{"id":3419,"date":"2022-12-28T15:33:58","date_gmt":"2022-12-28T06:33:58","guid":{"rendered":"https:\/\/www.waseda.jp\/culture\/wihl\/?p=3419"},"modified":"2023-12-25T09:16:37","modified_gmt":"2023-12-25T00:16:37","slug":"%ef%bc%bbyanai-initiative%ef%bc%bdsymposium-koko-ni-ita-1-28","status":"publish","type":"post","link":"https:\/\/www.waseda.jp\/culture\/wihl\/other-en\/3419","title":{"rendered":"\uff3bYanai Initiative\uff3dPerformance and Talk Session &#8220;They Were Here&#8221; (January 28)"},"content":{"rendered":"<h3>They Were Here<\/h3>\n<p><strong>Novelist, Sculptor, Engineer, Media Artist\u2014Four Artists, Four Perspectives.<\/strong><br \/>\nAn Exhibition and Talk Session<\/p>\n<ul>\n<li>Day &amp; Time\uff1aJanuary 28th, 2023 (Saturday), 13:30-17:30 (JST)<\/li>\n<li>Venue\uff1aOno Auditorium, Waseda University<\/li>\n<li>Language\uff1aJapanese<\/li>\n<li>Participation\uff1aFree, Please use <a href=\"https:\/\/forms.gle\/CBe5miBR3ALoqg8L9\" target=\"_blank\" rel=\"noopener\">this link <\/a>to RSVP.<\/li>\n<li>Sponsored by the Yanai Initiative, with support from the Waseda International House of Literature<\/li>\n<\/ul>\n<p><a href=\"https:\/\/www.waseda.jp\/culture\/wihl\/assets\/uploads\/2022\/12\/856d3824e513656812fb87398ece0632.jpg\" target=\"_blank\" rel=\"noopener\">Flyer<\/a><\/p>\n<h4>Lecture<\/h4>\n<h5>Nodoka ODAWARA<\/h5>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-3416\" src=\"https:\/\/www.waseda.jp\/culture\/wihl\/assets\/uploads\/2022\/12\/c393057ca8b84e06585c90d5bf13f33b.png\" alt=\"\" width=\"168\" height=\"192\" \/><br \/>\nSculptor, critic, and publisher. Nodoka Odawara was born in Miyagi Prefecture in 1985. She holds a PhD in Fine Arts from University of Tsukuba and is the author of <em>Carving\/Conquering Modernity<\/em> (Kodansha, 2021). Her recent publications include <em>Yoshimoto Takaaki: Continuing to Contemplate the Era of Upheaval 10 Years After His Death<\/em> and <em>Abe\u2019s Assassination: Endings and Beginnings<\/em> (both Kawade Shobo Shinsha, 2022). Her major exhibitions include the 2021 exhibit <em>Carving\/Conquering Modernity: In Aomori\u2019s Snow Country<\/em> at the Aomori Contemporary Art Center and (<em>1946-1948 \/ 1923-1951<\/em>) at AICHI TRIENNALE 2019.<\/p>\n<h5>Yasuaki KAKEI<\/h5>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-3511\" src=\"https:\/\/www.waseda.jp\/culture\/wihl\/assets\/uploads\/2022\/12\/PrfKakei-610x604.jpeg\" alt=\"\" width=\"176\" height=\"174\" srcset=\"https:\/\/www.waseda.jp\/culture\/wihl\/assets\/uploads\/2022\/12\/PrfKakei-610x604.jpeg 610w, https:\/\/www.waseda.jp\/culture\/wihl\/assets\/uploads\/2022\/12\/PrfKakei-940x931.jpeg 940w, https:\/\/www.waseda.jp\/culture\/wihl\/assets\/uploads\/2022\/12\/PrfKakei-768x761.jpeg 768w, https:\/\/www.waseda.jp\/culture\/wihl\/assets\/uploads\/2022\/12\/PrfKakei-1536x1521.jpeg 1536w, https:\/\/www.waseda.jp\/culture\/wihl\/assets\/uploads\/2022\/12\/PrfKakei-2048x2028.jpeg 2048w\" sizes=\"auto, (max-width: 176px) 100vw, 176px\" \/><br \/>\nYasuaki Kakehi, PhD, is an artist and researcher of interactive media. He has worked at many universities, including Keio University and MIT. He joined The University of Tokyo\u2019s Graduate School of Interdisciplinary Information Studies as Professor in 2018. He researches and builds physical interfaces that pay particular attention to physical materials and physicality. His works have been exhibited at engineering conferences such as CHI and UIST, arts festivals such as Ars Electronica, and received awards such as the STARTS Prize Honorary Mention.<\/p>\n<h5>Hideo FURUKAWA<\/h5>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-3037\" src=\"https:\/\/www.waseda.jp\/culture\/wihl\/assets\/uploads\/2022\/09\/1001fideo.jpg\" alt=\"\" width=\"180\" height=\"189\" \/><br \/>\nAuthor. Hideo Furukawa was born in Fukushima Prefecture in 1966. Since publishing his 1998 debut novel, <em>13<\/em>, he has gone on to write fiction in a variety of formats, from flash fiction to giga-novels. He has also penned stage plays, criticism, and nonfiction. His public readings often feature collaborations that span disparate artistic fields and have inspired any number of original works. Furukawa does not simply write; he grapples with the limitless expanse of literary expression. His most recent work is also his first long-form poem, <em>Ten-on<\/em>. February 2023 will mark the 25th anniversary of his literary debut.<br \/>\nPlease see more at his official website, \u201c<strong>Hideo Furukawa: First, Last and Always<\/strong>\u201d<br \/>\n<a href=\"https:\/\/furukawahideo.com\" target=\"_blank\" rel=\"noopener\">https:\/\/furukawahideo.com<\/a><\/p>\n<h5>Masaki HUJIHATA<\/h5>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-3480\" src=\"https:\/\/www.waseda.jp\/culture\/wihl\/assets\/uploads\/2022\/12\/Fujihata.jpg\" alt=\"\" width=\"179\" height=\"171\" \/><br \/>\nArtist. Masaki Fujihata has been a trailblazer in media arts since the 1980s. He is the recipient of numerous awards. In 1996, he was the first Japanese artist awarded a Prix Ars Electronica Golden Nica. He has taught at Keio University since 1989 and Tokyo University of the Arts since 1998. In 2005, he helped establish Tokyo University of the Arts\u2019 Graduate School of Film and New Media. In 2022, Fujihata opened <em>BeHere \/ 1942<\/em> at the Japanese American National Museum (JANM) in Los Angeles. <em>BeHere \/ 1942<\/em> was realized in collaboration with JANM and the Yanai Initiative.<\/p>\n<h5>Maicheal EMMERICH<\/h5>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-3487\" src=\"https:\/\/www.waseda.jp\/culture\/wihl\/assets\/uploads\/2022\/12\/Emmerich.jpg\" alt=\"\" width=\"149\" height=\"186\" \/><br \/>\nMichael Emmerich is Tadashi Yanai Professor of Japanese Literature at UCLA, and has a joint appointment as Professor of Japanese Literature at Waseda University.<\/p>\n<h4>contact<\/h4>\n<p>Yanai Initiative for Globalizing Japanese Humanities : yanai@list.waseda.jp<\/p>\n","protected":false},"excerpt":{"rendered":"<p>They Were Here Novelist, Sculptor, Engineer, Media Artist\u2014Four Artists, Four Perspectives. An Exhibition and T [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":3627,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[97],"tags":[89,83,82,73],"class_list":["post-3419","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-other-en","tag-announcement-en","tag-education-en","tag-events-en","tag-research-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.waseda.jp\/culture\/wihl\/wp-json\/wp\/v2\/posts\/3419","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.waseda.jp\/culture\/wihl\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.waseda.jp\/culture\/wihl\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/culture\/wihl\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/culture\/wihl\/wp-json\/wp\/v2\/comments?post=3419"}],"version-history":[{"count":2,"href":"https:\/\/www.waseda.jp\/culture\/wihl\/wp-json\/wp\/v2\/posts\/3419\/revisions"}],"predecessor-version":[{"id":5923,"href":"https:\/\/www.waseda.jp\/culture\/wihl\/wp-json\/wp\/v2\/posts\/3419\/revisions\/5923"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.waseda.jp\/culture\/wihl\/wp-json\/wp\/v2\/media\/3627"}],"wp:attachment":[{"href":"https:\/\/www.waseda.jp\/culture\/wihl\/wp-json\/wp\/v2\/media?parent=3419"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.waseda.jp\/culture\/wihl\/wp-json\/wp\/v2\/categories?post=3419"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.waseda.jp\/culture\/wihl\/wp-json\/wp\/v2\/tags?post=3419"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}