{"id":32461,"date":"2025-07-28T14:06:04","date_gmt":"2025-07-28T05:06:04","guid":{"rendered":"https:\/\/www.waseda.jp\/culture\/?p=32461"},"modified":"2025-07-29T18:14:50","modified_gmt":"2025-07-29T09:14:50","slug":"%e3%80%90%e6%9c%83%e6%b4%a5%e5%85%ab%e4%b8%80%e8%a8%98%e5%bf%b5%e5%8d%9a%e7%89%a9%e9%a4%a8%e3%80%91%e5%af%8c%e5%b2%a1%e3%82%b3%e3%83%ac%e3%82%af%e3%82%b7%e3%83%a7%e3%83%b3%e5%b1%95-%e8%bf%91-2-2-2-1-5","status":"publish","type":"post","link":"https:\/\/www.waseda.jp\/culture\/news-en\/2025\/07\/28\/32461\/","title":{"rendered":"\u3010Yanai Initiative\u3011Lecture By &#8220;Oppenheimer&#8221; Playwright Allan Marett \u201cThe Oppenheimer Noh: a story for the nuclear age viewed through an ancient lens.\u201d (August 5)"},"content":{"rendered":"<h3>The Oppenheimer Noh: a story for the nuclear age viewed through an ancient lens.<\/h3>\n<p>Allan Marett, the writer of \u201cOppenheimer\u201d, will talk about why he chose Oppenheimer as the lead character, the shite, his interest in Noh drama, and more. He will also talk with Taichi KOYAMA, a professor at Rikkyo University.<\/p>\n<ul>\n<li>Day &amp; Time\uff1aAugust 5th, 2025 (Tuesday), 18:00-19:30<\/li>\n<li>Venue\uff1aRoom B101, Building 14 (Waseda Campus)<\/li>\n<li>Language\uff1aEnglish \/ Japanese<\/li>\n<li>Participation\uff1aFree<\/li>\n<li>Participants\uff1aStudents, Faculty and Public<\/li>\n<li>Presented by the Yanai Initiative for Globalizing Japanese Humanities<\/li>\n<\/ul>\n<p>A set of two books will be sold: the script of &#8216;Oppenheimer&#8217; and &#8216;Blue Moon Over Memphis&#8217;.<\/p>\n<h4>Lecture<\/h4>\n<p><strong>Allan Marett<\/strong><br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter &lt;img src=\" src=\"https:\/\/www.waseda.jp\/culture\/assets\/uploads\/2025\/05\/Allan-Marett006.jpg\" alt=\"\" width=\"153\" height=\"230\" \/> Musicologist working in the areas of Australian Aboriginal Music, Sino-Japanese music history and Noh. Currently Professor Emeritus at the University of Sydney. He has published widely on the history and analysis of the t\u014dgaku tradition of Japanese Court Music (gagaku) and on Australian Aboriginal ceremonial song.<\/p>\n<p><strong>Koyama Taichi<\/strong><br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-32203\" src=\"https:\/\/www.waseda.jp\/culture\/assets\/uploads\/2025\/05\/Koyama-Taichi.jpg\" alt=\"\" width=\"157\" height=\"203\" srcset=\"https:\/\/www.waseda.jp\/culture\/assets\/uploads\/2025\/05\/Koyama-Taichi.jpg 1025w, https:\/\/www.waseda.jp\/culture\/assets\/uploads\/2025\/05\/Koyama-Taichi-610x787.jpg 610w, https:\/\/www.waseda.jp\/culture\/assets\/uploads\/2025\/05\/Koyama-Taichi-940x1213.jpg 940w, https:\/\/www.waseda.jp\/culture\/assets\/uploads\/2025\/05\/Koyama-Taichi-768x991.jpg 768w\" sizes=\"auto, (max-width: 157px) 100vw, 157px\" \/> Born in Kyoto in 1974. Professor of English literature at Rikkyo University, Tokyo. Also active as translator of Anglophone literature: published translations include novels by Jane Austen, Evelyn Waugh and Thomas Pynchon.<\/p>\n<h4>Contact<\/h4>\n<p>Yanai Initiative for Globalizing Japanese Humanities: yanai.initiative@list.waseda.jp<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Oppenheimer Noh: a story for the nuclear age viewed through an ancient lens. Allan Marett, the writer of \u201c [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":30121,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[95],"tags":[83,82,94],"class_list":["post-32461","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-en","tag-education-en","tag-events-en","tag-general-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.waseda.jp\/culture\/wp-json\/wp\/v2\/posts\/32461","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.waseda.jp\/culture\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.waseda.jp\/culture\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/culture\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/culture\/wp-json\/wp\/v2\/comments?post=32461"}],"version-history":[{"count":2,"href":"https:\/\/www.waseda.jp\/culture\/wp-json\/wp\/v2\/posts\/32461\/revisions"}],"predecessor-version":[{"id":32508,"href":"https:\/\/www.waseda.jp\/culture\/wp-json\/wp\/v2\/posts\/32461\/revisions\/32508"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/culture\/wp-json\/wp\/v2\/media\/30121"}],"wp:attachment":[{"href":"https:\/\/www.waseda.jp\/culture\/wp-json\/wp\/v2\/media?parent=32461"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.waseda.jp\/culture\/wp-json\/wp\/v2\/categories?post=32461"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.waseda.jp\/culture\/wp-json\/wp\/v2\/tags?post=32461"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}