The Bulletin is published only in online version<\/p>\n
[Philosophy<\/a>] [Asian Philosophy<\/a>] [Psychology<\/a>] [Sociology<\/a>] [Education<\/a>] [Japanese Studies<\/a>] [English Studies<\/a>] [French Studies<\/a>][German Studies<\/a>] [Russian Studies<\/a>] [Chinese Studies<\/a>] [Theatre and Film Arts<\/a>] [Art History<\/a>] [Japanese History<\/a>][Asian History<\/a>] [Western History<\/a>] [Archaeology<\/a>] [Cultural Anthropology<\/a>] [Sutudies of Media, Body and Image<\/a>] [Creative Writing and Criticism]<\/a> [Middle Eastern and Islamic Studies]<\/a> [Global Japanese Literary and Cultural Studies]<\/a><\/p>\n \u25a0 Keiichi IWATA<\/p>\n The Notions of Actuality and Potentiality in Aristotle\u2019s Metaphysics \u039b 5<\/a><\/p>\n \u25a0Ryo ITO<\/p>\n An Inferentialist Account of the Historiography of Philosophy<\/a><\/p>\n \u25a0Shohei KOBAYASHI<\/p>\n Die Eigent\u00fcmlichkeit des \u201eDenkens\u201c bei Martin Heidegger\u00a0mit besonderer Ber\u00fccksichtigung zum \u201eDichten\u201c<\/a><\/p>\n \u25a1Summary of Excellent Master\u2019s Theses<\/a><\/p>\n \u25a1Summary of Excellent Master\u2019s Theses<\/a><\/p>\n \u25a0 Takaji OHKUBO<\/p>\n The \u2018Personal-advice column\u2019 in the Pandemic Era.<\/a><\/p>\n \u25a0Yu MITSUDA<\/p>\n The Logic and Ethics Behind the Policy of Promoting In-person Schooling at University During the Coronavirus Crisis in the 2020 Japanese School Year:A Constructionist Social Problems Approach<\/a><\/p>\n \u25a1Summary of Excellent Master\u2019s Theses<\/a><\/p>\n \u25a0 Kiyotake OKI<\/p>\n A Fair Universities Admissions System Reform in the UK under the COVID-19:Discussion on the Introduction of PQA (Post-Qualification Admissions)<\/a><\/p>\n \u25a1 Summary of Excellent Master\u2019s Theses<\/a><\/p>\n \u25a0Ichiro IKEZAWA<\/p>\n A friendship between Osuga Yinken and Takigawa Kunzan \u2014 Some forgotten Japanese literatures of verse \u2014<\/a><\/p>\n \u25a0Nobuyuki KANECHIKU<\/p>\n New Readings of Hon\u2019in no jij\u016b sh\u016b<\/a><\/p>\n \u25a0 Tomoki TABE<\/p>\n Kubota Mantaro\u2019s Early Haiku<\/a><\/p>\n \u25a0 Yanan WANG<\/p>\n A Study of TAKEDA Taijun\u2019s Mamusi no sue: \u201cShanghai\u201d<\/a><\/p>\n \u25a0 Sachie NITTA<\/p>\n Use of Kanji in elementary education in the early Meiji Period\u2014 Mainly on Sekai Shobai Orai \u2014<\/a><\/p>\n \u25a0Soushi YAMADA<\/p>\n A Study of Kaiko Takeshi\u2019s Eskimo:Reconsideration of His Early 1960s<\/a><\/p>\n \u25a0Mutsuko USHIYAMA<\/p>\n A study of Amanotekora shu<\/em>: Focusing on the structure of Koi\u2013bu and Waka with place names<\/a><\/p>\n \u25a0Takuya ONODERA<\/p>\n Sons of Emperor Suzaku in Utshuho monogatari:Focusing on Danjonomiya and Gonomiya<\/a><\/p>\n \u25a0Dan YI<\/p>\n \u201cThe tumor with a humanlike face (Jinmens\u014d)\u201d in Early-modern Japan:Focusing on morality books (shan-shu)<\/a><\/p>\n \u25a0 Yuka YAMAMOTO<\/p>\n Uchida Hyakken \u201cAssumption\u201d (Sh\u014dten):How One Can Reach to Faith and Gospel<\/a><\/p>\n \u25a0Yasuhiro MITARAI<\/p>\n Character of Sugawarano-Michizane in Sandaishu<\/a><\/p>\n \u25a0Hajime KUGA<\/p>\n A Phonological Study on \u201cCompound Noun without Quotative Markers\u201d:Focusing on Sentence-final Tones<\/a><\/p>\n \u25a1 Summary of Excellent Master\u2019s Theses<\/a><\/p>\n \u25a0 Hiromi FUYUKI<\/p>\n Reading Twelfth Night from Perspective<\/a><\/p>\n \u25a0 Kaho KAJI<\/p>\n Discrepancies in matrimonial ideals in Othello<\/a><\/p>\n \u25a1 Summary of Excellent Master\u2019s Theses<\/a><\/p>\n <\/p>\n \u25a0 Masao SUZUKI<\/p>\n \u00ab Ce matin je suis n\u00e9e homme \u00bb \u2014 Les Roses d\u2019Ispahan de Iaroslav Serpan \u2014<\/a><\/p>\n \u25a0 Odile DUSSUD<\/p>\n \u00ab Plus j\u2019admire la beaut\u00e9 de ses sentimens, plus je me sens d\u2019envie de produire les miens \u00bb \u2500\u2500 place de F\u00e9nelon dans L\u2019Esprit des Cours de l\u2019Europe de Nicolas Gueudeville \u2500\u2500<\/em><\/a><\/p>\n \u25a0 Wataru GOTO<\/p>\n Variations autour du sonnet en \u00ab H \u00bb de M\u00e9taux :le \u00ab jourd\u2019hui manchot \u00bb<\/a><\/p>\n \u25a0 Yoko MATSUBARA<\/p>\n Les images et les couleurs dans les \u0153uvres de Proust<\/a><\/p>\n \u25a0 Noriyuki NAGASAWA<\/p>\n Essai sur la premi\u00e8re \u00e9dition et l\u2019\u00e9dition difinitive des Chansons de Bilitis.<\/a><\/p>\n \u25a0 Yoshio YAMAMOTO<\/p>\n L\u2019\u00e9volution de \u201cloci communes\u201d : \u00c9rasme vs. Melanchthon<\/a><\/p>\n \u25a0 Tomoko MIYAGAWA<\/p>\n Le Plat de souliers (anecdote gastronomique) de Charles BARBARA :une parodie de la Physiologie du go\u00fbt de Brillat-Savarin<\/a><\/p>\n \u25a1 Summary of Excellent Master\u2019s Theses<\/a><\/p>\n \u25a0\u00a0 Natsuno TOKUNAGA<\/p>\n Zuk\u00fcnftiges Geschlecht: Vergleichende Analyse von Hawels Roman Im Reiche der Homunkuliden und Weiningers Werk Geschlecht und Charakter<\/a><\/p>\n \u25a0 Takumi TOSHIMA<\/p>\n Der Traum auf dem Finazzerhof \u2014 Das Z\u00f6gern zwischen Interpretationen in Hofmannsthals Andreas \u2014<\/a><\/p>\n \u25a0 Kiyoharu MIURA<\/p>\n Poetic characteristics of sermons of Kirill of Turov \u2014 \u201cV-shaped transition from despair to delight\u201d and \u201cSuppression of exaltation\u201d<\/a><\/p>\n \u25a0\u00a0 Reiya MIURA<\/p>\n The Originality of Russia on Comparative History of \u201cMusical Nationalism\u201d:Around the Thought of \u201cUniversal\u201d and \u201cNational\u201d<\/a><\/p>\n \u25a1 Summary of Excellent Master\u2019s Theses<\/a><\/p>\n \u25a0 Masako NAITO<\/p>\n Stream of Consciousness in Chinese Linguistics<\/a><\/p>\n \u25a0 Ming KE<\/p>\n The Appearance of Female Poets of Chinese Poetry in Edo Period:In a View of CULTIVATION<\/a><\/p>\n \u25a0 Qian LIU<\/p>\n Characteristics of Chinese Character Culture \u2014 from the Perspective of Role Language Application<\/a><\/p>\n \u25a0 Jifei GUO<\/p>\n Transnational Imagination: The Multiple Depictions of Border-crossings in Xiaolu Guo\u2019s I Am China<\/a><\/p>\n \u25a0 Jiaqiao LI<\/p>\n An investigation on the Sanqu and Zaju writers which recorded in the LUGUIBU\u2014 Discuss again from its position of drama history<\/a><\/p>\n \u25a1 Summary of Excellent Master\u2019s Theses<\/a><\/p>\n <\/p>\n \u25a1 Summary of Excellent Master\u2019s Theses<\/a><\/p>\n <\/p>\n \u25a0 Tomoyuki MASUDA<\/p>\n Reinterpretation of the Life of the Virgin in the King\u2019s Church \u25a0 Elena OTA<\/p>\n The Absence of Heavenly Jerusalem in Byzantine Art<\/a><\/p>\n \u25a0\u00a0 Syu OU<\/p>\n The Double Tree Motif in the Farewell of Kanthaka and Seated Bodhisattva in Pensive Pose of Eastern Wei and Northern Qi Dynasty<\/a><\/p>\n \u25a0 Hideaki INABA<\/p>\n A Consideration on the Portraits of Deceased Buddhist Monks on Tomb Towers in Lingquan Temple, Anyang<\/a><\/p>\n \u25a0 Piaopiao GONGYANG<\/p>\n Beyond the Classroom: The Naoxue Theme in Late-Ming \u25a0 Mai YAMADA<\/p>\n Marie Laurencin and the Theme of \u201cDiane \u00e0 la chasse\u201d<\/a><\/p>\n \u25a1 Summary of Excellent Master\u2019s Theses<\/a><\/p>\n <\/p>\n \u25a0 Ryuichi NOMA<\/p>\n Metropolitan Police Department Personnel in the Early Showa Period:An Examination of Factions within the Organization<\/a><\/p>\n \u25a1 Summary of Excellent Master\u2019s Theses<\/a><\/p>\n \u25a0 Di ZOU<\/p>\n The Military Forces in the Northern Region in the Early Southern Song Dynasty<\/a><\/p>\n \u25a1 Summary of Excellent Master\u2019s Theses<\/a><\/p>\n \u25a0 Jun OBARA<\/p>\n Comprehensive Research about Historical Sites related to Germany in Tosan Region<\/a><\/p>\n \u25a1 Summary of Excellent Master\u2019s Theses<\/a><\/p>\n \u25a0Ryuzaburo TAKAHASHI, Digital 3D Measurement Survey and GPR Research at Kasori Shell Midden:Report of the Fifth Research<\/a><\/p>\n \u25a0 Futoshi SAKAUCHI<\/p>\n Death and Resurrection in Modern Anglo-Irish Dramas<\/a><\/p>\n \u25a0 Naoko SEKI<\/p>\n Yuki Katsura\u2019s Red Silk \u2014 Humorous Membrane of 1985 \u2014<\/a><\/p>\n \u25a0Rei KOBAYASHI<\/p>\n R\u00e9flexions sur les divers aspects de la \u201ctranscendance\u201d chez Emmanuel Levinas<\/a><\/p>\n \u25a0Yuki MURAYAMA<\/p>\n La double adresse dans la description d\u2019Andr\u00e9 F\u00e9libien<\/a><\/p>\n \u25a0Shuyang XU<\/p>\n To the Railroad Crossing at Twilight that was Floating in the Memory of \u201cSome Day\u201d\u2014 Consideration of the Experience of the Railway Crossing and Its Visual Potential<\/a><\/p>\n \u25a0Yuki SAKURADA<\/p>\n Autobiographie et Otobiographie:La lecture par Derrida de Ecce Homo de Nietzsche<\/a><\/p>\n \u25a1 Summary of Excellent Master\u2019s Theses<\/a><\/p>\n <\/p>\n \u25a1 Summary of Excellent Master\u2019s Theses<\/a><\/p>\n \u25a1 Summary of Excellent Master\u2019s Theses<\/a><\/p>\n <\/p>\n <\/p>\n Bulletin of the Graduate School of letters, Arts and Sciences of Waseda University, Vol. 67 Published: March 1 […]<\/p>\n","protected":false},"author":4,"featured_media":14055,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[95],"tags":[119,75],"class_list":["post-14026","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-en","tag-bulletin-en","tag-publications-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/posts\/14026","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/comments?post=14026"}],"version-history":[{"count":2,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/posts\/14026\/revisions"}],"predecessor-version":[{"id":14145,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/posts\/14026\/revisions\/14145"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/media\/14055"}],"wp:attachment":[{"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/media?parent=14026"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/categories?post=14026"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/tags?post=14026"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}\n
Philosophy<\/h4>\n
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Asian Philosophy<\/h4>\n
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Sociology<\/h4>\n
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Education<\/h4>\n
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Japanese Studies<\/h4>\n
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English Studies<\/h4>\n
French Studies<\/h4>\n
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German Studies<\/h4>\n
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Russian Studies<\/h4>\n
<\/h4>\n
Chinese Studies<\/h4>\n
Theatre and Film Arts<\/h4>\n
Art History<\/h4>\n
\nof Studenica Monastery<\/a><\/p>\n
\nand Qing Paintings, Illustrations, and Prints
\n<\/a><\/p>\nJapanese History<\/h4>\n
<\/h4>\n
Asian History<\/h4>\n
<\/h4>\n
Western History<\/h4>\n
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Archaeology<\/h4>\n
\nSeria YAMAZAKI, Itsuki OKAMOTO, Michiatsu KUMAMOTO,
\nMasato Iizuka, Yuka ITO, Yuichiro SEKINE, Ryoki TANABE,
\nMiona MIYAZAKI, Masateru YAMAUCHI, Seuingyae LEE<\/p>\n<\/h4>\n
Studies of Media, Body and Image<\/h4>\n
Creative Writing and Criticism<\/h4>\n
Middle Eastern and Islamic Studies<\/h4>\n
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