\nin Japanese Literary and Visual Studies<\/strong><\/p>\n
February 28 (Friday), 2020, 9:30 AM \u2013 5:00 PM
\nFebruary 29 (Saturday), 2020, 9:30 AM \u2013 5:10 PM
\n403 Kent Hall, Columbia University, New York City<\/p>\n
Symposium: Authorship, Collectivity, Community<\/strong> Workshop: New Currents in Japanese Literary and Visual Studies I<\/strong> Symposium: Mapping in Japanese Literary and Visual Culture<\/strong> Workshop: New Currents in Japanese Literary and Visual Studies II<\/strong> FRIDAY, FEBRUARY 28, 2020<\/strong><\/p>\n 9:30 AM – 9:45 AM Opening Remarks Symposium: Authorship, Collectivity, Community<\/em><\/strong> 11:00 AM – 12:00 PM Session 2 New Currents in Japanese Literary and Visual Studies\u2160<\/em><\/strong> Discussants: Haruo Shirane, David Lurie (Columbia U.)<\/p>\n 3:00 PM – 5:00 PM Session 2 Discussants: Hirokazu Toeda, Tomi Suzuki<\/p>\n SATURDAY, FEBRUARY 29, 2020<\/strong><\/p>\n Symposium: Mapping in Japanese Literary and Visual Culture<\/strong><\/em> 11:30 AM – 1:00 PM Session 2 New Currents in Japanese Literary and Visual Studies II<\/strong><\/em> 3:45 PM – 4:30 PM Session 4 4:30 PM – 5:00 PM Discussion [in English and Japanese] 5:00 PM – 5:10 PM Closing Remarks<\/p>\n \u56fd\u969b\u65e5\u672c\u5b66\u62e0\u70b9\u3067\u306f\u3001\u30b3\u30ed\u30f3\u30d3\u30a2\u5927\u5b66\u3068\u5171\u50ac\u306b\u3066\u201cInternational Symposium & Workshop in Japanese Literary & Visual Studies\u201d\u3068\u984c\u3057\u305f\u56fd\u969b […]<\/p>\n","protected":false},"author":4,"featured_media":1072,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[24],"class_list":["post-1071","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-events"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.waseda.jp\/flas\/gjs\/wp-json\/wp\/v2\/posts\/1071","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.waseda.jp\/flas\/gjs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.waseda.jp\/flas\/gjs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/gjs\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/gjs\/wp-json\/wp\/v2\/comments?post=1071"}],"version-history":[{"count":1,"href":"https:\/\/www.waseda.jp\/flas\/gjs\/wp-json\/wp\/v2\/posts\/1071\/revisions"}],"predecessor-version":[{"id":1073,"href":"https:\/\/www.waseda.jp\/flas\/gjs\/wp-json\/wp\/v2\/posts\/1071\/revisions\/1073"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/gjs\/wp-json\/wp\/v2\/media\/1072"}],"wp:attachment":[{"href":"https:\/\/www.waseda.jp\/flas\/gjs\/wp-json\/wp\/v2\/media?parent=1071"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/gjs\/wp-json\/wp\/v2\/categories?post=1071"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.waseda.jp\/flas\/gjs\/wp-json\/wp\/v2\/tags?post=1071"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nFebruary 28, 9:30 AM \u2013 12:00 PM
\nThe age of new media (with its incessant borrowing, remixing, and trans-medial cross-overs) has led to a world in which cultural production often emerges out of groups and multiple meditators, raising the question of authorship and ownership. These issues are particularly relevant to East Asian culture, where copying, deliberate imitation, extensive borrowing, and collective creation have traditionally been central as pedagogical tools and as key modes of literary and cultural production. This is the fourth and final in a series of symposiums on the issues on authorship, following up on the earlier symposiums \u201cRethinking Authorship in Japan and the World\u201d (March 2017) and \u201cJapanese Theater, Publishing Culture, and Authorship\u201d (March 2018).<\/p>\n
\nFebruary 28, 1:30 PM \u2013 5:00 PM<\/p>\n
\nFebruary 29, 9:30 AM \u2013 1:00 PM
\nMaps represent geographical and three-dimensional space as flat surfaces. This transferal is deeply interrelated to the production and reception of literary and visual cultures. This session relates mapping to media, words, and representational figures with a view to exploring the relationship between this world and other worlds, city landscape, and the awareness of the broader spaces of regions and states.<\/p>\n
\nFebruary 29, 2:30 PM \u2013 5:00 PM<\/p>\n
\nHaruo Shirane (Columbia U.) and Tomi Suzuki (Columbia U.)<\/p>\n
\n9:45 AM – 10:45 AM Session 1
\nHaruo Shirane (Columbia U.), \u201cAuthorship, Authority, and Ownership in Premodern Japanese Literary Culture\u201d
\nAkira Takagishi (U. Tokyo), \u201cMedieval Art, Patronage, and Inter-Contextuality\u201d [in Japanese]<\/p>\n
\nTomi Suzuki (Columbia U.), \u201c\u2018Author-Function\u2019 in Modern Japan in Transnational Context: From a Continuum to a Differentiation in Translation, Adaptation, and Creation\u201d
\nHirokazu Toeda (Waseda U.), \u201cConstructing a Portrait of the Literary God: Media and Literary Authors in Japan, 1920s-1940s\u201d [in Japanese]<\/p>\n
\n1:30 PM – 2:45 PM Session 1
\nPhuong Ngo (Columbia U.), \u201cPoetry, Performance, and Self-Portrayal in Ise’s Exchange Poetry\u201d
\nEkaterina Komova (Columbia U.), \u201cWhen Affect Loses Its Effect: On the Emotional Communities in Genji Monogatari\u2019s Death Scenes\u201d
\nYe Yuan (Columbia U.), \u201cUnofficial History: Conceptualizing the Vernacular Sinitic Fiction in Tokugawa Japan.\u201d<\/p>\n
\nYuki Ishida (Columbia U.), \u201cExploring the Language of Translation: Futabatei Shimei\u2019s ‘Parent\u2019s Heart,\u2019 \u2018The Depression Bug,\u2019 and Literary Standards in the 1890s \u2013 1900s\u201d
\nJoshua Rogers (Columbia U.), \u201cOvercoming Science and Religion in the Early Works of Yanagi Muneyoshi and Hiratsuka Raich\u014d\u201d
\nKevin Niehaus (Stanford U.), \u201cLetters and Gender in Meiji\/Taisho Literature: Epistolary Narratives of Chikamatsu Sh\u016bk\u014d and Tamura Toshiko\u201d
\nRihito Mitsui (Waseda University), \u201cNarrative in the two English translations of Shunkinsh\u014d by Tanizaki Jun’ichir\u014d\u201d
\nTaiki Tomozoe (Waseda U.), \u201cThe Potential of Economic Novels: The Case of Yokomitsu Riichi\u201d<\/p>\n
\n9:30 AM – 11:15 AM Session 1
\nKazuaki Komine (Rikkyo U. Emeritus), \u201cThe Woman Who Became a Dragon, Zenmy\u014d in East Asia: From Biographies of High Priests to The Kegon Engi (On the Founders of the Huayan School) [in Japanese]
\nYukari Tanaka (Nihon U.), \u201cApp for Strolling around Edo\/Tokyo: Two Smartphone Apps \u2014 \u2018Edo\/Tokyo Monogatari’ and \u2018Chiyo-Dash\u2019 \u2014 Based on the Website \u2018WebGIS\u2019\u201d [in Japanese]
\nRy\u016bichi Kodama (Waseda U.), \u201cActors, Patrons, and Kabuki: Kawanabe Ky\u014dsai\u2019s Y\u014dkai Hikimaku Theatre Curtain\u201d [in Japanese]<\/p>\n
\nSatomi Yamamoto (Waseda U.), \u201cA Journey to Religious Awakening: Illnesses and Pilgrimages in Medieval Buddhist Paintings\u201d
\nHiroki Takezaki (MFA, Boston, Ishibashi Foundation Assistant Curator for Japanese Art; U. Tokyo), \u201cThe Remorse of Gyokuen Bonp\u014d \u2014 Reading the Inscription of Orchids, Bamboo, and Rock in the MFA Collection\u201d
\nMatthew McKelway (Columbia U.), \u201cAfter Rosetsu: Multiples, Fakes, and Questions of Authorship\u201d<\/p>\n
\n2:30 PM – 3:30 PM Session 3
\nYiwen Shen (Columbia U.), \u201cBarren Women and Snake Queens: A Woman’s Journey in Hell in the Late Medieval Otogiz\u014dshi Daibutsu no go-engi (The Origin of the Great Buddha)\u201d
\nSh\u014dhei Yamayoshi (Waseda U.), \u201cRemoving the Gateways: Shuten D\u014dji and Hoku riku in the Edo period”
\nEri Nonaka (U. Tokyo), \u201cForeshadowing in the K\u014dmy\u014dji Illustrated Handscroll of The Legends of the Taima Mandala: A Compositional Analysis of Text and Image\u201d
\nMaria Yamada (Waseda U.), \u201cThe Development of the Image of Living Skeletons: From Hitting Grass in a Dream (Genty\u016bs\u014dda-ga) to Kawanabe Ky\u014dsai\u201d<\/p>\n
\nSakuya Okazaki (U. Tokyo), \u201cThe Depiction of Famous Places in the Funaki Scenes in and Around the Capital and its Relationship to The Kiyomizu Temple Pilgrimage Mandala and Guidebooks\u201d
\nKaho Kakizawa (Waseda U.), \u201cA Study on Hamaguri Kannon by Hakuin Ekaku: The Virtues of Filial Piety as Interpreted in Hamaguri no S\u014dshi\u201d
\nYeongik Seo (Columbia U.), A Reconsideration on The Bodhisattva Fugen and Attehdants in the Freer Gallery of Art\u201d<\/p>\n
\nDiscussants: Satomi Yamamoto, Akira Takagishi, Kazuaki Komine, Matthew McKelway, Haruo Shirane<\/p>\n![\"\"](\"https:\/\/www.waseda.jp\/inst\/sgu\/assets\/uploads\/2020\/02\/2020-Columbia-Poster.png\")
<\/p>\n","protected":false},"excerpt":{"rendered":"