The Bulletin is published only in online version<\/p>\n
[Philosophy<\/a>] [Asian Philosophy<\/a>] [Psychology<\/a>] [Sociology<\/a>] [Education<\/a>] [Japanese Studies<\/a>] [English Studies<\/a>] [French Studies<\/a>][German Studies<\/a>] [Russian Studies<\/a>] [Chinese Studies<\/a>] [Theatre and Film Arts<\/a>] [Art History<\/a>] [Japanese History<\/a>][Asian History<\/a>] [Western History<\/a>] [Archaeology<\/a>] [Cultural Anthropology<\/a>] [Sutudies of Media, Body and Image<\/a>] [Creative Writing and Criticism]<\/a> [Middle Eastern and Islamic Studies]<\/a> [Global Japanese Literary and Cultural Studies]<\/a><\/p>\n \u25a0 Nobuyuki KOBAYASHI<\/p>\n Zur Zweckm\u00e4\u00dfigkeit ohne Zweck bei Kant<\/a><\/p>\n \u25a0 Tatsuya NISHIYAMA<\/p>\n Erz\u00e4hl mir keine Geschichten ! : Derrida lectueur de Sein und Zeit<\/em><\/a><\/p>\n \u25a0 Ayumu SHIGETA<\/p>\n New Method for the Analytic Interpretation of Kant: Comparing Three Forms of Neo-Meinongian Readings<\/a><\/p>\n \u25a0 Takuya MICHISHITA<\/p>\n Kant\u2019s Practical Philosophy and the Problem of \u201cReflection\u201d<\/a><\/p>\n \u25a1 Summary of Excellent Master\u2019s Theses<\/a><\/p>\n \u25a0 Yoshihiro WATANABE<\/p>\n Viewing the Great Unification from Li Yanshou \u674e\u5ef6\u5bff\u2019s \u201cNan Bei Shi \u5357\u5317\u53f2\u201d<\/a><\/p>\n \u25a0 Kaori SAKURAMOTO<\/p>\n Buddhist Theory of the Beginning Part of \u201cOboegaki\u201d Nanp\u014droku<\/em>: Mainly on the Practice of Being Hewers of Wood and Drawers of Water<\/a><\/p>\n \u25a0 Ami TANAKA<\/p>\n Fox and Pr. thiv\u012b: The Acceptance of \u201ca fox borrows the power of a tiger\u201d in Japan and Shojuky\u014d<\/em><\/a><\/p>\n \u25a0 Soichiro TAKEMOTO<\/p>\n Saich\u014d\u2019s Theory of Turning from H\u012bnay\u0101na to Mah\u0101y\u0101na<\/a><\/p>\n \u25a1 Summary of Excellent Master\u2019s Theses<\/a><\/p>\n \u25a0 Ifu MIGIWA<\/p>\n Effect of Epistemic Curiosity on Plausibility of Text Information<\/a><\/p>\n \u25a0 Shinya YOSHINO<\/p>\n Relationships between hope to move and the Big Five personality traits in Japan<\/a><\/p>\n \u25a0 Mitsunori ISHIDA<\/p>\n The Role of Non-profit Organizations for Child-rearing Mothers<\/a><\/p>\n \u25a0 Yoshifusa IKEDA<\/p>\n Richard critique de Durkheim (1894-1905) \u2014 \u00e0 propos de la \u00ab socialit\u00e9 automatique \u00bb \u2014<\/a><\/p>\n \u25a1 Summary of Excellent Master\u2019s Theses<\/a><\/p>\n \u25a0 Kiyotake OKI<\/p>\n The \u201cWaver\u201d in Discussions on Reform of the Enrollment System at the Special Subcommittee on the Articulation between Secondary and Higher Education in the Central Council for Education: Based on Debate over the Equity of University Entrance Examination and the Introduction of New Entrance Tests<\/a><\/p>\n \u25a0 Jiazhi TIAN<\/p>\n Hierarchical Educational Opportunities\u2019 Selection of Chinese Regional Priority University\u2019s Three Institutions from the Viewpoint of Students\u2019 Admission Motivation<\/a><\/p>\n \u25a1 Summary of Excellent Master\u2019s Theses<\/a><\/p>\n \u25a0 Ichiro IKEZAWA<\/p>\n Some real feelings of warriors in Aizu-Han between at the end of the Edo period and at the time of Meiji Restoration \u2014 Some Chinese Poems in chorus written by Akizuki Kazuhisa, Nanma Tunanori and Okudaira Kensuke \u2014<\/a><\/p>\n \u25a0 Hidenori JINNO<\/p>\n Taking a Closer Look at \u201cThe Lieutenants Who Lodged in Unexpected Quarters\u201d from Tsutsumi Ch\u016bnagon monogatari<\/em>: On the Various Ladies-in-Waiting as (Anti-)Role Models<\/a><\/p>\n \u25a0 Juinichi ISHIMARU<\/p>\n Pine tree in spring scenery: Poetic expression of pine in ancient Japanese literature<\/a><\/p>\n \u25a0 Yu LIN<\/p>\n Transition of \u201cTsuyu\u201d in J\u014ddai literature \u2014\u2014 Mainly on Manyoushu \u2014\u2014<\/a><\/p>\n \u25a0 Jun ANAI<\/p>\n Another manuscript Tadamori shu<\/em> (Taira Tadamori\u2019s poetry book) and Taira Tunemori: The epochal consequence of form of poetry book and The consciousness that respect to Tadamori<\/a><\/p>\n \u25a0 Atsuko KAI<\/p>\n Nakamikado nobutane\u2019s Study of Manyoshu<\/em>: Focusing on the Way of Reading \u2018Waka\u2019 Poetry in Manyo-ruiyousyou<\/em><\/a><\/p>\n \u25a0 Gyeongmin LEE<\/p>\n On the Aspect Forms of the Literature in Meiji Period: Focusing on the Meaning of State<\/a><\/p>\n \u25a0 Takao MORI<\/p>\n Historical poems of Hirose Kyokuso and Rai Sanyou<\/a><\/p>\n \u25a0 Yuka YAMAMOTO<\/p>\n Uchida Hyakken in Nippon Yusen Kaisha (NYK Line): Focusing on His Travel to Taiwan Under The Rule of Japanese Empire<\/a><\/p>\n \u25a0 Yao YAO<\/p>\n On Word Recognition of the \u201ca\u201d Type Interjections in Japanese<\/a><\/p>\n \u25a0 Shogo ENOKIDO<\/p>\n A study of \u201cA verse composed Kakinomoto no Hitomaro as he arrived Uji Riverfront\u201d in The Man\u2019y\u014dsh\u016b<\/em><\/a><\/p>\n \u25a0 Erika OHKI<\/p>\n The Image of Magic Lantern in Tanizaki Jun\u2019ichir\u014d\u2019s Ashikari<\/em><\/a><\/p>\n \u25a1 Summary of Excellent Master\u2019s Theses<\/a><\/p>\n \u25a0 Shunnosuke OKADA<\/p>\n Thomas Carlyle on Mahomet, Read by Edward Said: Annotating Relevant Paragraphs of Orientalism<\/em>, Ch. 2, \u00a7III<\/a><\/p>\n \u25a0 Tomomi MINAMOTO<\/p>\n The \u2018Spiritual Eye\u2019 and Emotion in Charlotte Bront\u00eb\u2019s Jane Eyre<\/em><\/a><\/p>\n \u25a0 Kenkichi SHINOHARA<\/p>\n Caliban\u2019s Dream<\/a><\/p>\n \u25a0 Nanako INOUE<\/p>\n Kurt Vonnegut\u2019s Criticism against the Discourse of Hegemonic Masculinity in Slaughterhouse-Five<\/em><\/a><\/p>\n \u25a1 Summary of Excellent Master\u2019s Theses<\/a><\/p>\n \u25a0 Naohiko SETO<\/p>\n Dompna, piucella et soudadieira<\/em> \u2014 sur une pi\u00e8ce didactique de Daude de Pradas (PC 124, 2)<\/a><\/p>\n \u25a0 Odile DUSSUD<\/p>\n \u00ab Non sapio mendacia \u00bb<\/em> \u2500\u2500 aspects litt\u00e9raires de la critique de Nicolas Gueudeville contre \u3000\u3000 le T\u00e9l\u00e9maque<\/em> de F\u00e9nelon \u2500\u2500<\/a><\/p>\n \u25a0 Takumi SASAKI<\/p>\n Sur le regard dans l\u2019oeuvre d\u2019Albert Camus<\/a><\/p>\n \u25a0 Takua HAYAKAWA<\/p>\n Une \u00e9tude sur l\u2019\u00e9volution de la po\u00e9sie d\u2019\u00c9douard Glissant : autour de ses premiers po\u00e8mes de 1946 \u00e0 1955<\/a><\/p>\n \u25a0 Yohei UMAKOSHI<\/p>\n Les Noces d\u2019H\u00e9rodiade<\/em>, en tant que banquet de la po\u00e9sie \u2014 le changement du cannibalisme<\/a><\/p>\n \u25a0 Noriyuki NAGASAWA<\/p>\n Tryptique lesbien: Essai sur les repr\u00e9sentations de l\u2019\u00eele de Lesbos chez Baudelaire, Swinburne et Ren\u00e9e Vivien<\/a><\/p>\n \u25a0 Yoshio YAMAMOTO<\/p>\n Les images de la \u201ccopia\u201d dans les Essais de Montaigne<\/a><\/p>\n \u25a1 Summary of Excellent Master\u2019s Theses<\/a><\/p>\n \u25a0 Takumi TOSHIMA<\/p>\n Literatur in der Zwischenkriegszeit und optische Medien \u2014 Thomas Mann, Hofmannsthal und Hermann Broch \u2014<\/a><\/p>\n \u25a1 Summary of Excellent Master\u2019s Theses<\/a><\/p>\n \u25a0 Kiyoharu MIURA<\/p>\n The Life of Metropolitan Philip (II) \u2014 Translation and Commentary. Liturgy Songs dedicated to Metropolitan Philip<\/a><\/p>\n \u25a0 Natasha TAKEUCHI<\/p>\n \u00ab\u0426\u0430\u0440\u0441\u0442\u0432\u043e\u00bb \u0432 \u043f\u044c\u0435\u0441\u0430\u0445 \u0424. \u0421\u043e\u043b\u043e\u0433\u0443\u0431\u0430: \u043a\u0430\u043a \u00ab\u043f\u043e\u044d\u0442\u00bb \u043e\u0442\u043d\u043e\u0441\u0438\u0442\u0441\u044f \u043a \u043c\u0438\u0440\u0443<\/a><\/p>\n \u00ab\u0426\u0430\u0440\u0441\u0442\u0432\u043e\u00bb \u0432 \u043f\u044c\u0435\u0441\u0430\u0445 \u0424. \u0421\u043e\u043b\u043e\u0433\u0443\u0431\u0430: \u043a\u0430\u043a \u00ab\u043f\u043e\u044d\u0442\u00bb \u043e\u0442\u043d\u043e\u0441\u0438\u0442\u0441\u044f \u043a \u043c\u0438\u0440\u0443<\/p>\n \u25a0 Aya SUGAHARA<\/p>\n \u0412\u043e\u0441\u043f\u0440\u0438\u044f\u0442\u0438\u0435 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u044b \u0432 \u0441\u0430\u043b\u043e\u043d\u043d\u043e\u0439 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u0435: \u043e \u043f\u043e\u044d\u043c\u0435 \u0418. \u0418. \u041a\u043e\u0437\u043b\u043e\u0432\u0430 \u00ab\u0427\u0435\u0440\u043d\u0435\u0446\u00bb (1825)<\/a><\/p>\n \u25a0 Sunao YASUNO<\/p>\n Emancipation of Women in the Popular Novels for Women in Russia: On Keys to Happiness Written by Anastasya Verbitskaya<\/a><\/p>\n \u25a0 Ming KE<\/p>\n The \u201cBoat\u201d in Hara Saihin\u2019s Kanshi<\/a><\/p>\n \u25a0 Yubo ZHANG<\/p>\n The Metaphor of \u201cIllness\u201d in Recent Hong Kong Cinema: with reference to \u201cMad World\u201d and \u201cHappiness\u201d<\/a><\/p>\n \u25a0 Jiaqiao LI<\/p>\n The re-examination of Yuan-Drama\u2019s \u201cHangzhou center theory\u201d by WangGuowei<\/a><\/p>\n \u25a1 Summary of Excellent Master\u2019s Theses<\/a><\/p>\n \u25a0 Mariko KITAHARA<\/p>\n Mikhail Fokine\u2019s Chopiniana\/Les Sylphides<\/em> (1907, 1909): Transformations of a classical work through 20th-century ballet\u2019s aesthetic changes<\/a><\/p>\n \u25a0 Masaki KOMAI<\/p>\n La masculinit\u00e9 dans des films de Louis DELLUC \u2014\u2014 Un autoportrait de \u201cl\u2019homme civilis\u00e9<\/a><\/p>\n \u25a0 Yoshie KOJIMA<\/p>\n Jesuit \u201csemin\u00e1rio dos pintores\u201d in Japan and East Asia: St. Michael the Archangel Holding a Monstrance<\/em> in Macau and the Madonna of the Rosary<\/em> in Manila<\/a><\/p>\n \u25a0 Tomoyuki MASUDA<\/p>\n The Lectionary Cod. 1 in the Iviron Monastery on Mount Athos and its Encaenia<\/em><\/a><\/p>\n \u25a0 Satomi YAMAMOTO<\/p>\n Epidemics in Art: The Representation of Disease in Medieval Japan<\/a><\/p>\n \u25a0 Miki HOMMA<\/p>\n The Sources for \u201cTwo Lohans\u201d (The Metropolitan Museum of Art 68. 48) Copied by Persian Painters<\/a><\/p>\n \u25a0 Hideaki INABA<\/p>\n The Significance of \u201cBuddhist Monk Statues with an Armrest\u201d of Tomb Towers in Lingquan Temple, Anyang<\/a><\/p>\n \u25a1\u00a0Summary of Excellent Master\u2019s Theses<\/a><\/p>\n \u25a0 Shinko TANIGUCHI<\/p>\n Nishi Amane\u2019s recognition of international situation in 1880: An Analysis of \u201cJo-rimpoheibiryakuhyo<\/em>\u201d<\/a><\/p>\n \u25a0 Shozo MATSUTANI<\/p>\n Bureaucrats of the Ministry of Education before and after Introduction of the Cabinet System: Reality of \u201ceducational\u201d career<\/a><\/p>\n \u25a0 Jiaxing YUAN<\/p>\n The Stabilization of Prefecture: the Role of the Kokugun<\/em> System<\/a><\/p>\n \u25a1 Summary of Excellent Master\u2019s Theses<\/a><\/p>\n \u25a1 Summary of Excellent Master\u2019s Theses<\/a><\/p>\n \u25a0 Jun OBARA<\/p>\n Comprehensive Research about German-related Historical Sites in Tohoku Region<\/a><\/p>\n \u25a0 Takashi JINNO, Hideyuki FUJIWARA<\/p>\n The Contents Description of \u201cKan\u2019ichi Asakawa Exhibition\u201d (Waseda University History for Tomorrow Museum, 2020)<\/a><\/p>\n \u25a0 Shin MATSUZONO<\/p>\n Change of Narrative Style of \u201cBritish Parliamentary History\u201d (1)<\/a><\/p>\n \u25a1 Summary of Excellent Master\u2019s Theses<\/a><\/p>\n \u25a0 Ryuzaburo TAKAHASHI,Seria YAMAZAKI, Michiatsu KUMAMOTO, Ayaka HIRUMA,Itsuki OKAMOTO, Hirokazu SUZUKI, Shiori KAWABE<\/p>\n Digital 3D Measurement Survey and GPR Reserch at Kasori Shell Midden: Report of 3rd and 4th Reserch<\/a><\/p>\n \u25a0 Xinyi WU<\/p>\n A study of spatial structure of brick-chambered tombs in Liao<\/a><\/p>\n \u25a0 Dekai LIU<\/p>\n Study on Horseshoe-shaped Belt Plaque During the Han and Jin Dynasties<\/a><\/p>\n \u25a0 Itsuki OKAMOTO<\/p>\n The shape of the salt making potteries in 3 sites of the Tohoku Region<\/a><\/p>\n \u25a1 Summary of Excellent Master\u2019s Theses<\/a><\/p>\n \u25a0 Akiko KUNIHIRO<\/p>\n Queerly Anthropologizing the third gender, Hijras of India<\/a><\/p>\n \u25a1 Summary of Excellent Master\u2019s Theses<\/a><\/p>\n \u25a0 Futoshi SAKAUCHI<\/p>\n Trans-\/Trance-forming Everyday Living: A Study of Conor McPherson\u2019s The Weir<\/em><\/a><\/p>\n \u25a0 Yuchen QIAN<\/p>\n On Authenticity in Photography<\/a><\/p>\n \u25a1 Summary of Excellent Master\u2019s Theses<\/a><\/p>\n \u25a1 Summary of Excellent Master\u2019s Theses<\/a><\/p>\n \u25a1 Summary of Excellent Master\u2019s Theses<\/a><\/p>\n \u25a0 Rihito MITSUI<\/p>\n Narrative Structure in Two English Translations of Tanizaki Jun\u2019ichir\u014d\u2019s Shunkinsh\u014d<\/em><\/a><\/p>\n <\/p>\n Bulletin of the Graduate Division of letters, Arts and Sciences of Waseda University, Vol. 66 Published: March […]<\/p>\n","protected":false},"author":4,"featured_media":11760,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[95],"tags":[119,75],"class_list":["post-10760","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-en","tag-bulletin-en","tag-publications-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/posts\/10760","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/comments?post=10760"}],"version-history":[{"count":7,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/posts\/10760\/revisions"}],"predecessor-version":[{"id":14023,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/posts\/10760\/revisions\/14023"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/media\/11760"}],"wp:attachment":[{"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/media?parent=10760"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/categories?post=10760"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/glas\/wp-json\/wp\/v2\/tags?post=10760"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}\n
Philosophy<\/h4>\n
Asian Philosophy<\/h4>\n
Psychology<\/h4>\n
Sociology<\/h4>\n
Education<\/h4>\n
\u00a0Japanese Studies<\/h4>\n
English Studies<\/h4>\n
French Studies<\/h4>\n
German Studies<\/h4>\n
\u00a0Russian Studies<\/h4>\n
Chinese Studies<\/h4>\n
Theatre and Film Arts<\/h4>\n
Art History<\/h4>\n
Japanese History<\/h4>\n
Asian History<\/h4>\n
Western History<\/h4>\n
Archaeology<\/h4>\n
Cultural Anthropology<\/h4>\n
Studies of Media, Body and Image<\/h4>\n
Creative Writing and Criticism<\/h4>\n
Middle Eastern and Islamic Studies<\/h4>\n
Global Japanese Literary and Cultural Studies<\/h4>\n
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