{"id":1136,"date":"2019-06-25T18:37:08","date_gmt":"2019-06-25T09:37:08","guid":{"rendered":"https:\/\/www.waseda.jp\/flas\/gjs\/?p=1136"},"modified":"2021-03-19T18:38:39","modified_gmt":"2021-03-19T09:38:39","slug":"postwar-japan-and-film-theory-haniya-yutakas-ontological-writings-on-cinema-lecture-by-assistant-professor-naoki-yamamoto-ucsb","status":"publish","type":"post","link":"https:\/\/www.waseda.jp\/flas\/gjs\/news-en\/1136","title":{"rendered":"Postwar Japan and Film Theory: Haniya Yutaka\u2019s Ontological Writings on Cinema \u2013 Lecture by Assistant Professor Naoki Yamamoto (UCSB)"},"content":{"rendered":"<h3 style=\"text-align: center;\">Postwar Japan and Film Theory: Haniya Yutaka&#8217;s Ontological Writings on Cinema<\/h3>\n<p>The Global Japanese Studies Model Unit will organize a lecture titled &#8220;Postwar Japan and Film Theory: Haniya Yutaka&#8217;s Ontological Writings on Cinema&#8221; by Naoki Yamamoto (Assistant Professor, UC Santa Barbara), who\u00a0specializes in film theory, Asian cinema, Marxist criticism, documentary films, avant-garde art, post-colonial studies, and Japanese cultural history.<\/p>\n<h4>Event Overview<\/h4>\n<ul>\n<li>Title: Postwar Japan and Film Theory: Haniya Yutaka&#8217;s Ontological Writings on Cinema<\/li>\n<li>Date &amp; Time: July 06 (Sat) 2019, 2:00pm-4:00pm<\/li>\n<li>Venue: Conference Room #11, Bldg.33-6F, Toyama Campus, Waseda University<\/li>\n<li>Speaker: Naoki Yamamoto (Assistant Professor, University of California Santa Barbara)<\/li>\n<li>Language: Japanese<\/li>\n<li>Q&amp;A: Available in English<\/li>\n<li>Open to students, faculty, staff and general public<\/li>\n<li>No reservation required\/Free of Charge<\/li>\n<li>Contact: Faculty of Letters, Arts and Sciences 03-3203-4381<\/li>\n<\/ul>\n<p>For more details, please refer to the flyer below.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-5501 aligncenter\" src=\"https:\/\/www.waseda.jp\/inst\/sgu\/assets\/uploads\/2019\/06\/Poster-1.png\" alt=\"\" width=\"742\" height=\"986\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Postwar Japan and Film Theory: Haniya Yutaka&#8217;s Ontological Writings on Cinema The Global Japanese Studie [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":1137,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[95],"tags":[82,81],"class_list":["post-1136","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-en","tag-events-en","tag-global-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.waseda.jp\/flas\/gjs\/wp-json\/wp\/v2\/posts\/1136","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.waseda.jp\/flas\/gjs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.waseda.jp\/flas\/gjs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/gjs\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/gjs\/wp-json\/wp\/v2\/comments?post=1136"}],"version-history":[{"count":1,"href":"https:\/\/www.waseda.jp\/flas\/gjs\/wp-json\/wp\/v2\/posts\/1136\/revisions"}],"predecessor-version":[{"id":1138,"href":"https:\/\/www.waseda.jp\/flas\/gjs\/wp-json\/wp\/v2\/posts\/1136\/revisions\/1138"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/gjs\/wp-json\/wp\/v2\/media\/1137"}],"wp:attachment":[{"href":"https:\/\/www.waseda.jp\/flas\/gjs\/wp-json\/wp\/v2\/media?parent=1136"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/gjs\/wp-json\/wp\/v2\/categories?post=1136"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/gjs\/wp-json\/wp\/v2\/tags?post=1136"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}