{"id":8572,"date":"2024-04-26T11:27:26","date_gmt":"2024-04-26T02:27:26","guid":{"rendered":"https:\/\/www.waseda.jp\/fire\/gsiccs\/?p=8572"},"modified":"2024-04-26T11:27:26","modified_gmt":"2024-04-26T02:27:26","slug":"professor-greg-dvoraks-work-published-in-sydney-biennale-book","status":"publish","type":"post","link":"https:\/\/www.waseda.jp\/fire\/gsiccs\/news\/2024\/04\/26\/8572\/","title":{"rendered":"Professor Greg Dvorak\u2019s work published in Sydney Biennale Book"},"content":{"rendered":"<p>Professor Dvorak published a long essay entitled &#8220;Sublimating the Sublime&#8221; in the book that accompanied the the 24th Biennale of Sydney&#8217;s &#8220;Ten Thousand Suns&#8221; international exhibition. His paper critically examines the artistic romantic embrace of the sublime amidst the Anthropocene&#8217;s dual crises of climate change and nuclear legacy, drawing on his 2023 Bikini and Rongelap Atolls research. This Biennale, running from March 9 to June 10, 2024, featured over 400 works by 96 artists, including Indigenous and queer voices, under a theme that highlighted the power of marginalized communities&#8217; resistance through celebratory and carnival practices. &#8220;Ten Thousand Suns&#8221; symbolizes the vibrant defiance against oppression, with Dvorak&#8217;s essay focusing on the importance of finding hope in histories of destruction.<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-8562\" src=\"https:\/\/www.waseda.jp\/fire\/gsiccs\/assets\/uploads\/2024\/04\/49e4af9f1daf425af8be77f424954647.jpg\" alt=\"\" width=\"376\" height=\"376\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Professor Dvorak published a long essay entitled &#8220;Sublimating the Sublime&#8221; in the book that accomp [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":6028,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[95,1],"tags":[94,26,28],"class_list":["post-8572","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-en","category-news","tag-general-en","tag-general","tag-research"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.waseda.jp\/fire\/gsiccs\/wp-json\/wp\/v2\/posts\/8572","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.waseda.jp\/fire\/gsiccs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.waseda.jp\/fire\/gsiccs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/fire\/gsiccs\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/fire\/gsiccs\/wp-json\/wp\/v2\/comments?post=8572"}],"version-history":[{"count":1,"href":"https:\/\/www.waseda.jp\/fire\/gsiccs\/wp-json\/wp\/v2\/posts\/8572\/revisions"}],"predecessor-version":[{"id":8575,"href":"https:\/\/www.waseda.jp\/fire\/gsiccs\/wp-json\/wp\/v2\/posts\/8572\/revisions\/8575"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/fire\/gsiccs\/wp-json\/wp\/v2\/media\/6028"}],"wp:attachment":[{"href":"https:\/\/www.waseda.jp\/fire\/gsiccs\/wp-json\/wp\/v2\/media?parent=8572"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.waseda.jp\/fire\/gsiccs\/wp-json\/wp\/v2\/categories?post=8572"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.waseda.jp\/fire\/gsiccs\/wp-json\/wp\/v2\/tags?post=8572"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}