\u6587\u5b66\u7814\u7a76\u79d1\u7d00\u8981\u306fWeb\u306e\u307f\u306b\u3088\u308b\u516c\u958b\u3068\u306a\u308a\u307e\u3059\u3002\u518a\u5b50\u4f53\u3067\u306e\u767a\u884c\u306f\u3054\u3056\u3044\u307e\u305b\u3093\u3002<\/p>\n
[\u54f2\u5b66<\/a>] [\u6771\u6d0b\u54f2\u5b66<\/a>] [\u5fc3\u7406\u5b66<\/a>] [\u793e\u4f1a\u5b66<\/a>] [\u6559\u80b2\u5b66<\/a>] [\u65e5\u672c\u8a9e\u65e5\u672c\u6587\u5b66<\/a>] [\u82f1\u6587\u5b66<\/a>] [\u30d5\u30e9\u30f3\u30b9\u8a9e\u30d5\u30e9\u30f3\u30b9\u6587\u5b66<\/a>][\u30c9\u30a4\u30c4\u8a9e\u30c9\u30a4\u30c4\u6587\u5b66<\/a>] [\u30ed\u30b7\u30a2\u8a9e\u30ed\u30b7\u30a2\u6587\u5316<\/a>] [\u4e2d\u56fd\u8a9e\u4e2d\u56fd\u6587\u5b66<\/a>] [\u6f14\u5287\u6620\u50cf\u5b66<\/a>] [\u7f8e\u8853\u53f2\u5b66<\/a>] [\u65e5\u672c\u53f2\u5b66<\/a>][\u6771\u6d0b\u53f2\u5b66<\/a>] [\u897f\u6d0b\u53f2\u5b66<\/a>] [\u8003\u53e4\u5b66<\/a>] [\u6587\u5316\u4eba\u985e\u5b66<\/a>] [\u8868\u8c61\u30fb\u30e1\u30c7\u30a3\u30a2\u8ad6]<\/a>\u00a0[\u73fe\u4ee3\u6587\u82b8]\u00a0<\/a>[\u4e2d\u6771\u30fb\u30a4\u30b9\u30e9\u30fc\u30e0\u7814\u7a76]<\/a>\u00a0[\u56fd\u969b\u65e5\u672c\u5b66]<\/a><\/p>\n \u25a0 \u963f\u9054 \u4f73\u5b50\u3000Yoshiko ADACHI<\/span><\/p>\n \u30cf\u30f3\u30b9\uff1d\u30b2\u30aa\u30eb\u30af <\/span>\u30fb <\/span>\u30ac\u30c0\u30de\u30fc\u306b\u304a\u3051\u308b <\/span>\u3008<\/span>\u597d\u610f\u7684\u306a\u541f\u5473<\/span>\u3009<\/span>\u2500\u2500\u5bfe\u8a71\u306b\u304a\u3051\u308b\u502b\u7406\u7684\u306a\u3042\u308a\u65b9\u3078\u306e\u554f\u3044\u2500\u2500<\/span><\/a><\/p>\n \u201c<\/span>eumeneis elenchoi<\/span>\u201d <\/span>bei Hans-Georg Gadamer:Die Frage der Ethik im Dialog<\/span><\/p>\n \u25a1\u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses<\/a>)<\/p>\n \u25a0 \u6e21\u9089 \u7fa9\u6d69<\/span>\u3000Yoshihiro WATANABE <\/span><\/p>\n \u6bb7\u5468\u9769\u547d\u3092\u3081\u3050\u308b\u7269\u8a9e\u306e\u5c55\u958b<\/span><\/a><\/p>\n The story of the Yin Dynasty and Zhou Dynasty revolutions<\/span><\/p>\n \u25a0 \u77e2\u5cf6 \u6b63\u8c4a<\/span>\u3000 Shoho YAJIMA<\/span><\/p>\n \u300e<\/span>\u6148\u899a\u5927\u5e2b\u4f1d<\/span>\u300f <\/span>\u6cd5\u83ef\u61fa\u6cd5\u95a2\u9023\u8a18\u4e8b\u306e\u518d\u691c\u8a0e<\/span><\/a><\/p>\n Reconsideration of articles related to the Hokke-senb\u014d \u6cd5\u83ef\u61fa\u6cd5 \u25a1\u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses<\/a>)<\/p>\n \u25a0 \u4f0a\u85e4\u7a42\u9999<\/span>\u30fb <\/span>\u5bae\u7530\u88d5\u5149<\/span>\u3000Honoka ITO, Hiromitsu MIYATA<\/span><\/p>\n \u671d\u578b\u30fb \u591c\u578b\u30af\u30ed\u30ce\u30bf\u30a4\u30d7\u3068\u305d\u306e\u81ea\u5df1\u8a55\u4fa1\uff0c \u6027\u683c\u7279\u6027\uff0c \u304a\u3088\u3073\u6291\u3046\u3064\u50be\u5411\u306e\u95a2\u9023 \u2500\u2500\u6a2a\u65ad\u7684\u7814\u7a76\u2500\u2500<\/a><\/p>\n Relationship Between Chronotype and Its Self-Evaluation, Big Five Personality, and Depression: \u25a0 \u4eca\u57ce \u5e0c\u671b<\/span>\u3000Nozomi IMAJO<\/p>\n \u65e5\u672c\u56fd\u5185\u306b\u304a\u3051\u308b\u672a\u6210\u5e74\u8005\u3092\u5bfe\u8c61\u3068\u3057\u305f\u30de\u30a4\u30f3\u30c9\u30d5\u30eb\u30cd\u30b9\u306e\u5b9f\u8df5\u306b\u95a2\u3059\u308b\u7814\u7a76\u52d5\u5411\u3068\u305d\u306e\u8ab2\u984c<\/a><\/p>\n The Review and Issue of Mindfulness-based Intervention Studies for Minors in Japan<\/p>\n \u25a0 \u4eca\u6cc9 \u91cc\u9999<\/span>\u3000Rika IMAIZUMI<\/p>\n \u611f\u8b1d\u3055\u308c\u305f\u3068\u304d\u306e\u8a00\u8a9e\u8868\u73fe\u306e\u9055\u3044\u304c\u5411\u793e\u4f1a\u7684\u884c\u52d5\u4fc3\u9032\u306b\u53ca\u307c\u3059\u5f71\u97ff<\/a><\/p>\n The Effect of Different Verbal Expressions When Receiving Gratitude \u25a1\u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses<\/a>)<\/p>\n \u25a0 \u5927\u4e45\u4fdd \u5b5d\u6cbb\u3000Takaji OHKUBO<\/span><\/p>\n \u6e05\u6c34\u5e7e\u592a\u90ce\u306b\u304a\u3051\u308b\u793e\u4f1a\u3068\u500b\u4eba\u306e\u554f\u984c<\/span><\/a><\/p>\n The conflict between society and the individual in Ikutaro Shimizu\u2019<\/span>s sociology \u25a0 \u897f\u57ce\u6238 \u8aa0\u3000Makoto NISHIKIDO<\/span><\/p>\n \u5e83\u57df\u907f\u96e3\u8005\u306b\u5bfe\u3059\u308b\u751f\u6d3b\u518d\u5efa\u652f\u63f4\u62e0\u70b9\u4e8b\u696d\u306e\u6210\u679c\u3068\u8ab2\u984c<\/a><\/p>\n The Results and Issues of the Project to Support the Livelihood Reconstruction \u25a0 \u6c60\u7530 \u7965\u82f1\u3000Yoshifusa IKEDA<\/p>\n \u30d1\u30fc\u30af\u306e\u96c6\u5408\u884c\u52d5\u8ad6\u306b\u304a\u3051\u308b\u30bf\u30eb\u30c9\u793e\u4f1a\u5b66\u306e\u5f71\u97ff<\/a><\/p>\n The Influence of Tarde\u2019s Sociology on Park\u2019s Theory of Collective Behavior<\/p>\n \u25a0 \u6b66\u5185 \u4fdd\u3000Tamotsu TAKEUCHI<\/p>\n \u300e\u67a0\u7d44\u307f\u300f \u3092\u65ad\u7d76\u3059\u308b\u3082\u306e\u3068\u305d\u306e\u67b6\u6a4b What breaks Les cadres sociaux de la m\u00e9moire and its bridges: \u25a1\u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses<\/a>)<\/p>\n \u25a0 \u6c96 \u6e05\u8c6a\u3000Kiyotake OKI<\/span><\/p>\n \u5927\u5b66\u5165\u5b66\u5171\u901a\u30c6\u30b9\u30c8\u3078\u306e\u6bb5\u968e\u8868\u793a\u63db\u7b97\u8868\u5c0e\u5165\u306e\u8ad6\u7406\u3068\u73fe\u72b6<\/a><\/p>\n The Logic and Current Status of Introducing the Grading Conversion Table \u25a0 \u4e45\u4fdd\u7530 \u6cbb\u52a9\u3000Harusuke KUBOTA<\/p>\n \u6226\u4e89\u8a18\u61b6\u306e\u4fdd\u5b58\u7d99\u627f\u306b\u95a2\u308f\u308b\u9ad8\u9f62\u8005\u306e\u5b66\u3073\u3068\u7d4c\u9a13\u77e5\u306e\u30a2\u30fc\u30ab\u30a4\u30d6\uff1a\u9e7f\u5150\u5cf6\u30fb \u6c96\u7e04\u3067\u306e\u6226\u4e89\u4f53\u9a13\u30fb \u6226\u5f8c\u958b\u62d3\u3092\u3082\u3068\u306b <\/span><\/a><\/p>\n Preserving War Memories: Archiving Older Adults\u2019 Learning and Experiential Knowledge \u25a0 Eriko YAMABE<\/p>\n Discussing Decolonization in the Classroom \u25a0 \u5ddd\u4e26 \u5f18\u9806\u3000Hiromasa KAWANAMI<\/p>\n \u77ed\u671f\u5927\u5b66\u5352\u696d\u5f8c\u306e\u6559\u80b2\u6a5f\u4f1a\u3068\u3057\u3066\u306e\u77ed\u671f\u5927\u5b66\u5225\u79d1\u306e\u73fe\u72b6\u3068\u8ab2\u984c<\/span><\/a><\/p>\n Current Status and Issues of the Junior College Short-term Course as Educational \u25a0 \u57ce\u7530 \u7f8e\u597d\u3000Miyoshi SHIROTA<\/p>\n \u4fdd\u80b2\u306b\u304a\u3051\u308b\u95a2\u4fc2\u767a\u9054\u8ad6\u306e\u5c55\u958b\u3068\u8ab2\u984c \u2500\u25001993\u5e74\u4ee5\u964d\u306e\u7814\u7a76\u52d5\u5411\u306b\u7740\u76ee\u3057\u3066\u2500\u2500<\/span><\/a><\/p>\n Process and Challenges of Relational Development Theory in Childcare: \u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n \u25a0 \u52a0\u85e4 \u5927\u9db4\u3000Daikaku KATO<\/p>\n \u5186\u73e0\u672c\u300e\u6717\u8a60\u8981\u6284\u300f \u306e\u535a\u58eb\u8b5c\u306b\u53cd\u6620\u3059\u308b\u30a2\u30af\u30bb\u30f3\u30c8\u306e\u4e88\u5099\u7684\u5206\u6790<\/a><\/p>\n A Preliminary Analysis of Pitch Accents on the Hakasefu (Melodic Notation) \u25a0 \u517c\u7bc9 \u4fe1\u884c\u3000Nobuyuki KANECHIKU<\/p>\n \u4fca\u6210\u3068\u4fca\u5fe0 \u2500\u2500\u300e\u4e45\u5b89\u767e\u9996\u300f \u306e\u4e00\u9996\u304b\u3089\u2500\u2500<\/a><\/p>\n Toshinari and Toshitada: Starting with a Single Waka Poem from the Ky\u016ban Hyakushu<\/p>\n \u25a0 \u6728\u4e0b \u5f26\u3000Gen KINOSHITA<\/p>\n \u8272\u5ddd\u6b66\u5927\u306b\u304a\u3051\u308b\u5909\u540d\u4f5c\u54c1\u306e\u610f\u7fa9 \u2500\u2500\u4e95\u4e0a\u5fd7\u6469\u592b\u300c\u7d19\u306e\u6708\u3068\u63cf\u3044\u305f\u96f2\u300d \u3092\u4e2d\u5fc3\u306b\u2500\u2500<\/a><\/p>\n The significance of Takehiro Irokawa\u2019s pseudonymous works: Focusing \u25a0 \u99ae \u601d\u9014\u3000Situ FENG<\/p>\n \u5ddd\u7aef\u5eb7\u6210\u300c\u767d\u3044\u6e80\u6708\u300d \u8ad6 \u2500\u2500\u61a7\u308c\u308b \u300c\u5065\u5eb7\u300d\u3001 \u6392\u9664\u3055\u308c\u308b\u5dee\u7570\u2500\u2500<\/a><\/p>\n Kawabata Yasunari \u201cThe White Full Moon\u201d: Longing for \u201cHealth\u201d \u25a0 \u85e4\u6fa4 \u54b2\u826f\u3000Sakura FUJISAWA<\/p>\n \u300e\u3046\u3064\u307b\u7269\u8a9e\u300f\u300c\u83ca\u306e\u5bb4\u300d \u5dfb\u306b\u304a\u3051\u308b\u5b9f\u5fe0\u3068\u59bb\u5b50\u306e\u9082\u9005 \u2500\u2500\u300c\u5fd7\u8cc0\u306e\u5c71\u3082\u3068 \u300d \u306e\u6f14\u51fa\u52b9\u679c\u2500\u2500<\/a><\/p>\n A chance encounter of Sanetada with his wife and child in Kikunoen \u201cUtsuhomonogatari\u201d \u25a0 \u5c71\u5409 \u980c\u5e73\u3000Sh\u014dhei YAMAYOSHI<\/p>\n \u6c17\u591a\u5927\u793e\u306b\u304a\u3051\u308b\u5409\u7530\u795e\u9053\u8aac\u53d7\u5bb9\u306e\u5177\u4f53\u76f8 \u2500\u2500\u300e\u6c17\u591a\u795e\u793e\u53e4\u7e01\u8d77\u300f \u3068\u8b21\u66f2\u3008\u9d5c\u796d\u3009 \u306e\u5206\u6790\u304b\u3089\u2500\u2500<\/a><\/p>\n Exploring the Acceptance of the Yoshida Shint\u014d Teachings at Keta Shrine \u25a0 \u694a \u5353\u5a67\u3000Zhuojing YANG<\/p>\n \u300e\u6e90\u6c0f\u7269\u8a9e\u300f \u306b\u304a\u3044\u3066\u300c\u7d75\u300d \u3068\u95a2\u9023\u3065\u3051\u3089\u308c\u308b\u5ead\u5712 \u2500\u2500\u65e5\u4e2d\u306e\u300c\u7d75\u300d \u306b\u95a2\u308f\u308b\u8868\u73fe\u306e\u691c\u8a0e\u304b\u3089\u2500\u2500\u2500<\/span><\/a><\/p>\n The Gardens Associated with Paintings in The Tale of Genji\u2014From an Examination \u25a0 \u5fa1\u624b\u6d17 \u9756\u5927\u3000Yasuhiro MITARAI<\/p>\n \u6d41\u5e03\u672c\u300e\u62fe\u907a\u6284\u300f \u306e\u751f\u6210 \u2500\u2500\u4e09\u4e95\u8a18\u5ff5\u7f8e\u8853\u9928\u8535\u672c\u304b\u3089 \u300e\u7fa4\u66f8\u985e\u5f93\u300f \u3078\u2500\u2500<\/a><\/p>\n Formation of Sh\u016bish\u014d Circulating Edition\u2014From Mitsui Memorial Museum Manuscript \u25a0 \u91d1\u5b50 \u8056\u5948\u3000Sena KANEKO<\/p>\n \u62bc\u5ddd\u6625\u6d6a\u3092\u8aad\u3093\u3060\u6728\u6751\u6bc5 \u2500\u2500\u30a2\u30ae\u30ca\u30eb\u30c9\u3068 \u300c\u6d77\u6d0b\u6587\u5b66\u300d \u306b\u3064\u3044\u3066\u306e\u8a66\u8ad6\u2500\u2500<\/a><\/p>\n Kimura Ki\u2019s Reading of Oshikawa Shunr\u014d: A Preliminary Study \u25a0 \u65b0\u4e95 \u9686\u3000Ryu ARAI<\/p>\n \u300e\u3046\u3064\u307b\u7269\u8a9e\u300f \u306e\u8a18\u9332\u7684\u6587\u4f53 \u2500\u2500\u548c\u6b4c\u306e\u5217\u6319\u53ca\u3073\u5100\u5f0f\u7684\u5834\u9762\u306b\u3064\u3044\u3066\u2500\u2500<\/span><\/a><\/p>\n The Documentary Narrative Style of Utsuho Monogatari (The Tale of the Hollow Tree): \u25a0 \u4e09\u6797 \u512a\u6a39\u3000Yuki SANBAYASHI<\/span><\/p>\n \u4ee3\u884c\u3055\u308c\u308b\u598a\u5a20 \u2500\u2500\u521d\u671f\u5c0f\u5ddd\u6d0b\u5b50\u306e\u30dd\u30b9\u30c8\u30ea\u30d6\u2500\u2500<\/a><\/p>\n Outsourcing Pregnancy: Post-Women\u2019s Liberation \u25a0 \u77f3\u5ddd \u304b\u308c\u3093\u3000Karen ISHIKAWA<\/p>\n \u660e\u6cbb\u56db\u5341\u5e74\u9803\u306e\u4f5c\u5bb6\u306e\u65e5\u8a18\u3068\u65e5\u8a18\u4f53\u306e\u5c0f\u8aac \u2500\u2500\u7d05\u8449\u30fb \u72ec\u6b69\u30fb \u79cb\u8072\u306e\u4f5c\u4f8b\u304b\u3089\u2500\u2500<\/span><\/a><\/p>\n Diaries and Diary-Style Novels by Writers Around 1907<\/p>\n \u25a0 \u897f\u6751 \u3053\u3068\u3000Koto NISHIMURA<\/p>\n \u8c37\u5d0e\u6f64\u4e00\u90ce\u3068\u5317\u91ce\u6052\u5bcc \u2500\u2500\u65b0\u805e\u5c0f\u8aac\u300e\u4e71\u83ca\u7269\u8a9e\u300f \u306e\u4e00\u5074\u9762\u2500\u2500<\/a><\/p>\n Tanizaki Junichir\u014d and Kitano Tsunetomi: \u25a0 \u6d5c\u5730 \u767e\u6075\u3000Momoe HAMACHI<\/p>\n \u5e7b\u60f3\u306e\u8d8a\u5883\u3068\u30c8\u30e9\u30f3\u30b9\u30ca\u30b7\u30e7\u30ca\u30ea\u30ba\u30e0 \u2500\u2500\u6f81\u6fa4\u9f8d\u5f66\u300c\u3046\u3064\u308d\u821f\u300d \u8ad6\u2500\u2500<\/a><\/p>\n Crossing the Boundaries of Illusion and Transnationalism: \u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n \u25a0 \u52a0\u85e4 \u4f50\u548c\u5b50\u3000Sawako KATO<\/p>\n \u300e\u30ca\u30eb\u30cb\u30a2\u5e74\u4ee3\u8a18\u300f \u306b\u304a\u3051\u308b \u300c\u5225\u4e16\u754c\u300d \u8868\u8c61<\/a><\/p>\n The Representation of Other Worlds in The Chronicles of Narnia<\/p>\n \u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n \u25a0 \u5f8c\u85e4 \u6e21\u3000Wataru GOTO<\/p>\n \u30b8\u30e7\u30eb\u30b8\u30e5\u30fb \u30da\u30ec\u30c3\u30af\u306e\u5275\u4f5c\u306b\u304a\u3051\u308b\u901a\u308a\u306e\u540d\u524d\u3068\u30a4\u30cb\u30b7\u30e3\u30eb\u3068\u3057\u3066\u306e\u611b\u7740<\/a><\/p>\n Attachement sous forme des noms de rue et des initiales dans la cr\u00e9ation de Georges Perec<\/p>\n \u25a0 \u5bae\u5ddd \u77e5\u5b50\u3000Tomoko MIYAGAWA<\/p>\n \u30d6\u30ea\u30e4\uff1d\u30b5\u30f4\u30a1\u30e9\u30f3\u300e\u5473\u899a\u306e\u751f\u7406\u5b66\u300f \u306b\u304a\u3051\u308b\u98df\u3068\u6027\u306f\u3001\u30d0\u30eb\u30b6\u30c3\u30af\u306e\u521d\u671f\u4f5c\u54c1\u306b\u3044\u304b\u306b\u53d7\u3051\u7d99\u304c\u308c\u305f\u304b<\/a><\/p>\n Nourriture et sexualit\u00e9. Influence de la Physiologie du go\u00fbt de Brillat-Savarin \u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n \u25a0 \u6238\u5d8b\u3000\u5320\u3000Takumi TOSHIMA<\/p>\n \u7591\u308f\u3057\u3044\u5a5a\u7d04 \u2500\u2500\u30db\u30fc\u30d5\u30de\u30f3\u30b9\u30bf\u30fc\u30eb\u300e\u96e3\u3057\u3044\u7537\u300f \u306e\u8131\u69cb\u7bc9\u7684\u8aad\u89e3\u2500\u2500<\/a><\/p>\n Die zweifelhafte Verlobung \u2013 Eine dekonstruktive Lekt\u00fcre von Hofmannsthals \u25a0 \u77f3\ufa11 \u77e5\u5df1\u3000Tomoki ISHIZAKI<\/p>\n \u8a00\u8449\u306e\u80cc\u5f8c\u306e\u6697\u3044\u9818\u57df Der dunkle Bereich hinter der Sprache: \u00dcber das Rauschen in den Kellerr\u00e4umen \u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n \u25a0 \u4e09\u6d66 \u6e05\u7f8e\u3000Kiyoharu MIURA<\/p>\n \u30eb\u30fc\u30b7\u4eba\u306f\u30d3\u30b6\u30f3\u30c4\u5e1d\u56fd\u306e\u5371\u6a5f\u3092\u3069\u3046\u898b\u305f\u304b How people of Rus\u2019 confronted the crises of the Byzantine Empire \u2013 from the two tales written \u25a0 \u4e2d\u5c3e \u6cf0\u5b50\u3000Yasuko NAKAO<\/p>\n \u6292\u60c5\u8a69\u3067\u6b74\u53f2\u3092\u66f8\u304f \uff1a \u30a2\u30f3\u30ca\u30fb \u30a2\u30d5\u30de\u30fc\u30c8\u30ef \u300c\u5317\u306e\u30a8\u30ec\u30b8\u30fc\u300d \u306b\u304a\u3051\u308b\u6642\u9593\u306e\u91cd\u5c64\u6027<\/span><\/a><\/p>\n Writing History in Lyric Poetry: Layers of Time in Anna Akhmatova\u2019s \u25a0 \u6817\u539f \u304b\u304a\u308a\u3000Kaori KURIHARA<\/p>\n \u30de\u30ea\u30fc\u30ca\u30fb \u30c4\u30f4\u30a7\u30bf\u30fc\u30a8\u30ef\u306b\u3088\u308b\u9023\u4f5c\u8a69\u300c\u5225\u308c\u300d \u306b\u304a\u3051\u308b\u30bc\u30a6\u30b9\u306e\u30e2\u30c1\u30fc\u30d5<\/span><\/a><\/p>\n \u041c\u043e\u0442\u0438\u0432 \u0417\u0435\u0432\u0435\u0441\u0430 \u0432 \u0441\u0442\u0438\u0445\u043e\u0442\u0432\u043e\u0440\u043d\u043e\u043c \u0446\u0438\u043a\u043b\u0435 \u00ab\u0420\u0430\u0437\u043b\u0443\u043a\u0430\u00bb \u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n \u25a0 \u7d3a\u91ce \u9039\u4e5f\u3000Tatsuya KONNO<\/p>\n \u7409\u7403\u306b\u6d41\u5165\u3057\u305f\u6f22\u8a69\u6587\u96c6\u3068\u7409\u7403\u6f22\u8a69\u6587\u3068\u306e\u95dc\u4fc2\u306b\u3064\u3044\u3066 \u2500\u2500\u8521\u5927\u9f0e\u306e\u4f5c\u54c1\u3092\u4e2d\u5fc3\u306b\u2500\u2500<\/span><\/a><\/p>\n On the Relationship between the Influx of Collected Chinese Literary Works \u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n \u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n \u25a0 \u76ca\u7530 \u670b\u5e78\u3000Tomoyuki MASUDA<\/p>\n \u30c0\u30d5\u30cb\u4fee\u9053\u9662\u306e\u300c\u8056\u6bcd\u306e\u5e03\u300d<\/span><\/a><\/p>\n Virgin\u2019s Cloth in the Daphni Monastery<\/p>\n \u25a0 \u674e \u7530\u3000Tian LI<\/p>\n \u98db\u8e8d\u3078\u306e\u5fd7\u5411 \u2500\u2500\u6c60\u5927\u96c5\u7b46\u300c\u98a8\u96e8\u8d77\u9f8d\u56f3\u300d \u306b\u304a\u3051\u308b\u610f\u5473\u306b\u3064\u3044\u3066\u2500\u2500<\/a><\/p>\n Aspiration for Transcendence: The Meaning of Ike no Taiga\u2019s \u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n \u25a0 \u8c37\u53e3 \u771e\u5b50\u3000Shinko TANIGUCHI<\/p>\n \u6587\u660e\u958b\u5316\u671f\u306e\u300c\u8fd1\u4ee3\u7684\u5553\u8499\u300d \u50cf\u518d\u8003 \u2500\u2500\u798f\u6ca2\u8aed\u5409\u306e\u691c\u8a0e\u3092\u901a\u3058\u3066\u2500\u2500<\/a><\/p>\n An Inquiry into the Image of Japanese Modern Enlightenment through the Analysis \u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n \u25a0 \u9577\u8c37\u90e8 \u572d\u4eba\u3000Kiyoto HASEBE<\/p>\n 18\u4e16\u7d00\u30d5\u30e9\u30f3\u30b9\u306b\u304a\u3051\u308b\u7a2e\u75d8\u8ad6\u4e89\u306e\u9686\u76db \u2500\u25001754\uff0d63\u5e74\u306e\u5c55\u958b\u3092\u4e2d\u5fc3\u306b\u2500\u2500<\/a><\/p>\n The Rise of the Variolation Controversy in Eighteenth-century France, \u25a0 \u6817\u539f \u5b8f\u3000Hiroshi KURIHARA<\/p>\n \u4e03\u5e74\u6226\u4e89\u5f8c\u306e\u30d6\u30ea\u30c6\u30f3\u822a\u6d77\u6cd5\u4f53\u5236\u306e\u5909\u5bb9\u3068\u897f\u30a4\u30f3\u30c9\u30a4\u30f3\u30c8\u30ec\u30b9\u30c8 Transformation of Britain\u2019s Navigation Laws after Seven Years\u2019 War and the West India \u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n \u25a0 \u9ad8\u6a4b\u9f8d\u4e09\u90ce\u30fb\u6a2a\u5c71\u672a\u6765\u30fb\u98ef\u5cf6\u53f2\u5c0a\u30fb\u5ca1\u7530\u97ff\u7f8e\u30fb\u733f\u6e21\u5d07\u6643\u30fb\u9ad8\u6797\u594e\u53f2\u30fb\u4e2d\u9580\u4eae\u592a<\/p>\n Ryuzaburo TAKAHASHI, \u7b2c\uff18\u6b21\u52a0\u66fd\u5229\u8c9d\u585a\u30c7\u30b8\u30bf\u30eb\u4e09\u6b21\u5143\u6e2c\u91cf\u30fb \u5730\u4e2d\u30ec\u30fc\u30c0\u30fc\uff08GPR\uff09 \u63a2\u67fb\u8abf\u67fb\u6982\u5831<\/a><\/p>\n Digital 3D Measurement Survey and GPR Research at Kasori Shell Midden: \u25a0 \u9577\ufa11 \u6f64\u4e00\u30fb\u9ad8\u5009 \u7d14\u30fb\u5317\u6751 \u6210\u4e16\u30fb\u963f\u90e8 \u5d69\u58eb<\/p>\n Junichi NAGASAKI, \u5317\u6d77\u9053\u862d\u8d8a\u753a\u7acb\u5ddd\uff11\u907a\u8de1\u7b2c\uff14\u6b21\u30fb\uff15\u6b21\u8abf\u67fb\u6982\u5831<\/a><\/p>\n The Archaeological Research at TACHIKAWA Site in Hokkaido: \u25a0 \u5449 \u5fc3\u6021\u3000Xinyi WU<\/p>\n \u591a\u89d2\u5f62\u5893\u5ba4\u306e\u69cb\u9020\u3068\u5909\u9077 \u2500\u2500\u5510\u672b\u304b\u3089\u5143\u4ee3\u3092\u4e2d\u5fc3\u306b\u2500\u2500<\/a><\/p>\n Structure and Transition of Polygonal Tombs from the Late Tang \u25a0 \u6a2a\u5c71 \u672a\u6765\u3000Miku YOKOYAMA<\/p>\n \u571f\u5668\u306e\u88fd\u4f5c\u6280\u6cd5\u5fa9\u5143\u306b\u95a2\u3059\u308b\u4e00\u8003\u5bdf \u2500\u2500\u30ab\u30f3\u30dc\u30b8\u30a2\u3001 \u30ab\u30f3\u30dd\u30c3\u30c8\u5dde\u306e\u4e8b\u4f8b\u3092\u4e2d\u5fc3\u306b\u2500\u2500<\/a><\/p>\n A Study on the Restoration of Pottery Making Techniques \u25a0 \u570b\u5f18 \u6681\u5b50\u3000Akiko KUNIHIRO<\/p>\n \u30d5\u30e9\u30f3\u30b9\u540c\u6027\u5a5a\u3068\u30a4\u30f3\u30bb\u30b9\u30c8\u306b\u95a2\u3059\u308b\u4eba\u985e\u5b66\u7684\u8a66\u8ad6<\/a><\/p>\n French Same-Sex Marriage and Incest from An Anthropological View<\/p>\n \u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n \u25a0 \u95a2 \u76f4\u5b50\u3000 Naoko SEKI<\/p>\n \u6842\u3086\u304d\u306e\u30cb\u30e5\u30fc\u30e8\u30fc\u30af\u6642\u4ee3\u3092\u3081\u3050\u3063\u3066 \u2500\u2500\u7d75\u753b\u5236\u4f5c\u3068\u57f7\u7b46\u6d3b\u52d5\u2500\u2500<\/a><\/p>\n Yuki Katsura\u2019s in New York Years: Paintings and Texts<\/p>\n \u25a0 \u9127 \u4f73\u81f4\u3000Jiazhi DENG<\/p>\n \u300c\u30a2\u30e1\u30ea\u30ab\u306e\u5922\u300d \u306e\u5916\u90e8\u3078 \u2500\u2500\u6587\u660e\u6279\u8a55\u5bb6\u3068\u3057\u3066\u306e\u30d1\u30e9\u30cb\u30e5\u30fc\u30af\u2500\u2500<\/a><\/p>\n The Outside of American Dream: Palahniuk as Cultural Critic<\/p>\n \u25a0 \u9999\u6708 \u6075\u7f8e\u5b50\u3000Emiko KATSUKI<\/p>\n \u300c\u4eee\u9762\u7684\u300d \u3067\u3042\u308b\u3082\u306e \u2500\u2500\u6b4c\u821e\u4f0e\u3092\u624b\u639b\u304b\u308a\u3068\u3057\u305f\u5b9d\u585a\u306e\u821e\u53f0\u5316\u7ca7\u306e\u8003\u5bdf\u2500\u2500<\/a><\/p>\n Exploring the \u201cMasked\u201d Nature of Takarazuka Stage Makeup: \u25a0 \u91ce\u53e3 \u5927\u4ecb\u3000Daisuke NOGUCHI<\/p>\n \u30b4\u30e0\u98a8\u8239\u8ad6 \u2500\u2500\u7a7a\u98db\u3076\u6280\u8853\u306e\u767a\u5c55\u3068\u81a8\u3089\u3080\u982d\u90e8\u306e\u30b9\u30da\u30af\u30bf\u30af\u30eb\u2500\u2500<\/a><\/p>\n Theory of the Rubber Balloon \u2014The Development of Floating Technology \u25a0 \u8352\u6728 \u5927\u3000Dai ARAKI<\/p>\n \u8349\u9593\u5f4c\u751f\u300c\u9ce5\u7c60\u7d75\u753b\uff08\u30b1\u30fc\u30b8\u30fb \u30da\u30a4\u30f3\u30c6\u30a3\u30f3\u30b0\uff09\u300d \u306b\u3064\u3044\u3066 \u2500\u2500\u30b8\u30e7\u30bc\u30d5\u30fb \u30b3\u30fc\u30cd\u30eb\u3092\u901a\u3057\u3066\u2500\u2500<\/a><\/p>\n On Yayoi Kusama\u2019s \u201cCage Paintings\u201d\u2014Through Joseph Cornell<\/p>\n \u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n \u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n \u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n \u25a0 \u30d9\u30f3\u30c8 \u52c7\u4eae\u30d8\u30f3\u30ea\u30fc\u3000Yusuke Henry BENT<\/p>\n \u300c\u65b0\u6642\u4ee3\u306e\u65e5\u672c\u5973\u6027\u300d \u3068\u3044\u3046\u865a\u50cf \u2500\u2500\u6d77\u91ce\u5341\u4e09\u3068\u6557\u6226\u76f4\u5f8c\u306e\u5973\u6027\u63a2\u5075\u30fb \u8702\u77e2\u98a8\u5b50\u2500\u2500<\/a><\/p>\n False Picture of a \u201cNew-Age Japanese Woman\u201d: Unno J\u016bza and <\/p>\n \u65e9\u7a32\u7530\u5927\u5b66\u5927\u5b66\u9662 \u6587\u5b66\u7814\u7a76\u79d1\u7d00\u8981 \u7b2c70\u8f2f 2025\u5e743\u670815\u65e5\u767a\u884c\u3001ISSN2432\u20157344 \u6587\u5b66\u7814\u7a76\u79d1\u7d00\u8981\u306fWeb\u306e\u307f\u306b\u3088\u308b\u516c\u958b\u3068\u306a\u308a\u307e\u3059\u3002\u518a\u5b50\u4f53\u3067\u306e\u767a\u884c\u306f\u3054\u3056\u3044\u307e\u305b\u3093\u3002 [\u54f2\u5b66] [\u6771\u6d0b\u54f2\u5b66] [\u5fc3\u7406\u5b66] [\u793e\u4f1a […]<\/p>\n","protected":false},"author":4,"featured_media":22460,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[64,28,118],"class_list":["post-22463","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-publications","tag-research","tag-bulletin-ja"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/posts\/22463","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/comments?post=22463"}],"version-history":[{"count":2,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/posts\/22463\/revisions"}],"predecessor-version":[{"id":24651,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/posts\/22463\/revisions\/24651"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/media\/22460"}],"wp:attachment":[{"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/media?parent=22463"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/categories?post=22463"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/tags?post=22463"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}\n
\u54f2\u5b66 Philosophy<\/h4>\n
\u6771\u6d0b\u54f2\u5b66 Asian Psychology<\/h4>\n
\nin Jikaku-Daishi\u2019s biography \u6148\u899a\u5927\u5e2b\u4f1d<\/p>\n\u5fc3\u7406\u5b66 Psychology<\/h4>\n
\nA Cross-Sectional Study<\/p>\n
\non the Promotion of Prosocial Behavior<\/p>\n\u793e\u4f1a\u5b66 Sociology<\/h4>\n
\n<\/span><\/p>\n
\nof Evacuees from Wide-area Disasters<\/span><\/p>\n
\n\u2500\u2500\u30a2\u30eb\u30f4\u30a1\u30c3\u30af\u30b9\u304c\u30d9\u30eb\u30af\u30bd\u30f3\u6279\u5224\u306e\u305f\u3081\u306b\u30d7\u30e9\u30c8\u30f3\u306e\u30a4\u30c7\u30a2\u8ad6\u3092\u53c2\u7167\u3057\u305f\u8b0e\u3092\u8ffd\u3063\u3066\u2500\u2500<\/a><\/p>\n
\nOn the mystery of Halbwachs\u2019 reference to Plato\u2019s theory
\nof Ideas for criticism of Bergson<\/p>\n\u6559\u80b2\u5b66 Education<\/h4>\n
\nfor the Common Test of the University Admission<\/span><\/p>\n
\nin Kagoshima and Okinawa, Japan<\/p>\n
\n\u2500\u2500 Greenland as a Case for Philosophical and Ethical Dialogues \u2500\u2500<\/span><\/a><\/p>\n
\nOpportunities After Graduation from Junior Colleges<\/p>\n
\nFocusing on Research Trends since 1993<\/p>\n\u65e5\u672c\u8a9e\u65e5\u672c\u6587\u5b66 Japanese Studies<\/h4>\n
\nof \u201cR\u014de\u012b Y\u014dsh\u014d (\u6717\u8a60\u8981\u6284)\u201d written by Enju (\u5186\u73e0)<\/p>\n
\non Shimao Inoue\u2019s \u201cKami no Tsuki To Egaita kumo\u201d<\/p>\n
\nand the Eliminated Difference<\/p>\n
\n\u2014A stage effect of the base of a mountain Shiga\u2014<\/p>\n
\n\u2014An Analysis of Keta Jinja Koengi and the N\u014d Play Unomatsuri<\/p>\n
\nof Expressions Related to Paintings in Japan and China<\/p>\n
\nto Gunsho Ruij\u016b<\/p>\n
\non Emilio Aguinaldo and ‘Maritime Literature’<\/p>\n
\nAbout the Enumeration of Waka Poems and Ritualistic Scenes<\/p>\n
\non Ogawa Yoko\u2019s Early Works<\/p>\n
\nAn Aspect of a serial novel Rangiku Monogatari<\/p>\n
\nTatsuhiko Shibusawa\u2019s Theory of \u201cUtsuro Boat\u201d<\/p>\n\u82f1\u6587\u5b66 English Studies<\/h4>\n
\u30d5\u30e9\u30f3\u30b9\u8a9e\u30d5\u30e9\u30f3\u30b9\u6587\u5b66 French Studies<\/h4>\n
\nsur les premi\u00e8res \u0153uvres de Balzac<\/p>\n\u30c9\u30a4\u30c4\u8a9e\u30c9\u30a4\u30c4\u6587\u5b66 German Studies<\/h4>\n
\n\u00bbDer Schwierige\u00ab<\/p>\n
\n\u2500\u2500\u30f4\u30a9\u30eb\u30d5\u30ac\u30f3\u30b0\u30fb \u30d2\u30eb\u30d3\u30c3\u30d2 \u300e\u52b4\u50cd\u8005\u305f\u3061\u3002 \u3042\u308b\u30a8\u30c3\u30bb\u30a4 \u300f \u3068
\n\u300e\u3008\u79c1\u3009\u300f \u306b\u304a\u3051\u308b\u5730\u4e0b\u7a7a\u9593\u306e\u30ce\u30a4\u30ba\u306b\u3064\u3044\u3066\u2500\u2500<\/a><\/p>\n
\nvon Wolfgang Hilbigs \u201eDie Arbeiter. Ein Essai\u201c und \u201e\u00bbIch\u00ab\u201c<\/p>\n\u30ed\u30b7\u30a2\u8a9e\u30ed\u30b7\u30a2\u6587\u5316 Russian Studies<\/h4>\n
\n\u2500\u25001204\u5e74\u30681453\u5e74\u306e\u30b3\u30f3\u30b9\u30bf\u30f3\u30c6\u30a3\u30ce\u30fc\u30d7\u30eb\u306e\u4e8b\u4ef6\u306b\u3064\u3044\u3066\u306e\u4e8c\u3064\u306e\u30eb\u30fc\u30b7\u4eba\u306e\u7269\u8a9e\u304b\u3089\u2500\u2500<\/a><\/p>\n
\nby the authors of Rus\u2019 on the incidents of 1204th and on the incidents
\nof 1453th AD. in Constantinople<\/p>\n
\n\u2018Northern Elegies\u2019<\/p>\n
\n\u041c\u0430\u0440\u0438\u043d\u044b \u0426\u0432\u0435\u0442\u0430\u0435\u0432\u043e\u0439<\/p>\n\u4e2d\u56fd\u8a9e\u4e2d\u56fd\u6587\u5b66 Chinese Studies<\/h4>\n
\nin Ryukyu and Ryukyuans Chinese Classical Literature;
\nwith Works of Sai Taitei<\/p>\n\u6f14\u5287\u6620\u50cf\u5b66 Theatre and Film Arts<\/h4>\n
\u7f8e\u8853\u53f2\u5b66 Art History<\/h4>\n
\n\u201cWind and Rain Bring Forth the Dragon\u201d<\/p>\n\u65e5\u672c\u53f2\u5b66 Japanese History<\/h4>\n
\nof the Works of Fukuzawa Yukichi in 1870\u2019s<\/p>\n\u897f\u6d0b\u53f2\u5b66 Western History<\/h4>\n
\n1754\u20131763<\/p>\n
\n\u2500\u2500\u30d5\u30ea\u30fc\u30dd\u30fc\u30c8\u6cd5\u5236\u5b9a\u3092\u5de1\u3063\u3066\u30001763-1766\u2500\u2500<\/a><\/p>\n
\nInterest \u2014Enactment of Free Port Act 1763-1766\u2014<\/p>\n\u8003\u53e4\u5b66 Archaeology<\/h4>\n
\nMiku YOKOYAMA, Fumitaka IIJIMA, Narumi OKADA,Takaaki SARUWATARI, Keiji TAKABAYASHI, Ryota NAKAKADO<\/p>\n
\nReport of the 8th Research<\/p>\n
\nJun TAKAKURA, Narise KITAMURA, Shuto ABE<\/p>\n
\nthe third report<\/p>\n
\nto Yuan Dynasties<\/p>\n
\n\u2014A Case Study of Kampot Province, Cambodia<\/p>\n\u6587\u5316\u4eba\u985e\u5b66 Cultural Anthropology<\/h4>\n
\u8868\u8c61\u30fb\u30e1\u30c7\u30a3\u30a2\u8ad6 Studies of Media, Body and Image<\/h4>\n
\nInsights from Kabuki<\/p>\n
\nand the Spectacle of Inflatable Heads\u2014<\/p>\n\u73fe\u4ee3\u6587\u82b8 Creative Writing and Criticism<\/h4>\n
\u4e2d\u6771\u30fb\u30a4\u30b9\u30e9\u30fc\u30e0\u7814\u7a76 Middle Eastern and Islamic Studies<\/h4>\n
\u56fd\u969b\u65e5\u672c\u5b66 Global Japanese Literary and Cultural Studies<\/span><\/h4>\n
\nthe Immediate Post-War Woman Detective Hachiya Fuko<\/p>\n\n