\u6587\u5b66\u7814\u7a76\u79d1\u7d00\u8981\u306fWeb\u306e\u307f\u306b\u3088\u308b\u516c\u958b\u3068\u306a\u308a\u307e\u3059\u3002\u518a\u5b50\u4f53\u3067\u306e\u767a\u884c\u306f\u3054\u3056\u3044\u307e\u305b\u3093\u3002<\/p>\n
[\u54f2\u5b66<\/a>] [\u6771\u6d0b\u54f2\u5b66<\/a>] [\u5fc3\u7406\u5b66<\/a>] [\u793e\u4f1a\u5b66<\/a>] [\u6559\u80b2\u5b66<\/a>] [\u65e5\u672c\u8a9e\u65e5\u672c\u6587\u5b66<\/a>] [\u82f1\u6587\u5b66<\/a>] [\u30d5\u30e9\u30f3\u30b9\u8a9e\u30d5\u30e9\u30f3\u30b9\u6587\u5b66<\/a>][\u30c9\u30a4\u30c4\u8a9e\u30c9\u30a4\u30c4\u6587\u5b66<\/a>] [\u30ed\u30b7\u30a2\u8a9e\u30ed\u30b7\u30a2\u6587\u5316<\/a>] [\u4e2d\u56fd\u8a9e\u4e2d\u56fd\u6587\u5b66<\/a>] [\u6f14\u5287\u6620\u50cf\u5b66<\/a>] [\u7f8e\u8853\u53f2\u5b66<\/a>] [\u65e5\u672c\u53f2\u5b66<\/a>][\u6771\u6d0b\u53f2\u5b66<\/a>] [\u897f\u6d0b\u53f2\u5b66<\/a>] [\u8003\u53e4\u5b66<\/a>] [\u6587\u5316\u4eba\u985e\u5b66<\/a>] [<\/a>\u8868\u8c61\u30fb\u30e1\u30c7\u30a3\u30a2\u8ad6]<\/a>\u00a0[\u73fe\u4ee3\u6587\u82b8]\u00a0<\/a>[\u4e2d\u6771\u30fb\u30a4\u30b9\u30e9\u30fc\u30e0\u7814\u7a76]<\/a>\u00a0[\u56fd\u969b\u65e5\u672c\u5b66]<\/a><\/p>\n \u25a0 \u5ca9\u7530 \u572d\u4e00\u3000Keiichi IWATA<\/p>\n \u30a2\u30ea\u30b9\u30c8\u30c6\u30ec\u30b9\u300e\u5f62\u800c\u4e0a\u5b66\u300f\u039b\u5dfb\u7b2c\uff15\u7ae0\u306b\u304a\u3051\u308b The Notions of Actuality and Potentiality in Aristotle\u2019s Metaphysics \u039b 5<\/p>\n \u25a0 \u4f0a\u85e4 \u907c\u3000Ryo ITO<\/p>\n \u54f2\u5b66\u53f2\u7814\u7a76\u306e\u8d8a\u5883\u3068\u5206\u696d\u306b\u3064\u3044\u3066 An Inferentialist Account of the Historiography of Philosophy<\/p>\n \u25a0 \u5c0f\u6797 \u660c\u5e73\u3000Shohei KOBAYASHI<\/p>\n \u30de\u30eb\u30c6\u30a3\u30f3\u30fb\u30cf\u30a4\u30c7\u30ac\u30fc\u306b\u304a\u3051\u308b\u300c\u601d\u7d22\u300d\u306e\u56fa\u6709\u6027\u306b\u3064\u3044\u3066 Die Eigent\u00fcmlichkeit des \u201eDenkens\u201c bei Martin Heidegger \u25a1\u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses<\/a>)<\/p>\n \u25a1\u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n <\/p>\n \u25a0 \u5927\u4e45\u4fdd \u5b5d\u6cbb\u3000Takaji OHKUBO<\/p>\n \u30b3\u30ed\u30ca\u306e\u6642\u4ee3\u306e\u4eba\u751f\u76f8\u8ac7<\/a><\/p>\n The \u2018Personal-advice column\u2019 in the Pandemic Era.<\/p>\n \u25a0 \u4e09\u6d25\u7530 \u60a0\u3000Yu MITSUDA<\/p>\n 2020\u5e74\u5ea6\u306e\u30b3\u30ed\u30ca\u798d\u306b\u304a\u3051\u308b\u5927\u5b66\u3067\u306e\u5bfe\u9762\u6388\u696d\u63a8\u9032\u653f\u7b56\u306e\u8ad6\u7406\u3068\u502b\u7406 The Logic and Ethics Behind the Policy of Promoting In-person Schooling \u25a1\u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n \u25a0 \u6c96 \u6e05\u8c6a\u3000Kiyotake OKI<\/p>\n COVID-19\u306e\u5f71\u97ff\u4e0b\u306b\u304a\u3051\u308b\u30a4\u30ae\u30ea\u30b9\u306e\u516c\u6b63\u306a\u5927\u5b66\u5165\u5b66\u8005\u9078\u629c\u6539\u9769 A Fair Universities Admissions System Reform in the UK under the COVID-19: \u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n \u25a0 \u6c60\u6fa4 \u4e00\u90ce\u3000Ichiro IKEZAWA<\/p>\n \u5927\u9808\u8cc0\u7b60\u8ed2\u3068\u7027\u5ddd\u541b\u5c71\u3068\u306e\u4ea4\u904a A friendship between Osuga Yinken and Takigawa Kunzan \u25a0 \u517c\u7bc9 \u4fe1\u884c\u3000Nobuyuki KANECHIKU<\/p>\n \u300e\u672c\u9662\u4f8d\u5f93\u96c6\u300f \u306f\u3069\u3046\u8aad\u3081\u308b\u304b<\/a><\/p>\n New Readings of Hon\u2019in no jij\u016b sh\u016b<\/p>\n \u25a0 \u7530\u90e8 \u77e5\u5b63 \u3000Tomoki TABE<\/p>\n \u4e45\u4fdd\u7530\u4e07\u592a\u90ce\u306e\u521d\u671f\u4ff3\u53e5<\/a><\/p>\n Kubota Mantaro\u2019s Early Haiku<\/p>\n \u25a0 \u738b \u4e9c\u6960\u3000Yanan WANG<\/p>\n \u6b66\u7530\u6cf0\u6df3\u300e\u876e\u306e\u3059\u3048\u300f \u8ad6\u2500\u2500\u4e0a\u6d77\u3068\u3044\u3046 \u300c\u5834\u300d \u2500\u2500<\/a><\/p>\n A Study of TAKEDA Taijun\u2019s Mamusi no sue: \u201cShanghai\u201d<\/p>\n \u25a0 \u65b0\u7530 \u7965\u7d75\u3000Sachie NITTA<\/p>\n \u660e\u6cbb\u521d\u671f\u306e\u521d\u7b49\u6559\u80b2\u306b\u304a\u3051\u308b\u6f22\u5b57\u4f7f\u7528\u306e\u5b9f\u614b Use of Kanji in elementary education in the early Meiji Period \u25a0 \u5c71\u7530 \u5b97\u53f2\u3000Soushi YAMADA<\/p>\n \u958b\u9ad8\u5065\u300c\u30a8\u30b9\u30ad\u30e2\u30fc\u300d \u8ad6\u2500\u25001960\u5e74\u4ee3\u524d\u534a\u306e\u518d\u691c\u8a0e\u2500\u2500<\/a><\/p>\n A Study of Kaiko Takeshi\u2019s Eskimo: \u25a0\u725b\u5c71 \u7766\u5b50\u3000Mutsuko USHIYAMA<\/p>\n \u300e\u6d77\u4eba\u624b\u53e4\u826f\u96c6\u300f \u8003\u2500\u2500\u604b\u90e8\u306e\u69cb\u6210\u3068\u5730\u540d\u6b4c\u3092\u4e2d\u5fc3\u306b\u2500\u2500<\/a><\/p>\n A study of Amanotekora shu<\/em>: Focusing on the structure of Koi\u2013bu \u25a0\u5c0f\u91ce\u5bfa \u62d3\u4e5f\u3000Takuya ONODERA<\/p>\n \u300e\u3046\u3064\u307b\u7269\u8a9e\u300f \u306e\u7537\u5bae\u305f\u3061 \u2500\u2500\u5f3e\u6b63\u306e\u5bae\u3068\u4e94\u306e\u5bae\u3092\u4e2d\u5fc3\u306b\u2500\u2500<\/a><\/p>\n Sons of Emperor Suzaku in Utshuho monogatari: \u25a0 \u4f0a \u4e39 \u3000Dan YI<\/p>\n \u8fd1\u4e16\u306e\u4eba\u9762\u7621\u8aac\u8a71\u2500\u2500\u5584\u66f8\u306a\u3069\u3092\u3081\u3050\u3063\u3066\u2500\u2500<\/a><\/p>\n \u201cThe tumor with a humanlike face (Jinmens\u014d)\u201d in Early-modern Japan: \u25a0 \u5c71\u672c \u6709\u9999 \u3000 Yuka YAMAMOTO<\/p>\n \u5185\u7530\u767e\u9592\u300c\u6607\u5929\u300d \u8ad6\u2500\u2500\u4fe1\u4ef0\u3068\u798f\u97f3\u3092\u3081\u3050\u3063\u3066\u2500\u2500<\/a><\/p>\n Uchida Hyakken \u201cAssumption\u201d (Sh\u014dten): \u25a0\u5fa1\u624b\u6d17 \u9756\u5927\u3000Yasuhiro MITARAI<\/p>\n \u4e09\u4ee3\u96c6\u306e\u4e2d\u306e\u83c5\u539f\u9053\u771f<\/a><\/p>\n Character of Sugawarano-Michizane in Sandaishu<\/p>\n \u25a0 \u4e45\u8cc0 \u671d\u3000Hajime KUGA<\/p>\n \u3008\u5f15\u7528\u6a19\u8b58\u4e0d\u5728\u578b\u8907\u5408\u540d\u8a5e\u3009 \u306e\u97f3\u97fb\u8ad6\u7684\u8003\u5bdf A Phonological Study on \u201cCompound Noun without Quotative Markers\u201d: \u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n <\/p>\n \u25a0 \u51ac\u6728 \u3072\u308d\u307f \u3000Hiromi FUYUKI<\/p>\n \u30d1\u30fc\u30b9\u30da\u30af\u30c6\u30a3\u30f4\u304b\u3089\u8aad\u3080\u300e\u5341\u4e8c\u591c\u300f<\/a><\/p>\n Reading Twelfth Night from Perspective<\/p>\n \u25a0 \u935b\u51b6 \u4f73\u7a42\u3000Kaho KAJI<\/p>\n \u300e\u30aa\u30bb\u30ed\u30fc\u300f \u306b\u304a\u3051\u308b\u7d50\u5a5a\u306e\u4fa1\u5024\u89b3\u306e\u9f5f\u9f6c<\/a><\/p>\n Discrepancies in matrimonial ideals in Othello<\/p>\n \u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n <\/p>\n \u25a0 \u9234\u6728 \u96c5\u96c4\u3000Masao SUZUKI<\/p>\n \u300c\u4eca\u671d\u3001 \u79c1\u306f\u5973\u304b\u3089\u7537\u3078\u3068\u751f\u307e\u308c\u306a\u304a\u3057\u305f\u300d \u2500\u2500\u30e4\u30ed\u30b9\u30e9\u30d5\u30fb \u30bb\u30eb\u30d1\u30f3 \u00ab Ce matin je suis n\u00e9e homme \u00bb \u2014 Les Roses d\u2019Ispahan de Iaroslav Serpan \u2014<\/p>\n \u25a0 Odile DUSSUD<\/p>\n \u00ab Plus j\u2019admire la beaut\u00e9 de ses sentimens, plus je me sens d\u2019envie de produire \u25a0 Wataru GOTO<\/p>\n Variations autour du sonnet en \u00ab H \u00bb de M\u00e9taux : \u25a0 \u677e\u539f \u967d\u5b50\u00a0 Yoko MATSUBARA<\/p>\n \u30d7\u30eb\u30fc\u30b9\u30c8\u306e\u4f5c\u54c1\u306b\u304a\u3051\u308b\u30a4\u30e1\u30fc\u30b8\u3068\u8272\u5f69 Les images et les couleurs dans les \u0153uvres de Proust<\/p>\n \u25a0 \u9577\u6fa4 \u6cd5\u5e78\u00a0 \u00a0Noriyuki NAGASAWA<\/p>\n \u300e\u30d3\u30ea\u30c6\u30a3\u30b9\u306e\u6b4c\u300f \u306e\u521d\u7248\u3068\u6c7a\u5b9a\u7a3f\u306b\u3064\u3044\u3066<\/a><\/p>\n Essai sur la premi\u00e8re \u00e9dition et l\u2019\u00e9dition difinitive des Chansons de Bilitis.<\/p>\n \u25a0\u5c71\u672c \u4f73\u751f Yoshio YAMAMOTO<\/p>\n \u300c\u30ed\u30ad\u30fb \u30b3\u30e0\u30fc\u30cd\u30b9\u300d \u306e\u5c55\u958b L\u2019\u00e9volution de \u201cloci communes\u201d : \u00c9rasme vs. Melanchthon<\/p>\n \u25a0 \u5bae\u5ddd \u77e5\u5b50\u00a0 Tomoko MIYAGAWA<\/p>\n \u30b7\u30e3\u30eb\u30eb\u30fb \u30d0\u30eb\u30d0\u30e9 \u300c\u9774\u6599\u7406\uff08\u7f8e\u98df\u306e\u5c0f\u567a\uff09\u300d Le Plat de souliers (anecdote gastronomique) de Charles BARBARA : \u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n <\/p>\n \u25a0 \u5fb7\u6c38 \u83dc\u6458\u91ce\u00a0 \u00a0Natsuno TOKUNAGA<\/p>\n \u672a\u6765\u306e\u6027\u2500\u2500\u30cf\u30fc\u30f4\u30a7\u30eb\u300e\u30db\u30e0\u30f3\u30af\u30ea\u30fc\u30c7\u30f3\u306e\u5e1d\u56fd\u3067\u300f \u3068\u30f4\u30a1\u30a4\u30cb\u30f3\u30ac\u30fc Zuk\u00fcnftiges Geschlecht: Vergleichende Analyse von Hawels Roman Im Reiche der Homunkuliden \u25a0 \u6238\u5d8b \u5320\u00a0 Takumi TOSHIMA<\/p>\n \u30d5\u30a3\u30ca\u30c3\u30c4\u30a1\u30fc\u30db\u30fc\u30d5\u306e\u5922\u2500\u2500\u30db\u30fc\u30d5\u30de\u30f3\u30b9\u30bf\u30fc\u30eb\u300e\u30a2\u30f3\u30c9\u30ec\u30fc\u30a2\u30b9 \u300f \u306b\u304a\u3051\u308b Der Traum auf dem Finazzerhof \u2014 Das Z\u00f6gern zwischen Interpretationen \u25a0 \u4e09\u6d66 \u6e05\u7f8e\u3000Kiyoharu MIURA<\/p>\n \u30c8\u30a5\u30fc\u30ed\u30d5\u306e\u30ad\u30ea\u30eb\u306e\u8a69\u5b66\u7684\u7279\u5fb4\u306b\u3064\u3044\u3066 Poetic characteristics of sermons of Kirill of Turov \u2014 \u201cV-shaped transition \u25a0 \u4e09\u6d66 \u9818\u54c9\u00a0 Reiya MIURA<\/p>\n \u6bd4\u8f03\u300c\u56fd\u6c11\u97f3\u697d\u300d \u53f2\u306b\u304a\u3051\u308b\u30ed\u30b7\u30a2\u306e\u72ec\u81ea\u6027\u2500\u2500\u300c\u30e6\u30cb\u30f4\u30a1\u30fc\u30b5\u30eb\u306a\u97f3\u697d\u300d \u3068 The Originality of Russia on Comparative History of \u201cMusical Nationalism\u201d: \u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n <\/p>\n \u25a0 Masako NAITO<\/p>\n Stream of Consciousness in Chinese Linguistics<\/a><\/p>\n \u25a0 \u67ef \u660e\u3000Ming KE<\/p>\n \u6c5f\u6238\u5973\u6027\u6f22\u8a69\u306e\u51fa\u73fe\u2500\u2500\u305d\u306e\u300c\u80b2\u6210\u300d \u306b\u95a2\u3059\u308b\u4e00\u8003\u5bdf\u2500\u2500<\/a><\/p>\n The Appearance of Female Poets of Chinese Poetry in Edo Period: \u25a0 \u5289 \u831c\u3000Qian LIU<\/p>\n \u4e2d\u56fd\u30ad\u30e3\u30e9\u30af\u30bf\u30fc\u6587\u5316\u306e\u7279\u5fb4\u2500\u2500\u5f79\u5272\u8a9e\u5fdc\u7528\u306e\u8996\u70b9\u304b\u3089\u2500\u2500<\/a><\/p>\n Characteristics of Chinese Character Culture \u25a0 \u90ed\u3000\u6e08\u98db\u3000Jifei GUO<\/p>\n \u4e2d\u56fd\u3068\u7570\u57df\u3092\u7d50\u3076\u60f3\u50cf\u529b Transnational Imagination: The Multiple Depictions of Border-crossings \u25a0 \u674e \u5bb6\u6a4b\u3000Jiaqiao LI<\/p>\n \u300e\u9332\u9b3c\u7c3f\u300f \u306b\u304a\u3051\u308b\u6563\u66f2\u30fb \u96d1\u5287\u4f5c\u5bb6\u8457\u9332\u8003 An investigation on the Sanqu and Zaju writers which recorded in the LUGUIBU \u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n <\/p>\n \u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n <\/p>\n \u25a0 Tomoyuki MASUDA<\/p>\n Reinterpretation of the Life of the Virgin in the King\u2019s Church \u25a0 Elena OTA<\/p>\n The Absence of Heavenly Jerusalem in Byzantine Art<\/a><\/p>\n \u25a0 \u738b \u59dd\u00a0 Syu OU<\/p>\n \u6771\u9b4f\u30fb \u5317\u6589\u6642\u4ee3\u306e\u611b\u99ac\u5225\u96e2\u50cf\u53ca\u3073\u6a39\u4e0b\u601d\u60df\u50cf\u306b\u898b\u3089\u308c\u308b The Double Tree Motif in the Farewell of Kanthaka and Seated Bodhisattva \u25a0 \u7a32\u8449 \u79c0\u6717\u3000Hideaki INABA<\/p>\n \u5b89\u967d\u970a\u6cc9\u5bfa\u5854\u6797\u306e\u5893\u5854\u9f95\u306b\u3042\u3089\u308f\u3055\u308c\u305f\u4ecf\u50e7\u306e\u907a\u5f71\u306e\u8003\u5bdf<\/a><\/p>\n A Consideration on the Portraits of Deceased Buddhist Monks on Tomb Towers \u25a0 Piaopiao GONGYANG<\/p>\n Beyond the Classroom: The Naoxue Theme in Late-Ming \u25a0 \u5c71\u7530 \u8309\u59d4\u00a0 Mai YAMADA<\/p>\n \u30de\u30ea\u30fc\u30fb \u30ed\u30fc\u30e9\u30f3\u30b5\u30f3\u306e\u300c\u72e9\u308a\u3092\u3059\u308b\u30c7\u30a3\u30a2\u30ca\u300d Marie Laurencin and the Theme of \u201cDiane \u00e0 la chasse\u201d<\/p>\n \u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n <\/p>\n \u25a0 \u91ce\u9593 \u9f8d\u4e00\u00a0 Ryuichi NOMA<\/p>\n \u662d\u548c\u521d\u671f\u306e\u8b66\u8996\u5e81\u4eba\u4e8b\u2500\u2500\u7d44\u7e54\u5185\u6d3e\u95a5\u306e\u691c\u8a0e\u2500\u2500<\/a><\/p>\n Metropolitan Police Department Personnel in the Early Showa Period: \u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n <\/p>\n \u25a0 \u9112 \u7b1b\u00a0 Di ZOU<\/p>\n \u5357\u5b8b\u521d\u671f\u306b\u304a\u3051\u308b\u5317\u65b9\u5730\u57df\u306e\u8ecd\u4e8b\u529b The Military Forces in the Northern Region in the Early Southern Song Dynasty<\/p>\n \u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n <\/p>\n \u25a0 \u5c0f\u539f \u6df3\u3000Jun OBARA<\/p>\n \u6771\u5317\u5730\u65b9\u306b\u5b58\u3059\u308b\u30c9\u30a4\u30c4\u95a2\u9023\u53f2\u8de1\u306e\u7dcf\u5408\u7684\u691c\u8a0e<\/a><\/p>\n Comprehensive Research about Historical Sites related to Germany \u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n <\/p>\n \u25a0\u9ad8\u6a4b\u9f8d\u4e09\u90ce\u30fb \u5c71\u5d0e\u4e16\u7406\u611b\u30fb \u5ca1\u672c\u3000\u6a39\u30fb \u9688\u5143\u9053\u539a\u30fb \u98ef\u585a\u771f\u4eba\u30fb Ryuzaburo TAKAHASHI, \u7b2c\uff15\u6b21\u52a0\u66fd\u5229\u8c9d\u585a\u30c7\u30b8\u30bf\u30eb\u4e09\u6b21\u5143\u6e2c\u91cf\u30fb \u5730\u4e2d\u30ec\u30fc\u30c0\u30fc\u63a2\u67fb\uff08GPR\uff09 \u8abf\u67fb\u6982\u5831<\/a><\/p>\n Digital 3D Measurement Survey and GPR Research at Kasori Shell Midden: <\/p>\n \u25a0 Futoshi SAKAUCHI<\/p>\n Death and Resurrection in Modern Anglo-Irish Dramas<\/a><\/p>\n \u25a0\u95a2 \u76f4\u5b50 Naoko SEKI<\/p>\n \u6842\u3086\u304d\u306e\u7d05\u7d79\u2500\u25001985\u5e74\u306e\u6ed1\u7a3d\u306a\u819c\u2500\u2500<\/a><\/p>\n Yuki Katsura\u2019s Red Silk \u2014 Humorous Membrane of 1985 \u2014<\/p>\n \u25a0\u5c0f\u6797 \u5dba\u00a0 Rei KOBAYASHI<\/p>\n \u30a8\u30de\u30cb\u30e5\u30a8\u30eb\u30fb \u30ec\u30f4\u30a3\u30ca\u30b9\u306b\u304a\u3051\u308b \u300c\u8d85\u8d8a\u300d \u306e\u8af8\u76f8<\/a><\/p>\n R\u00e9flexions sur les divers aspects de la \u201ctranscendance\u201d chez Emmanuel Levinas<\/p>\n \u25a0\u6751\u5c71 \u96c4\u7d00 Yuki MURAYAMA<\/p>\n \u30a2\u30f3\u30c9\u30ec\u30fb \u30d5\u30a7\u30ea\u30d3\u30a2\u30f3\u306e\u300c\u8a18\u8ff0\u300d \u306b\u304a\u3051\u308b La double adresse dans la description d\u2019Andr\u00e9 F\u00e9libien<\/p>\n \u25a0\u5f90 \u8212\u967d Shuyang XU<\/p>\n \u3044\u3064\u304b\u306e\u8a18\u61b6\u306b\u6f02\u3046\u3042\u306e\u5915\u66ae\u308c\u306e\u8e0f\u5207\u3078 To the Railroad Crossing at Twilight that was Floating in the Memory of \u201cSome Day\u201d \u25a0\u6afb\u7530 \u88d5\u7d00 Yuki SAKURADA<\/p>\n \u81ea\u4f1d\u3068\u8033\u4f1d\u2500\u2500\u30c7\u30ea\u30c0\u306e\u30cb\u30fc\u30c1\u30a7\u300e\u3053\u306e\u4eba\u3092\u898b\u3088 \u300f \u8aad\u89e3\u2500\u2500<\/a><\/p>\n Autobiographie et Otobiographie: \u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n <\/p>\n \u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n \u25a1 \u512a\u79c0\u4fee\u58eb\u8ad6\u6587\u6982\u8981\u3000(Summary of Excellent Master\u2019s Theses)<\/a><\/p>\n <\/p>\n <\/p>\n \u65e9\u7a32\u7530\u5927\u5b66\u5927\u5b66\u9662 \u6587\u5b66\u7814\u7a76\u79d1\u7d00\u8981\u00a0\u7b2c67\u8f2f 2022\u5e743\u670815\u65e5\u767a\u884c\u3001ISSN2432\u20157344 \u6587\u5b66\u7814\u7a76\u79d1\u7d00\u8981\u306fWeb\u306e\u307f\u306b\u3088\u308b\u516c\u958b\u3068\u306a\u308a\u307e\u3059\u3002\u518a\u5b50\u4f53\u3067\u306e\u767a\u884c\u306f\u3054\u3056\u3044\u307e\u305b\u3093\u3002 [\u54f2\u5b66] [\u6771\u6d0b\u54f2\u5b66] [\u5fc3\u7406\u5b66] [\u793e\u4f1a […]<\/p>\n","protected":false},"author":4,"featured_media":14045,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[64,28,118],"class_list":["post-13682","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-publications","tag-research","tag-bulletin-ja"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/posts\/13682","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/comments?post=13682"}],"version-history":[{"count":2,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/posts\/13682\/revisions"}],"predecessor-version":[{"id":14154,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/posts\/13682\/revisions\/14154"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/media\/14045"}],"wp:attachment":[{"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/media?parent=13682"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/categories?post=13682"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/tags?post=13682"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}\n
\u54f2\u5b66 Philosophy<\/h4>\n
\n\u73fe\u5b9f\u614b\u3068\u53ef\u80fd\u614b\u306e\u6982\u5ff5<\/a><\/p>\n
\n\u2500\u2500\u3042\u308b\u63a8\u8ad6\u4e3b\u7fa9\u306e\u7acb\u5834\u304b\u3089\u2500\u2500<\/a><\/p>\n
\n\u2500\u2500\u300c\u8a69\u4f5c\u300d\u3068\u306e\u95a2\u4fc2\u304b\u3089\u2500\u2500<\/a><\/p>\n
\nmit besonderer Ber\u00fccksichtigung zum \u201eDichten\u201c<\/p>\n<\/h4>\n
\u6771\u6d0b\u54f2\u5b66 Asian Philosophy<\/h4>\n
\u793e\u4f1a\u5b66 Sociology<\/h4>\n
\n\u2500\u2500\u300c\u793e\u4f1a\u554f\u984c\u306e\u69cb\u7bc9\u4e3b\u7fa9\u300d\u306e\u8996\u89d2\u304b\u3089\u2500\u2500<\/a><\/p>\n
\nat University During the Coronavirus Crisis in the 2020 Japanese School Year:
\nA Constructionist Social Problems Approach<\/p>\n<\/h4>\n
\u6559\u80b2\u5b66 Education<\/h4>\n
\n\u2500\u2500 PQA\uff08Post-Qualification Admission\uff09\u5c0e\u5165\u3092\u3081\u3050\u308b\u8b70\u8ad6\u2500\u2500<\/a><\/p>\n
\nDiscussion on the Introduction of PQA (Post-Qualification Admissions)<\/p>\n<\/h4>\n
\u65e5\u672c\u8a9e\u65e5\u672c\u6587\u5b66 Japanese Studies<\/h4>\n
\n\u2500\u2500\u5fd8\u308c\u3089\u308c\u305f\u65e5\u672c\u8fd1\u4ee3\u6587\u5b66\u2500\u2500<\/a><\/p>\n
\n\u2014 Some forgotten Japanese literatures of verse \u2014<\/p>\n
\n\u2500\u2500\u300e\u4e16\u754c\u5546\u58f2\u5f80\u6765\u300f \u3092\u4e2d\u5fc3\u306b\u2500\u2500<\/a><\/p>\n
\n\u2014 Mainly on Sekai Shobai Orai \u2014<\/p>\n
\nReconsideration of His Early 1960s<\/p>\n
\nand Waka with place names<\/p>\n
\nFocusing on Danjonomiya and Gonomiya<\/p>\n
\nFocusing on morality books (shan-shu)<\/p>\n
\nHow One Can Reach to Faith and Gospel<\/p>\n
\n\u2500\u2500\u6587\u672b\u97f3\u8abf\u306b\u7740\u76ee\u3057\u3066\u2500\u2500<\/a><\/p>\n
\nFocusing on Sentence-final Tones<\/p>\n<\/h4>\n
\u82f1\u6587\u5b66 English Studies<\/h4>\n
\u30d5\u30e9\u30f3\u30b9\u8a9e\u30d5\u30e9\u30f3\u30b9\u6587\u5b66 French Studies<\/h4>\n
\n\u300e\u30a4\u30b9\u30d5\u30a1\u30cf\u30f3\u306e\u30d0\u30e9 \u300f \u3092\u3081\u3050\u3063\u3066<\/a><\/p>\n
\nles miens \u00bb \u2500\u2500 place de F\u00e9nelon dans L\u2019Esprit des Cours de l\u2019Europe
\nde Nicolas Gueudeville \u2500\u2500<\/em><\/a><\/p>\n
\nle \u00ab jourd\u2019hui manchot \u00bb<\/a><\/p>\n
\n\u2500\u2500\u9ce5\u3001 \u9b5a\u3001 \u5b9d\u77f3\u306e\u30a4\u30e1\u30fc\u30b8\u2500\u2500<\/a><\/p>\n
\n\u2500\u2500\u30a8\u30e9\u30b9\u30e0\u30b9 vs. \u30e1\u30e9\u30f3\u30d2\u30c8\u30f3\u2500\u2500<\/a><\/p>\n
\nLe Plat de souliers (anecdote gastronomique) \u306b\u304a\u3051\u308b\u98df
\n\u2500\u2500\u300e\u5473\u899a\u306e\u751f\u7406\u5b66\u300f\uff081825\uff09 \u306e\u30d1\u30ed\u30c7\u30a3\u3068\u3057\u3066\u2500\u2500<\/a><\/p>\n
\nune parodie de la Physiologie du go\u00fbt de Brillat-Savarin<\/p>\n\u30c9\u30a4\u30c4\u8a9e\u30c9\u30a4\u30c4\u6587\u5b66 German Studies<\/h4>\n
\n\u300e\u6027\u3068\u6027\u683c\u300f \u306e\u6bd4\u8f03\u5206\u6790\u2500\u2500<\/a><\/p>\n
\nund Weiningers Werk Geschlecht und Charakter<\/p>\n
\n\u300c\u89e3\u91c8\u306e\u305f\u3081\u3089\u3044\u300d \u2500\u2500<\/a><\/p>\n
\nin Hofmannsthals Andreas \u2014<\/p>\n<\/h4>\n
\u30ed\u30b7\u30a2\u8a9e\u30ed\u30b7\u30a2\u6587\u5316 Russian Studies<\/h4>\n
\n\u2500\u2500\u300c\u7d76\u671b\u304b\u3089\u6b53\u559c\u306e V \u5b57\u578b\u306e\u79fb\u884c\u300d \u3068 \u300c\u6709\u9802\u5929\u306e\u6291\u5236\u300d \u2500\u2500<\/a><\/p>\n
\nfrom despair to delight\u201d and \u201cSuppression of exaltation\u201d<\/p>\n
\n\u300c\u30ca\u30b7\u30e7\u30ca\u30eb\u306a\u97f3\u697d\u300d \u306e\u601d\u60f3\u3092\u3081\u3050\u3063\u3066\u2500\u2500<\/a><\/p>\n
\nAround the Thought of \u201cUniversal\u201d and \u201cNational\u201d<\/p>\n\u4e2d\u56fd\u8a9e\u4e2d\u56fd\u6587\u5b66 Chinese Studies<\/h4>\n
\nIn a View of CULTIVATION<\/p>\n
\n\u2014 from the Perspective of Role Language Application<\/p>\n
\n\u2500\u2500\u90ed\u5c0f\u6ad3\u306e I Am China \u306b\u304a\u3051\u308b\u8d8a\u5883\u306e\u8af8\u76f8\u2500\u2500<\/a><\/p>\n
\nin Xiaolu Guo\u2019s I Am China<\/p>\n
\n\u2500\u2500\u622f\u66f2\u53f2\u7684\u4f4d\u7f6e\u3065\u3051\u304b\u3089\u306e\u518d\u691c\u8a0e\u2500\u2500<\/a><\/p>\n
\n\u2014 Discuss again from its position of drama history<\/p>\n\u6f14\u5287\u6620\u50cf\u5b66 Theatre and Film Arts<\/h4>\n
\u7f8e\u8853\u53f2\u5b66 Art History<\/h4>\n
\nof Studenica Monastery<\/a><\/p>\n
\n\u53cc\u6a39\u306b\u3064\u3044\u3066<\/a><\/p>\n
\nin Pensive Pose of Eastern Wei and Northern Qi Dynasty<\/p>\n
\nin Lingquan Temple, Anyang<\/p>\n
\nand Qing Paintings, Illustrations, and Prints
\n<\/a><\/p>\n
\n\u4e3b\u984c\u4f5c\u54c1\u3092\u3081\u3050\u308b\u8003\u5bdf<\/a><\/p>\n\u65e5\u672c\u53f2\u5b66 Japanese History<\/h4>\n
\nAn Examination of Factions within the Organization<\/p>\n\u6771\u6d0b\u53f2\u5b66 Asian History<\/h4>\n
\n\u2500\u2500\u5b97\u6fa4\u3001 \u675c\u5145\u3068\u6771\u4eac\u7559\u5b88\u53f8\u2500\u2500<\/a><\/p>\n\u897f\u6d0b\u53f2\u5b66 Western History<\/h4>\n
\nin Tosan Region<\/p>\n\u8003\u53e4\u5b66 Archaeology<\/h4>\n
\n\u4f0a\u85e4\u7d50\u83ef\u30fb \u95a2\u6839\u6709\u4e00\u6717\u30fb \u7530\u908a\u51cc\u57fa\u30fb \u5bae\u5d0e\u6faa\u83dc\u30fb \u5c71\u5185\u5c06\u8f1d\u30fb \u674e\u3000\u627f\u53e1<\/p>\n
\nSeria YAMAZAKI, Itsuki OKAMOTO, Michiatsu KUMAMOTO,
\nMasato Iizuka, Yuka ITO, Yuichiro SEKINE, Ryoki TANABE,
\nMiona MIYAZAKI, Masateru YAMAUCHI, Seuingyae LEE<\/p>\n
\nReport of the Fifth Research<\/p>\n\u8868\u8c61\u30fb\u30e1\u30c7\u30a3\u30a2\u8ad6 Studies of Media, Body and Image<\/h4>\n
\n\u300c\u4e8c\u91cd\u306e\u5b9b\u5148\u300d<\/a><\/p>\n
\n\u2500\u2500\u8e0f\u5207\u306e\u7d4c\u9a13\u3068\u8e0f\u5207\u306e\u6620\u50cf\u7684\u53ef\u80fd\u6027\u3078\u306e\u8003\u5bdf\u2500\u2500<\/a><\/p>\n
\n\u2014 Consideration of the Experience of the Railway Crossing and Its Visual Potential<\/p>\n
\nLa lecture par Derrida de Ecce Homo de Nietzsche<\/p>\n\u73fe\u4ee3\u30fb\u6587\u82b8 Creative Writing and Criticism<\/h4>\n
\u4e2d\u6771\u30fb\u30a4\u30b9\u30e9\u30fc\u30e0\u7814\u7a76 Middle Eastern and Islamic Studies<\/h4>\n
\n