<\/h4>\n<p>\u25a0 <span class=\"fontstyle0\">\u4e94\u5341\u5d50 \u6167\u7950<\/span>\u3000<span class=\"fontstyle0\">Keisuke IGARASHI<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/IGARASHI-Keisuke_0960-0947.pdf\"><span class=\"fontstyle0\">\u7f8e\u6fc3\u90e8\u90fd\u653f\u306b\u304a\u3051\u308b\u516c\u55b6\u7af6\u6280\u306e\u5ec3\u6b62\u6c7a\u5b9a\u904e\u7a0b<\/span><span class=\"fontstyle0\">\u2500\u2500\u5a66\u4eba\u56e3\u4f53\u3068\u90fd\u8b70\u4f1a\u306e\u50cd\u304d\u304b\u3051\u306b\u6ce8\u76ee\u3057\u3066\u2500\u2500<\/span><br \/>\n<\/a><\/p>\n<p><span class=\"fontstyle0\">The Decision-Making Process for Abolishing Publicly Managed Gambling under Governor Ryokichi Minobe: With a Focus on the Roles of Women<\/span><span class=\"fontstyle2\">\u2019<\/span><span class=\"fontstyle0\">s Organizations and the Tokyo Metropolitan Assembly<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/Summary-of-Excellent-Masters-Theses_Japanese-History.pdf\" target=\"_blank\" rel=\"noopener\">\u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n<h4 id=\"ah\">\u6771\u6d0b\u53f2\u5b66 <span class=\"fontstyle0\">Asian History<\/span><\/h4>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/Summary-of-Excellent-Masters-Theses_Asian-History.pdf\" target=\"_blank\" rel=\"noopener\">\u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n<h4 id=\"wh\">\u897f\u6d0b\u53f2\u5b66 Western History<\/h4>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/Summary-of-Excellent-Masters-Theses_Western-History.pdf\" target=\"_blank\" rel=\"noopener\">\u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n<h4 id=\"arch\">\u8003\u53e4\u5b66 Archaeology<\/h4>\n<p>\u25a0 <span class=\"fontstyle0\">\u9577\ufa11 \u6f64\u4e00<\/span><span class=\"fontstyle1\">\u30fb <\/span><span class=\"fontstyle0\">\u9ad9\u5009 \u7d14<\/span><span class=\"fontstyle1\">\u30fb <\/span><span class=\"fontstyle0\">\u9bc9\u6cbc \u6765\u4eba<\/span><span class=\"fontstyle1\">\u30fb <\/span><span class=\"fontstyle0\">\u5317\u6751 \u6210\u4e16<\/span><\/p>\n<p><span class=\"fontstyle0\">Junichi NAGASAKI,<br \/>\nJun TAKAKURA, Raito KOINUMA, Narise KITAMURA<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/NAGASAKI-Junichi_0683-0704.pdf\"><span class=\"fontstyle0\">\u5317\u6d77\u9053\u862d\u8d8a\u753a\u7acb\u5ddd<\/span><span class=\"fontstyle1\">\uff11<\/span><span class=\"fontstyle0\">\u907a\u8de1\u7b2c<\/span><span class=\"fontstyle1\">\uff16<\/span><span class=\"fontstyle0\">\u6b21<\/span><span class=\"fontstyle3\">\u30fb<\/span><span class=\"fontstyle1\">\uff17<\/span><span class=\"fontstyle0\">\u6b21\u8abf\u67fb\u6982\u5831<\/span><br \/>\n<\/a><\/p>\n<p><span class=\"fontstyle0\">The Archaeological Research at TACHIKAWA Site in Hokkaido:<br \/>\nthe fourth report<\/span><\/p>\n<p>\u25a0 <span class=\"fontstyle0\">\u6afb\u5ead \u9678\u592e<\/span><span class=\"fontstyle1\">\u30fb <\/span><span class=\"fontstyle0\">\u690d\u6708 \u5b66\u30fb<\/span><span class=\"fontstyle0\">\u4e2d\u9580 \u4eae\u592a<\/span><span class=\"fontstyle1\">\u30fb<\/span><span class=\"fontstyle0\">\u9ad8\u6a4b \u9f8d\u4e09\u90ce<\/span><\/p>\n<p><span class=\"fontstyle0\">Rikuo SAKURABA,<br \/>\nManabu UETSUKI, Ryota NAKAKADO, Ryuzaburo TAKAHASHI<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/NAKAKADO-Ryota_0705-0726.pdf\"><span class=\"fontstyle0\">\u9577\u8c37\u5802\u8c9d\u585a1955\u5e74\u5ea6\u8abf\u67fb\u51fa\u571f\u306e\u52d5\u7269\u907a\u4f53<\/span><br \/>\n<\/a><\/p>\n<p><span class=\"fontstyle0\">Faunal remains excavated from Hasedo Shell Midden 1955 survey<\/span><\/p>\n<p>\u25a0 <span class=\"fontstyle0\">\u5c71\u5d0e \u4e16\u7406\u611b<\/span>\u3000<span class=\"fontstyle0\">Seria YAMAZAKI<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/YAMAZAKI-Seria_0727-0739.pdf\"><span class=\"fontstyle0\">\u53e4\u4ee3\u30a8\u30b8\u30d7\u30c8\u53e4\u738b\u56fd\u6642\u4ee3\u672b\u671f\u304b\u3089\u4e2d\u738b\u56fd\u6642\u4ee3\u306b\u304a\u3051\u308b\u5668\u7269\u5949\u732e\u5100\u793c\u306e\u69cb\u9020\u3068\u5909\u5316<br \/>\n<\/span><span class=\"fontstyle0\">\u2500\u2500\u30a8\u30b8\u30d7\u30c8\u5b66\u306b\u304a\u3051\u308b\u5100\u793c\u7814\u7a76\u306e\u53ef\u80fd\u6027\u2500\u2500<\/span><br \/>\n<\/a><\/p>\n<p><span class=\"fontstyle0\">The Structure and Transformation of the Object Offering Ritual from the Late Old Kingdom to the Middle Kingdom:<br \/>\nProspects for Ritual Studies in Egyptology<\/span><\/p>\n<p>\u25a0 <span class=\"fontstyle0\">\u6749\ufa11 \u8302\u6a39<\/span>\u3000<span class=\"fontstyle0\">Shigeki SUGISAKI <\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/SUGISAKI-Shigeki_0741-0774.pdf\"><span class=\"fontstyle0\">\u6771\u65e5\u672c\u306e\u5f25\u751f\u58b3\u5893\u3068\u53e4\u58b3\u306b\u526f\u846c\u3055\u308c\u305f\u9244\u5263\u8eab\u306e\u57fa\u790e\u7684\u7814\u7a76<\/span><span class=\"fontstyle0\">\u2500\u2500\u5263\u8eab\u5404\u90e8\u4f4d\u306e\u8a08\u6e2c\u306b\u57fa\u3065\u304f\u5206\u6790\u2500\u2500<\/span><br \/>\n<\/a><\/p>\n<p><span class=\"fontstyle0\">Basic Research on Iron Sword Blades Buried in Yayoi and Kofun Tombs in the Eastern Japan \u2014 Analysis based on measurement of each part of the sword body \u2014<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/Summary-of-Excellent-Masters-Theses_Archaeology.pdf\" target=\"_blank\" rel=\"noopener\">\u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n<h4 id=\"anth\">\u6587\u5316\u4eba\u985e\u5b66 Cultural Anthropology<\/h4>\n<p>\u25a0 \u570b\u5f18 \u6681\u5b50\u3000Akiko KUNIHIRO<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/KUNIHIRO-Akiko_0783-0794.pdf\"><span class=\"fontstyle0\">\u5317\u30a4\u30f3\u30c9\u306e\u7236\u7cfb\u793e\u4f1a\u3067<\/span><span class=\"fontstyle1\">\u300c<\/span><span class=\"fontstyle0\">\u30c8\u30e9\u30f3\u30b9\u3057\u305f<\/span><span class=\"fontstyle1\">\u300d <\/span><span class=\"fontstyle0\">\u4eba\u3073\u3068\u306b\u3064\u3044\u3066\u8003\u3048\u308b<\/span><br \/>\n<\/a><\/p>\n<p><span class=\"fontstyle0\">Examining the Transcendental Position of Hijras within the patrilineal context<br \/>\nof Gujarat, India<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/Summary-of-Excellent-Masters-Theses_Cultural-Anthropology.pdf\" target=\"_blank\" rel=\"noopener\">\u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n<h4 id=\"media\">\u8868\u8c61\u30fb\u30e1\u30c7\u30a3\u30a2\u8ad6 Studies of Media, Body and Image<\/h4>\n<p>\u25a0 <span class=\"fontstyle0\">Futoshi SAKAUCHI<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/SAKAUCHI-Futoshi_0799-0814.pdf\"><span class=\"fontstyle0\">Forging Ireland on Stage: Irish Literary Theatre and Early Dramatic Experiments<\/span> <\/a><\/p>\n<p>\u25a0 \u95a2 \u76f4\u5b50\u3000 Naoko SEKI<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/SEKI-Naoko_0815-0829.pdf\"><span class=\"fontstyle0\">\u8cab\u6226\u671f\u306e\u6842\u3086\u304d\u306e\u5236\u4f5c\u3068\u767a\u8868<\/span><span class=\"fontstyle0\">\u2500\u98a8\u666f\u8868\u73fe\u3092\u3081\u3050\u308b\u5148\u884c\u3059\u308b\u4f5c\u54c1\u3068\u306e\u5bfe\u8a71\u2500<\/span><br \/>\n<\/a><\/p>\n<p><span class=\"fontstyle0\">Yuki Katsura<\/span><span class=\"fontstyle2\">\u2019<\/span><span class=\"fontstyle0\">s creative activities and presentation during the transwar period<br \/>\n\u2014 Dialogue with preceding works concerning landscape representation \u2014<\/span><\/p>\n<p>\u25a0 <span class=\"fontstyle0\">\u6d5c\u7530 \u8aa0\u592a\u90ce<\/span>\u3000<span class=\"fontstyle0\">Seitaro HAMADA<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/HAMADA-Seitaro_0831-0848.pdf\"><span class=\"fontstyle0\">\u60f3\u8d77\u3059\u308b\u8eab\u4f53\u3092\u628a\u63e1\u3059\u308b<\/span><span class=\"fontstyle0\">\u2500\u2500\u30b9\u30bf\u30cb\u30b9\u30e9\u30d5\u30b9\u30ad\u30fc<\/span><span class=\"fontstyle1\">\u300e<\/span><span class=\"fontstyle0\">\u4ff3\u512a\u306e\u4ed5\u4e8b<\/span><span class=\"fontstyle1\">\u300f <\/span><span class=\"fontstyle0\">\u306b\u304a\u3051\u308b <\/span><span class=\"fontstyle1\">\u300c<\/span><span class=\"fontstyle0\">\u5fc3\u7406\u6280\u8853\u8005<\/span><span class=\"fontstyle1\">\u300d <\/span><span class=\"fontstyle0\">\u5316\u3059\u308b\u4ff3\u512a\u305f\u3061\u2500\u2500<\/span><br \/>\n<\/a><\/p>\n<p><span class=\"fontstyle0\">Grasping the Imaging Body: Actors becoming <\/span><span class=\"fontstyle2\">\u201c<\/span><span class=\"fontstyle0\">Psychotechnicians<\/span><span class=\"fontstyle2\">\u201d <\/span><span class=\"fontstyle0\">in Stanislavsky<\/span><span class=\"fontstyle2\">\u2019<\/span><span class=\"fontstyle0\">s An Actor<\/span><span class=\"fontstyle2\">\u2019<\/span><span class=\"fontstyle0\">s Work<\/span><\/p>\n<p>\u25a0 <span class=\"fontstyle0\">\u77e2\u5185 \u6709\u7d17<\/span>\u3000<span class=\"fontstyle0\">Arisa YANAI<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/YANAI-Arisa_0849-0865.pdf\"><span class=\"fontstyle0\">\u30e9\u30b8\u30aa\u30c9\u30e9\u30de<\/span><span class=\"fontstyle1\">\u300e<\/span><span class=\"fontstyle0\">\u30b3\u30e1\u30c3\u30c8 <\/span><span class=\"fontstyle1\">\u30fb <\/span><span class=\"fontstyle0\">\u30a4\u30b1\u30e4<\/span><span class=\"fontstyle1\">\u300f <\/span><span class=\"fontstyle0\">\u8ad6<\/span><span class=\"fontstyle0\">\u2500\u5b9f\u5728\u3068\u865a\u69cb\u3092\u7d50\u3076\u97f3\u306e\u30c9\u30e9\u30de\u2500<\/span><br \/>\n<\/a><\/p>\n<p><span class=\"fontstyle0\">A Study of Comet Ikeya: Sound as a Medium between Reality and Fiction<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/Summary-of-Excellent-Masters-Theses_Studies-of-Media-Body-and-Image.pdf\" target=\"_blank\" rel=\"noopener\">\u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n<h4 id=\"Creative\">\u73fe\u4ee3\u6587\u82b8 Creative Writing and Criticism<\/h4>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/Summary-of-Excellent-Masters-Theses_Creative-Writing-and-Criticism.pdf\" target=\"_blank\" rel=\"noopener\">\u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n<h4 id=\"Middle\">\u4e2d\u6771\u30fb\u30a4\u30b9\u30e9\u30fc\u30e0\u7814\u7a76 Middle Eastern and Islamic Studies<\/h4>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/Summary-of-Excellent-Masters-Theses_Middle-Eastern-and-Islamic-Studies.pdf\" target=\"_blank\" rel=\"noopener\">\u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n<h4 id=\"Global\"><span class=\"fontstyle0\">\u56fd\u969b\u65e5\u672c\u5b66 Global Japanese Literary and Cultural Studies<\/span><\/h4>\n<p>\u25a0 <span class=\"fontstyle0\">\u5b6b \u30ed\u30ab<\/span>\u3000<span class=\"fontstyle0\">Lujia SUN<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/SUN-Lujia_0926-0910.pdf\">\u00a0<span class=\"fontstyle0\">\u300c<\/span><span class=\"fontstyle1\">\u62b5\u6297<\/span><span class=\"fontstyle0\">\u300d <\/span><span class=\"fontstyle1\">\u306e\u5883\u754c\u7dda<\/span><span class=\"fontstyle1\">\u2500\u2500<\/span><span class=\"fontstyle0\">\u300e<\/span><span class=\"fontstyle1\">\u65e5\u672c\u62b5\u6297\u6587\u5b66\u9078<\/span><span class=\"fontstyle0\">\u300f <\/span><span class=\"fontstyle1\">\u304b\u3089\u898b\u308b\u6226\u6642\u30e1\u30c7\u30a3\u30a2\u2500\u2500<\/span><br \/>\n<\/a><\/p>\n<p><span class=\"fontstyle0\">The Boundaries of <\/span><span class=\"fontstyle2\">\u201c<\/span><span class=\"fontstyle0\">Resistance<\/span><span class=\"fontstyle2\">\u201d<\/span><span class=\"fontstyle0\">:<br \/>\nWartime Media as seen through the Nihon Teik\u014d Bungakusen Anthology<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/Summary-of-Excellent-Masters-Theses_Global-Japanese-Literary-and-Cultural-Studies.pdf\" target=\"_blank\" rel=\"noopener\">\u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n<h4 id=\"Global\"><span class=\"fontstyle0\">\u305d\u306e\u4ed6 Other<\/span><\/h4>\n<p>\u25a0 <span class=\"fontstyle0\">\u5bae\u57ce \u5fb3\u4e5f<\/span>\u3000<span class=\"fontstyle0\">Tokuya MIYAGI<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/MIYAGI-Tokuya_0893-0909.pdf\"><span class=\"fontstyle1\"><span class=\"fontstyle0\">\u53e4\u4ee3\u6587\u5b66\u306e\u4e2d\u306e\u90fd\u5e02\u30a4\u30e1\u30fc\u30b8\u306e\u7d99\u627f\u3000\u30db\u30e9\u30c6\u30a3\u30a6\u30b9\u3068\u30a4\u30bd\u30c3\u30d7\u5bd3\u8a71\u306e\u5834\u5408<\/span>\u00a0<\/span><br \/>\n<\/a><\/p>\n<p><span class=\"fontstyle0\">Inheritance of urban images in ancient literature: The cases of Horace and Aesop<\/span><span class=\"fontstyle2\">\u2019<\/span><span class=\"fontstyle0\">s fables<\/span><\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/shippitusya_1291-1292.pdf\" target=\"_blank\" rel=\"noopener\">\u57f7\u7b46\u8005\u7d39\u4ecb\uff08\u7b2c71\u8f2f\uff09<\/a><\/li>\n<li><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/syushiichiran_1293-1299.pdf\" target=\"_blank\" rel=\"noopener\">\u4fee\u58eb\u8ad6\u6587\u4e00\u89a7\uff082024\u5e74\u5ea6\u4fee\u4e86\u8005128\u540d\uff09<\/a><\/li>\n<li><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/kitei_1300-1301.pdf\" target=\"_blank\" rel=\"noopener\">\u300c\u65e9\u7a32\u7530\u5927\u5b66\u5927\u5b66\u9662\u6587\u5b66\u7814\u7a76\u79d1\u7d00\u8981\u300d\u63b2\u8f09\u8ad6\u6587\u7b49\u306b\u95a2\u3059\u308b\u898f\u5b9a<\/a><\/li>\n<li><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2026\/03\/okuzuke_1302.pdf\" target=\"_blank\" rel=\"noopener\">\u5965\u4ed8<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>\u65e9\u7a32\u7530\u5927\u5b66\u5927\u5b66\u9662 \u6587\u5b66\u7814\u7a76\u79d1\u7d00\u8981 \u7b2c71\u8f2f 2026\u5e743\u670815\u65e5\u767a\u884c\u3001ISSN2432\u20157344 \u6587\u5b66\u7814\u7a76\u79d1\u7d00\u8981\u306fWeb\u306e\u307f\u306b\u3088\u308b\u516c\u958b\u3068\u306a\u308a\u307e\u3059\u3002\u518a\u5b50\u4f53\u3067\u306e\u767a\u884c\u306f\u3054\u3056\u3044\u307e\u305b\u3093\u3002 [\u54f2\u5b66] [\u6771\u6d0b\u54f2\u5b66] [\u5fc3\u7406\u5b66] [\u793e\u4f1a [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":24431,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[64,28,118],"class_list":["post-24421","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-publications","tag-research","tag-bulletin-ja"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/posts\/24421","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/comments?post=24421"}],"version-history":[{"count":2,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/posts\/24421\/revisions"}],"predecessor-version":[{"id":24652,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/posts\/24421\/revisions\/24652"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/media\/24431"}],"wp:attachment":[{"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/media?parent=24421"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/categories?post=24421"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/tags?post=24421"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}