{"id":16901,"date":"2023-03-14T11:14:04","date_gmt":"2023-03-14T02:14:04","guid":{"rendered":"https:\/\/www.waseda.jp\/flas\/glas\/?p=16901"},"modified":"2023-05-16T13:04:39","modified_gmt":"2023-05-16T04:04:39","slug":"%e3%80%8e%e6%96%87%e5%ad%a6%e7%a0%94%e7%a9%b6%e7%a7%91%e7%b4%80%e8%a6%81-%e7%ac%ac63%e8%bc%af%e3%80%8f%ef%bc%882017%e5%b9%b4%e5%ba%a6%ef%bc%89wp%e3%81%abup%e7%89%88-2-3-2-2-2","status":"publish","type":"post","link":"https:\/\/www.waseda.jp\/flas\/glas\/news\/2023\/03\/14\/16901\/","title":{"rendered":"\u300e\u6587\u5b66\u7814\u7a76\u79d1\u7d00\u8981 \u7b2c68\u8f2f\u300f\uff082023\u5e743\u6708\uff09"},"content":{"rendered":"<h2>\u65e9\u7a32\u7530\u5927\u5b66\u5927\u5b66\u9662 \u6587\u5b66\u7814\u7a76\u79d1\u7d00\u8981 \u7b2c68\u8f2f<\/h2>\n<h3>2023\u5e743\u670815\u65e5\u767a\u884c\u3001ISSN2432\u20157344<\/h3>\n<p>\u6587\u5b66\u7814\u7a76\u79d1\u7d00\u8981\u306fWeb\u306e\u307f\u306b\u3088\u308b\u516c\u958b\u3068\u306a\u308a\u307e\u3059\u3002\u518a\u5b50\u4f53\u3067\u306e\u767a\u884c\u306f\u3054\u3056\u3044\u307e\u305b\u3093\u3002<\/p>\n<p>[<a class=\"addicn\" href=\"#phil\">\u54f2\u5b66<\/a>] [<a class=\"addicn\" href=\"#totetsu\">\u6771\u6d0b\u54f2\u5b66<\/a>] [<a class=\"addicn\" href=\"#psy\">\u5fc3\u7406\u5b66<\/a>] [<a class=\"addicn\" href=\"#soc\">\u793e\u4f1a\u5b66<\/a>] [<a class=\"addicn\" href=\"#edu\">\u6559\u80b2\u5b66<\/a>] [<a class=\"addicn\" href=\"#jl\">\u65e5\u672c\u8a9e\u65e5\u672c\u6587\u5b66<\/a>] [<a class=\"addicn\" href=\"#el\">\u82f1\u6587\u5b66<\/a>] [<a class=\"addicn\" href=\"#fl\">\u30d5\u30e9\u30f3\u30b9\u8a9e\u30d5\u30e9\u30f3\u30b9\u6587\u5b66<\/a>][<a class=\"addicn\" href=\"#dl\">\u30c9\u30a4\u30c4\u8a9e\u30c9\u30a4\u30c4\u6587\u5b66<\/a>] [<a class=\"addicn\" href=\"#rl\">\u30ed\u30b7\u30a2\u8a9e\u30ed\u30b7\u30a2\u6587\u5316<\/a>] [<a class=\"addicn\" href=\"#cl\">\u4e2d\u56fd\u8a9e\u4e2d\u56fd\u6587\u5b66<\/a>] [<a class=\"addicn\" href=\"#v\">\u6f14\u5287\u6620\u50cf\u5b66<\/a>] [<a class=\"addicn\" href=\"#art\">\u7f8e\u8853\u53f2\u5b66<\/a>] [<a class=\"addicn\" href=\"#jh\">\u65e5\u672c\u53f2\u5b66<\/a>][<a class=\"addicn\" href=\"#oh\">\u6771\u6d0b\u53f2\u5b66<\/a>] [<a class=\"addicn\" href=\"#wh\">\u897f\u6d0b\u53f2\u5b66<\/a>] [<a class=\"addicn\" href=\"#arch\">\u8003\u53e4\u5b66<\/a>] [<a class=\"addicn\" href=\"#anth\">\u6587\u5316\u4eba\u985e\u5b66<\/a>] <a class=\"addicn\" href=\"#asia\">[<\/a><a class=\"addicn\" href=\"#media\">\u8868\u8c61\u30fb\u30e1\u30c7\u30a3\u30a2\u8ad6]<\/a>\u00a0<a class=\"addicn\" href=\"#Creative\">[\u73fe\u4ee3\u6587\u82b8]\u00a0<\/a><a class=\"addicn\" href=\"#Middle\">[\u4e2d\u6771\u30fb\u30a4\u30b9\u30e9\u30fc\u30e0\u7814\u7a76]<\/a>\u00a0<a class=\"addicn\" href=\"#Global\">[\u56fd\u969b\u65e5\u672c\u5b66]<\/a><\/p>\n<ul>\n<li><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/2360bd2a061c2009a4da6273c69debb9-scaled.jpg\" target=\"_blank\" rel=\"noopener\">\u8868\u7d19<\/a>\u00a0 (<a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/35a8dbb04665c1232d2ac28ff1dbea9a-scaled.jpg\" target=\"_blank\" rel=\"noopener\">COVER<\/a>)<\/li>\n<li><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/tobira.pdf\" target=\"_blank\" rel=\"noopener\">\u6249<\/a><\/li>\n<li><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/wabunmokuji_0001-0005.pdf\" target=\"_blank\" rel=\"noopener\">\u76ee\u6b21<\/a>\u00a0 (<a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/oubunmokuji_0007-0010.pdf\" target=\"_blank\" rel=\"noopener\">CONTENTS<\/a>)<\/li>\n<\/ul>\n<h4 id=\"phil\">\u54f2\u5b66 Philosophy<\/h4>\n<p>\u25a0 \u5ca9\u7530 \u572d\u4e00\u3000Keiichi IWATA<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/IWATA-Keiichi_0011-0022.pdf\" target=\"_blank\" rel=\"noopener\"> <span class=\"fontstyle0\">\u30a2\u30ea\u30b9\u30c8\u30c6\u30ec\u30b9\u306b\u304a\u3051\u308b\u6570\u7684\u4e00\u6027\u306b\u3064\u3044\u3066<\/span><br \/>\n<\/a><\/p>\n<p><span class=\"fontstyle0\">Numerical Oneness in Aristotle<\/span><\/p>\n<p>\u25a0 <span class=\"fontstyle0\">\u5c0f\u6797\u4fe1\u4e4b<\/span>\u3000Nobuyuki KOBAYASHI<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/KOBAYASHI-Nobuyuki_0023-0039.pdf\" target=\"_blank\" rel=\"noopener\"> <span class=\"fontstyle0\">\u30ab\u30f3\u30c8\u306b\u304a\u3051\u308b\u919c\u3068\u5d07\u9ad8\u306b\u3064\u3044\u3066<\/span><br \/>\n<\/a><\/p>\n<p><span class=\"fontstyle0\">Kant on Ugliness and Sublimity<\/span><\/p>\n<p>\u25a0 <span class=\"fontstyle0\">\u5c3e\u5d0e\u8cdb\u7f8e<\/span>\u3000 <span class=\"fontstyle0\">Sambi OZAKI<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/OZAKI-Sambi_0041-0054.pdf\" target=\"_blank\" rel=\"noopener\"> <span class=\"fontstyle0\">\u30a4\u30a7\u30ca\u671f<\/span><span class=\"fontstyle1\">\u300c<\/span><span class=\"fontstyle0\">\u77e5\u8b58\u5b66<\/span><span class=\"fontstyle1\">\u300d <\/span><span class=\"fontstyle0\">\u306e\u539f\u7406\u3068\u3057\u3066\u306e\u30d5\u30a3\u30af\u30b7\u30e7\u30f3\u3068\u5b9f\u5728\u6027<br \/>\n<\/span><span class=\"fontstyle0\">\u2500\u2500<\/span><span class=\"fontstyle1\">\u300c<\/span><span class=\"fontstyle0\">\u7d76\u5bfe\u6211<\/span><span class=\"fontstyle1\">\u300d <\/span><span class=\"fontstyle0\">\u6982\u5ff5\u306e\u518d\u691c\u8a0e\u2500\u2500<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">Fiction and Reality as a Principle of the Jena Wissenschaftslehre:<br \/>\nReconsideration of the <\/span><span class=\"fontstyle2\">\u201c<\/span><span class=\"fontstyle0\">absolute I<\/span><span class=\"fontstyle2\">\u201d<\/span><\/p>\n<p>\u25a0 \u00a0<span class=\"fontstyle0\">\u7e41\u7530\u6b69<\/span>\u3000 \u00a0<span class=\"fontstyle0\">Ayumu SHIGETA<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/SHIGETA-Ayumu_0055-0069.pdf\" target=\"_blank\" rel=\"noopener\"><span class=\"fontstyle0\">\u30ab\u30f3\u30c8\u306b\u304a\u3051\u308b\u73fe\u5b9f\u6027\u306e\u6307\u6a19\u6027\u306b\u3064\u3044\u3066<br \/>\n<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">On Indexicality of <\/span><span class=\"fontstyle2\">\u2018<\/span><span class=\"fontstyle0\">Actual<\/span><span class=\"fontstyle2\">\u2019 <\/span><span class=\"fontstyle0\">in Kant<\/span><\/p>\n<p>\u25a0 \u00a0<span class=\"fontstyle0\">\u4e2d\u6751\u6dbc<\/span>\u3000 \u00a0<span class=\"fontstyle0\">Suzu NAKAMURA<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/NAKAMURA-Suzu_0071-0083.pdf\" target=\"_blank\" rel=\"noopener\"><span class=\"fontstyle0\">\u00a0\u5b9f\u8df5\u7684\u8a8d\u8b58\u3068\u306f\u306a\u306b\u304b\u2500\u2500\u30ab\u30f3\u30c8\u502b\u7406\u5b66\u306e\u57fa\u790e\u6982\u5ff5\u3068\u3057\u3066\u2500\u2500<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">What is Practical Cognition?<br \/>\n<\/span><span class=\"fontstyle2\">\u2014 <\/span><span class=\"fontstyle0\">As a Foundational Concept of Kant<\/span><span class=\"fontstyle3\">\u2019<\/span><span class=\"fontstyle0\">s Ethics <\/span><span class=\"fontstyle2\">\u2014<\/span><\/p>\n<p>\u25a0 \u00a0<span class=\"fontstyle0\">\u6e21\u8fba\u6d69\u592a<\/span>\u3000 \u00a0<span class=\"fontstyle0\">Kota WATANABE<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/WATANABE-Kota_0085-0095.pdf\" target=\"_blank\" rel=\"noopener\"><span class=\"fontstyle0\">\u00a0\u6982\u5ff5\u5de5\u5b66\u3092\u901a\u3058\u305f\u904e\u53bb\u306e\u54f2\u5b66\u306e\u518d\u8a55\u4fa1<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">Reassessment of the Free will debate in the light of Conceptual engineering<\/span><\/p>\n<p>\u25a1<a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/Philosophy_smt.pdf\" target=\"_blank\" rel=\"noopener\">\u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses<\/a>)<\/p>\n<h4><\/h4>\n<h4 id=\"totetsu\">\u6771\u6d0b\u54f2\u5b66 Asian Philosophy<\/h4>\n<p>\u25a0 <span class=\"fontstyle0\">\u68ee\u7531\u5229\u4e9c<\/span>\u3000 <span class=\"fontstyle0\">Yuria MORI<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/MORI-Yuria_1042-1026.pdf\" target=\"_blank\" rel=\"noopener\"><span class=\"fontstyle0\">\u00a0\u9594\u4e00\u5f97<span class=\"fontstyle1\">\u300e<\/span>\u5442\u7956\u5e2b\u4e09\u5c3c\u91ab\u4e16\u8aac\u8ff0<span class=\"fontstyle1\">\u300f <\/span>\u306e\u5f62\u6210<br \/>\n\u2500\u2500\u6e56\u5dde\u5468\u8fba\u306e\u5442\u7956\u6276\u4e69\u4fe1\u4ef0\u3092\u5229\u7528\u3057\u305f<span class=\"fontstyle1\">\u300c<\/span>\u9f8d\u9580\u6b63\u5b97<span class=\"fontstyle1\">\u300d <\/span>\u6b63\u7d71\u5316\u2500\u2500<\/span><br \/>\n<\/a><\/p>\n<p><span class=\"fontstyle0\">The Formation of the Extant Text of Min Yide<\/span><span class=\"fontstyle2\">\u2019<\/span><span class=\"fontstyle0\">s <\/span><span class=\"fontstyle2\">\u201c<\/span><span class=\"fontstyle0\">Explanation of the Cure of the World<br \/>\nby San Nis in Accordance with Patriarch L\u00fc<\/span><span class=\"fontstyle2\">\u201d<\/span><span class=\"fontstyle0\">: Making Use of the Spirit-Writing Cult<br \/>\nto Patriarch L\u00fc around Huzhou Area to Empower the Legitimacy of Mt. Jingai<br \/>\nand the <\/span><span class=\"fontstyle2\">\u201c<\/span><span class=\"fontstyle0\">Orthodox Lineage of the Dragon Gate<\/span><span class=\"fontstyle2\">\u201d<\/span><\/p>\n<p>\u25a0 \u00a0<span class=\"fontstyle0\">\u6afb\u672c\u9999\u7e54<\/span>\u3000 <span class=\"fontstyle0\">Kaori SAKURAMOTO <\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/SAKURAMOTO-Kaori_1024-1005.pdf\" target=\"_blank\" rel=\"noopener\"><span class=\"fontstyle0\">\u00a0\u5f84\u5c71\u5bfa\u53f0\u5b50\u4f1d\u6765\u8aac\u306e\u5275\u4f5c\u8005\u50cf<br \/>\n\u2500\u2500\u6e21\u5510\u5929\u795e\u8aac\u8a71\u3068\u306e\u6bd4\u8f03\u3092\u901a\u3057\u3066\u2500\u2500<\/span><br \/>\n<\/a><\/p>\n<p><span class=\"fontstyle0\">The Jingshansi (Kinzanji) Daisu Theory: Envisioning its Originator through Comparison<br \/>\nwith the Tale of Tot\u014d Tenjin<\/span><\/p>\n<p>\u25a0 \u00a0<span class=\"fontstyle0\">\u4f0a\u85e4\u6dbc<\/span>\u3000 \u00a0<span class=\"fontstyle0\">Ryo ITOH<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/ITOH-Ryo_1004-0990.pdf\" target=\"_blank\" rel=\"noopener\"><span class=\"fontstyle0\">\u00a0\u90ed\u8c61\u306e\u601d\u60f3\u306b\u304a\u3051\u308b\u8056\u4eba\u7d71\u6cbb<br \/>\n\u2500\u2500\u9b4f\u664b\u7384\u5b66\u53f2\u3092\u7406\u89e3\u3059\u308b\u4e00\u52a9\u3068\u3057\u3066\u2500\u2500<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">The reign by sages in Guoxiang\uff08\u90ed\u8c61\uff09 <\/span><span class=\"fontstyle2\">\u2019<\/span><span class=\"fontstyle0\">s thought:<br \/>\nfor the understanding of Weijin-xuanxueshi\uff08\u9b4f\u664b\u7384\u5b66\u53f2\uff09<\/span><\/p>\n<p>\u25a0 \u00a0<span class=\"fontstyle0\">\u7c73\u91ce\u5927\u96c4<\/span>\u3000 \u00a0<span class=\"fontstyle0\">Daio KOMENO<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/KOMENO-Daio_0988-0972.pdf\" target=\"_blank\" rel=\"noopener\"><span class=\"fontstyle0\">\u00a0\u9053\u5143\u306b\u304a\u3051\u308b\u767a\u5fc3<span class=\"fontstyle1\">\u30fb <\/span>\u4fe1<span class=\"fontstyle1\">\u30fb <\/span>\u8a3c<span class=\"fontstyle1\">\u30fb <\/span>\u609f\u306e\u4f7f\u7528\u6cd5\u306b\u3064\u3044\u3066<br \/>\n<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">How Dogen uses words of religious awakening, faith, verification<br \/>\nand higher perception<\/span><\/p>\n<p>\u25a1<a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/Aain-Philosophy_smt.pdf\" target=\"_blank\" rel=\"noopener\">\u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n<p>&nbsp;<\/p>\n<h4 id=\"soc\">\u5fc3\u7406\u5b66 Psychology<\/h4>\n<p>\u25a1<a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/Psychology_smt.pdf\" target=\"_blank\" rel=\"noopener\">\u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n<h4>\u793e\u4f1a\u5b66 Sociology<\/h4>\n<p>\u25a0 <span class=\"fontstyle0\">\u8349\u67f3\u5343\u65e9<\/span>\u3000 <span class=\"fontstyle0\">Chihaya KUSAYANAGI<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/KUSAYANAGI-Chihaya_0109-0123.pdf\" target=\"_blank\" rel=\"noopener\"><span class=\"fontstyle0\">\u4e8c\u91cd\u6027\u3092\u8a2d\u3048\u308b<br \/>\n\u2500\u2500\u30bb\u30eb\u30c8\u30fc\u306e\u65e5\u5e38\u7684\u5b9f\u8df5\u8ad6\u304b\u3089\u30b4\u30d5\u30de\u30f3\u306e\u5171\u5728\u7814\u7a76\u3078\u2500\u2500<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">Creating Duality: Certeau<\/span><span class=\"fontstyle2\">\u2019<\/span><span class=\"fontstyle0\">s Theory on the Practice of Everyday Life<br \/>\nand Goffman<\/span><span class=\"fontstyle2\">\u2019<\/span><span class=\"fontstyle0\">s Studies in Co-Presence<\/span><\/p>\n<h4><\/h4>\n<h4 id=\"edu\">\u6559\u80b2\u5b66 Education<\/h4>\n<p>\u25a1 <a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/Education_smt.pdf\" target=\"_blank\" rel=\"noopener\">\u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n<h4 id=\"jl\"><\/h4>\n<h4>\u65e5\u672c\u8a9e\u65e5\u672c\u6587\u5b66 Japanese Studies<\/h4>\n<p>\u25a0 \u6c60\u6fa4 \u4e00\u90ce\u3000Ichiro IKEZAWA<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/IKEZAWA-Ichiro_0958-0942.pdf\" target=\"_blank\" rel=\"noopener\">\u300e\u6587\u9cf3\u5c71\u6c34\u753b\u8b5c\u300f \u306b\u898b\u308b\u8cf4\u5c71\u967d\u306e\u984c\u753b\u8a69\u4e5d\u9996\u306b\u3064\u3044\u3066<\/a><\/p>\n<p><span class=\"fontstyle0\">Essay about Nine Poems in Chinese characters by Lai Sanyo on the paintings<br \/>\nof Kawamura Bunpo in his picture album of the landscape<\/span><\/p>\n<p>\u25a0 <span class=\"fontstyle0\">\u548c\u7530\u7422\u78e8<\/span>\u3000 <span class=\"fontstyle0\">Takuma WADA<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/WADA-Takuma_0940-0926.pdf\" target=\"_blank\" rel=\"noopener\">\u5929\u6b63\u672c\u300e\u592a\u5e73\u8a18\u300f \u306b\u304a\u3051\u308b\u7bc0\u7565\u672c\u6587\u306e\u691c\u8a0e<br \/>\n\u2500\u2500\u5408\u6226\u5834\u9762\u3092\u4e2d\u5fc3\u306b\u2500\u2500<\/a><\/p>\n<p><span class=\"fontstyle0\">An Examination of Omitted Parts of the Tensho-bon Taiheiki;<br \/>\nFocusing on the Battle Scenes<\/span><\/p>\n<p>\u25a0 <span class=\"fontstyle0\">\u6797 \u5b87<\/span>\u3000 <span class=\"fontstyle0\">Yu LIN<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/LIN-Yu_0924-0912.pdf\" target=\"_blank\" rel=\"noopener\">\u00a0<span class=\"fontstyle0\">\u300e<\/span><span class=\"fontstyle1\">\u61d0\u98a8\u85fb<\/span><span class=\"fontstyle0\">\u300f <\/span><span class=\"fontstyle1\">\u5c71\u7530\u4e09\u65b9\u4f5c\u8a69\u5e8f\u306e\u8868\u73fe\u304b\u3089\u898b\u308b<\/span><span class=\"fontstyle0\">\u300c<\/span><span class=\"fontstyle1\">\u9577\u5c4b\u738b\u5b85\u8a69\u5bb4<\/span><span class=\"fontstyle0\">\u300d<\/span><br \/>\n<\/a><\/p>\n<p><span class=\"fontstyle0\">A research of Prince Nagaya<\/span><span class=\"fontstyle2\">\u2019<\/span><span class=\"fontstyle0\">s banquet of poetry from the Perspective<br \/>\nof the preface recited by Yamada No Mitaka in <\/span><span class=\"fontstyle2\">\u201c<\/span><span class=\"fontstyle0\">Kaifusou<\/span><span class=\"fontstyle2\">\u201d<\/span><\/p>\n<p>\u25a0 <span class=\"fontstyle0\">\u7532\u6590\u6e29\u5b50<\/span>\u3000 <span class=\"fontstyle0\">Atsuko KAI<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/KAI-Atsuko_0910-0898.pdf\" target=\"_blank\" rel=\"noopener\"> <span class=\"fontstyle0\">\u300e<\/span><span class=\"fontstyle1\">\u548c\u8a13\u62bc\u97fb<\/span><span class=\"fontstyle0\">\u300f <\/span><span class=\"fontstyle1\">\u985e\u672c\u306e\u6210\u7acb\u306b\u95a2\u3059\u308b\u4e00\u8a66\u8ad6<br \/>\n<\/span><span class=\"fontstyle1\">\u2500\u2500<\/span><span class=\"fontstyle0\">\u300e<\/span><span class=\"fontstyle1\">\u4e07\u8449\u96c6<\/span><span class=\"fontstyle0\">\u300f <\/span><span class=\"fontstyle1\">\u3068\u306e\u95a2\u9023\u304b\u3089\u2500\u2500<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">A Study of Establishment of Wakunouin\uff08\u548c\u8a13\u62bc\u97fb\uff09:<br \/>\nFocusing on Manyosyu\uff08\u4e07\u8449\u96c6\uff09<\/span><\/p>\n<p>\u25a0 <span class=\"fontstyle0\">\u5c0f\u6cc9 \u54b2<\/span>\u3000 <span class=\"fontstyle0\">Saki KOIZUMI<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/KOIZUMI-Saki_0896-0883.pdf\" target=\"_blank\" rel=\"noopener\"> <span class=\"fontstyle0\">\u7d2b\u306e\u4e0a\u3068 <\/span><span class=\"fontstyle2\">\u300c<\/span><span class=\"fontstyle0\">\u7269\u8a9e<\/span><span class=\"fontstyle2\">\u300d <\/span><span class=\"fontstyle0\">\u3068\u306e\u5bfe\u7167<br \/>\n<\/span><span class=\"fontstyle0\">\u2500\u2500<\/span><span class=\"fontstyle2\">\u300e<\/span><span class=\"fontstyle0\">\u6e90\u6c0f\u7269\u8a9e<\/span><span class=\"fontstyle2\">\u300f <\/span><span class=\"fontstyle0\">\u306e\u4e2d\u306e<\/span><span class=\"fontstyle2\">\u300c<\/span><span class=\"fontstyle0\">\u7269\u8a9e<\/span><span class=\"fontstyle2\">\u300d <\/span><span class=\"fontstyle0\">\u3092\u3081\u3050\u3063\u3066\u2500\u2500<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">Contrast between Murasakinoue and monogatari:<br \/>\nThrough the case study of <\/span><span class=\"fontstyle2\">\u201c<\/span><span class=\"fontstyle0\">monogatari<\/span><span class=\"fontstyle2\">\u201d <\/span><span class=\"fontstyle0\">in Genji Monogatari<\/span><\/p>\n<p>\u25a0 <span class=\"fontstyle0\">\u99d2\u6728 \u7d50<\/span>\u3000 <span class=\"fontstyle0\">Yui KOMAKI<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/KOMAKI-Yui_0882-0872.pdf\" target=\"_blank\" rel=\"noopener\"> <span class=\"fontstyle0\">\u300c<\/span><span class=\"fontstyle1\">\u30e1\u30eb\u30c1\u30f3\u30b0<\/span><span class=\"fontstyle0\">\u30fb <\/span><span class=\"fontstyle1\">\u30dd\u30c4\u30c8 <\/span><span class=\"fontstyle0\">\u300d <\/span><span class=\"fontstyle1\">\u306e\u9665\u7a7d<br \/>\n<\/span><span class=\"fontstyle1\">\u2500\u2500<\/span><span class=\"fontstyle0\">\u300c<\/span><span class=\"fontstyle1\">\u9bab\u4eba<\/span><span class=\"fontstyle0\">\u300d <\/span><span class=\"fontstyle1\">\u306b\u304a\u3051\u308b\u6d45\u8349\u3068\u3044\u3046\u7a7a\u9593\u2500\u2500<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">Melching Pot Pitfalls <\/span><span class=\"fontstyle2\">\u2014 <\/span><span class=\"fontstyle0\">The Space of Asakusa in <\/span><span class=\"fontstyle3\">\u201c<\/span><span class=\"fontstyle0\">Kojin<\/span><span class=\"fontstyle3\">\u201d<\/span><\/p>\n<p>\u25a0 <span class=\"fontstyle0\">\u99ae \u601d\u9014<\/span>\u3000 <span class=\"fontstyle0\">Sito HYOU <\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/HYOU-Sito_0870-0857.pdf\" target=\"_blank\" rel=\"noopener\"><span class=\"fontstyle0\">\u300c<\/span><span class=\"fontstyle1\">\u846c\u5f0f\u306e\u540d\u4eba<\/span><span class=\"fontstyle0\">\u300d <\/span><span class=\"fontstyle1\">\u304b\u3089 <\/span><span class=\"fontstyle0\">\u300c<\/span><span class=\"fontstyle1\">\u5b64\u5150\u306e\u611f\u60c5<\/span><span class=\"fontstyle0\">\u300d <\/span><span class=\"fontstyle1\">\u3078<br \/>\n<\/span><span class=\"fontstyle1\">\u2500\u2500<\/span><span class=\"fontstyle0\">\u300c<\/span><span class=\"fontstyle1\">\u5bb6<\/span><span class=\"fontstyle0\">\u300d <\/span><span class=\"fontstyle1\">\u306e<\/span><span class=\"fontstyle0\">\u300c<\/span><span class=\"fontstyle1\">\u5727\u8feb<\/span><span class=\"fontstyle0\">\u300d\u3001 <\/span><span class=\"fontstyle1\">\u64b9\u4e71\u3059\u308b <\/span><span class=\"fontstyle0\">\u300c<\/span><span class=\"fontstyle1\">\u5b64\u5150<\/span><span class=\"fontstyle0\">\u300d <\/span><span class=\"fontstyle1\">\u2500\u2500<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">From <\/span><span class=\"fontstyle2\">\u201c<\/span><span class=\"fontstyle0\">A Celebrity In The Funeral<\/span><span class=\"fontstyle2\">\u201d <\/span><span class=\"fontstyle0\">To <\/span><span class=\"fontstyle2\">\u201c<\/span><span class=\"fontstyle0\">An Orphan<\/span><span class=\"fontstyle2\">\u2019<\/span><span class=\"fontstyle0\">s Emotion<\/span><span class=\"fontstyle2\">\u201d<br \/>\n<\/span><span class=\"fontstyle3\">\u2014\u2014 <\/span><span class=\"fontstyle0\">Repression from Home and the Disturbance of Orphan<\/span><\/p>\n<p>\u25a0\u59da \u7476\u3000Yao YAO<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/YAO-Yao_0137-0150.pdf\" target=\"_blank\" rel=\"noopener\">\u611f\u52d5\u8a5e\u306e\u5171\u8d77\u306b\u3064\u3044\u3066\u00a0<\/a><\/p>\n<p>Co-occurrence of Interjections in Japanese<\/p>\n<p>\u25a0 \u698e\u6238\u6e09\u543e \u3000<span class=\"fontstyle0\">Shogo ENOKIDO<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/ENOKIDO-Shogo_0856-0844.pdf\" target=\"_blank\" rel=\"noopener\">\u300e\u6b4c\u7d4c\u6a19\u5f0f\u300f \u5e8f\u6587\u304b\u3089\u3046\u304b\u304c\u3046\u516b\u4e16\u7d00\u5f8c\u534a\u306b\u304a\u3051\u308b<br \/>\n\u6b4c\u8ad6\u306e\u5230\u9054\u70b9<\/a><\/p>\n<p>The Preface to the \u201cKaky\u014d Hy\u014dshiki\u201d Reveals the Achievement of Poetry Theory<br \/>\nin the Late Eighth Century<\/p>\n<p>\u25a0 <span class=\"fontstyle0\">\u5fa1\u624b\u6d17 \u9756\u5927<\/span>\u3000 <span class=\"fontstyle0\">Yasuhiro MITARAI<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/MITARAI-Yasuhiro_0842-0827.pdf\" target=\"_blank\" rel=\"noopener\"><span class=\"fontstyle0\">\u83c5\u539f\u9053\u771f<\/span><span class=\"fontstyle1\">\u300c<\/span><span class=\"fontstyle0\">\u6771\u98a8\u5439\u304b\u3070<\/span><span class=\"fontstyle1\">\u300d <\/span><span class=\"fontstyle0\">\u8a60\u3078\u306e\u8868\u73fe\u53f2<\/span><\/a><\/p>\n<p><span class=\"fontstyle0\">Tracing the History of Sugawara no Michizane<\/span><span class=\"fontstyle2\">\u2019<\/span><span class=\"fontstyle0\">s <\/span><span class=\"fontstyle2\">\u201c<\/span><span class=\"fontstyle0\">Kochi fukaba (If easterly wind blows)<\/span><span class=\"fontstyle2\">\u201d<br \/>\n<\/span><span class=\"fontstyle0\">Expression<\/span><\/p>\n<p>\u25a0<span class=\"fontstyle0\">\u674e \u4e8c\u7dad<\/span>\u3000Erwei LI<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/LI-Erwei_0151-0163.pdf\" target=\"_blank\" rel=\"noopener\"><span class=\"fontstyle0\">\u6642\u9593\u3092\u8868\u3059\u540d\u8a5e\u306e\u6587\u672b\u7528\u6cd5<br \/>\n<\/span><span class=\"fontstyle0\">\u2500\u2500<\/span><span class=\"fontstyle1\">\u300c<\/span><span class=\"fontstyle0\">\u6642\u3060<\/span><span class=\"fontstyle1\">\u300d\u300c<\/span><span class=\"fontstyle0\">\u6642\u3067\u306f\u306a\u3044<\/span><span class=\"fontstyle1\">\u300d <\/span><span class=\"fontstyle0\">\u306e\u8a55\u4fa1\u6027\u306b\u3064\u3044\u3066\u2500\u2500<\/span>\u771f<\/a><\/p>\n<p>End-of Sentence Usage of Time Nouns<br \/>\n\u2014 About the Evaluation Implication of \u201cIt\u2019s time\u201d and \u201cIt\u2019s not time\u201d<\/p>\n<p>\u25a0 <span class=\"fontstyle0\">\u9808\u7530\u614e\u543e<\/span>\u3000Shingo SUDA<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/SUDA-Shingo_0826-0810.pdf\" target=\"_blank\" rel=\"noopener\"><span class=\"fontstyle0\">\u8a69\u6cd5\u3068\u3057\u3066\u306e\u80cc\u7406\u3068\u53cd\u8a9e<br \/>\n<\/span><span class=\"fontstyle0\">\u2500\u2500\u7acb\u539f\u9053\u9020\u5f8c\u671f\u8a69\u7bc7\u306b\u304a\u3051\u308b\u6b7b\u306e\u8868\u73fe\u2500\u2500<\/span><\/a><\/p>\n<p>Paradox and Enantiosis as Poetics: Representation of Death in Tachihara Michizo\u2019s<br \/>\nLate Works<\/p>\n<p>\u25a0 \u9ad8\u6a4b\u611b\u5b50\u3000Aiko TAKAHASHI<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/TAKAHASHI-Aiko_0165-0184.pdf\" target=\"_blank\" rel=\"noopener\"><span class=\"fontstyle0\">\u30a2\u30cb\u30e1\u306e\u5fc3\u5185\u5410\u9732\u8868\u73fe\u306b\u304a\u3051\u308b\u6642\u4ee3\u7684\u5909\u5316<br \/>\n\u2500\u2500<span class=\"fontstyle1\">\u300e<\/span>\u30b5\u30b6\u30a8\u3055\u3093<span class=\"fontstyle1\">\u300f <\/span>\u306e<span class=\"fontstyle1\">\u300c<\/span>\u72ec\u308a\u8a00<span class=\"fontstyle1\">\u300d <\/span>\u3068 <span class=\"fontstyle1\">\u300c<\/span>\u5fc3\u5185\u8a9e<span class=\"fontstyle1\">\u300d <\/span>\u306b\u3064\u3044\u3066\u2500\u2500<\/span><\/a><\/p>\n<p>The Transition in the Expression of Inner Monologue in Animation<\/p>\n<p>\u25a1 <a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/Japanese-Studies_smt.pdf\" target=\"_blank\" rel=\"noopener\">\u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n<p>&nbsp;<\/p>\n<h4 id=\"el\">\u82f1\u6587\u5b66 English Studies<\/h4>\n<p>\u25a0 \u51ac\u6728 \u3072\u308d\u307f \u3000Hiromi FUYUKI<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/FUYUKI-Hiromi_0185-0203.pdf\" target=\"_blank\" rel=\"noopener\"><span class=\"fontstyle0\">\u300e<\/span><span class=\"fontstyle1\">\u30ea\u30a2\u738b<\/span><span class=\"fontstyle0\">\u300f <\/span><span class=\"fontstyle1\">\u306b\u304a\u3051\u308b <\/span><span class=\"fontstyle0\">\u300c<\/span><span class=\"fontstyle1\">\u898b\u308b\u3053\u3068 <\/span><span class=\"fontstyle0\">\u300d <\/span><span class=\"fontstyle1\">\u306e\u30d1\u30e9\u30c9\u30c3\u30af\u30b9<\/span><br \/>\n<\/a><\/p>\n<p><span class=\"fontstyle0\">Paradox of Vision in King Lear<\/span><\/p>\n<p>\u25a0 <span class=\"fontstyle0\">\u4e2d\u897f\u4eae\u4ecb<\/span>\u3000Ryosuke NAKANISHI<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/NAKANISHI-Ryosuke_0205-0221.pdf\" target=\"_blank\" rel=\"noopener\"><span class=\"fontstyle0\">\u300e<\/span><span class=\"fontstyle1\">\u52d5\u7269\u5712\u7269\u8a9e<\/span><span class=\"fontstyle0\">\u300f <\/span><span class=\"fontstyle1\">\u306b\u304a\u3051\u308b\u4ea4\u6d41\u306e\u30af\u30a3\u30a2\u30cd\u30b9 <\/span><span class=\"fontstyle0\">\uff1a<br \/>\n<\/span><span class=\"fontstyle1\">\u30e1\u30ed\u30c9\u30e9\u30de\u304b\u3089\u6b8b\u9177\u3078<\/span><\/a><\/p>\n<p>Queerness of a contact in The Zoo Story: From Melodrama to \u201ccruelty\u201d<\/p>\n<p>\u25a1 <a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/English-Studies_smt.pdf\" target=\"_blank\" rel=\"noopener\">\u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n<p>&nbsp;<\/p>\n<h4 id=\"fl\">\u30d5\u30e9\u30f3\u30b9\u8a9e\u30d5\u30e9\u30f3\u30b9\u6587\u5b66 French Studies<\/h4>\n<p>\u25a0 \u5f8c\u85e4 \u6e21\u3000Wataru GOTO<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/GOTO-Wataru_0227-0237.pdf\" target=\"_blank\" rel=\"noopener\">\u30b8\u30e7\u30eb\u30b8\u30e5\u30fb \u30da\u30ec\u30c3\u30af\u306e\u5275\u4f5c\u306b\u304a\u3051\u308b\u540d\u3065\u3051\u306b\u3064\u3044\u3066<\/a><\/p>\n<p>Onomastique dans la cr\u00e9ation de Georges Perec<\/p>\n<p>\u25a0 \u677e\u539f\u967d\u5b50\u3000 <span class=\"fontstyle0\">Yoko MATSUBARA<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/MATSUBARA-Yoko_0239-0252-1.pdf\" target=\"_blank\" rel=\"noopener\">\u30d7\u30eb\u30fc\u30b9\u30c8\u306e\u4f5c\u54c1\u306b\u304a\u3051\u308b\u30b9\u30c6\u30f3\u30c9\u30b0\u30e9\u30b9\u306e\u30a4\u30e1\u30fc\u30b8<br \/>\n\u2500\u2500\u5e7b\u706f\u304b\u3089\u30b9\u30c6\u30f3\u30c9\u30b0\u30e9\u30b9\u3078\u2500\u2500<\/a><\/p>\n<p>Les images des vitraux dans les \u0153uvres de Proust<\/p>\n<p>\u25a0 \u4f0a\u85e4\u7422\u9ebb\u3000Takuma ITO<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/ITO-Takuma_0253-0265-1.pdf\" target=\"_blank\" rel=\"noopener\">\u30d0\u30f3\u30b8\u30e3\u30de\u30f3\u30fb \u30d5\u30a9\u30f3\u30c0\u30fc\u30cc \u300e\u4ea1\u970a\u305f\u3061\u306e\u60b2\u75db\u300f \u306e\u4e2d\u306e<br \/>\n\u5b9f\u5b58\u3068\u30dd\u30a8\u30b8\u30fc\u306e\u50cd\u304d<\/a><\/p>\n<p>La fonction de l\u2019existence et de la po\u00e9sie dans Le Mal des fant\u00f4mes de Benjamin Fondane<\/p>\n<p>\u25a0 Riho TAKAYASU<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/TAKAYASU-Riho_0267-0294.pdf\" target=\"_blank\" rel=\"noopener\">Les serviteurs chez Philippe Quinault,<br \/>\ndes Rivales au Fant\u00f4me amoureux<\/a><\/p>\n<p>\u25a0\u5c71\u672c \u4f73\u751f\u3000Yoshio YAMAMOTO<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/YAMAMOTO-Yoshio_0295-0310.pdf\" target=\"_blank\" rel=\"noopener\">\u521d\u671f\u8fd1\u4ee3\u306b\u304a\u3051\u308b \u300c\u96d1\u9332\u300d \u306e\u4f1d\u7d71\u3068\u5b9f\u8df5<br \/>\n\u2500\u2500\u30e2\u30f3\u30c6\u30fc\u30cb\u30e5\u300e\u30a8\u30bb\u30fc\u300f \u306e\u7279\u7570\u6027\u2500\u2500<\/a><\/p>\n<p>Une relecture des Essais en relation avec la tradition et la pratique<br \/>\ndes le\u00e7ons de la Renaissance<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/French-Studies_smt.pdf\" target=\"_blank\" rel=\"noopener\">\u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n<p>&nbsp;<\/p>\n<h4 id=\"dl\">\u30c9\u30a4\u30c4\u8a9e\u30c9\u30a4\u30c4\u6587\u5b66 German Studies<\/h4>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/German-Studies_smt.pdf\" target=\"_blank\" rel=\"noopener\">\u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n<h4><\/h4>\n<h4 id=\"rl\">\u30ed\u30b7\u30a2\u8a9e\u30ed\u30b7\u30a2\u6587\u5316 Russian Studies<\/h4>\n<p>\u25a0 \u4e09\u6d66 \u6e05\u7f8e\u3000Kiyoharu MIURA<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/MIURA-Kiyoharu_0327-0343.pdf\" target=\"_blank\" rel=\"noopener\">\u30ed\u30b7\u30a2\u3001 \u53cd\u4e71\u306e\u4e16\u7d00\u306b\u304a\u3051\u308b\u4e2d\u5eb8\u306e\u6307\u5c0e\u8005<br \/>\n\u2500\u2500\u30c4\u30a1\u30fc\u30ea \u3001 \u30a2\u30ec\u30af\u30bb\u30a4 \u30fb \u30df\u30cf\u30a4\u30ed\u30f4\u30a3\u30c1\u306e\u5834\u5408\u2500\u2500<\/a><\/p>\n<p>A Moderate Leader in the Century of Rebellions in Russia \u2013 A Case Study<br \/>\nof Tsar Alexis<\/p>\n<p>\u25a0 \u6c96 \u96bc\u6597\u3000Hayato OKI<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/OKI-Hayato_0345-0364.pdf\" target=\"_blank\" rel=\"noopener\">\u8a69\u4eba\u306e\u518d\u51fa\u7acb<br \/>\n\u2500\u2500\u30dc\u30ea\u30b9\u30fb \u30dd\u30d7\u30e9\u30d5\u30b9\u30ad\u30a4 \u300c\u30e4\u30eb\u30bf\u304b\u3089\u306e\u51fa\u7acb\u300d \u3092\u3081\u3050\u3063\u3066\u2500\u2500<\/a><\/p>\n<p>\u041f\u043e\u0432\u0442\u043e\u0440\u043d\u044b\u0439 \u0443\u0445\u043e\u0434 \u043f\u043e\u044d\u0442\u0430: \u043e \u0441\u0442\u0438\u0445\u043e\u0442\u0432\u043e\u0440\u0435\u043d\u0438\u0438 \u00ab\u0423\u0445\u043e\u0434 \u0438\u0437 \u042f\u043b\u0442\u044b\u00bb<br \/>\n\u0411\u043e\u0440\u0438\u0441\u0430 \u041f\u043e\u043f\u043b\u0430\u0432\u0441\u043a\u043e\u0433\u043e<\/p>\n<p>\u25a0 \u91d1\u4e38 \u99ff\u3000Shun KANEMARU<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/KANEMARU-Shun_0365-0383.pdf\" target=\"_blank\" rel=\"noopener\">\u8a69\u30d0\u30e9\u30c3\u30af\u3068\u3044\u3046\u5426\u5b9a\u306e\u7a7a\u9593<br \/>\n\u2500\u2500\u30a4\u30fc\u30b4\u30ea \u30fb \u30db\u30fc\u30ea\u30f3\u306e\u521d\u671f\u30d0\u30e9\u30c3\u30af\u8a69\u7bc7\u3092\u3081\u3050\u3063\u3066\u2500\u2500<\/a><\/p>\n<p>\u0411\u0430\u0440\u0430\u043a \u043a\u0430\u043a \u043f\u0440\u043e\u0441\u0442\u0440\u0430\u043d\u0441\u0442\u0432\u043e \u043e\u0442\u0440\u0438\u0446\u0430\u043d\u0438\u044f: \u043f\u043e \u043f\u043e\u0432\u043e\u0434\u0443 \u0440\u0430\u043d\u043d\u0435\u0433\u043e \u0431\u0430\u0440\u0430\u0447\u043d\u043e\u0433\u043e \u0446\u0438\u043a\u043b\u0430<br \/>\n\u0418\u0433\u043e\u0440\u044f \u0425\u043e\u043b\u0438\u043d\u0430<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/Russian-Studies_smt.pdf\" target=\"_blank\" rel=\"noopener\">\u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n<p>&nbsp;<\/p>\n<h4 id=\"cl\">\u4e2d\u56fd\u8a9e\u4e2d\u56fd\u6587\u5b66 Chinese Studies<\/h4>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/Chinese-Studies_smt.pdf\" target=\"_blank\" rel=\"noopener\">\u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n<p>&nbsp;<\/p>\n<h4 id=\"v\">\u6f14\u5287\u6620\u50cf\u5b66 Theatre and Film Arts<\/h4>\n<p>\u25a0 \u4e94\u5341\u5d50\u62d3\u4e5f\u3000Takuya IGARASHI<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/IGARASHI-Takuya_0413-0430.pdf\" target=\"_blank\" rel=\"noopener\">\u30d7\u30ed\u30c0\u30af\u30b7\u30e7\u30f3\u30fb \u30b3\u30fc\u30c9\u3068\u300e\u9ec4\u660f\u300f \u306b\u304a\u3051\u308b\u4e0d\u9053\u5fb3\u306e\u8868\u8c61<\/a><\/p>\n<p>Production Code and Representation of Immorality in Carrie (1952)<\/p>\n<p>\u25a0 \u8fd1\u85e4\u3064\u3050\u307f\u3000Tsugumi KONDO<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/KONDO-Tsugumi_0431-0447.pdf\" target=\"_blank\" rel=\"noopener\">\u30cb\u30b8\u30f3\u30b9\u30ab\u306e\u300e\u7d50\u5a5a\u300f \u3068\u30d0\u30a6\u30b7\u30e5\u306e\u300e\u9752\u3072\u3052\u300f \u306b\u304a\u3051\u308b<br \/>\n\u4e0d\u5e78\u306a\u7d50\u5a5a\u306e\u8868\u8c61<\/a><\/p>\n<p>Representation of the Unhappy Marriage in Nijinska\u2019s Les Noces<br \/>\nand Bausch\u2019s Bluebeard<\/p>\n<p>\u25a0 \u9ad8\u6a4b \u548c\u65e5\u5b50\u3000Wakako TAKAHASHI<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/TAKAHASHI-Wakako_0796-0776.pdf\" target=\"_blank\" rel=\"noopener\">\u6b4c\u821e\u4f0e\u300e\u4eee\u540d\u624b\u672c\u5fe0\u81e3\u8535\u300f \u5341\u4e00\u6bb5\u76ee\u3068\u8d64\u7a42\u4e8b\u4ef6\u306e\u30a4\u30e1\u30fc\u30b8\u5f62\u6210<br \/>\n\u2500\u2500\u7d75\u753b\u8cc7\u6599\u3092\u4e2d\u5fc3\u306b\u2500\u2500<\/a><\/p>\n<p>The Relationship between Act Eleven of \u201cKanadehonchushingura\u201d in Kabuki and Historical<br \/>\nInterpretation of Ako Incident \u2014 How Pictorial Depictions Affected by the Play<br \/>\nBlurred Factual Interpretations \u2014<\/p>\n<p>&nbsp;<\/p>\n<h4 id=\"art\">\u7f8e\u8853\u53f2\u5b66 Art History<\/h4>\n<p>\u25a0 \u76ca\u7530\u670b\u5e78\u3000Tomoyuki MASUDA<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/MASUDA-Tomoyuki_0449-0465.pdf\" target=\"_blank\" rel=\"noopener\"><span class=\"fontstyle0\">\u88cf\u5207\u308a\u306e\u30d1\u30f3<\/span><span class=\"fontstyle1\">\u3001 <\/span><span class=\"fontstyle0\">\u54c0\u3057\u307f\u306e\u30d1\u30f3<\/span><span class=\"fontstyle0\">\u2500\u2500\u30a2\u30b7\u30cc\u30a6 <\/span><span class=\"fontstyle1\">\uff08<\/span><span class=\"fontstyle0\">\u30ad\u30d7\u30ed\u30b9<\/span><span class=\"fontstyle1\">\uff09\u3001<br \/>\n<\/span><span class=\"fontstyle0\">\u30d1\u30ca\u30ae\u30a2<\/span><span class=\"fontstyle1\">\u30fb <\/span><span class=\"fontstyle0\">\u30d5\u30a9\u30eb\u30d3\u30aa\u30c6\u30a3\u30c3\u30b5\u8056\u5802\u8056\u57df\u306e\u88c5\u98fe\u30d7\u30ed\u30b0\u30e9\u30e0\u2500\u2500<\/span><br \/>\n<\/a><\/p>\n<p>Bread of Betrayal, Bread of Sorrow: Decoration Program of the Church<br \/>\nof Panagia Phorbiotissa in Asinou (Cyprus)<\/p>\n<p>\u25a0 \u5c71\u672c\u8061\u7f8e\u3000Satomi YAMAMOTO<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/YAMAMOTO-Satomi_0774-0756.pdf\" target=\"_blank\" rel=\"noopener\">\u5409\u5099\u771f\u5099\u306e\u624d\u85dd\u3068\u672c\u671d\u4ecf\u795e\u306e\u611f\u5fdc<br \/>\n\u2500\u2500\u300c\u5409\u5099\u5927\u81e3\u5165\u5510\u7d75\u5dfb\u300d \u306e\u69cb\u9020\u2500\u2500<\/a><\/p>\n<p>Kibi no Makibi\u2019s Talents and the Sympathetic Response of Buddhas and Kami:<br \/>\nThe Structure of the Kibi daijin nitt\u00f4 emaki<\/p>\n<p>\u25a0 \u99ac \u6b4c\u967d\u00a0 Geyang MA<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/MA-Geyang_0754-0735.pdf\" target=\"_blank\" rel=\"noopener\">\u6442\u5c71\u68f2\u971e\u5bfa\u77f3\u7a9f\u306e\u6210\u7acb\u306b\u3064\u3044\u3066\u306e\u518d\u691c\u8a0e<\/a><\/p>\n<p>Re-examination of the Establishment of the Qixia Caves Situated on Mount She<\/p>\n<p>\u25a0 \u66f9 \u92ed\u3000Rui CAO<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/CAO-Rui_0467-0484.pdf\" target=\"_blank\" rel=\"noopener\">\u660e\u30fb \u6e05\u6642\u4ee3\u306e\u56db\u5ddd\u306b\u304a\u3051\u308b\u5730\u4e0a\u9662\u843d\u5f0f\u5bb6\u65cf\u5893\u306b\u3064\u3044\u3066<br \/>\n\u2500\u2500\u5320\u5e2b\u3068\u9020\u55b6\u65b9\u6cd5\u3092\u4e2d\u5fc3\u306b\u2500\u2500<\/a><\/p>\n<p>A Study of \u201cAbove Ground Courtyard Style\u201d Family Tombs in Sichuan during Ming<br \/>\nand Qing Dynasties \u2014\u2014 Centers on Craftsmen and Construction Methods<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/Art-History_smt.pdf\" target=\"_blank\" rel=\"noopener\">\u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n<p>&nbsp;<\/p>\n<h4 id=\"jh\">\u65e5\u672c\u53f2\u5b66 Japanese History<\/h4>\n<p>\u25a0 \u85e4\u4e95\u306a\u3064\u307f\u3000<span class=\"fontstyle0\">Natsumi FUJII<\/span><\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/FUJII-Natsumi_0734-0717.pdf\" target=\"_blank\" rel=\"noopener\">\u300c\u5c0f\u733f\u4e03\u4e4b\u52a9\u300d \u4e8b\u4ef6\u304b\u3089\u898b\u308b\u660e\u6cbb\u4e2d\u671f\u8b66\u8996\u5e81\u306e\u6f14\u5287\u691c\u95b2<\/a><\/p>\n<p><span class=\"fontstyle0\">Theater Censorship of the Metropolitan Police Department in the Middle Meiji Period<br \/>\nfrom the <\/span><span class=\"fontstyle2\">\u201c<\/span><span class=\"fontstyle0\">Kozaru Shichinosuke<\/span><span class=\"fontstyle2\">\u201d <\/span><span class=\"fontstyle0\">Incident<\/span><span class=\"fontstyle2\">\u201d<\/span><\/p>\n<p>\u25a0 \u76f8\u826f\u6d77\u9999\u5b50\u3000Mikako SAGARA<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/SAGARA-Mikako_0716-0697.pdf\" target=\"_blank\" rel=\"noopener\"><span class=\"fontstyle0\">\u66f8\u7269\u306b\u307f\u308b\u8fd1\u4e16\u795e\u529f\u7687\u540e\u50cf\u306e\u5f62\u6210\u3068\u5909\u5bb9<\/span><\/a><\/p>\n<p>The Formation and Transformation of Images about Empress Jingu in Books<br \/>\nin Early Modern Japan<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/Japanese-History_smt.pdf\" target=\"_blank\" rel=\"noopener\">\u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n<p>&nbsp;<\/p>\n<h4 id=\"oh\">\u6771\u6d0b\u53f2\u5b66 Asian History<\/h4>\n<p>\u25a1 <a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/Asian-History_smt.pdf\" target=\"_blank\" rel=\"noopener\">\u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n<p>&nbsp;<\/p>\n<h4 id=\"wh\">\u897f\u6d0b\u53f2\u5b66 Western History<\/h4>\n<p>\u25a0 \u5c0f\u539f \u6df3\u3000Jun OBARA<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/OBARA-Jun_0493-0512.pdf\" target=\"_blank\" rel=\"noopener\">\u5c71\u9670\u5730\u65b9\u306b\u5b58\u3059\u308b\u30c9\u30a4\u30c4\u95a2\u9023\u53f2\u8de1\u306e\u7dcf\u5408\u7684\u691c\u8a0e<\/a><\/p>\n<p>Comprehensive Research about Historical Sites related to Germany<br \/>\nin San\u2019in Region<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/Western-History_smt.pdf\" target=\"_blank\" rel=\"noopener\">\u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n<p>&nbsp;<\/p>\n<h4 id=\"arch\">\u8003\u53e4\u5b66 Archaeology<\/h4>\n<p>\u25a0\u9ad8\u6a4b\u9f8d\u4e09\u90ce\u30fb \u6a2a\u5c71\u672a\u6765\u30fb \u5ddd\u90e8\u681e\u91cc\u30fb \u7530\u908a\u51cc\u57fa\u30fb \u98ef\u585a\u771f\u4eba\u30fb<br \/>\n\u4f0a\u85e4\u7d50\u83ef\u30fb \u95a2\u6839\u6709\u4e00\u6717\u30fb \u9ad8\u6a4b\u3000\u4e98\u30fb \u5bae\u5d0e\u6faa\u83dc\u30fb \u5c71\u5185\u5c06\u8f1d\u30fb<br \/>\n\u674e\u3000\u627f\u53e1\u30fb \u5cb8\u7530\u3000\u5f69\u30fb \u9032\u85e4\u745e\u751f\u30fb \u6a2a\u6e9d\u3000\u512a<\/p>\n<p>Ryuzaburo TAKAHASHI<br \/>\nMirai YOKOYAMA, Shiori KAWABE, Ryoki TANABE,<br \/>\nMasato IIZUKA, Yuka ITO, Yuichiro SEKINE, Wataru TAKAHASHI,<br \/>\nMiona MIYAZAKI, Masateru YAMAUCHI, Seuingyae LEE,<br \/>\nAya KISHIDA, Mizuo SHINDO, Yu YOKOMIZO<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/TAKAHASHI-Ryuzaburo_0517-0546.pdf\" target=\"_blank\" rel=\"noopener\">\u7b2c\uff16\u6b21\u52a0\u66fd\u5229\u8c9d\u585a\u30c7\u30b8\u30bf\u30eb\u4e09\u6b21\u5143\u6e2c\u91cf\u30fb \u5730\u4e2d\u30ec\u30fc\u30c0\u30fc\u63a2\u67fb\uff08GPR\uff09 \u8abf\u67fb\u6982\u5831<\/a><\/p>\n<p>Digital 3D Measurement Survey and GPR Research at Kasori Shell Midden:<br \/>\nReport of the 6th Research<\/p>\n<p>\u25a0\u9577\ufa11\u6f64\u4e00\u30fb \u9ad9\u5009\u3000\u7d14\u30fb \u5317\u6751\u6210\u4e16\u30fb \u7530\u7551\u5e78\u55e3\u30fb \u8c37\u5ddd\u3000\u907c<\/p>\n<p>Junichi NAGASAKI,<br \/>\nJun TAKAKURA, Narise KITAMURA, Yukitsugu TABATA, Ryo TANIGAWA<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/NAGASAKI-Junichi_0547-0558.pdf\" target=\"_blank\" rel=\"noopener\">\u5317\u6d77\u9053\u862d\u8d8a\u753a\u7acb\u5ddd\uff11\u907a\u8de1\u7b2c\uff11\u6b21\u8abf\u67fb\u6982\u5831<\/a><\/p>\n<p>The Archaeological Research at TACHIKAWA Site in Hokkaido.<\/p>\n<p>\u25a0 \u6749\ufa11\u8302\u6a39\u3000Shigeki SUGISAKI<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/SUGISAKI-Shigeki_0559-0577.pdf\" target=\"_blank\" rel=\"noopener\">\u58b3\u4e18\u5916\u5f62\u898f\u683c\u304b\u3089\u307f\u305f\u57fc\u7389\u53e4\u58b3\u7fa4\u306b\u304a\u3051\u308b<br \/>\n\u524d\u65b9\u5f8c\u5186\u58b3\u306e\u7bc9\u9020\u52d5\u614b<\/a><\/p>\n<p>Construction Dynamics of Keyhole-shaped Tumuli in the Sakitama Burial Mounds Group<br \/>\nfrom the Perspective of the External Mound Shape Standard<\/p>\n<p>\u25a0 \u6709\u6751\u5143\u6625\u3000Motoharu ARIMURA<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/ARIMURA-Motoharu_0579-0597.pdf\" target=\"_blank\" rel=\"noopener\"><span class=\"fontstyle0\">\u53e4\u4ee3\u30a8\u30b8\u30d7\u30c8\u65b0\u738b\u56fd\u6642\u4ee3\u306b\u6d41\u901a\u3057\u305f\u5bf8\u80f4\u5f62\u30a2\u30f3\u30d5\u30a9\u30e9<br \/>\n\u306b\u95a2\u3059\u308b\u4e00\u8003\u5bdf<\/span><\/a><\/p>\n<p>Cylindrical Amphorae in New Kingdom Egypt<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/Archaeology_smt.pdf\" target=\"_blank\" rel=\"noopener\">\u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n<p>&nbsp;<\/p>\n<h4 id=\"media\">\u8868\u8c61\u30fb\u30e1\u30c7\u30a3\u30a2\u8ad6 Studies of Media, Body and Image<\/h4>\n<p>\u25a0\u6751\u5c71 \u96c4\u7d00\u3000Yuki MURAYAMA<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/MURAYAMA-Yuki_0599-0614.pdf\" target=\"_blank\" rel=\"noopener\">\u7d75\u753b\u306f\u97f3\u697d\u306e\u3088\u3046\u306b<br \/>\n\u2500\u2500\u738b\u7acb\u7d75\u753b\u5f6b\u523b\u30a2\u30ab\u30c7\u30df\u30fc\u300c\u8272\u5f69\u8ad6\u4e89\u300d \u306b\u304a\u3051\u308b\u97f3\u697d\u7684\u8af8\u76f8\u2500\u2500<\/a><\/p>\n<p>Ut musica pictura: Aspects musicaux dans \u201cles d\u00e9bats sur le coloris\u201d de l\u2019acad\u00e9mie royale<br \/>\nde peinture et de sculpture<\/p>\n<p>\u25a0\u4e0a\u91ce \u60a0\u3000Yu UENO<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/UENO-Yu_0615-0631.pdf\" target=\"_blank\" rel=\"noopener\">\u30b2\u30fc\u30e0\u306b\u304a\u3051\u308b\u81ea\u7531\u306b\u3064\u3044\u3066<br \/>\n\u2500\u2500\u884c\u70ba\u306e\u5275\u9020\u8005\u3068\u3057\u3066\u306e\u30d7\u30ec\u30a4\u30e4\u30fc\u2500\u2500<\/a><\/p>\n<p>Freedom in Games: Players as creators of acts<\/p>\n<p>\u25a0\u4eba\u898b\u96bc\u5e73\u3000Jumpei HITOMI<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/HITOMI-Jumpei_0633-0648-1.pdf\" target=\"_blank\" rel=\"noopener\">\u524d\u671f\u30c9\u30a5\u30eb\u30fc\u30ba\u306b\u304a\u3051\u308b\u5f37\u5ea6\u306e\u5b58\u5728\u8ad6\u3068\u500b\u4f53\u5316\u8ad6\u306e\u5f62\u6210<br \/>\n\u2500\u2500\u30af\u30ed\u30bd\u30a6\u30b9\u30ad\u30fc\u3068\u306e\u95a2\u9023\u3067\u2500\u2500<\/a><\/p>\n<p>La formation de l\u2019ontologie et de la th\u00e9orie de l\u2019individuation chez Deleuze :<br \/>\nl\u2019influence de Klossowski<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/Studies-of-Media-body-and-image_smt.pdf\" target=\"_blank\" rel=\"noopener\">\u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n<p>&nbsp;<\/p>\n<h4 id=\"Creative\">\u73fe\u4ee3\u30fb\u6587\u82b8 Creative Writing and Criticism<\/h4>\n<p>\u25a0\u8349\u91ce\u6176\u5b50\u3000Keiko KUSANO<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/KUSANO-Keiko_0661-0675.pdf\" target=\"_blank\" rel=\"noopener\">\u30b8\u30ca\u30a4\u30fc\u30c0\u30fb \u30ae\u30c3\u30d4\u30a6\u30b9\u306e\u5275\u4f5c\u306b\u304a\u3051\u308b \u3008\u52d5\u7269\u6027\u3009 \u306e\u554f\u984c<br \/>\n\u2500\u2500\u521d\u671f\u8a69\u4f5c\u54c1\u3092\u4e2d\u5fc3\u306b\u2500\u2500<\/a><\/p>\n<p>The Problem of &lt;Animality&gt; in the Creation of Zinaida Gippius:<br \/>\nFocusing on Early Poetry Works<\/p>\n<p><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/Creative-Writing-and-Criticism_smt.pdf\" target=\"_blank\" rel=\"noopener\">\u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/shippitusya_1043-1044.pdf\" target=\"_blank\" rel=\"noopener\">\u57f7\u7b46\u8005\u7d39\u4ecb\uff08\u7b2c68\u8f2f\uff09<\/a><\/li>\n<li><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/syushiichiran_1045-1051.pdf\" target=\"_blank\" rel=\"noopener\">\u4fee\u58eb\u8ad6\u6587\u4e00\u89a7\uff082021\u5e74\u5ea6\u4fee\u4e86\u8005\uff11\uff13\uff15\u540d\uff09<\/a><\/li>\n<li><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/kitei_1052-1053.pdf\" target=\"_blank\" rel=\"noopener\">\u300c\u65e9\u7a32\u7530\u5927\u5b66\u5927\u5b66\u9662\u6587\u5b66\u7814\u7a76\u79d1\u7d00\u8981\u300d\u63b2\u8f09\u8ad6\u6587\u7b49\u306b\u95a2\u3059\u308b\u898f\u5b9a<\/a><\/li>\n<li><a href=\"https:\/\/www.waseda.jp\/flas\/glas\/assets\/uploads\/2023\/03\/okuzuke_1054.pdf\" target=\"_blank\" rel=\"noopener\">\u5965\u4ed8<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>\u65e9\u7a32\u7530\u5927\u5b66\u5927\u5b66\u9662 \u6587\u5b66\u7814\u7a76\u79d1\u7d00\u8981 \u7b2c68\u8f2f 2023\u5e743\u670815\u65e5\u767a\u884c\u3001ISSN2432\u20157344 \u6587\u5b66\u7814\u7a76\u79d1\u7d00\u8981\u306fWeb\u306e\u307f\u306b\u3088\u308b\u516c\u958b\u3068\u306a\u308a\u307e\u3059\u3002\u518a\u5b50\u4f53\u3067\u306e\u767a\u884c\u306f\u3054\u3056\u3044\u307e\u305b\u3093\u3002 [\u54f2\u5b66] [\u6771\u6d0b\u54f2\u5b66] [\u5fc3\u7406\u5b66] [\u793e\u4f1a 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