{"id":20052,"date":"2024-03-15T09:00:36","date_gmt":"2024-03-15T00:00:36","guid":{"rendered":"https:\/\/www.waseda.jp\/flas\/glas\/?p=20052"},"modified":"2024-04-29T09:15:03","modified_gmt":"2024-04-29T00:15:03","slug":"%e3%80%8e%e6%96%87%e5%ad%a6%e7%a0%94%e7%a9%b6%e7%a7%91%e7%b4%80%e8%a6%81-%e7%ac%ac63%e8%bc%af%e3%80%8f%ef%bc%882017%e5%b9%b4%e5%ba%a6%ef%bc%89wp%e3%81%abup%e7%89%88-2-3-2-2-2-2","status":"publish","type":"post","link":"https:\/\/www.waseda.jp\/flas\/glas\/news\/2024\/03\/15\/20052\/","title":{"rendered":"\u300e\u6587\u5b66\u7814\u7a76\u79d1\u7d00\u8981 \u7b2c69\u8f2f\u300f\uff082024\u5e743\u6708\uff09"},"content":{"rendered":"<h2>\u65e9\u7a32\u7530\u5927\u5b66\u5927\u5b66\u9662 \u6587\u5b66\u7814\u7a76\u79d1\u7d00\u8981 \u7b2c69\u8f2f<\/h2>\n<h3>2024\u5e743\u670815\u65e5\u767a\u884c\u3001ISSN2432\u20157344<\/h3>\n<p>\u6587\u5b66\u7814\u7a76\u79d1\u7d00\u8981\u306fWeb\u306e\u307f\u306b\u3088\u308b\u516c\u958b\u3068\u306a\u308a\u307e\u3059\u3002\u518a\u5b50\u4f53\u3067\u306e\u767a\u884c\u306f\u3054\u3056\u3044\u307e\u305b\u3093\u3002<\/p>\n<p>[<a class=\"addicn\" href=\"#phil\">\u54f2\u5b66<\/a>] [<a class=\"addicn\" href=\"#totetsu\">\u6771\u6d0b\u54f2\u5b66<\/a>] [<a class=\"addicn\" href=\"#psy\">\u5fc3\u7406\u5b66<\/a>] [<a class=\"addicn\" href=\"#soc\">\u793e\u4f1a\u5b66<\/a>] [<a class=\"addicn\" href=\"#edu\">\u6559\u80b2\u5b66<\/a>] [<a class=\"addicn\" href=\"#jl\">\u65e5\u672c\u8a9e\u65e5\u672c\u6587\u5b66<\/a>] [<a class=\"addicn\" href=\"#el\">\u82f1\u6587\u5b66<\/a>] [<a class=\"addicn\" href=\"#fl\">\u30d5\u30e9\u30f3\u30b9\u8a9e\u30d5\u30e9\u30f3\u30b9\u6587\u5b66<\/a>][<a class=\"addicn\" href=\"#dl\">\u30c9\u30a4\u30c4\u8a9e\u30c9\u30a4\u30c4\u6587\u5b66<\/a>] [<a class=\"addicn\" href=\"#rl\">\u30ed\u30b7\u30a2\u8a9e\u30ed\u30b7\u30a2\u6587\u5316<\/a>] [<a class=\"addicn\" href=\"#cl\">\u4e2d\u56fd\u8a9e\u4e2d\u56fd\u6587\u5b66<\/a>] [<a class=\"addicn\" href=\"#v\">\u6f14\u5287\u6620\u50cf\u5b66<\/a>] [<a class=\"addicn\" href=\"#art\">\u7f8e\u8853\u53f2\u5b66<\/a>] [<a class=\"addicn\" href=\"#jh\">\u65e5\u672c\u53f2\u5b66<\/a>][<a class=\"addicn\" href=\"#oh\">\u6771\u6d0b\u53f2\u5b66<\/a>] [<a class=\"addicn\" href=\"#wh\">\u897f\u6d0b\u53f2\u5b66<\/a>] [<a class=\"addicn\" href=\"#arch\">\u8003\u53e4\u5b66<\/a>] [<a class=\"addicn\" href=\"#anth\">\u6587\u5316\u4eba\u985e\u5b66<\/a>] <a class=\"addicn\" href=\"#asia\">[<\/a><a class=\"addicn\" href=\"#media\">\u8868\u8c61\u30fb\u30e1\u30c7\u30a3\u30a2\u8ad6]<\/a>\u00a0<a class=\"addicn\" href=\"#Creative\">[\u73fe\u4ee3\u6587\u82b8]\u00a0<\/a><a class=\"addicn\" href=\"#Middle\">[\u4e2d\u6771\u30fb\u30a4\u30b9\u30e9\u30fc\u30e0\u7814\u7a76]<\/a>\u00a0<a class=\"addicn\" href=\"#Global\">[\u56fd\u969b\u65e5\u672c\u5b66]<\/a><\/p>\n<ul>\n<li><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/hyoushi1.pdf\" target=\"_blank\" rel=\"noopener\">\u8868\u7d19<\/a>\u00a0 (<a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/hyoushi4.pdf\" target=\"_blank\" rel=\"noopener\">COVER<\/a>)<\/li>\n<li><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/tobira.pdf\" target=\"_blank\" rel=\"noopener\">\u6249<\/a><\/li>\n<li><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/wabunmokuj_0001-0006.pdf\" target=\"_blank\" rel=\"noopener\">\u76ee\u6b21<\/a>\u00a0 (<a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/oubunmokuji_0007-0011.pdf\" target=\"_blank\" rel=\"noopener\">CONTENTS<\/a>)<\/li>\n<\/ul>\n<h4 id=\"phil\">\u54f2\u5b66 Philosophy<\/h4>\n<p>\u25a0 \u5ca9\u7530 \u572d\u4e00\u3000Keiichi IWATA<\/p>\n<p><span class=\"fontstyle0\"><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/IWATA-Keiichi_0013-0024.pdf\" target=\"_blank\" rel=\"noopener\">\u30a2\u30ea\u30b9\u30c8\u30c6\u30ec\u30b9\u306b\u304a\u3051\u308b\u5909\u5316\u306e\u8aac\u660e\u3068\u300c\u30a6\u30fc\u30b7\u30a2\u30fc\u300d\u306e\u7406\u89e3<br \/>\n\u2500\u2500\u300e\u30ab\u30c6\u30b4\u30ea\u30fc\u8ad6\u300f\u7b2c\uff15\u7ae04a10-b18\u3068\u300e\u81ea\u7136\u5b66\u300f\u7b2c5\u5dfb\u7b2c1\u7ae0\u2500\u2500<\/a> <\/span><\/p>\n<p><span class=\"fontstyle0\">\u00a0Aristotle<span class=\"fontstyle1\">\u2019<\/span>s Accounts of Change and his Understanding of Ousia: Categories 5,<br \/>\n4a10-b18 and Physics V\uff11<\/span><\/p>\n<p>\u25a0 \u8fbb\u5185 \u5ba3\u535a\u3000Nobuhiro TSUJIUCHI<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/TSUJIUCHI-Nobuhiro_0025-0038.pdf\" target=\"_blank\" rel=\"noopener\"><span class=\"fontstyle0\">\u653f\u6cbb\u7684\u306a\u601d\u616e\u306e\u5206\u6790\u304b\u3089\u898b\u308b\u88ab\u652f\u914d\u8005\u306e\u4f4d\u7f6e\u3065\u3051<\/span><span class=\"fontstyle0\"><br \/>\n<\/span><span class=\"fontstyle0\">\u2500\u2500\u30c8\u30de\u30b9\u30fb\u30a2\u30af\u30a3\u30ca\u30b9\u3068\u30b8\u30e3\u30f3\u30fb\u30d3\u30e5\u30ea\u30c0\u30f3<\/span><span class=\"fontstyle0\">\u2500\u2500<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">Positioning <\/span>of the ruled in terms of the Analysis of Political Prudence:<br \/>\nThomas Aquinas and Jean Buridan<\/p>\n<p>\u25a0 \u9022\u5742 \u6681\u4e43\u3000 Akino<span class=\"fontstyle0\"> OSAKA<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/OSAKA-Akino_0039-0054.pdf\" target=\"_blank\" rel=\"noopener\"><span class=\"fontstyle0\">\u30dc\u30f3\u30d8\u30c3\u30d5\u30a1\u30fc\u306b\u304a\u3051\u308b<\/span><span class=\"fontstyle1\">\u300c\u7a76\u6975\u306e\u3082\u306e<\/span><span class=\"fontstyle1\">\u300d<\/span><span class=\"fontstyle0\">\u3068<br \/>\n<\/span><span class=\"fontstyle1\">\u300c\u7a76\u6975\u4ee5\u524d\u306e\u3082\u306e\u300d<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">Die lezten und die vorletzten Dinge bei Bonhoeffer<\/span><\/p>\n<p>\u25a0\u00a0 \u6e21\u8fba \u6d69\u592a\u3000 Kota\u00a0<span class=\"fontstyle0\"> WATANABE<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/WATANABE-Kota_0055-0069.pdf\" target=\"_blank\" rel=\"noopener\"><span class=\"fontstyle0\">\u73fe\u4ee3\u7684\u81ea\u5f8b\u6982\u5ff5\u306b\u3068\u3063\u3066\u306e\u5b9f\u8df5\u7684\u63a8\u8ad6\u306e\u91cd\u8981\u6027<br \/>\n<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">The Importance of Practical Reasoning for Contemporary Concepts<br \/>\n<\/span> <span class=\"fontstyle0\">of Autonomy<\/span><\/p>\n<p>\u25a1<a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/3d9f27ae2ee5c1870eac5bd054cb565b.pdf\" target=\"_blank\" rel=\"noopener\">\u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses<\/a>)<\/p>\n<h4><\/h4>\n<h4 id=\"soc\">\u5fc3\u7406\u5b66 Psychology<\/h4>\n<p>\u25a0 \u5bae\u7530 \u88d5\u5149\u30fb\u9ad8\u6a4b\u771f\u8cb4\u5b50\u3000 Hiromitsu<span class=\"fontstyle0\"> MIYATA,Makiko TAKAHASHI<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/MIYATA-Hiromitsu_0079-0092.pdf\" target=\"_blank\" rel=\"noopener\"><span class=\"fontstyle0\">\uff34\uff2d\uff24\u30de\u30f3\u30c8\u30e9\u306e\u5b9f\u8df5\u306b\u3088\u308b\u30de\u30a4\u30f3\u30c9\u30d5\u30eb\u30cd\u30b9\u3068\u30d6\u30e9\u30ad\u30b7\u30ba\u30e0\u7fd2\u7656\u3078\u306e\u52b9\u679c<br \/>\n\u2500\u2500\u30b7\u30f3\u30b0\u30eb\u30b1\u30fc\u30b9\u30c7\u30b6\u30a4\u30f3\u306b\u3088\u308b\u691c\u8a0e\u2500\u2500<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">Impacts of <span class=\"fontstyle2\">\u201c<\/span>TMD mantra<span class=\"fontstyle2\">\u201d <\/span>on mindfulness and bruxism:<br \/>\nA single-case design study\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<h4>\u793e\u4f1a\u5b66 Sociology<\/h4>\n<p>\u25a0 \u5927\u4e45\u4fdd \u5b5d\u6cbb\u3000 Takaji<span class=\"fontstyle0\"> OHKUBO<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/OHKUBO-Takaji_0093-0108.pdf\" target=\"_blank\" rel=\"noopener\"><span class=\"fontstyle0\">\u6e05\u6c34\u5e7e\u592a\u90ce\u306b\u304a\u3051\u308b\u5b64\u72ec\u3068\u793e\u4ea4<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">\u00a0Solitude and Sociability in SHIMIZU Ikutaro<\/span><\/p>\n<p>\u25a0 \u5ca1\u672c \u667a\u5468\u3000 Tomochika<span class=\"fontstyle0\"> OKAMOTO<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/OKAMOTO-Tomochika_0109-0125.pdf\" target=\"_blank\" rel=\"noopener\"><span class=\"fontstyle0\">\u6559\u80b2\u793e\u4f1a\u5b66\u8005<span class=\"fontstyle1\">\u30fb <\/span>\u99ac\u5834\u56db\u90ce\u306e\u793e\u4f1a\u79d1\u6559\u80b2\u69cb\u60f3\u306b\u304a\u3051\u308b\u57fa\u790e\u7684\u793e\u4f1a\u89b3<br \/>\n\u2500\u2500\u521d\u671f\u793e\u4f1a\u79d1\u8ad6\u4e89\u304c\u898b\u5931\u3063\u305f\u793e\u4f1a\u79d1\u5b66\u306e\u3082\u3046\u4e00\u3064\u306e\u79d1\u5b66\u6027\u2500\u2500<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\"> Fundamental Social Views of Shir\u014d Baba, a Sociologist of Education,<br \/>\nin His Conception of Social Studies Education: Reconsidering<br \/>\nAnother Aspect of the Scientific Nature of Social Science Lost<br \/>\nin the Debate Over Early Social Studies<br \/>\n<\/span><\/p>\n<p>\u25a0\u00a0 \u6c60\u672c \u7d17\u826f\u3000 Sara\u00a0<span class=\"fontstyle0\"> IKEMOTO<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/IKEMOTO-Sara_0127-0142.pdf\" target=\"_blank\" rel=\"noopener\"><span class=\"fontstyle0\">\u5b66\u6821\u7fa4\u5236\u5ea6\u306e\u8a9e\u308a\u53e3\u306e\u5909\u5bb9<br \/>\n\u2500\u2500\u90fd\u7acb\u9ad8\u6821\u306e<span class=\"fontstyle1\">\u300c<\/span>\u683c\u5dee\u662f\u6b63<span class=\"fontstyle1\">\u300d <\/span>\u304b\u3089 <span class=\"fontstyle1\">\u300c<\/span>\u90fd\u7acb\u51cb\u843d<span class=\"fontstyle1\">\u300d <\/span>\u3078\u2500\u2500<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">The Changing Narratives of the School Grouping System: From <\/span><span class=\"fontstyle2\">\u201c<\/span><span class=\"fontstyle0\">Disparity between<br \/>\nHigh Schools<\/span><span class=\"fontstyle2\">\u201d <\/span><span class=\"fontstyle0\">to <\/span><span class=\"fontstyle2\">\u201c<\/span><span class=\"fontstyle0\">Decline of Public High Schools<\/span><span class=\"fontstyle2\">\u201d<\/span><\/p>\n<p>\u25a1<a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/157404d231c168b6dc054c776de118c3-1.pdf\" target=\"_blank\" rel=\"noopener\">\u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses<\/a>)<\/p>\n<h4><\/h4>\n<h4 id=\"edu\">\u6559\u80b2\u5b66 Education<\/h4>\n<p>\u25a0 \u6c96\u3000\u6e05\u8c6a\u3000 Kiyotake<span class=\"fontstyle0\"> OKI<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/OKI-Kiyotake_0151-0165.pdf\" target=\"_blank\" rel=\"noopener\"><span class=\"fontstyle0\">\u30a4\u30ae\u30ea\u30b9\u306b\u304a\u3051\u308b\u5b66\u751f\u306e\u82e6\u60c5\u7533\u3057\u7acb\u3066<span class=\"fontstyle1\">\uff1a<br \/>\n<\/span>COVID-19\u4e0b\u3067\u306e\u72ec\u7acb\u88c1\u5b9a\u5c40<span class=\"fontstyle1\">\uff08<\/span>OIA<span class=\"fontstyle1\">\uff09 <\/span>\u306e\u6d3b\u52d5<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\"> Student Complaints in the UK: The Activities of the Office<br \/>\nof the Independent Adjudicator (OIA) During the COVID-19<br \/>\n<\/span><\/p>\n<p>\u25a0 \u89d2 \u4eae\u5178\u3000 Ryosuke<span class=\"fontstyle0\"> SUMI<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/SUMI-Ryosuke_0167-0184.pdf\" target=\"_blank\" rel=\"noopener\"><span class=\"fontstyle0\">\u5931\u308f\u308c\u305f<span class=\"fontstyle1\">\u300c<\/span>\u5834<span class=\"fontstyle1\">\u300d <\/span>\u306e\u5e0c\u6c42\u3068\u3057\u3066\u306e<span class=\"fontstyle1\">\u201c<\/span>\u79fb\u4f4f<span class=\"fontstyle1\">\u201d <\/span>\u3068\u305d\u306e\u53ef\u80fd\u6027<br \/>\n\u2500\u2500\u82e5\u8005\u79fb\u4f4f\u8005\u304c\u898b\u51fa\u3057\u305f<span class=\"fontstyle1\">\u300c<\/span>\u95a2\u308f\u308a\u3057\u308d <span class=\"fontstyle1\">\u300d <\/span>\u306e\u8996\u70b9\u304b\u3089\u2500\u2500<br \/>\n<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">Migration and Its Potential as a Search for a Lost <\/span><span class=\"fontstyle2\">\u201c<\/span><span class=\"fontstyle0\">Place<\/span><span class=\"fontstyle2\">\u201d <\/span><span class=\"fontstyle0\">\u301c From the viewpoint<br \/>\nof <\/span><span class=\"fontstyle2\">\u201c<\/span><span class=\"fontstyle0\">Margin of relation<\/span><span class=\"fontstyle2\">\u201d <\/span><span class=\"fontstyle0\">found by young immigrants<\/span><\/p>\n<p>\u25a1 <a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/8079f5250f673e07318ecf1b6e9567ea.pdf\" target=\"_blank\" rel=\"noopener\">\u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n<h4 id=\"jl\"><\/h4>\n<h4>\u65e5\u672c\u8a9e\u65e5\u672c\u6587\u5b66 Japanese Studies<\/h4>\n<p>\u25a0 \u6c60\u6fa4 \u4e00\u90ce\u3000Ichiro IKEZAWA<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/IKEZAWA-Ichiro_1046-1028.pdf\" target=\"_blank\" rel=\"noopener\"> <span class=\"fontstyle0\">\u8cf4\u5c71\u967d\u306e<\/span><span class=\"fontstyle1\">\u300c<\/span><span class=\"fontstyle0\">\u5beb\u8c8c<\/span><span class=\"fontstyle1\">\u300d <\/span><span class=\"fontstyle0\">\u3068\u6b63\u5ca1\u5b50\u898f\u306e<\/span><span class=\"fontstyle1\">\u300c<\/span><span class=\"fontstyle0\">\u5199\u751f<\/span><span class=\"fontstyle1\">\u300d<br \/>\n<\/span><span class=\"fontstyle0\">\u2500\u2500\u8fd1\u4ee3\u6587\u5b66\u7814\u7a76\u306e\u6b27\u7c73\u7406\u8ad6\u504f\u91cd\u6279\u5224\u2500\u2500<\/span><br \/>\n<\/a><\/p>\n<p><span class=\"fontstyle0\">\u201c<\/span><span class=\"fontstyle1\">Photo Realistic Method in pictures<\/span><span class=\"fontstyle0\">\u201d <\/span><span class=\"fontstyle1\">by Lai Snyo and <\/span><span class=\"fontstyle0\">\u201c<\/span><span class=\"fontstyle1\">How to Grasp of the Vivid<br \/>\nAtmosphere in the poems and paintihgs<\/span><span class=\"fontstyle0\">\u201d <\/span><span class=\"fontstyle1\">by Masaoka Shiki<\/span><\/p>\n<p>\u25a0 \u6797\u3000\u5b87\u3000 Yu<span class=\"fontstyle0\"> LIN<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/LIN-Yu_1026-1010.pdf\"><span class=\"fontstyle0\">\u66f9\u4e15\u306b\u64ec\u3048\u3089\u308c\u308b\u9577\u5c4b\u738b\u50cf\u3092\u5de1\u3063\u3066<br \/>\n<\/span><span class=\"fontstyle0\">\u2500\u2500\u9577\u5c4b\u738b\u5b85\u8a69\u5bb4\u8a69\u306b\u304a\u3051\u308b\u5efa\u5b89\u671f\u66f9\u4e15\u95a2\u9023\u8a69\u5bb4\u8a69\u8868\u73fe\u306e\u53d7\u5bb9\u2500\u2500<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">The statue of Nagaya\u014d which described as Cao Pi<br \/>\n\u2014 The Nagaya\u014d<\/span><span class=\"fontstyle2\">\u2019<\/span><span class=\"fontstyle0\">s banquet of poetry acceptance of banquet<br \/>\nof poetry<\/span><span class=\"fontstyle2\">\u2019<\/span><span class=\"fontstyle0\">s expression related to Cao Pi in the Jian<\/span><span class=\"fontstyle2\">\u2019<\/span><span class=\"fontstyle0\">an Period \u2014<\/span><\/p>\n<p>\u25a0 \u5927\u5d8b\u3000\u3055\u3084\u304b\u3000 Sayaka<span class=\"fontstyle0\"> OSHIMA<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/OSHIMA-Sayaka_1008-0992.pdf\" target=\"_blank\" rel=\"noopener\"> \u00a0<span class=\"fontstyle0\">\u8429\u539f\u6714\u592a\u90ce<\/span><span class=\"fontstyle1\">\u300c<\/span><span class=\"fontstyle0\">\u79cb\u65e5\u5e30\u90f7\u2500\u59b9\u306b\u3042\u305f\u3075\u308b\u8a00\u8449\u2500<\/span><span class=\"fontstyle1\">\u300d <\/span><span class=\"fontstyle0\">\u306e\u8003\u5bdf<br \/>\n<\/span><span class=\"fontstyle0\">\u2500\u2500\u6c11\u9593\u4f1d\u627f\u3068\u7167\u3089\u3057\u3066\u2500\u2500<\/span><br \/>\n<\/a><\/p>\n<p><span class=\"fontstyle0\">A Study on Hagiwara Sakutr\u00f6<\/span><span class=\"fontstyle2\">\u2019<\/span><span class=\"fontstyle0\">s <\/span><span class=\"fontstyle2\">\u201c<\/span><span class=\"fontstyle0\">Shujitsu Kikyo (Returning Home on an Autumn Day)<\/span><span class=\"fontstyle2\">\u201d<\/span><span class=\"fontstyle0\">:<br \/>\nComparing with Folklore<\/span><\/p>\n<p>\u25a0\u912d\u3000\u67c4\u30df\u30f3\u3000Byeongmin JUNG<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/JUNG-Byeongmin_0197-0210.pdf\" target=\"_blank\" rel=\"noopener\"><span class=\"fontstyle0\">\u300c<\/span><span class=\"fontstyle1\">\u672c\u5f53\u306e\uff0bN<\/span><span class=\"fontstyle0\">\u300d <\/span><span class=\"fontstyle1\">\u306e\u610f\u5473\u5c55\u958b<span class=\"fontstyle1\">\u2500\u2500<\/span><span class=\"fontstyle3\">\uff13<\/span><span class=\"fontstyle1\">\u3064\u306e\u7528\u6cd5\u3092\u4e2d\u5fc3\u306b\u2500\u2500<\/span><\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">The meaning expansion of <\/span><span class=\"fontstyle2\">\u201c<\/span><span class=\"fontstyle0\">hontouno+noun<\/span><span class=\"fontstyle2\">\u201d<br \/>\n\u2014 Focus on three usages \u2014<\/span><\/p>\n<p>\u25a0 \u85e4\u51a8 \u53f2\u82b1\u3000 Ayaka FUJITOMI<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/FUJITOMI-Ayaka_0990-0975.pdf\" target=\"_blank\" rel=\"noopener\"><span class=\"fontstyle0\">\u4e94\u5cf0\u962a\u53e3\u4ec1\u4e00\u90ce\u3068\u9707\u537f\u5409\u7530\u6771\u4f0d\u306e\u4ea4\u6d41<br \/>\n<\/span><span class=\"fontstyle0\">\u2500\u2500\u4e94\u5cf0<\/span><span class=\"fontstyle1\">\u300c<\/span><span class=\"fontstyle0\">\u8d08\u5409\u7530\u9707\u537f<\/span><span class=\"fontstyle1\">\u300d\u00a0<\/span><span class=\"fontstyle0\">\u8a69\u3092\u4e2d\u5fc3\u306b\u2500\u2500<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">The Friendship between Sakaguchi Goho and Yoshida Togo<br \/>\n\u2014 Focusing on the Chinese poem\u00a0<\/span><span class=\"fontstyle2\">\u201c<\/span><span class=\"fontstyle0\">Gift to Yoshida Shinkei<\/span><span class=\"fontstyle2\">\u201d<\/span><\/p>\n<p>\u25a0 \u5ca1\u7530 \u4fca\u4ecb\u3000 Syunsuke OKADA<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/OKADA-Syunsuke_0974-0959.pdf\" target=\"_blank\" rel=\"noopener\"><span class=\"fontstyle0\">\u5bfa\u5c71\u4fee\u53f8<\/span><span class=\"fontstyle1\">\u300c<\/span><span class=\"fontstyle0\">\u30ec\u30df\u30f3\u30b0<\/span><span class=\"fontstyle1\">\u300d\u00a0<\/span><span class=\"fontstyle0\">\u306b\u304a\u3051\u308b\u90fd\u5e02\u3068\u5b9f\u5b58<br \/>\n<\/span><span class=\"fontstyle0\">\u2500\u2500\u307e\u306a\u3056\u3057\u3068\u8cc7\u672c\u4e3b\u7fa9\u304c\u751f\u3080<\/span><span class=\"fontstyle1\">\u300c<\/span><span class=\"fontstyle0\">\u5185\u9762\u306e\u58c1<\/span><span class=\"fontstyle1\">\u300d\u00a0<\/span><span class=\"fontstyle0\">\u2500\u2500<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">City and Existence in Sh\u016bji Terayama<\/span><span class=\"fontstyle2\">\u2019<\/span><span class=\"fontstyle0\">s Lemming: Gaze and Capitalism create<br \/>\n<\/span><span class=\"fontstyle2\">\u201c<\/span><span class=\"fontstyle0\">internalized wall<\/span><span class=\"fontstyle2\">\u201d<\/span><\/p>\n<p>\u25a0 \u5869\u4e95 \u7965\u5b50\u3000 <span class=\"fontstyle0\">Sachiko SHIOI<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/SHIOI-Sachiko_0958-0947.pdf\" target=\"_blank\" rel=\"noopener\"><span class=\"fontstyle0\"><span class=\"fontstyle0\">\u4e71\u6b69\u306b\u304a\u3051\u308b\u30a8\u30c9\u30ac\u30fc<\/span><span class=\"fontstyle1\">\u30fb\u00a0<\/span><span class=\"fontstyle0\">\u30a2\u30e9\u30f3<\/span><span class=\"fontstyle1\">\u30fb\u00a0<\/span><span class=\"fontstyle0\">\u30dd\u30fc\u53d7\u5bb9\u3068\u5834\u666f\u63cf\u5199\u306e\u751f\u6210\u306b\u3064\u3044\u3066<br \/>\n<\/span>\u2500\u2500<\/span><span class=\"fontstyle1\">\u300c<\/span><span class=\"fontstyle0\">\u6050\u308d\u3057\u304d\u932f\u8aa4<\/span><span class=\"fontstyle1\">\u300d <\/span><span class=\"fontstyle0\">\u3092\u8996\u5ea7\u3068\u3057\u3066\u2500\u2500<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">Construction for Edgar Allan Poe and generation of scene description<br \/>\nin Rampo Edogawa<\/span><\/p>\n<p>\u25a0Zhexi LI<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/LI-Zhexi_0946-0935.pdf\" target=\"_blank\" rel=\"noopener\"><span class=\"fontstyle0\">\u5fd7\u8cc0\u76f4\u54c9<\/span><span class=\"fontstyle1\">\u300c<\/span><span class=\"fontstyle0\">\u6e05\u5175\u885b\u3068\u74e2\u7c1e<\/span><span class=\"fontstyle1\">\u300d <\/span><span class=\"fontstyle0\">\u8ad6<br \/>\n\u2500\u2500\u5bfe\u7acb\u306e\u69cb\u56f3\u3092\u8d85\u3048\u308b\u8a66\u307f\u2500\u2500<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">A Study on Shiga Naoya<\/span><span class=\"fontstyle2\">\u2019<\/span><span class=\"fontstyle0\">s Seibei and his Gourds:<br \/>\nAn Attempt to Transcend the Structure of Confrontation<\/span><\/p>\n<p>\u25a0 \u65b0\u4e95\u3000\u9686 \u3000Ryu<span class=\"fontstyle0\">\u00a0ARAI<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/ARAI-Ryu_0934-0920.pdf\" target=\"_blank\" rel=\"noopener\"><span class=\"fontstyle0\">\u300e<\/span><span class=\"fontstyle1\">\u6e90\u6c0f\u7269\u8a9e<\/span><span class=\"fontstyle0\">\u300f\u00a0<\/span><span class=\"fontstyle1\">\u306e\u660e\u77f3\u306e\u541b\u3068\u7d2b\u306e\u541b<br \/>\n<\/span><span class=\"fontstyle1\">\u2500\u2500\u8868\u73fe\u306e\u5bfe\u5fdc\u3068\u5bfe\u7167\u6027\u304c\u793a\u3059\u77ed\u7de8\u6027\u3068\u9577\u7de8\u6027\u2500\u2500<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">Lady Akashi and Lady Murasaki in The Tale of Genji: How Short<br \/>\n\u2014 and Extended-Narrative Passages Inscribe Expressions<br \/>\nof Correspondence and Contrast<\/span><\/p>\n<p>\u25a0 \u77f3\u5ddd \u304b\u308c\u3093\u3000 Karen<span class=\"fontstyle0\"> ISHIKAWA<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/ISHIKAWA-Karen_0918-0903.pdf\" target=\"_blank\" rel=\"noopener\"><span class=\"fontstyle0\"> \u83ca\u6c60\u5bdb<span class=\"fontstyle1\">\u300c<\/span>\u7121\u540d\u4f5c\u5bb6\u306e\u65e5\u8a18<span class=\"fontstyle1\">\u300d <\/span>\u8ad6<br \/>\n\u2500\u2500<span class=\"fontstyle1\">\u300e<\/span>\u6587\u7ae0\u4e16\u754c<span class=\"fontstyle1\">\u300f <\/span>\u3068\u60a9\u3081\u308b\u6587\u5b66\u9752\u5e74\u305f\u3061\u2500\u2500<br \/>\n<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">A Study on Kikuchi Kan<\/span><span class=\"fontstyle2\">\u2019<\/span><span class=\"fontstyle0\">s <\/span><span class=\"fontstyle2\">\u201c<\/span><span class=\"fontstyle0\">Diary of an Unknown Writer<\/span><span class=\"fontstyle2\">\u201d<\/span><span class=\"fontstyle0\">: Portrayals<br \/>\nof Literary Youths in the 1910s and the Magazine Bunsho Sekai<\/span><\/p>\n<p>\u25a0\u55ac \u3000<span class=\"fontstyle0\">\u923a\u4e39 \u3000\u3000Yudan QIAO<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/QIAO-Yudan_0902-0888.pdf\" target=\"_blank\" rel=\"noopener\"><span class=\"fontstyle0\">\u300e<\/span><span class=\"fontstyle1\">\u65b0\u53e4\u4eca\u96c6<\/span><span class=\"fontstyle0\">\u300f <\/span><span class=\"fontstyle1\">\u4eba\u9ebf\u6b4c\u306e\u51fa\u5178\u306b\u3064\u3044\u3066<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">About the source of Hitomaroka in <\/span><span class=\"fontstyle2\">\u201c<\/span><span class=\"fontstyle0\">Shinkokinshu<\/span><span class=\"fontstyle2\">\u201d<\/span><\/p>\n<p>\u25a0 \u5c71\u897f \u5c06\u77e2\u3000Masaya YAMANISHI<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/YAMANISHI-Masaya_0886-0872.pdf\" target=\"_blank\" rel=\"noopener\"><span class=\"fontstyle0\"> \u5b89\u90e8\u516c\u623f\u306e\u8a00\u8a9e\u8ad6\u7684\u8ee2\u56de<br \/>\n\u2500\u2500\u30d1\u30f4\u30ed\u30d5\u7684\u8a00\u8a9e\u304b\u3089\u30af\u30ec\u30aa\u30fc\u30eb\u3078\u2500\u2500<br \/>\n<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">Linguistic turn in Abe Kobo<br \/>\n\u2014 from Pavlovian language to Creole \u2014<\/span><\/p>\n<p>\u25a1 <a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/985ef24f445af0ffc868d8efedb04b32.pdf\" target=\"_blank\" rel=\"noopener\">\u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n<p>&nbsp;<\/p>\n<h4 id=\"el\">\u82f1\u6587\u5b66 English Studies<\/h4>\n<p>\u25a0 \u5c71\u5185 \u529f\u4e00\u90ce \u3000Koichiro YAMAUCHI<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/YAMAUCHI-Koichiro_0211-0227.pdf\" target=\"_blank\" rel=\"noopener\"><span class=\"fontstyle0\"> \u300c<span class=\"fontstyle1\">\u4e0d\u9023\u7d9a\u306e\u9023\u7d9a<\/span>\u300d <span class=\"fontstyle1\">\u306b\u3064\u3044\u3066<br \/>\n<\/span><span class=\"fontstyle1\">\u2500\u2500\u30b8\u30e7\u30fc\u30b8<\/span>\u30fb <span class=\"fontstyle1\">\u30aa\u30c3\u30da\u30f3\u306e<\/span>\u300e<span class=\"fontstyle1\">\u30c7\u30a3\u30b9\u30af\u30ea\u30fc\u30c8 <\/span>\u30fb <span class=\"fontstyle1\">\u30b7\u30ea\u30fc\u30ba<\/span>\u300f <span class=\"fontstyle1\">\u3092\u8aad\u3080\u2500\u2500<\/span><\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">On the <\/span><span class=\"fontstyle2\">\u201c<\/span><span class=\"fontstyle0\">Continuity of Discontinuities<\/span><span class=\"fontstyle2\">\u201d<\/span><span class=\"fontstyle0\">:<br \/>\nA Reading of George Oppen<\/span><span class=\"fontstyle2\">\u2019<\/span><span class=\"fontstyle0\">s Discrete Series<\/span><\/p>\n<p>\u25a1 <a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/efaf7a84144cdc54e70825cc6bf0e29c.pdf\" target=\"_blank\" rel=\"noopener\">\u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n<p>&nbsp;<\/p>\n<h4 id=\"fl\">\u30d5\u30e9\u30f3\u30b9\u8a9e\u30d5\u30e9\u30f3\u30b9\u6587\u5b66 French Studies<\/h4>\n<p>\u25a0 \u9234\u6728 \u96c5\u96c4\u3000Masao SUZUKI<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/SUZUKI-Masao_0860-0843.pdf\" target=\"_blank\" rel=\"noopener\"><span class=\"fontstyle0\">\u540c\u3058\u9854\u304c\u63cf\u3051\u306a\u3044<br \/>\n<\/span><span class=\"fontstyle0\">\u2500\u2500\u4e00\u4e5d\u4e16\u7d00\u306b\u304a\u3051\u308b\u30de\u30f3\u30ac<\/span><span class=\"fontstyle1\">\uff08<\/span><span class=\"fontstyle0\">\u7684<\/span><span class=\"fontstyle1\">\uff09 <\/span><span class=\"fontstyle0\">\u8868\u73fe\u306e\u30d1\u30e9\u30c9\u30c3\u30af\u30b9\u2500\u2500<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">\u00ab Pourquoi ces visages peu reconnaissables ?<br \/>\n\u2014 paradoxe des images narratives au XIX<\/span><span class=\"fontstyle0\">\u00e8me <\/span><span class=\"fontstyle0\">si\u00e8cle \u2014 \u00bb<\/span><\/p>\n<p>\u25a0 <span class=\"fontstyle0\">Odile DUSSUD<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/DUSSUD-Odile_0241-0267.pdf\" target=\"_blank\" rel=\"noopener\"> <span class=\"fontstyle0\">\u00ab Vous \u00eates r\u00e9tive aux rem\u00e8des ; mais nous saurons vous soumettre \u00bb<br \/>\n<\/span><span class=\"fontstyle0\">\u2500\u2500 Sur les allusions religieuses dans Le M\u00e9decin malgr\u00e9 lui de Moli\u00e8re \u2500\u2500<\/span> <\/a><\/p>\n<p>\u25a0 Riho TAKAYASU<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/TAKAYASU-Riho_0269-0290.pdf\" target=\"_blank\" rel=\"noopener\"><span class=\"fontstyle0\">Les personnages historiques chez Philippe Quinault<br \/>\n\u2014 d<\/span><span class=\"fontstyle2\">\u2019<\/span><span class=\"fontstyle0\">Amalasonte \u00e0 La Mort de Cyrus \u2014<\/span><\/a><\/p>\n<p>\u25a0\u5c71\u672c \u4f73\u751f\u3000Yoshio YAMAMOTO<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/YAMAMOTO-Yoshio_0291-0305.pdf\" target=\"_blank\" rel=\"noopener\"><span class=\"fontstyle0\">\u541b\u4e3b\u653f\u4f53\u306e\u7406\u60f3\u3068 <\/span><span class=\"fontstyle2\">\u300c<\/span><span class=\"fontstyle0\">\u7c21\u6f54\u3055 <\/span><span class=\"fontstyle2\">\u300d <\/span><span class=\"fontstyle0\">\u306e\u79f0\u63da<br \/>\n<\/span><span class=\"fontstyle0\">\u2500\u2500\u5341\u516d\u4e16\u7d00\u5f8c\u534a\u306e\u30ec\u30c8\u30ea\u30c3\u30af\u306b\u304a\u3051\u308b\u77ed\u6587\u96c6\u6210\u306e\u4f4d\u7f6e\u3065\u3051\u2500\u2500<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">Le renforcement de la royaut\u00e9 et le style concis dans<br \/>\nla seconde moiti\u00e9 du XVIe si\u00e8cle<\/span><\/p>\n<p>\u25a0\u8c37\u6fa4 \u771f\u512a\u3000Mayu TANIZAWA<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/TANIZAWA-Mayu_0307-0322.pdf\" target=\"_blank\" rel=\"noopener\"><span class=\"fontstyle0\">\u30d0\u30eb\u30b6\u30c3\u30af\u306b\u304a\u3051\u308b\u30c0\u30a4\u30a2\u30e2\u30f3\u30c9\u306e\u8d08\u4e0e\u3068\u58f2\u8cb7<br \/>\n<\/span><span class=\"fontstyle0\">\u2500\u2500<\/span><span class=\"fontstyle1\">\u300c<\/span><span class=\"fontstyle0\">\u5bb6\u5ead\u306e\u5e73\u548c<\/span><span class=\"fontstyle1\">\u300d\u3001\u300c<\/span><span class=\"fontstyle0\">\u30b4\u30d7\u30bb\u30c3\u30af <\/span><span class=\"fontstyle1\">\u300d\u3001\u300c<\/span><span class=\"fontstyle0\">\u7d50\u5a5a\u5951\u7d04<\/span><span class=\"fontstyle1\">\u300d <\/span><span class=\"fontstyle0\">\u2500\u2500<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">Le don ou la vente des diamants dans les romans d<\/span><span class=\"fontstyle2\">\u2019<\/span><span class=\"fontstyle0\">Honor\u00e9 de Balzac<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/4523d53a8211aef672b449b36b521908.pdf\" target=\"_blank\" rel=\"noopener\">\u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n<p>&nbsp;<\/p>\n<h4 id=\"dl\">\u30c9\u30a4\u30c4\u8a9e\u30c9\u30a4\u30c4\u6587\u5b66 German Studies<\/h4>\n<p>\u25a0\u6238\u5d8b\u3000\u5320\u3000Takumi TOSHIMA<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/TOSHIMA-Takumi_0335-0349.pdf\" target=\"_blank\" rel=\"noopener\"><span class=\"fontstyle0\">\u30a2\u30a4\u30ed\u30cb\u30fc\u3068\u8aad\u8005<br \/>\n<\/span><span class=\"fontstyle0\">\u2500\u2500\u30db\u30fc\u30d5\u30de\u30f3\u30b9\u30bf\u30fc\u30eb<\/span><span class=\"fontstyle1\">\u300e<\/span><span class=\"fontstyle0\">\u7b2c672\u591c\u306e\u30e1\u30eb\u30d8\u30f3<\/span><span class=\"fontstyle1\">\u300f <\/span><span class=\"fontstyle0\">\u306b\u3064\u3044\u3066\u2500\u2500<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">Ironie und Leser<br \/>\n\u2014 \u00dcber Hofmannsthals \u201eDas M\u00e4rchen der 672. Nacht<\/span><span class=\"fontstyle2\">\u201c <\/span><span class=\"fontstyle0\">\u2014<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/CHIKAKI-Kento_0351-0353.pdf\" target=\"_blank\" rel=\"noopener\">\u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n<h4><\/h4>\n<h4 id=\"rl\">\u30ed\u30b7\u30a2\u8a9e\u30ed\u30b7\u30a2\u6587\u5316 Russian Studies<\/h4>\n<p>\u25a0 \u4e09\u6d66 \u6e05\u7f8e\u3000Kiyoharu MIURA<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/MIURA-Kiyoharu_0355-0373.pdf\" target=\"_blank\" rel=\"noopener\"> <span class=\"fontstyle0\">\u300c<\/span><span class=\"fontstyle1\">\u5acc\u308f\u308c\u8005<\/span><span class=\"fontstyle0\">\u300d <\/span><span class=\"fontstyle1\">\u3092\u901a\u3057\u3066\u898b\u308b\u5b97\u6559\u6226\u4e89\u3068\u3057\u3066\u306e\u30b9\u30e0\u30fc\u30bf<br \/>\n<\/span><span class=\"fontstyle1\">\u2500\u2500\u30ef\u30b7\u30fc\u30ea\u30a4 <\/span><span class=\"fontstyle0\">\u30fb <\/span><span class=\"fontstyle1\">\u30b7\u30e5\u30a4\u30b9\u30ad\u30a4\u3068\u30ba\u30a3\u30b0\u30e0\u30f3\u30c8<\/span><span class=\"fontstyle3\">\uff13<\/span><span class=\"fontstyle1\">\u4e16\u2500\u2500<\/span><br \/>\n<\/a><\/p>\n<p><span class=\"fontstyle0\">Smuta as a religious war with focus on two unpopular rulers,<br \/>\nVasily Shuisky and Zygmunt III<\/span><\/p>\n<p>\u25a0 \u8d64\u6e15 \u91cc\u6c99\u5b50\u3000Risako AKAFUCHI<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/AKAFUCHI-Risako_0375-0384.pdf\" target=\"_blank\" rel=\"noopener\"><span class=\"fontstyle0\">\u751f\u7406\u5b66\u304b\u3089\u7f8e\u5b66\u3078<br \/>\n<\/span><span class=\"fontstyle0\">\u2500\u2500 A. B. \u30eb\u30ca\u30c1\u30e3\u30eb\u30b9\u30ad\u30fc<\/span><span class=\"fontstyle2\">\u300e<\/span><span class=\"fontstyle0\">\u5b9f\u8a3c\u7f8e\u5b66\u306e\u57fa\u790e<\/span><span class=\"fontstyle2\">\u300f <\/span><span class=\"fontstyle0\">\u306b\u304a\u3051\u308b\u6ed1\u7a3d\u2500\u2500<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">\u041e\u0442 \u0444\u0438\u0437\u0438\u043e\u043b\u043e\u0433\u0438\u0438 \u043a \u044d\u0441\u0442\u0435\u0442\u0438\u043a\u0435: \u043a\u043e\u043c\u0438\u0447\u0435\u0441\u043a\u043e\u0435 \u0432 \u043a\u043d\u0438\u0433\u0435 \u00ab\u041e\u0441\u043d\u043e\u0432\u044b \u043f\u043e\u0437\u0438\u0442\u0438\u0432\u043d\u043e\u0439 \u044d\u0441\u0442\u0435\u0442\u0438\u043a\u0438\u00bb<br \/>\n\u0410. \u0412. \u041b\u0443\u043d\u0430\u0447\u0430\u0440\u0441\u043a\u043e\u0433\u043e<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/43e6b4b45ef7b6f1242266d3f5c280ba-2.pdf\" target=\"_blank\" rel=\"noopener\">\u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n<p>&nbsp;<\/p>\n<h4 id=\"cl\">\u4e2d\u56fd\u8a9e\u4e2d\u56fd\u6587\u5b66 Chinese Studies<\/h4>\n<p>\u25a0 \u674e \u5bb6\u6a4b\u3000 <span class=\"fontstyle0\">Jiaqiao LI <\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/LI-Jiaqiao_0842-0827.pdf\" target=\"_blank\" rel=\"noopener\"><span class=\"fontstyle0\"> \u5143\u96dc\u5287<span class=\"fontstyle1\">\u300c<\/span>\u4e00\u6298\u4e00\u97fb\u5230\u5e95<span class=\"fontstyle1\">\u300d <\/span>\u8aac\u306b\u3064\u3044\u3066\u306e\u518d\u691c\u8a0e<br \/>\n<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">Further Discussion on the Interpretation of the Yuan Zaju<br \/>\n<\/span><span class=\"fontstyle2\">\u2018<\/span><span class=\"fontstyle0\">Yi Zhe Yi Yun Dao Di<\/span><span class=\"fontstyle2\">\u2019<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/a7d58a796431ff0c1e00ce6d92fe9f72.pdf\" target=\"_blank\" rel=\"noopener\">\u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n<p>&nbsp;<\/p>\n<h4 id=\"v\">\u6f14\u5287\u6620\u50cf\u5b66 Theatre and Film Arts<\/h4>\n<p>\u25a0 \u85e4\u4e95 \u4ec1\u5b50\u3000Jinshi FUJII<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/FUJII-Jinshi_0401-0416.pdf\" target=\"_blank\" rel=\"noopener\"> <span class=\"fontstyle0\">\u300c<\/span><span class=\"fontstyle1\">\u30b6<\/span><span class=\"fontstyle0\">\u30fb <\/span><span class=\"fontstyle1\">\u30f4\u30a9\u30a4\u30b9<\/span><span class=\"fontstyle0\">\u300d <\/span><span class=\"fontstyle1\">\u304b\u3089\u58f0\u3092\u596a\u3046<br \/>\n<\/span><span class=\"fontstyle1\">\u2500\u2500<\/span><span class=\"fontstyle0\">\u300e<\/span><span class=\"fontstyle1\">\u62b1\u64c1<\/span><span class=\"fontstyle0\">\u300f\uff08<\/span><span class=\"fontstyle1\">1957<\/span><span class=\"fontstyle0\">\uff09 <\/span><span class=\"fontstyle1\">\u3068\u6620\u753b\u30b9\u30bf\u30fc\u3068\u3057\u3066\u306e\u30d5\u30e9\u30f3\u30af <\/span><span class=\"fontstyle0\">\u30fb <\/span><span class=\"fontstyle1\">\u30b7\u30ca\u30c8\u30e9\u2500\u2500<\/span><br \/>\n<\/a><\/p>\n<p><span class=\"fontstyle0\">Depriving <\/span><span class=\"fontstyle2\">\u201c<\/span><span class=\"fontstyle0\">The Voice<\/span><span class=\"fontstyle2\">\u201d <\/span><span class=\"fontstyle0\">of His Voice: The Joker Is Wild (1957)<br \/>\nand Frank Sinatra as a Movie Star<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/5e9b7af044257b7ba466e9efecf47271.pdf\" target=\"_blank\" rel=\"noopener\">\u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n<p>&nbsp;<\/p>\n<h4 id=\"art\">\u7f8e\u8853\u53f2\u5b66 Art History<\/h4>\n<p>\u25a0 Tomoyuki MASUDA<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/MASUDA-Tomoyuki_0425-0446-1.pdf\" target=\"_blank\" rel=\"noopener\"><span class=\"fontstyle0\"> Giotto<span class=\"fontstyle1\">\u2019<\/span>s Scrovegni Chapel and its Byzantine Models<br \/>\n<\/span><\/a><\/p>\n<p>\u25a0 \u672c\u9593 \u7f8e\u7d00\u3000Miki HOMMA<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/HOMMA-Miki_0447-0468.pdf\" target=\"_blank\" rel=\"noopener\"><span class=\"fontstyle0\">\u30c6\u30a3\u30e0\u30fc\u30eb\u671d\u30d8\u30e9\u30fc\u30c8\u6d3e\u753b\u5bb6\u306b\u3088\u308b\u4e2d\u56fd\u7d75\u753b\u306e\u518d\u6a21\u5199\u306b\u3064\u3044\u3066<br \/>\n<\/span><span class=\"fontstyle0\">\u2500\u2500<\/span><span class=\"fontstyle1\">\u300e<\/span><span class=\"fontstyle0\">\u30b5\u30e9\u30a4 <\/span><span class=\"fontstyle1\">\u30fb <\/span><span class=\"fontstyle0\">\u30a2\u30eb\u30d0\u30e0 <\/span><span class=\"fontstyle1\">\u300f <\/span><span class=\"fontstyle0\">\u3068 <\/span><span class=\"fontstyle1\">\u300e<\/span><span class=\"fontstyle0\">\u30c7\u30a3\u30fc\u30c4 <\/span><span class=\"fontstyle1\">\u30fb <\/span><span class=\"fontstyle0\">\u30a2\u30eb\u30d0\u30e0 <\/span><span class=\"fontstyle1\">\u300f <\/span><span class=\"fontstyle0\">\u306b\u304a\u3051\u308b\u30e0\u30cf\u30f3\u30de\u30c9<\/span><span class=\"fontstyle1\">\u30fb <\/span><span class=\"fontstyle0\">\u30d6\u30f3<\/span><span class=\"fontstyle1\">\u30fb<br \/>\n<\/span><span class=\"fontstyle0\">\u30de\u30d5\u30e0\u30fc\u30c9<\/span><span class=\"fontstyle1\">\u30fb <\/span><span class=\"fontstyle0\">\u30b7\u30e3\u30fc<\/span><span class=\"fontstyle1\">\u30fb <\/span><span class=\"fontstyle0\">\u30a2\u30eb<\/span><span class=\"fontstyle1\">\u30fb <\/span><span class=\"fontstyle0\">\u30cf\u30a4\u30e4\u30fc\u30e0\u306e\u30b5\u30a4\u30f3\u5165\u308a\u4f5c\u54c1\u2500\u2500<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">Re-reproductions of Chinese Paintings by a Timurid Herat School Painter:<br \/>\nSigned Works by Muhammad b. Mahmudshah al-Khayyam in the Diez<br \/>\nand the Topkapi Albums<\/span><\/p>\n<p>\u25a0 \u7027\u91ce \u5f69\u5b50\u00a0 Ayako TAKINO<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/TAKINO-Ayako_0826-0807.pdf\" target=\"_blank\" rel=\"noopener\"> <span class=\"fontstyle0\">\u9577\u6ca2\u82a6\u96ea\u7b46<\/span><span class=\"fontstyle1\">\u300a<\/span><span class=\"fontstyle0\">\u9ed2\u767d\u56f3\u5c4f\u98a8<\/span><span class=\"fontstyle1\">\u300b <\/span><span class=\"fontstyle0\">\u306e\u5112\u5b66\u7684\u69cb\u60f3<\/span><br \/>\n<\/a><\/p>\n<p><span class=\"fontstyle0\">Confucian conception of Black and White by Nagasawa Rosetsu<\/span><\/p>\n<p>&nbsp;<\/p>\n<h4 id=\"jh\">\u65e5\u672c\u53f2\u5b66 Japanese History<\/h4>\n<p>\u25a0 \u771f\u8fba \u5c06\u4e4b\u3000Masayuki<span class=\"fontstyle0\"> MANABE<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/MANABE-Masayuki_0806-0786.pdf\" target=\"_blank\" rel=\"noopener\"> <span class=\"fontstyle0\">\u4e95\u4e0a\u54f2\u6b21\u90ce\u7814\u7a76\u306e\u73fe\u72b6\u3068\u8ab2\u984c<\/span><br \/>\n<\/a><\/p>\n<p><span class=\"fontstyle0\">Current State and Challenges in the Research on Tetsujiro Inoue<\/span><\/p>\n<p>\u25a0 \u798f\u4e38 \u606d<span class=\"fontstyle0\">\u6602<\/span>\u3000Yasuaki FUKUMARU<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/FUKUMARU-Yasuaki_0784-0765.pdf\" target=\"_blank\" rel=\"noopener\"><span class=\"fontstyle0\"> \u5ba4\u753a\u672b<span class=\"fontstyle1\">\u30fb <\/span>\u6226\u56fd\u521d\u671f\u306b\u304a\u3051\u308b\u571f\u8c6a\u3068\u767e\u59d3<br \/>\n\u2500\u2500\u4e39\u6ce2\u56fd\u5927\u5c71\u8358<span class=\"fontstyle1\">\u30fb <\/span>\u5c71\u57ce\u56fd\u4e45\u4e16\u8358\u306e\u8358\u5712\u5236\u7684\u898f\u5236\u2500\u2500<br \/>\n<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">The Landlords and Peasants in the Late Muromachi and Early Sengoku Periods<br \/>\n\u2014 The Manorial Regulations of Ohyama-no-syo in Tanba Province<br \/>\nand Kuze-no-syo in Yamashiro Province \u2014<\/span><\/p>\n<p>\u25a0 \u7530\u90e8\u4e95 \u96bc\u4eba\u3000Hayato TABEI<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/TABEI-Hayato_0764-0749.pdf\" target=\"_blank\" rel=\"noopener\"> <span class=\"fontstyle0\">\u5e7d\u970a\u306e\u5b66\u8aac\u53f2<br \/>\n<\/span><span class=\"fontstyle0\">\u2500\u2500\u4e0d\u53ef\u8996\u5316\u3055\u308c\u308b\u5e7d\u970a\u306e\u8fd1\u73fe\u4ee3\u2500\u2500<\/span><\/a><br \/>\n<span class=\"fontstyle0\">The invisibility of <\/span><span class=\"fontstyle2\">\u201c<\/span><span class=\"fontstyle0\">Yurei<\/span><span class=\"fontstyle2\">\u201d <\/span><span class=\"fontstyle0\">in the modern period: a intellectual history<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/WADA-Kentaro_0748-0746.pdf\" target=\"_blank\" rel=\"noopener\">\u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n<p>&nbsp;<\/p>\n<h4 id=\"oh\">\u6771\u6d0b\u53f2\u5b66 Asian History<\/h4>\n<p>\u25a1 <a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/MORITA-Daichi_0744-0742.pdf\" target=\"_blank\" rel=\"noopener\">\u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n<p>&nbsp;<\/p>\n<h4 id=\"wh\">\u897f\u6d0b\u53f2\u5b66 Western History<\/h4>\n<p>\u25a0 \u5c0f\u539f \u6df3\u3000Jun OBARA<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/OBARA-Jun_0469-0486.pdf\" target=\"_blank\" rel=\"noopener\"><span class=\"fontstyle0\">\u56db\u56fd\u5730\u65b9\u306b\u5b58\u3059\u308b\u30c9\u30a4\u30c4\u95a2\u9023\u53f2\u8de1\u306e\u7dcf\u5408\u7684\u691c\u8a0e<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">Comprehensive Research about Historical Sites related to Germany<br \/>\nin Shikoku Region<\/span><\/p>\n<p>\u25a0 \u5927\u585a \u5c06\u592a\u90ce\u3000Syotaro OTSUKA<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/OTSUKA-Shotaro_0487-0500.pdf\" target=\"_blank\" rel=\"noopener\"> \u00a0<span class=\"fontstyle0\">stilus curiae \u3068\u306f\u4f55\u304b<br \/>\n<\/span><span class=\"fontstyle0\">\u2500\u2500\u4e2d\u4e16\u306b\u304a\u3051\u308b\u6559\u7687\u5e81\u306e\u6587\u66f8\u5f62\u5f0f\u3068\u53f8\u6cd5\u624b\u7d9a\u304d\u53ca\u3073\u6559\u7687\u5bae\u5ef7\u306e\u5916\u4ea4\u7684\u30d7\u30ed\u30c8\u30b3\u30eb\u2500\u2500<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">What is stilus curiae?: the Styles of Documents and Judicial Procedures of the Papal Curia<br \/>\nand the Diplomatic Protocols of the Papal Court in the Middle Ages<\/span><\/p>\n<p>\u25a0 Kensei TOKUYAMA<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/TOKUYAMA-Kensei_0501-0518.pdf\" target=\"_blank\" rel=\"noopener\"><span class=\"fontstyle0\">Poor Relief to Women in Scotland:<br \/>\nThe Western Lowlands, 1845\u20121914<\/span><\/a><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/TOKUYAMA-Kensei_0519-0521.pdf\" target=\"_blank\" rel=\"noopener\">\u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n<p>&nbsp;<\/p>\n<h4 id=\"arch\">\u8003\u53e4\u5b66 Archaeology<\/h4>\n<p>\u25a0 <span class=\"fontstyle0\">\u57ce\u5009\u6b63\u7965<\/span><span class=\"fontstyle1\">\u30fb <\/span><span class=\"fontstyle0\">\u5449\u3000\u5fc3\u6021<\/span><span class=\"fontstyle1\">\u30fb <\/span><span class=\"fontstyle0\">\u6a2a\u5c71\u672a\u6765<\/span><span class=\"fontstyle1\">\u30fb <\/span><span class=\"fontstyle0\">\u9032\u85e4\u745e\u751f<\/span><span class=\"fontstyle1\">\u30fb <\/span><span class=\"fontstyle0\">\u77f3\u4e95\u6cbb\u4e00<\/span><span class=\"fontstyle1\">\u30fb<br \/>\n<\/span><span class=\"fontstyle0\">\u733f\u6e21\u5d07\u6643<\/span><span class=\"fontstyle1\">\u30fb <\/span><span class=\"fontstyle0\">\u9ad8\u6797\u594e\u53f2<\/span><span class=\"fontstyle1\">\u30fb <\/span><span class=\"fontstyle0\">\u5e73\u6728\u98af\u4f73 <\/span><\/p>\n<p><span class=\"fontstyle0\">Masayoshi JOKURA,<br \/>\nXinyi WU, Miku YOKOYAMA, Mizuki SHINDO, Harukazu ISHII,<br \/>\nTakaaki SARUWATARI, Keiji TAKABAYASHI, Fuuka HIRAKI<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/JOKURA-Masayoshi_0523-0544.pdf\" target=\"_blank\" rel=\"noopener\"><span class=\"fontstyle0\">\u5343\u8449\u770c\u829d\u5c71\u753a\u9ad8\u7530<\/span><span class=\"fontstyle1\">\uff12<\/span><span class=\"fontstyle0\">\u53f7\u58b3\u306e\u767a\u6398<\/span><span class=\"fontstyle3\">\uff08<\/span><span class=\"fontstyle0\">\u7b2c<\/span><span class=\"fontstyle1\">\uff15<\/span><span class=\"fontstyle0\">\u6b21<\/span><span class=\"fontstyle3\">\uff09 <\/span><span class=\"fontstyle0\">\u8abf\u67fb<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">Archaeological investigation of Takada Second tomb at Chiba Prefecture<br \/>\n\u2014 The fifth excavation \u2014<\/span><\/p>\n<p>\u25a0 <span class=\"fontstyle0\">\u9ad8\u6a4b\u9f8d\u4e09\u90ce<\/span><span class=\"fontstyle1\">\u30fb <\/span><span class=\"fontstyle0\">\u6a2a\u5c71\u672a\u6765<\/span><span class=\"fontstyle1\">\u30fb <\/span><span class=\"fontstyle0\">\u95a2\u6839\u6709\u4e00\u6717<\/span><span class=\"fontstyle1\">\u30fb <\/span><span class=\"fontstyle0\">\u98ef\u5cf6\u53f2\u5c0a<\/span><span class=\"fontstyle1\">\u30fb<br \/>\n<\/span><span class=\"fontstyle0\">\u5ca1\u7530\u97ff\u7f8e<\/span><span class=\"fontstyle1\">\u30fb <\/span><span class=\"fontstyle0\">\u733f\u6e21\u5d07\u6643<\/span><span class=\"fontstyle1\">\u30fb <\/span><span class=\"fontstyle0\">\u9ad8\u6797\u594e\u53f2 <\/span><\/p>\n<p><span class=\"fontstyle0\">Ryuzaburo TAKAHASHI,<br \/>\nMiki YOKOYAMA, Yuiciro SEKINE, Fumitaka IIJIMA,<br \/>\n<\/span>Narumi OKADA, Takaaki SARUWATARI, Keiji TAKABAYASHI<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/TAKAHASHI-Ryuzaburo_0545-0579.pdf\" target=\"_blank\" rel=\"noopener\">\u00a0<span class=\"fontstyle0\">\u7b2c<\/span><span class=\"fontstyle1\">\uff17<\/span><span class=\"fontstyle0\">\u6b21\u52a0\u66fd\u5229\u8c9d\u585a\u30c7\u30b8\u30bf\u30eb\u4e09\u6b21\u5143\u6e2c\u91cf<\/span><span class=\"fontstyle3\">\u30fb<\/span><span class=\"fontstyle0\">\u5730\u4e2d\u30ec\u30fc\u30c0\u30fc<\/span><span class=\"fontstyle3\">\uff08<\/span><span class=\"fontstyle0\">GPR<\/span><span class=\"fontstyle3\">\uff09<\/span><span class=\"fontstyle0\">\u63a2\u67fb\u8abf\u67fb\u6982\u5831<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">Digital 3D Measurement Survey and GPR Research at Kasori Shell Midden:<br \/>\nReport of the 7th Research<\/span><\/p>\n<p>\u25a0 <span class=\"fontstyle0\">\u9577\ufa11\u6f64\u4e00<\/span><span class=\"fontstyle1\">\u30fb <\/span><span class=\"fontstyle0\">\u9ad8\u5009\u3000\u7d14<\/span><span class=\"fontstyle1\">\u30fb <\/span><span class=\"fontstyle0\">\u5317\u6751\u6210\u4e16<\/span><span class=\"fontstyle1\">\u30fb <\/span><span class=\"fontstyle0\">\u963f\u90e8\u5d69\u58eb<\/span><span class=\"fontstyle1\">\u30fb <\/span><span class=\"fontstyle0\">\u9ad8\u6797\u594e\u53f2<\/span><\/p>\n<p>Junichi NAGASAKI,<br \/>\nJun TAKAKURA, Narise KITAMURA, Shuto ABE, KeitaTAKABAYASHI<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/NAGASAKI-Junichi_0581-0606.pdf\" target=\"_blank\" rel=\"noopener\"> <span class=\"fontstyle0\">\u5317\u6d77\u9053\u862d\u8d8a\u753a\u7acb\u5ddd<\/span><span class=\"fontstyle1\">\uff11<\/span><span class=\"fontstyle0\">\u907a\u8de1\u7b2c<\/span><span class=\"fontstyle1\">\uff12<\/span><span class=\"fontstyle0\">\u6b21<\/span><span class=\"fontstyle3\">\u30fb<\/span><span class=\"fontstyle1\">\uff13<\/span><span class=\"fontstyle0\">\u6b21\u8abf\u67fb\u6982\u5831<\/span><\/a><\/p>\n<p>The Archaeological Research at TACHIKAWA Site in Hokkaido:<br \/>\nthe second report.<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/TAKAHASHI-Wataru_0607-0610.pdf\" target=\"_blank\" rel=\"noopener\">\u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n<p>&nbsp;<\/p>\n<h4 id=\"media\">\u6587\u5316\u4eba\u985e\u5b66 <span class=\"fontstyle0\">Cultural Anthropology<\/span><\/h4>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/87fee809ebe77428e15a575a7fb72c97.pdf\" target=\"_blank\" rel=\"noopener\">\u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n<p>&nbsp;<\/p>\n<h4 id=\"media\">\u8868\u8c61\u30fb\u30e1\u30c7\u30a3\u30a2\u8ad6 Studies of Media, Body and Image<\/h4>\n<p>\u25a0\u5f90 <span class=\"fontstyle0\">\u8212\u967d<\/span>\u3000 <span class=\"fontstyle0\">Shuyang XU<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/XU-Shuyang_0619-0639.pdf\" target=\"_blank\" rel=\"noopener\"> <span class=\"fontstyle0\">\u30c7\u30b8\u30bf\u30eb\u6642\u4ee3\u306e\u8a00\u8aac\u306f\u5982\u4f55\u306b\u69cb\u7bc9\u3055\u308c\u305f\u306e\u304b<br \/>\n<\/span><span class=\"fontstyle0\">\u2500\u2500\u30c6\u30af\u30b9\u30c8\u5165\u529b\u304b\u3089\u8003\u5bdf\u3059\u308b\u4e2d\u56fd\u8a9e\u306e\u8a00\u8aac\u2500\u2500<\/span><br \/>\n<\/a><\/p>\n<p><span class=\"fontstyle0\">How was Discourse of the Digital Era Constructed?<br \/>\n\u2014 Analyzing Chinese Discourse Through Text Input \u2014<\/span><\/p>\n<p>\u25a0\u9127 \u4f73\u81f4\u3000Deng JIAZHI<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/JIAZHI-Deng_0641-0660.pdf\" target=\"_blank\" rel=\"noopener\">\u6751\u4e0a\u6625\u6a39\u521d\u671f\u4f5c\u54c1\u306b\u304a\u3051\u308b\u300c\u30ed\u30b9\u30c8\u30fb\u30e1\u30c7\u30a3\u30a2\u300d<\/a><\/p>\n<p>The Lost Media in Haruki Mur<span class=\"fontstyle0\">akami<\/span><span class=\"fontstyle2\">\u2019<\/span><span class=\"fontstyle0\">s Early Works<\/span><\/p>\n<p>\u25a0\u7247\u5ca1 \u4e00\u7af9\u3000Ichitake KATAOKA<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/KATAOKA-Ichitake_0661-0677.pdf\" target=\"_blank\" rel=\"noopener\"><span class=\"fontstyle0\">\u30d0\u30bf\u30a4\u30e6<\/span><span class=\"fontstyle1\">\u30fb\u00a0<\/span><span class=\"fontstyle0\">\u30aa\u30d7\u30bb\u30c3\u30b7\u30e7\u30cd\u30eb<br \/>\n<\/span><span class=\"fontstyle0\">\u2500\u2500\u30b8\u30e7\u30eb\u30b8\u30e5<\/span><span class=\"fontstyle1\">\u30fb\u00a0<\/span><span class=\"fontstyle0\">\u30d0\u30bf\u30a4\u30e6\u3068\u9f20\u7537\u306b\u304a\u3051\u308b\u8996\u899a\u306e\u8ee2\u8986\u2500\u2500<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">Bataille obsessionnel: Subversion de la vue chez l<\/span><span class=\"fontstyle2\">\u2019<\/span><span class=\"fontstyle0\">Homme<br \/>\naux rats et Georges Bataille<\/span><\/p>\n<p>\u25a0\u9ad8\u6a4b \u502b\u592b\u3000Michio TAKAHASHI<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/TAKAHASHI-Michio_0679-0695.pdf\" target=\"_blank\" rel=\"noopener\"><span class=\"fontstyle0\">\u907a\u5f71\u524d\u53f2<br \/>\n<\/span><span class=\"fontstyle0\">\u2500\u250019\u4e16\u7d00\u65e5\u672c\u306b\u304a\u3051\u308b\u6b7b\u8005\u306e\u50cf\u2500\u2500<\/span><\/a><\/p>\n<p>Portraits and Photographs of the Deceased in Nineteenth-Century Japan<br \/>\nbefore the Age of Obituary Photos<\/p>\n<p>\u25a0\u5185\u6751 \u9ebb\u5948\u7f8e\u3000Manami UCHIMURA<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/UCHIMURA-Manami_0697-0715.pdf\" target=\"_blank\" rel=\"noopener\"><span class=\"fontstyle0\">\u300c<\/span><span class=\"fontstyle1\">\u3055\u309d\u3084\u304b\u306a\u79c1\u305f\u3061\u306e\u5922<\/span><span class=\"fontstyle0\">\u300d<br \/>\n<\/span><span class=\"fontstyle1\">\u2500\u25001950\u5e74\u4ee3\u306b\u304a\u3051\u308b\u5ca1\u4e0a\u6dd1\u5b50\u306e\u4f4d\u7f6e\u3068\u4f5c\u54c1\u306b\u898b\u3089\u308c\u308b\u5973\u6027\u306e\u30a4\u30e1\u30fc\u30b8\u2500\u2500<\/span><\/a><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/HITOMI-Jumpei_0633-0648-1.pdf\" target=\"_blank\" rel=\"noopener\"><br \/>\n<\/a><\/p>\n<p><span class=\"fontstyle0\">\u201c<\/span><span class=\"fontstyle1\">Our modest dreams<\/span><span class=\"fontstyle0\">\u201d\u00a0<\/span><span class=\"fontstyle1\">Toshiko Okanoue<\/span><span class=\"fontstyle0\">\u2019<\/span><span class=\"fontstyle1\">s position in the 1950s<br \/>\nand the images of women in her works<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/9e824a9651b189ecc15c22a09a61e1fd.pdf\" target=\"_blank\" rel=\"noopener\">\u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n<p>&nbsp;<\/p>\n<h4 id=\"Creative\">\u73fe\u4ee3\u30fb\u6587\u82b8 Creative Writing and Criticism<\/h4>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/dd7bfadd0d4194b1b8f2d59e98e13455.pdf\" target=\"_blank\" rel=\"noopener\">\u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n<p>&nbsp;<\/p>\n<h4 id=\"Creative\"><span class=\"fontstyle0\">\u4e2d\u6771<\/span><span class=\"fontstyle1\">\u30fb <\/span><span class=\"fontstyle0\">\u30a4\u30b9\u30e9\u30fc\u30e0\u7814\u7a76<\/span> <span class=\"fontstyle0\">Middle Eastern and Islamic Studies<\/span><\/h4>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/URUSHI-Hikaru_0733-0736.pdf\" target=\"_blank\" rel=\"noopener\">\u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/shippitusya_1048-1049.pdf\" target=\"_blank\" rel=\"noopener\">\u57f7\u7b46\u8005\u7d39\u4ecb\uff08\u7b2c69\u8f2f\uff09<\/a><\/li>\n<li><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/syushiichiran_1050-1055.pdf\" target=\"_blank\" rel=\"noopener\">\u4fee\u58eb\u8ad6\u6587\u4e00\u89a7\uff082022\u5e74\u5ea6\u4fee\u4e86\u8005108\u540d\uff09<\/a><\/li>\n<li><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/kitei_1056-1057.pdf\" target=\"_blank\" rel=\"noopener\">\u300c\u65e9\u7a32\u7530\u5927\u5b66\u5927\u5b66\u9662\u6587\u5b66\u7814\u7a76\u79d1\u7d00\u8981\u300d\u63b2\u8f09\u8ad6\u6587\u7b49\u306b\u95a2\u3059\u308b\u898f\u5b9a<\/a><\/li>\n<li><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2024\/03\/okuzuke_1058.pdf\" target=\"_blank\" rel=\"noopener\">\u5965\u4ed8<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>\u65e9\u7a32\u7530\u5927\u5b66\u5927\u5b66\u9662 \u6587\u5b66\u7814\u7a76\u79d1\u7d00\u8981 \u7b2c69\u8f2f 2024\u5e743\u670815\u65e5\u767a\u884c\u3001ISSN2432\u20157344 \u6587\u5b66\u7814\u7a76\u79d1\u7d00\u8981\u306fWeb\u306e\u307f\u306b\u3088\u308b\u516c\u958b\u3068\u306a\u308a\u307e\u3059\u3002\u518a\u5b50\u4f53\u3067\u306e\u767a\u884c\u306f\u3054\u3056\u3044\u307e\u305b\u3093\u3002 [\u54f2\u5b66] [\u6771\u6d0b\u54f2\u5b66] [\u5fc3\u7406\u5b66] [\u793e\u4f1a [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":20177,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[64,28,118],"class_list":["post-20052","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-publications","tag-research","tag-bulletin-ja"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/posts\/20052","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/comments?post=20052"}],"version-history":[{"count":1,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/posts\/20052\/revisions"}],"predecessor-version":[{"id":20537,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/posts\/20052\/revisions\/20537"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/media\/20177"}],"wp:attachment":[{"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/media?parent=20052"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/categories?post=20052"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/tags?post=20052"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}