{"id":3501,"date":"2024-08-08T15:43:54","date_gmt":"2024-08-08T06:43:54","guid":{"rendered":"https:\/\/www.waseda.jp\/fhum\/archs\/?p=3501"},"modified":"2024-08-08T15:43:54","modified_gmt":"2024-08-08T06:43:54","slug":"%e4%ba%ba%e9%96%93%e7%a7%91%e5%ad%a6%e9%83%a8%ef%bc%94%e5%b9%b4%e5%bd%93%e6%99%82-%e5%b0%8f%e6%96%b9%e9%9b%85%e5%ad%90%e3%81%95%e3%82%93%e3%81%8c%e6%83%85%e5%a0%b1%e5%87%a6%e7%90%86%e5%ad%a6-2-2-2-2","status":"publish","type":"post","link":"https:\/\/www.waseda.jp\/fhum\/archs\/news\/2024\/08\/08\/3501\/","title":{"rendered":"\u3010\u5831\u544a\u3011\u4eba\u9593\u79d1\u5b66\u7814\u7a76\u4ea4\u6d41\u4f1a 2024 \u5e747\u670810\u65e5(\u6c34)17:00\uff5e17:45 \u7b2c 79 \u56de \u4eba\u9593\u79d1\u5b66\u5b66\u8853\u9662 \u52a9\u6559 \u677e\u5c3e\u7dbe\u5b50\u3010 \u6f14\u594f\u8005\u306e\u7df4\u7fd2\u904e\u7a0b\u306b\u304a\u3051\u308b\u5ba4\u5185\u97f3\u97ff\u52b9\u679c\u306e\u6d3b\u7528\u306b\u5411\u3051\u305f\u7814\u7a76\u3000A study on the utilization of room acoustics in the practice process of performers\u3011"},"content":{"rendered":"

\u6f14\u984c\uff1a\u6f14\u594f\u8005\u306e\u7df4\u7fd2\u904e\u7a0b\u306b\u304a\u3051\u308b\u5ba4\u5185\u97f3\u97ff\u52b9\u679c\u306e\u6d3b\u7528\u306b\u5411\u3051\u305f\u7814\u7a76<\/p>\n

Subject\uff1aA study on the utilization of room acoustics in the practice process of performers<\/p>\n

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\u6982\u8981\uff1a<\/p>\n

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\"\"<\/p>\n

\u5f15\u7528\u6587\u732e\uff1a<\/p>\n

(1)Sebasti\u00e0 V., et al. (2019). \u201cAnalysis of trumpet performance adjustments due to room acoustics\u201d, Proceedings of the ISRA2019.<\/p>\n

(2)Ueno K., Kato K., and Kawai K. (2010). \u201cEffect of Room Acoustics on Musicians Performance. Part I: Experimental Investigation with a Conceptual Model\u201d, Acta Acustica united with Acustica, Vol.96, pp.505-515.<\/p>\n

(3)\u4e0a\u91ce, \u5ee3\u4e95, \u6a2a\u5c71\u4ed6 (2008). \u300c\u6f14\u594f\u8005\u306e\u305f\u3081\u306e\u30db\u30fc\u30eb\u97f3\u5834\u30b7\u30df\u30e5\u30ec\u30fc\u30b7\u30e7\u30f3\u30b7\u30b9\u30c6\u30e0\uff0d\u97f3\u697d\u5927\u5b66\u751f\u306b\u3088\u308b\u8a55\u4fa1\u5b9f\u9a13\uff0d\u300d,\u65e5\u672c\u97f3\u97ff\u5b66\u4f1a\u97f3\u697d\u97f3\u97ff\u7814\u7a76\u4f1a, \u97f3\u97ff\u6559\u80b2\u8abf\u67fb\u7814\u7a76\u4f1a2008-10.<\/p>\n

(4)\u677e\u5c3e, \u79cb\u7530, \u5c0f\u5cf6\u4ed6 (2020).\u300c\u66f2\u4ed5\u4e0a\u3052\u904e\u7a0b\u306b\u7740\u76ee\u3057\u305f\u30d4\u30a2\u30ce\u594f\u8005\u306e\u8074\u899a\u8a8d\u77e5\u3068\u6f14\u594f\u884c\u52d5\u306b\u95a2\u3059\u308b\u7814\u7a76\uff08\u305d\u306e\uff11\uff09\uff1a\u66f2\u4ed5\u4e0a\u3052\u904e\u7a0b\u6bb5\u968e\u306e\u5206\u985e\u3068\u7df4\u7fd2\u30fb\u6f14\u594f\u884c\u52d5\u30fb\u97f3\u5834\u3078\u306e\u610f\u8b58\u306b\u95a2\u3059\u308b\u7d71\u8a08\u7684\u56e0\u679c\u5206\u6790\u300d,\u65e5\u672c\u5efa\u7bc9\u5b66\u4f1a\u74b0\u5883\u7cfb\u8ad6\u6587\u96c6, 85\u5dfb, 774\u53f7, pp.557-567.<\/p>\n

(5)\u5bae\u5d0e, \u677e\u5c3e, \u79cb\u7530\u4ed6 (2020) .\u300c\u30d4\u30a2\u30ce\u594f\u8005\u306e\u66f2\u4ed5\u4e0a\u3052\u904e\u7a0b\u306b\u304a\u3051\u308b\u6f14\u594f\u3068\u97f3\u5834\u306e\u95a2\u4fc2\u306b\u3064\u3044\u3066\uff08\u305d\u306e 2\uff09\u2500\u5ba4\u306e\u5e73\u5747\u5438\u97f3\u7387\u306e\u9055\u3044\u304c\u30d4\u30a2\u30ce\u594f\u8005\u306e\u97ff\u304d\u306e\u5370\u8c61\u3068\u6e80\u8db3\u5ea6\u306b\u4e0e\u3048\u308b\u5f71\u97ff\u306b\u3064\u3044\u3066\u2500\u300d,\u65e5\u672c\u5efa\u7bc9\u5b66\u4f1a\u5927\u4f1a\u6897\u6982\u96c6, 40115.<\/p>\n

(6)Matsuo A., Nagano Y., Ueno k., et al. (2023). \u201cRoom Acoustics Preference of Solo Singers for Mastering a Piece\uff0dExperiments Using \u201cSound Cask\u201d: A 3D Sound Field Simulation System\uff0d\u201d, Forum Acusticum2023.<\/p>\n

(7)\u677e\u5c3e, \u5bae\u5d0e, \u79cb\u7530\u4ed6 (2021).\u300c\u66f2\u4ed5\u4e0a\u3052\u904e\u7a0b\u306b\u304a\u3051\u308b\u6f14\u594f\u7a7a\u9593\u306e\u97f3\u97ff\u7279\u6027\u304c\u30d4\u30a2\u30ce\u594f\u8005\u306e\u6f14\u594f\u8868\u73fe\u306b\u4e0e\u3048\u308b\u5f71\u97ff\u306b\u3064\u3044\u3066\uff08\u305d\u306e 1\uff09\u2015 \u5ba4\u306e\u6b8b\u97ff\u6642\u9593\u306e\u9055\u3044\u304c\u30d4\u30a2\u30ce\u594f\u8005\u306e\u521d\u898b\u306e\u6f14\u594f\u884c\u52d5\u306b\u4e0e\u3048\u308b\u5f71\u97ff \u2015\u300d, \u65e5\u672c\u5efa\u7bc9\u5b66\u4f1a\u5927\u4f1a\u6897\u6982\u96c6, 40010.<\/p>\n

(8)Matsuo A., and Akita T. (2016). \u201cA Research on Understanding of Piano Players\u2019 Control of Performance Behavior in Brushing Up Processes of Music Piece Using Near-Infrared Spectroscopy\u201d, The Journal of the Acoustical Society of America2016.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u6f14\u984c\uff1a\u6f14\u594f\u8005\u306e\u7df4\u7fd2\u904e\u7a0b\u306b\u304a\u3051\u308b\u5ba4\u5185\u97f3\u97ff\u52b9\u679c\u306e\u6d3b\u7528\u306b\u5411\u3051\u305f\u7814\u7a76 Subject\uff1aA study on the utilization of room acoustics in the practice process of […]<\/p>\n","protected":false},"author":3,"featured_media":918,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[],"tags":[30,41,52],"class_list":["post-3501","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","tag-general","tag-education","tag-research"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.waseda.jp\/fhum\/archs\/wp-json\/wp\/v2\/posts\/3501","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.waseda.jp\/fhum\/archs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.waseda.jp\/fhum\/archs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/fhum\/archs\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/fhum\/archs\/wp-json\/wp\/v2\/comments?post=3501"}],"version-history":[{"count":1,"href":"https:\/\/www.waseda.jp\/fhum\/archs\/wp-json\/wp\/v2\/posts\/3501\/revisions"}],"predecessor-version":[{"id":3502,"href":"https:\/\/www.waseda.jp\/fhum\/archs\/wp-json\/wp\/v2\/posts\/3501\/revisions\/3502"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/fhum\/archs\/wp-json\/wp\/v2\/media\/918"}],"wp:attachment":[{"href":"https:\/\/www.waseda.jp\/fhum\/archs\/wp-json\/wp\/v2\/media?parent=3501"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.waseda.jp\/fhum\/archs\/wp-json\/wp\/v2\/categories?post=3501"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.waseda.jp\/fhum\/archs\/wp-json\/wp\/v2\/tags?post=3501"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}